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Title Artist Medium & Support Creation Date
Sed pública [Public Thirst], from Fifteen Photographs by Manuel Álvarez Bravo, 1974   Álvarez Bravo, Manuel   Gelatin silver print  1934 
Chocolat Mexicain -Adolesence, from the Ages of Man   Mucha, Alphonse   Lithograph  1897 
L'Enfance No. 2 [Childhood], No. 14 from Les Grimaces   Boilly, Louis-Léopold   Lithograph with hand coloring  circa 1823 
Ah! Le chie-en-lit-lit, No. 36 from Les Grimaces   Boilly, Louis-Léopold   Lithograph with hand-coloring  1824 
Le Retour [The Return]   Boilly, Louis-Léopold   Lithograph with hand coloring  circa 1825 
Garçon donnant l'avoine à un cheval dételé [Boy Giving Oats to an Unharnassed Horse], from Etudes de cheveaux [Studies of Horses]   Géricualt and Joseph Volmar, Jean-Louis-Andre-Théodore   Lithograph on chine collé  1822 
El niño del taco [Boy with Taco]   Rivera, Diego   Lithograph  1932 
L'Écolier [The School Boy], from Du Cubisme   Gleizes, Albert   Etching  1946 
Day of the Dead/Día de los muertos   Rodríguez, Artemio   Color screenprint  1995 
Venus Wounded by Cupid's Dart, after Raphael   Veneziano, Agostino dei Musi, called   Engraving  1516 
Venus and Cupid, after Raphael   Veneziano, Agostino dei Musi, called   Engraving  1516 
The Rat Catcher   Visscher, Cornelis   Etching and engraving  1655 
A Dog Drinking and Another Resting, plate 8 from The Set of Dogs   Ducq, Jan le   Etching  1661 
The First Stage of Cruelty, from The Four Stages of Cruelty   Hogarth, William   Etching with engraving  1751 
The Porter and the Hare, after Johann Joseph Zoffany   Earlom, Richard   Mezzotint  1774 
Monsieur Fanfan, after Jean-Honoré Fragonard   Gérard, Marguerite   Etching  1778 
Monsieur Fanfan jouant avec Monsieur Polchinelle et compagnie [Mister Fanfan Playing with Mister Punchinello and Company]   Fragonard, Jean-Honoré   Etching  1778 
Cheval de ferme [Horse Farm]   Géricault, Jean-Louis-André-Théodore   Lithograph  1823 
Quand maman aime bien petit papa, elle appelle petit papa “ma niniche” [When Mama really loves Papa, she calls Papa “my niniche”], plate 13 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 15 June 1840   Gavarni, Paul   Lithograph with hand coloring  1840 
Tu ne sais pas ta leçon, ta tante va venir: tu seras grondé! [If you do not know your lesson, your aunt will come: you will be scolded!], plate 36 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 17 May 1841   Gavarni, Paul   Lithograph with hand coloring  1841 
Cette madame de Lieusaint est-elle bête! [That lady from Lieusaint is stupid!], plate 42 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 9 August 1841   Gavarni, Paul   Lithograph with hand coloring  1841 
Papa, empêche donc Françoise de se moquer toujours de moi [Papa, please tell Françoise not to make fun of me], plate 31 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 13 March 1841   Gavarni, Paul   Lithograph with hand coloring  1841 
M’man [sic] n’y est pas parce que tu rentres avant cinq heures [Mama is not there because you returned before five o’clock], plate 47 from Les Enfans [sic] terribles [Terrible Children], in Le Charivari, 3 October 1841   Gavarni, Paul   Lithograph with hand coloring  1841 
The Last Days of Harvest, from Harper's Weekly 6 December 1873   Homer, After Winslow   Wood engraving  1873 
Lambing   Leighton, Clare   Wood engraving  1926 

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