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Title Artist Medium & Support Creation Date
Cogida de un moro estando en la plaza [A Moor Caught by the Bull in the Ring], plate 8 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint and drypoint  1815-1816 (p. 1905) 
Contra el bien general [Against the Common Good], plate 71 from Los Desastres de la Guerra   Goya y Lucientes, Francisco de   Etching and burnisher  1810 - circa 1820 (p. 1863) 
Cupid Whipping a Satyr   Ribera, Jusepe de   Etching  circa 1650 
De que mal morira? [Of What Ill Will He Die?], plate 40 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and aquatint  1797-1799 
Despacha, que dispiértan [Be Quick, They Are Waking Up], plate 78 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and burnished aquatint  1797-1798 (p. 1868) 
Despacha, que dispiértan [Be Quick, They Are Waking Up], plate 78 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and burnished aquatint  1797-1799 (p. 1799) 
Devota profesion [Devout Profession], plate 70 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1799 (p. 1890-1900) 
Dios la perdone: y era su madre [For Heaven's Sake: And It Was Her Mother], plate 16 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1799 (p. 1890-1900) 
Disparate conocido [Well-Known Folly], from Los Proverbios   Goya y Lucientes, Francisco de   Etching and burnished aquatint  circa 1816-1824 (p. 1828-1877) 
Disparate general [General Folly], plate 9 from Los Proverbios   Goya y Lucientes, Francisco de   Etching and burnished aquatint  circa 1816-1824 (p. 1864) 
Donde vá mama? [Where is Mother Going?], plate 65 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1799 (p. 1799) 
Donde vá mama? [Where is Mother Going?], plate 65 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1798 (p. 1868) 
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint, drypoint and burin  1816 (p. 1905) 
Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint, drypoint and burin  1815-1816 (p. 1816) 
Drunken Silenus   Ribera, Jusepe de   Etching and engraving  1628 
El Cid Campeador lanceando otro toro [The Cid Campeador Spearing another Bull], plate 11 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint and burin  1815-1816 (p. 1855) 
El Embozado [The Cloaked Man] or El Torero anciano [The Old Bullfighter]   Goya y Lucientes, Francisco de   Etching with posthumous drypoint additions   circa 1824-1826 (p. 1859) 
Flying Cherubim, plate 28 from Principios para estudiar el nobilísimo y real arte de la pintura [Principles for Studying the Most Noble and High Art of Painting]   Hidalgo, José Garcia   Etching  circa 1680-1691 
Lamentation of Christ   Ribera, Jusepe de   Etching with drypoint  before 1624 
Las rinde el sueño [Sleep Overcomes Them], plate 34 from Los Caprichos   Goya y Lucientes, Francisco de   Etching and burnished aquatint  1797-1799 
Linda maestra! [Pretty Teacher!], plate 68 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, burnished aquatint and drypoint  1797-1799 (p. 1799) 
Manos. Siete (3, 1, 2, 1), la primera empuna un palo [Seven Hands, the First Holding a Staff], plate 49 from the Principios para estudiar el nobilismo y real Arte de la Pintura [Principles for Studying the Most Noble and High Art of Painting]     Etching  1693 
Martyrdom of Saint Bartholomew   Ribera, Jusepe de   Etching  1624 
Modo con que los antiguos españoles cazaban los toros á caballo en el campo [The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country], plate 1 from La Tauromaquia   Goya y Lucientes, Francisco de   Etching, burnished aquatint and drypoint  1815-1816 (p. 1905) 
Muchachos al avío [Lads Making Ready], plate 11 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, burnished aquatint and burin  1797-1799 (p. 1890-1900) 

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