|
Title
|
Artist
|
Medium & Support
|
Creation Date
|
|
Les Baigneurs (grande planche) [The Large Bathers]
|
Cézanne, Paul
|
Transfer and color lithograph
|
1896-1897
|
|
Hercules and Omphale, after François Lemoyne
|
Cars, Laurent
|
Etching and engraving
|
1728
|
|
Hercules and Omphale, after François Lemoyne
|
Cars, Laurent
|
Etching and engraving
|
1728
|
|
The Death of Adonis, after Raphael, plate 42 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Croz
|
Comte de Caylus, Anne-Claude-Philippe de Tubieres, called Comte De
|
Etching in brown ink
|
1729
|
|
Aurora and Cephalus, after Baron Guérin
|
Forster, François
|
Engraving
|
1821
|
|
Oedipus and the Sphinx, after Jean-Auguste-Dominique Ingres
|
Gaillard, Claude-Ferdinand
|
Engraving
|
1867
|
|
Le Crépuscule [Dusk], after Michelangelo
|
Gaillard, Claude-Ferdinand
|
Engraving
|
1876
|
|
Le Crépuscule [Dusk], after Michelangelo
|
Gaillard, Claude-Ferdinand
|
Engraving
|
1876
|
|
The Rape of Hippodamia, after Enea Vico, after Rosso Fiorentino
|
Delaune, Etienne
|
Engraving
|
1550-1583
|
|
Allegory of Disillusionment, after Paolo Veronese, plate 163 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](
|
Audran II (called The Younger), Benoit
|
Etching and engraving
|
after 1730-before 1740
|
|
Expulsion from Paradise of Adam and Eve, after Domenichino, plate 177 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in
|
Tardieu, Nicolas-Henri
|
Etching and engraving
|
after 1730-before 1740
|
|
Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules
|
Salmon, Gabriel
|
Woodcut (printed on one sheet)
|
circa 1528
|
|
Male Figure Leaning on a Socle
|
Juste, Juste de
|
Etching
|
circa 1543
|
|
Male Nude
|
Juste, Juste de
|
Etching
|
circa 1543
|
|
Male Nude
|
Juste, Juste de
|
Etching
|
circa 1543
|
|
Frontispiece to Six figures académiques [Six Academic Figures]
|
Loo, Carle van
|
Etching
|
circa 1743
|
|
A Man Seated on the Ground on a Drapery, Turned to the Right, from Six figures academiques [Six Academic Figures]
|
Loo, Carle van
|
Etching
|
circa 1743
|
|
A Man Seen from Behind, Turned to the Left and Holding the Legs of an Extended Dead Man, from Six figures academiques [Six Academic Figures]
|
Loo, Carle van
|
Etching
|
circa 1742 - 1743
|
|
A Man Standing with His Right Leg Planted and the Other Extended Behind Him on a Large Stone, from Six figures academiques [Six Academic Figures]
|
Loo, Carle van
|
Etching
|
circa 1743
|
|
A Man Standing, Looking to the Right with His Left Hand to His Chin, from Six figures academiques [Six Academic Figures]
|
Loo, Carle van
|
Etching
|
circa 1743
|
|
A Man Turned to the Left, Pulling a Rope, from Six figures academiques [Six Academic Figures]
|
Loo, Carle van
|
Etching
|
circa 1743
|
|
Study of a Male Nude, Seen From Behind
|
Anonymous
|
Black chalk
|
circa 1850
|
|
Tityos, after Michelangelo
|
Beatrizet, Nicolas
|
Engraving
|
circa 1542
|
|
Rape of Ganymede, after Michelangelo
|
Beatrizet, Nicolas
|
Engraving
|
|
|
The Laocöon, after Pierre Bouillon, after the Antique
|
Bervic, Charles-Clément
|
Engraving
|
1809
|
by Artist
by Artist