Adoration of the Magi, from The Life of the Virgin, after Albrecht Dürer
29.7 cm x 21.6 cm (11 11/16 in. x 8 1/2 in.)
(Argini, Italy, circa 1470 or 1482 - circa 1527-1534, Bologna, Italy)
Medium and Support:
Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989
Raimondi attempted to capture the subtleties of Dürer’s woodcut style by using the more precise medium of engraving. In contrast to Dürer’s variegated tones and animated, angular lines, Raimondi’s burin strokes produce uniform parallel strokes, creating a homogeneous grey tone that contrasts sharply with the areas left white. The copy also loses most of the specificity of detail and texture found in Dürer’s original. Note, for example, Riamondi’s mechanical rendering of the hole in the wall just above the Virgin’s head.