Title
|
Artist
|
Medium & Support
|
Creation Date
|
Christ on the Cross, from The Engraved Passion
|
Dürer, Albrecht
|
Engraving
|
1511
|
The Mocking of Christ, from The Small Passion
|
Dürer, Albrecht
|
Woodcut
|
1511
|
The Descent from the Cross, from The Small Passion
|
Dürer, Albrecht
|
Woodcut
|
1511
|
Christ before Annas, from The Small Passion
|
Dürer, Albrecht
|
Woodcut
|
1509 - 1511
|
Christ Before Annas, from The Small Passion
|
Dürer, Albrecht
|
Woodcut
|
1509-1511
|
The Descent from the Cross, after Rogier van der Weyden
|
Cort, Cornelis
|
Engraving
|
1565
|
Pietà
|
Goltzius, Hendrick
|
Engraving
|
1596
|
La Ste. Vierge et St. Jean au pied de la croix [The Holy Virgin and St. John at the Foot of the Cross], from Les Tableaux de Rome [The Paintings of Rome]
|
Callot, Jacques
|
Etching
|
1611
|
Christ on the Cross, after Peter Paul Rubens
|
Pontius, Paulus
|
Engraving
|
1631
|
Christ on the Cross Between the Two Thieves (Le Coup de Lance), after Peter Paul Rubens
|
Bolswert, Boetius Adams
|
Engraving
|
1631
|
Frontispiece to Les Petits Apôtres [The Little Apostles]
|
Callot, Jacques
|
Etching
|
1632
|
Descent from the Cross by Torchlight
|
Rembrandt Harmensz. van Rijn
|
Etching and drypoint on heavy Japanese paper
|
1654
|
The Disciples at the Tomb, after Tintoretto
|
Fragonard, Jean-Honoré
|
Etching
|
1764
|
Le Couronnement d’épines [The Crowning with Thorns], from La Grande Passion [The Large Passion]
|
Callot, Jacques
|
Etching
|
1618-1624
|
Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael
|
Bonasone, Giulio
|
Engraving and etching
|
1540s
|
Dead Christ Supported by Virgin and an Angel, after Paolo Veronese, plate 168 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Dra
|
Duchange, Gaspard
|
Etching and engraving
|
after 1730-before 1740
|
Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)
|
Anonymous German (Bamberg and Regensburg)
|
Woodcut with hand coloring, gilding, and silvering on vellum
|
before 1485
|
The Presentation of Christ, from The Great Passion
|
Dürer, Albrecht
|
Woodcut
|
circa 1498
|
Entombment of Christ
|
Mignon, Circle of Jean
|
Etching
|
circa 1543-circa 1547
|
Deposition of Christ with the Three Maries
|
Maganza, Alessandro
|
Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down
|
1600s
|
The Mocking of Christ (Le Christ au roseau)
|
Dyck, Anthony van
|
Etching (and engraving by Lucas Vorsterman)
|
circa 1630-1631
|
Nôtre Dame des Sept Douleurs [The Virgin of Sorrows]
|
Allabre, Attributed to Guillaume
|
Woodcut with hand-coloring
|
late 18 century
|
The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael
|
Raimondi, Copy after Marcantonio
|
Engraving
|
mid 1500s
|
Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael
|
Bonasone, Giulio
|
Engraving and etching
|
1540-1550
|
The Crucifixion, after Paolo Veronese
|
Carracci, Agostino
|
Engraving
|
1582
|