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Title Artist Medium & Support Creation Date
Rustic Market, from Large Landscapes, after Pieter Bruegel, the elder   Doetechum, Jan and Lucas van   Etching and engraving  circa 1555-1557 
Accidente [An accident], no. 7 from 25 Prints of Leopoldo Méndez   Méndez, Leopoldo   Linocut  1934 
La quema [The Kiln], from Fifteen Photographs by Manuel Álvarez Bravo, 1974   Álvarez Bravo, Manuel   Gelatin silver print  1957 
Carretón, from I Portfolio de arte boliviano   Vaca, Lorgio   Fourteen-color screenprint  1988 
Constructor de La Paz, from I Portfolio de arte boliviano   Ugalde, Fernando   Three-color screenprint with embossed platemark  1988 
Tu ne fais donc pas d’études?--Je me servirai des tiennes. [You do not make studies?--I will make use of yours.], plate 5 from Les Artistes, in Le Charivari, 13 June 1838   Gavarni, Paul   Lithograph with hand coloring  1838 
Si l’Art est noble, la Critique est sainte…[If Art is noble, then the Critic is holy…]plate 4 from Leçons et Conseils [Lessons and Advice], in Le Charivari, 27 November 1839   Gavarni, Paul   Lithograph  1839 
Deux heures de pose hors de tour [Two hours of posing without turning around], plate 7 from Les Martyrs [The Martyrs], in Le Charivari, 20 July 1841   Gavarni, Paul   Lithograph  1841 
Inconvénient d'acheter un journal qui publie les nouvelles douze heures avant les autres [The Disadvantage of Buying a Newspaper that is Publishing the News Twelve Hours before the Others], plate 139 from Actualités, in Le Charivari, 29 June 1848   Daumier, Honoré   Lithograph  1848 
Inside the Docks, from Jerrold Blanchard's London, a Pilgrimage; Chapter III: The Docks   Doré, After Gustave   Wood engraving (by Charles Maurand)  1872 
Le Marchand de dessins lithographiques [The Lithograph Seller]   Charlet, Nicolas-Toussaint   Lithograph  1819 
Le Maréchal français [French Marshal]   Géricault and Léon Cogniet, Jean-Louis-Andre-Théodore   Lithograph  1822 
Garçon donnant l'avoine à un cheval dételé [Boy Giving Oats to an Unharnassed Horse], from Etudes de cheveaux [Studies of Horses]   Géricualt and Joseph Volmar, Jean-Louis-Andre-Théodore   Lithograph on chine collé  1822 
La maestra rural [The Rural Teacher]   Rivera, Diego   Lithograph  1932 
Cheval de Mecklembourg [Horse of Mecklembourg], from Etudes de chevaux d'après nature [Studies of Horses from Nature]   Géricault, Jean-Louis-André-Théodore   Lithograph  1822 
Salinas de Celestún [Salt Deposits of Celestún], from Estampas de Yucatán [Prints of Yucatán]   Zalce, Alfredo   Lithograph  1945 
Henequeñero [Henequen Worker], from Estampas de Yucatán [Prints of Yucatán]   Zalce, Alfredo   Lithograph  1945 
Poster Plasterer   Ocampo, Isidoro   Etching and aquatint  1931 
Vendadora [Woman Vendor]   Ocampo, Isidoro   Gouache on watercolor paper  1945 
Plate from Venationes, Piscatonis, et Aucupii Typi [Hunts of Wild Animals, Fish, and Birds], after Hans Bol   Galle, Workshop of Philip   Engraving  1582 
Plate from Venationes, Piscatonis, et Aucupii Typi [Hunts of Wild Animals, Fish, and Birds], after Hans Bol   Galle, Workshop of Philip   Engraving  1582 
Plate from Venationes, Piscatonis, et Aucupii Typi [Hunts of Wild Animals, Fish, and Birds], after Hans Bol   Galle, Workshop of Philip   Engraving  1582 
Le Joueur de vielle [Hurdy-Gurdy Player], from Les Gueux [The Beggars]   Callot, Jacques   Etching  1622 
The Goldsmith   Rembrandt Harmensz. van Rijn   Etching and drypoint  1655 
The Two Horses with the Plow   Dujardin, Karel   Etching  1657 

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