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Title Artist Medium & Support Creation Date
La virgen y el cordero, from I Portfolio de arte boliviano   Rodo Boulanger, Graciela   Sixteen-color screenprint laminated, die cut  1988 
The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro   Horbeck, Egidius   Engraving  1581 
The Virgin Appearing to St. Jerome, after Jacopo Tintoretto   Carracci, Agostino   Engraving  1588 
La destination de la Vierge [The Destiny of the Virgin]   Salimbeni, Ventura   Etching  1590 
Ste. Hélène [St. Helena], from Les Tableaux de Rome [The Paintings of Rome]   Callot, Jacques   Etching  1611 
Le Martyre de St. Étienne [The Martyrdom of St. Stephen], from Les Tableaux de Rome [The Paintings of Rome]   Callot, Jacques   Etching  1611 
Martyrdom of Saint Lawrence, after Peter Paul Rubens   Vorsterman, the elder, Lucas   Engraving  1621 
Martyrdom of Saint Lawrence, after Peter Paul Rubens   Vorsterman, the elder, Lucas   Engraving  1621 
Venus and Adonis, after Simon Vouet   Dorigny, Copy after Michel   Engraving  1633 
Venus and Adonis, after Simon Vouet   Dorigny, Michel   Etching  1638 
The Genius of Castiglione   Castiglione, Giovanni Benedetto   Etching  1648 
Venus Lamenting Over Adonis' Death, plate 6 from The Story of Adonis   Swanevelt, Herman van   Etching and drypoint  1654 
Reception of Her Royal Highness the Princess of Orange as Queen of Great Britain   Hooghe, Romeyn de   Etching with engraving  1689 
Diana and Endymion, after Sebastiano Conca, plate 134 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cab   Le Sueur, Nicolas   Chiaroscuro woodcut from three blocks, tone blocks printed in blue-green  1729 
Allegory of Strength and Wisdom, after Paolo Veronese, plate 160 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Fran   Desplaces, Louis   Engraving  1729 
The Vision of St. Helena, after Paolo Veronese   Sherborn, Charles William   Etching  1884 
Venus and Mars Served at Table by Cupid, circa 1547, after Luca Penni   Davent, Léon   Etching   
Three Muses and a Putto with Cymbals, after Francesco Primaticcio   Ghisi, Giorgio   Engraving  1560's 
The Annunciation, after Peter Paul Rubens   Bolswert, Schelte   Engraving  1620-1640 
Venus and Adonis   Diamantini, Giuseppe   Etching   
Antiope Surprised by Jupiter (The Pardo Venus), after Titian, plate 142 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings   Baron, Bernard   Etching and engraving  1730s 
Mars Disarmed by Venus, after Paolo Veronese, plate 157 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the C   Aubert, Michel   Etching and engraving  after 1730-before 1740 
Mars and Venus United by Cupid, after Paolo Veronese, plate 158 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc   Aubert, Michel   Etching  after 1730-before 1740 
Allegory of Respect, after Paolo Veronese, plate 161 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabi   Desplaces, Louis   Etching and engraving  after 1730-before 1740 
Allegory of Disillusionment, after Paolo Veronese, plate 163 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](   Audran II (called The Younger), Benoit   Etching and engraving  after 1730-before 1740 

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