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Title Artist Medium & Support Creation Date
"And He Smote Job with sore Boils...," plate 6 from the Illustrations of the Book of Job   Blake, William   Engraving  1823-1825 
[A Rather Tragic] Early Sunday Morning [after Hopper], from Estuve casi todo el invierno en Rheinlandia, escribiendo estos boleros - A Fully Illustrated Winter Book   Tonel   Lithograph  1999 
347, from Suite 347   Picasso, Pablo   Etching and drypoint  1968 
A Design for a Fan with Apollo and Daphne   Fontebasso, Francesco   Pen and black ink, gray wash   
A Dragon Decapitated by Perseus, and Two Men   Farinati, Paolo   Pen and brown ink and wash, heighened with white, over black chalk   
A Kneeling Youth with His Hands Bound   Semplice da Verona, Fra   Black, red, and white chalks on blue antique laid paper, faded to gray-green, laid down  1620s 
A Male Nude Pounding   Della Bella, Stefano   Red chalk with faint squaring in black chalk on ivory antique laid paper mounted on paper   
A Man Holding a Staff   Piola, Paolo Gerolamo   Black chalk   
A Man Seated on the Ground on a Drapery, Turned to the Right, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Seen from Behind, Turned to the Left and Holding the Legs of an Extended Dead Man, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1742 - 1743 
A Man Standing with His Right Leg Planted and the Other Extended Behind Him on a Large Stone, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Standing, Looking to the Right with His Left Hand to His Chin, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Man Turned to the Left, Pulling a Rope, from Six figures academiques [Six Academic Figures]   Loo, Carle van   Etching  circa 1743 
A Naked Bearded Man Seated with His Arms Bound, over Whom a Youth Pulls a Covering, after Baccio Bandinelli, from Ten Prints in Chiaroscuro   Skippe, John   Chiaroscuro woodcut from two blocks, tone block printed in dark olive  1782 
A Personification of Geography (recto and verso)   Diamantini, Attributed to Giuseppe   Pen and iron gall ink (recto); red chalk (verso) on laid paper   
A Soldier, from the Conversion of Saul, after Michelangelo   Alberti, Cherubino   Engraving  1590 
A Young Man Protected by Fortune (L'homme et la femme aux boules), after Francesco Francia(?)   Raimondi, Marcantonio   Engraving  circa 1506-1507 
Adam and Eve Before the Tree of Knowledge, plate 2 from History of the First Parents of Man, after Abraham Bloemaert   Saenredam, Jan   Engraving  1604 
Adam and Eve Before the Tree of Knowledge, plate 2 from History of the Parents of Man, after Abraham Bloemaert   Saenredam, Jan   Engraving  1604 
Adam Naming the Animals, plate I from History of the First Parents of Man, after Abraham Bloemaert   Saenredam, Jan   Engraving  1604 
Adam Naming the Animals, plate I from History of the First Parents of Man, after Abraham Bloemaert   Saenredam, Jan   Engraving  1604 
Aer, from The Elements   Goltzius, After Hendrick   Engraving  1586 
Alkmen mit Zeus - Amphitrion and Hermes [Alcmene with Zeus - Amphitryon and Hermes], from Die Liebschaften des Zeus [The Loves of Zeus]   Corinth, Lovis   Color lithograph  1920 
Allegory of Disillusionment, after Paolo Veronese, plate 163 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](   Audran II (called The Younger), Benoit   Etching and engraving  after 1730-before 1740 
Allegory of Imperial Liberality Toward Education   Campi, Circle of Giulio   Pen and two brown inks with brush and brown wash and white heightening on beige antique laid paper, laid down  circa 1541 

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