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Title Artist Medium & Support Creation Date
Chirk Castle etc. from Wynnstay Park, plate 3 from XII Views in North Wales   Sandby, Paul   Etching and aquatint  1776 
Assault on the City Walls   Gamelin, Jacques   Etching  1778 
Seated Old Man Pouring from a Gourd, Plate 3, from The Twelve Etchings Dedicated to Lord Exeter   Londonio, Francesco   Etching  1763-1764 
Reclining Shepherd with a Satchel, Plate 5, from The Twelve Etchings Dedicated to Lord Exeter   Londonio, Francesco   Etching  1763-1764 
Mars Disarmed by Venus, after Paolo Veronese, plate 157 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the C   Aubert, Michel   Etching and engraving  after 1730-before 1740 
Mars and Venus United by Cupid, after Paolo Veronese, plate 158 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in Franc   Aubert, Michel   Etching  after 1730-before 1740 
The Adoration of the Magi, after Paolo Veronese, plate 165 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th   Le Bas, Jacques-Philippe   Etching and engraving  after 1730-before 1740 
The Adoration of the Magi, after Paolo Veronese, plate 167 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th   Hortemels, Frédéric   Etching and engraving  after 1730-before 1740 
The Adoration of the Magi, after Paolo Veronese, plate 169 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th   Dupuis, Nicolas-Gabriel   Etching and engraving  after 1730-before 1740 
Two Horsemen, after Georg Philipp Rugendas   Rugendas, Christian Johann   Color mezzotint with chiaroscuro woodblock   
Vue prise en angleterre [View Taken in England]   Dupré, Jules   Lithograph  1836 
Family of Darius before Alexander the Great   Creti, Donato   Pen and brown ink with brush and brown wash on cream antique laid paper, laid down  circa 1700 
The Return of Moses   Mura, Attributed to Francesco de   Black chalk, gray wash   
Neptune and Amphitrite   Natoire, Charles-Joseph   Black chalk with brush and brown wash and white heightening on blue laid paper  circa 1730s 
The Reconciliation of the Romans and Sabines, after Peter Paul Rubens   Fragonard, Jean-Honoré   Brown wash and black chalk on antique laid paper, the corners cropped on paper  1773 
Groom Leading a Horse with Three Figures   Fontebasso, Francesco   Pen and brown ink over black chalk on cream antique laid paper   
A Pastoral Scene   Casanova, Francesco   Black chalk, brown wash, white heightening and graphite on paper   
Figures Fleeing a Fire   Casanova, Francesco   Oil on canvas  1760s 
Aurora   Crosato, Attributed to Giovanni Battista   Oil on canvas   
Macbeth Meeting the Witches, after Francesco Zuccarelli   Woollett, William   Etching and engraving  1770 
Effusions of a Pot of Porter, - or - Ministerial Conjurations for Supporting the War   Gillray, James   Etching and aquatint with hand-coloring  1799 

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