Title | Artist | Medium & Support | Creation Date |
Mucius Scaevola Putting His Hand in the Fire | Boucher, François | Black and white chalks on blue antique laid paper, laid down | circa 1726-1728 |
Neptune and Amphitrite | Natoire, Charles-Joseph | Black chalk with brush and brown wash and white heightening on blue laid paper | circa 1730s |
Study of a Man | Lancret, Nicolas | Black and white chalks on gray laid paper | 1730s |
The Rest on the Flight into Egypt | Pierre, Jean-Baptiste-Marie | Pen and black ink and gray wash on paper, laid down | circa 1740s-1750s |
France Thanking Heaven for the Recovery of Louis XV | Coypel, Charles-Antoine | Black and white chalks with brush and gray wash and touches of red chalk on cream antique laid paper | 1744 |
Personification of Justice | Parrocel, Étienne | Black and white chalks on beige antique laid paper | circa 1750s |
Venus and Cupid | Natoire, Charles-Joseph | Black and white chalk with stumping on blue laid paper | 1755 |
Scene from Roman History | Pajou, Formerly attributed to Jacques Augustin | Pen and black ink and stumping over black chalk with white chalk on gray paper | circa 1760-1780 |
River Landscape | Pillement, Jean-Baptiste | Black chalk on laid paper, laid down on card | 1760s |
River Landscape | Pillement, Jean-Baptiste | Black chalk on cream laid paper | 1760s |
A Fantastic Flowering Branch | Pillement, Jean-Baptiste | Black chalk on heavy, cream laid paper | circa 1760 |
Illustration for Pierre Corneille's Polyeucte; Verso fragment of an equestrian figure | Gravelot, Attributed to Hubert-François Bourguignon | Pen and brown ink and wash on laid paper | circa 1764 |
The Arms of a Girl Holding a Bird | Greuze, Jean-Baptiste | Red chalk on cream laid paper | circa 1765 |
Juno Commanding Aeolus to Unleash the Winds | Boucher, François | Black chalk on cream antique laid paper | 1769 |
Three Women, Two with Baskets | Jeaurat, Attributed to Étienne | Black and white chalk on gray laid paper | circa 1770 |
The Reconciliation of the Romans and Sabines, after Peter Paul Rubens | Fragonard, Jean-Honoré | Brown wash and black chalk on antique laid paper, the corners cropped on paper | 1773 |
Christ Presented to the People | Lafage, Formerly attributed to Raymond | Black chalk, pen and brown ink on paper, laid down on card | circa 1775-1799 |
A Roman Vault with a Cow Herd | Fragonard, Circle of Jean-Honoré | Brown wash, heightened with white on laid paper, laid down on card | circa 1775-1799 |
Noah Leading the Animals into the Ark, after Giovanni Benedetto Castiglione | Anonymous | Brush with colored oils on antique laid paper, laid down | circa 1780 |
Monks Entering a Cloister | Granet, François-Marius | Pen and brown ink with brown and gray washes on ivory wove paper | circa 1802-1819 |
Portrait of a Man | Hesse, Henri-Joseph | Brush with brown ink and white heightening over traces of black chalk on beige.. | 1811 |
A Marshy River Landscape | Rousseau, Théodore | Charcoal heightened with white chalk on pink wove paper, laid down on laid paper | circa 1845 |
Portrait of a Woman | Vigée-LeBrun, In the style of Elisabeth Louise | Pastel on board | circa 1850-1899 |
Study for 'A quelle sauce...?' ['What to Make of It?'] | Belloguet, A. | Pen and brown ink over graphite on wove paper | circa 1872 |
A quelle sauce...?, from Fantaisies satiriques | Belloguet, A. | Pen lithograph | circa 1872 |
Your current search criteria is: Portfolio is "Storied Past".
View current selection of records as: