Deposition of Christ with the Three Maries
1600s
17th century
23.3 cm (9 3/16 in.)
Alessandro Maganza
(Vicenza, 1556 - after 1630, Vicenza)
Primary
Object Type:
drawing
Artist Nationality:
Europe, Italian
Medium and Support:
Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down
Credit Line:
Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988
Accession Number:
1988.13
Alessandro Maganza was the first and most accomplished of a family of artists that dominated late sixteenth- and early seventeenth-century Vicenza. Their paintings generally offer a prosaic interpretation of Tintoretto’s dynamic design, dazzling illumination and broad execution. More distinctive and convincing, their drawings give an angular path a sharper edge to Veronese’s pen work. Recalling both Tintoretto and Veronese’s treatments of the Deposition, this sheet is a fine example.