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Title Artist Medium & Support Creation Date
Les Baigneurs (grande planche) [The Large Bathers]   Cézanne, Paul   Transfer and color lithograph  1896-1897 
Hercules and Omphale, after François Lemoyne   Cars, Laurent   Etching and engraving  1728 
Hercules and Omphale, after François Lemoyne   Cars, Laurent   Etching and engraving  1728 
The Death of Adonis, after Raphael, plate 42 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Croz   Comte de Caylus, Anne-Claude-Philippe de Tubieres, called Comte De   Etching in brown ink  1729 
Aurora and Cephalus, after Baron Guérin   Forster, François   Engraving  1821 
Oedipus and the Sphinx, after Jean-Auguste-Dominique Ingres   Gaillard, Claude-Ferdinand   Engraving  1867 
Le Crépuscule [Dusk], after Michelangelo   Gaillard, Claude-Ferdinand   Engraving  1876 
Le Crépuscule [Dusk], after Michelangelo   Gaillard, Claude-Ferdinand   Engraving  1876 
The Rape of Hippodamia, after Enea Vico, after Rosso Fiorentino   Delaune, Etienne   Engraving  1550-1583 
Allegory of Disillusionment, after Paolo Veronese, plate 163 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](   Audran II (called The Younger), Benoit   Etching and engraving  after 1730-before 1740 
Expulsion from Paradise of Adam and Eve, after Domenichino, plate 177 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in   Tardieu, Nicolas-Henri   Etching and engraving  after 1730-before 1740 
Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules   Salmon, Gabriel   Woodcut (printed on one sheet)  circa 1528 
Male Figure Leaning on a Socle   Juste, Juste de   Etching  circa 1543 
Male Nude   Juste, Juste de   Etching  circa 1543 
Male Nude   Juste, Juste de   Etching  circa 1543 
Frontispiece to Six figures académiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Seated on the Ground on a Drapery, Turned to the Right, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Seen from Behind, Turned to the Left and Holding the Legs of an Extended Dead Man, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1742 - 1743 
A Man Standing with His Right Leg Planted and the Other Extended Behind Him on a Large Stone, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Standing, Looking to the Right with His Left Hand to His Chin, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Turned to the Left, Pulling a Rope, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
Study of a Male Nude, Seen From Behind   Anonymous   Black chalk  circa 1850 
Tityos, after Michelangelo   Beatrizet, Nicolas   Engraving  circa 1542 
Rape of Ganymede, after Michelangelo   Beatrizet, Nicolas   Engraving   
The Laocöon, after Pierre Bouillon, after the Antique   Bervic, Charles-Clément   Engraving  1809 

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