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Title Artist Medium & Support Creation Date
Hercules and Omphale, after François Lemoyne   Cars, Laurent   Etching and engraving  1728 
Hercules and Omphale, after François Lemoyne   Cars, Laurent   Etching and engraving  1728 
The Death of Adonis, after Raphael, plate 42 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Croz   Comte de Caylus, Anne-Claude-Philippe de Tubieres, called Comte De   Etching in brown ink  1729 
Standing Male Nude   Batoni or Studio, Pompeo Girolamo   Black and white chalks on blue prepared antique laid paper  1779 
A Naked Bearded Man Seated with His Arms Bound, over Whom a Youth Pulls a Covering, after Baccio Bandinelli, from Ten Prints in Chiaroscuro   Skippe, John   Chiaroscuro woodcut from two blocks, tone block printed in dark olive  1782 
The Laocoön, after a Roman copy of a Hellenistic statue, 2nd century B.C.   Piranesi, Francesco   Etching  1790 
Saint Irene and Companions Tending Saint Sebastian   David, Giovanni   Etching  1770's 
Donde vá mama? [Where is Mother Going?], plate 65 from Los Caprichos   Goya y Lucientes, Francisco de   Etching, aquatint and drypoint  1797-1798 (p. 1868) 
Allegory of Disillusionment, after Paolo Veronese, plate 163 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](   Audran II (called The Younger), Benoit   Etching and engraving  after 1730-before 1740 
Expulsion from Paradise of Adam and Eve, after Domenichino, plate 177 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in   Tardieu, Nicolas-Henri   Etching and engraving  after 1730-before 1740 
Frontispiece to Six figures académiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Seated on the Ground on a Drapery, Turned to the Right, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Seen from Behind, Turned to the Left and Holding the Legs of an Extended Dead Man, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1742 - 1743 
A Man Standing with His Right Leg Planted and the Other Extended Behind Him on a Large Stone, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Standing, Looking to the Right with His Left Hand to His Chin, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Turned to the Left, Pulling a Rope, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
Tityos, after Michelangelo   Bartolozzi, Francesco   Stipple engraving in brown ink  1795 
Figure from the Last Judgment, after Michelangelo   Bartolozzi, Francesco   Stipple engraving in sanguine  1795 
Allegory of Time   Carlone, Circle of Carlo   Red chalk   
Studies of a Satyr and Diana (recto); Study of Diana (verso)   Creti, Follower of Donato   Pen and brown ink on cream antique laid paper (recto); pen and brown ink (verso)   
A Design for a Fan with Apollo and Daphne   Fontebasso, Francesco   Pen and black ink, gray wash   
Pluto   Tiepolo, Giovanni Battista   Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down  circa 1743 
Study of a Male Nude as Hercules   Piazzetta, Giovanni Battista   Black chalk with touches of red chalk on cream antique laid paper, laid down  1710s 
Studies of Figures for the 'Fall of Simon Magus' (recto and verso)   Batoni, Pompeo   Red and white chalks with traces of black chalk on blue antique laid paper (Recto); Red, white, and black chalks  1746 
Saint Michael   De Ferrari, Lorenzo   Black chalk, pen and gray ink   

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