Title
|
Artist
|
Medium & Support
|
Creation Date
|
"Enlightenment #4: Which Came First?"
|
Muñoz, Celia Alvarez
|
Five color photographs, letterpress on rag paper, & graphite in curly maple box
|
1982
|
A Cloud/The Cloud
|
Forsyth, Constance
|
Liquid rosin-ground
|
1954
|
A High Place
|
Forsyth, Constance
|
Liquid rosin-ground
|
1963
|
A High Place
|
Forsyth, Constance
|
Liquid rosin-ground
|
1963
|
A Land, from Growing New Roots
|
Leighton, Clare
|
Wood engraving
|
1975-1976
|
A Place with Birds
|
Forsyth, Constance
|
Liquid rosin-ground and drypoint
|
1958-1959
|
A Place with Birds
|
Forsyth, Constance
|
Liquid rosin-ground and drypoint
|
1958-1959
|
A Place with Birds
|
Forsyth, Constance
|
Liquid rosin-ground and drypoint
|
1958-1959
|
A Tree by the Road
|
McVeigh, Blanche
|
Etching
|
not dated
|
Ablaze
|
Miller, Melissa
|
Screenprint with 28 color applications
|
1987
|
Against the Darkness
|
Forsyth, Constance
|
Lithograph
|
1954
|
Albany, U.S.A.
|
Leighton, Clare
|
Wood engraving
|
1929
|
Amazon
|
Linhares, Judith
|
Linoleum cut
|
1993
|
Apple Pie
|
McVeigh, Blanche
|
Aquatint and etching
|
1939
|
Backyard Monster
|
Forsyth, Constance
|
Liquid rosin-ground and etching in green over relief rolled copper
|
1971
|
Barges
|
Leighton, Clare
|
Wood engraving
|
1924
|
Bear Dreams
|
Miller, Melissa
|
Two-color lithograph
|
1988
|
Below the Cliff
|
Forsyth, Constance
|
Liquid rosin-ground, drypoint and burin
|
1951
|
Beneath the Wave
|
Forsyth, Constance
|
Liquid rosin-ground and drypoint
|
1962-1963
|
Bird and Waves
|
Forsyth, Constance
|
Liquid rosin-ground and drypoint
|
1962
|
Books and Candle, from Thomas Hardy The Return to Native
|
Leighton, Clare
|
Wood engraving
|
1928
|
Bowing Trees
|
McVeigh, Blanche
|
Aquatint with etching
|
not dated
|
Breaking Up the Barge
|
Leighton, Clare
|
Wood engraving
|
1925
|
Bringing Home the Furze, from Thomas Hardy The Return to Native
|
Leighton, Clare
|
Wood engraving
|
1928
|
Brother Law's Wife
|
Forsyth, Constance
|
Lithograph
|
1946
|