Title
|
Artist
|
Medium & Support
|
Creation Date
|
The Sleeping Congregation
|
Hogarth, William
|
Etching and engraving
|
1736
|
Night
|
Hogarth, William
|
Etching and engraving
|
1738
|
The Place and Church of St. John and St. Paul, after Michele Marieschi
|
Bowles, Thomas
|
Etching
|
1744
|
A View of St. Carlin's Church at the Four Fountains at Rome, after Piranesi
|
Bowles, Thomas
|
Hand-colored engraving
|
1750
|
Beer Street
|
Hogarth, William
|
Etching and engraving
|
1751
|
The First Stage of Cruelty, from The Four Stages of Cruelty
|
Hogarth, William
|
Etching with engraving
|
1751
|
Analysis of Beauty, plate 1
|
Hogarth, William
|
Etching and engraving
|
1753
|
Credulity, Superstition and Fanaticism: A Medley
|
Hogarth, William
|
Etching and engraving
|
1762
|
Angel Bearing a Cross, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini
|
Ryland, William Wynne
|
Etching and aquatint with roulette
|
1764
|
Angel Bearing a Pillar, from the Ponte Sant'Angelo, after Gian Lorenzo Bernini
|
Ryland, William Wynne
|
Etching and aquatint with roulette
|
1764
|
Chirk Castle etc. from Wynnstay Park, plate 3 from XII Views in North Wales
|
Sandby, Paul
|
Etching and aquatint
|
1776
|
Part of the Tuileries
|
Girtin, Thomas
|
Graphite and watercolor on off-white antique laid paper
|
1801
|
Harlech Castle in Marionethshire, with Snowdon at a Distance, plate 7 from XII Views in North Wales
|
Sandby, Paul
|
Etching and aquatint
|
1776
|
Kutwhattea Gate, Rohtasgarh, Bihar
|
Daniell, Thomas
|
Brown wash and graphite
|
1790-1791
|
Remains of Fort Gate at Curra [Kara]
|
Daniell, Thomas
|
Brown wash and graphite
|
circa 1788
|
The Enraged Musician
|
Hogarth, William
|
Etching and engraving
|
1741
|
The Industrious 'Prentice Performing the Duty of a Christian, plate II from Industry and Idleness
|
Hogarth, William
|
Etching and engraving
|
1747
|
Classical Landscape, no. 67 from Liber Veritatis, after Claude Lorrain
|
Earlom, Richard
|
Mezzotint
|
1774
|
View of Ranby's House
|
Hogarth, William
|
Etching
|
circa 1750
|
Part of the Colonnade and Piazza Leading to St. Peter's Church in Rome
|
Cooper, Jr., Richard
|
Etching and aquatint
|
1778
|
Heroic Landscape with Dedication and Classical Ruins, after Marco Ricci
|
Jackson, John Baptist
|
Chiaroscuro woodcut from seven-to-ten blocks
|
1744
|
Landscape with Aeneas, after Claude Lorrain
|
Pond, Arthur
|
Etching and color woodcut from two blocks
|
1734
|