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Title Artist Medium & Support Creation Date
Three Graces (?) (recto and verso), plate 34 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]   Hidalgo, José Garcia   Etching   
Saint Jerome Hearing the Trumpet of the Last Judgment   Ribera, Jusepe de   Etching and engraving  1621 
Saint Jerome Hearing the Trumpet of the Last Judgment   Ribera, Jusepe de   Etching with drypoint and engraving  1621 
The Small Grotesque Head   Ribera, Jusepe de   Etching  1622 
Martyrdom of Saint Bartholomew   Ribera, Jusepe de   Etching  1624 
Drunken Silenus   Ribera, Jusepe de   Etching and engraving  1628 
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]     Etching  1693 
Despacha, que dispiértan [Be Quick, They Are Waking Up], plate 78 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and burnished aquatint  1797-1798 (p. 1868) 
Donde vá mama? [Where is Mother Going?], plate 65 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1798 (p. 1868) 
De que mal morira? [Of What Ill Will He Die?], plate 40 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and aquatint  1797-1799 
Las rinde el sueño [Sleep Overcomes Them], plate 34 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and burnished aquatint  1797-1799 
Donde vá mama? [Where is Mother Going?], plate 65 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1799 (p. 1799) 
Tragala Perro [Swallow It, Dog], plate 58 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, burnished aquatint and drypoint  1797-1799 (p. 1799) 
Linda maestra! [Pretty Teacher!], plate 68 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, burnished aquatint and drypoint  1797-1799 (p. 1799) 
Despacha, que dispiértan [Be Quick, They Are Waking Up], plate 78 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and burnished aquatint  1797-1799 (p. 1799) 
Quien lo creyera! [Who Would Have Thought It!], plate 62 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, burnished aquatint and burin  1797-1799 (p. 1855) 
Devota profesion [Devout Profession], plate 70 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1799 (p. 1890-1900) 
Muchachos al avío [Lads Making Ready], plate 11 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, burnished aquatint and burin  1797-1799 (p. 1890-1900) 
Nadie se conoce [Nobody Knows Himself], plate 6 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and burnished aquatint  1797-1799 (p. 1890-1900) 
Dios la perdone: y era su madre [For Heaven's Sake: And It Was Her Mother], plate 16 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1799 (p. 1890-1900) 
Contra el bien general [Against the Common Good], plate 71 from Los Desastres de la Guerra   Goya y Lucientes, Francisco de   Etching and burnisher  1810 - circa 1820 (p. 1863) 
Ni por esas [Neither Do These], plate 11 from Los Desastres de la Guerra   Goya y Lucientes, Francisco de   Etching, lavis, drypoint and burin  1810 - circa 1820 (p. 1903) 
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint, drypoint and burin  1815-1816 (p. 1816) 
El Cid Campeador lanceando otro toro [The Cid Campeador Spearing another Bull], plate 11 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint and burin  1815-1816 (p. 1855) 
Modo con que los antiguos españoles cazaban los toros á caballo en el campo [The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country], plate 1 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint and drypoint  1815-1816 (p. 1905) 

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