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Title
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Artist
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Medium & Support
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Creation Date
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Three Graces (?) (recto and verso), plate 34 from Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
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Hidalgo, José Garcia
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Etching
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Saint Jerome Hearing the Trumpet of the Last Judgment
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Ribera, Jusepe de
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Etching and engraving
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1621
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Saint Jerome Hearing the Trumpet of the Last Judgment
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Ribera, Jusepe de
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Etching with drypoint and engraving
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1621
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The Small Grotesque Head
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Ribera, Jusepe de
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Etching
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1622
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Martyrdom of Saint Bartholomew
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Ribera, Jusepe de
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Etching
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1624
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Drunken Silenus
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Ribera, Jusepe de
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Etching and engraving
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1628
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Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]
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Etching
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1693
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Despacha, que dispiértan [Be Quick, They Are Waking Up], plate 78 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching and burnished aquatint
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1797-1798 (p. 1868)
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Donde vá mama? [Where is Mother Going?], plate 65 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, aquatint and drypoint
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1797-1798 (p. 1868)
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De que mal morira? [Of What Ill Will He Die?], plate 40 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching and aquatint
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1797-1799
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Las rinde el sueño [Sleep Overcomes Them], plate 34 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching and burnished aquatint
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1797-1799
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Donde vá mama? [Where is Mother Going?], plate 65 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, aquatint and drypoint
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1797-1799 (p. 1799)
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Tragala Perro [Swallow It, Dog], plate 58 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, burnished aquatint and drypoint
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1797-1799 (p. 1799)
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Linda maestra! [Pretty Teacher!], plate 68 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, burnished aquatint and drypoint
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1797-1799 (p. 1799)
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Despacha, que dispiértan [Be Quick, They Are Waking Up], plate 78 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching and burnished aquatint
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1797-1799 (p. 1799)
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Quien lo creyera! [Who Would Have Thought It!], plate 62 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, burnished aquatint and burin
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1797-1799 (p. 1855)
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Devota profesion [Devout Profession], plate 70 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, aquatint and drypoint
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1797-1799 (p. 1890-1900)
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Muchachos al avío [Lads Making Ready], plate 11 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, burnished aquatint and burin
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1797-1799 (p. 1890-1900)
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Nadie se conoce [Nobody Knows Himself], plate 6 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching and burnished aquatint
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1797-1799 (p. 1890-1900)
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Dios la perdone: y era su madre [For Heaven's Sake: And It Was Her Mother], plate 16 from Los Caprichos
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Goya y Lucientes, Francisco de
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Etching, aquatint and drypoint
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1797-1799 (p. 1890-1900)
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Contra el bien general [Against the Common Good], plate 71 from Los Desastres de la Guerra
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Goya y Lucientes, Francisco de
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Etching and burnisher
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1810 - circa 1820 (p. 1863)
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Ni por esas [Neither Do These], plate 11 from Los Desastres de la Guerra
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Goya y Lucientes, Francisco de
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Etching, lavis, drypoint and burin
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1810 - circa 1820 (p. 1903)
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Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia
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Goya y Lucientes, Francisco de
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Etching, burnished aquatint, drypoint and burin
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1815-1816 (p. 1816)
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El Cid Campeador lanceando otro toro [The Cid Campeador Spearing another Bull], plate 11 from La Tauromaquia
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Goya y Lucientes, Francisco de
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Etching, burnished aquatint and burin
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1815-1816 (p. 1855)
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Modo con que los antiguos españoles cazaban los toros á caballo en el campo [The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country], plate 1 from La Tauromaquia
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Goya y Lucientes, Francisco de
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Etching, burnished aquatint and drypoint
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1815-1816 (p. 1905)
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Prints - Spanish 17th - 19th Century
by Artist
by Artist