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Executed in 1511, this engraving is one of Dürer’s most curious and disconcerting treatments of the subject. Most striking is the contradiction of the tender, maternal scene between mother and child by the artist’s formal choices. The oppressive city gate towering above the viewer’s eye level; the Virgin’s off-center, twisting pose; and the contorted pattern of lines that compose the large tree: all induce a feeling of isolation that seems to portend Christ’s future suffering. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Still the Collection includes notable examples by each. The “Great” or “Large Passion”, the most dramatic of the three series Dürer devoted to the subject, began with seven compositions in 1497-98. The Flagellation is one of another four in a more equilibrated manner that were added in 1511. 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Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.147.tif", "IsPrimary" : "1", "_SurrogateID" : "3840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2045", "Disp_Access_No" : "2002.2327", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12 cm x 7.5 cm (4 3/4 in. x 2 15/16 in.)", "Disp_Height" : "12 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2327.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2327.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2327.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2327.TIF", "IsPrimary" : "1", "_SurrogateID" : "5641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2046", "Disp_Access_No" : "P1961.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1513", "_Disp_Start_Dat" : "1513", "_Disp_End_Date" : "1513", "Disp_Title" : "Madonna by the Tree", "Alt_Title" : "", "Obj_Title" : "Madonna by the Tree", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.3.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.3.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.3.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.3.TIF", "IsPrimary" : "1", "_SurrogateID" : "5647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2048", "Disp_Access_No" : "G1966.2.150", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.55 cm x 7.3 cm (4 9/16 in. x 2 11/16 in.)", "Disp_Height" : "11.55 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Thomas was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.150.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.150.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.150.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.150.TIF", "IsPrimary" : "1", "_SurrogateID" : "5644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2051", "Disp_Access_No" : "1995.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Madonna by the Wall", "Alt_Title" : "", "Obj_Title" : "Madonna by the Wall", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.8 cm x 10.1 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In this engraving, the instability that characterizes the Virgin and Child with the Pear gives way to a sense of monumentality and repose created by the group’s regular, triangular composition and centeral positioning. Whereas Dürer employed mostly long, parallel hatchings to describe the earlier Virgin and Child, in this engraving he uses a diverse combination of strokes to suggest a warm fall of light and a wide variety of textures. Most notable is the artist’s ability to render the Virgin’s luminous silk mantle resting over her knee. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr., Susan Thomas, and Jo Alice Tomforde, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.113.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.113.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.113.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.113.TIF", "IsPrimary" : "1", "_SurrogateID" : "5639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2052", "Disp_Access_No" : "2002.828", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Paul", "Alt_Title" : "", "Obj_Title" : "Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.5 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Paul was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.828.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.828.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.828.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.828.tif", "IsPrimary" : "1", "_SurrogateID" : "2084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2053", "Disp_Access_No" : "P1964.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1515", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1515", "Disp_Title" : "Agony in the Garden", "Alt_Title" : "Christ on the Mount of Olives", "Obj_Title" : "Agony in the Garden", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "22 cm x 15.7 cm (8 11/16 in. x 6 3/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "15.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Dürer was one of the first printmakers to experiment with etching. To produce an etching, a metal plate is first covered with an acid-resistant ground, through which the artist draws with a sharp, fine point. The plate is then bathed in acid, which bites the exposed drawing to form the grooves that receive the printing ink. Whereas the engraver’s burin demands great discipline and labor, the etching needle allows a spontaneity and freedom comparable to that of a pen and ink sketch. Recognizing the technique’s expressive potential, Dürer produced six etchings of intense emotional drama.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1964.13.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1964.13.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1964.13.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1964.13.TIF", "IsPrimary" : "1", "_SurrogateID" : "5648", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2057", "Disp_Access_No" : "1995.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1518", "_Disp_Start_Dat" : "1518", "_Disp_End_Date" : "1518", "Disp_Title" : "The Virgin and Child Surrounded by Angels", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child Surrounded by Angels", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.2 cm (11 13/16 in. x 8 3/8 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The artist’s choice of an imperial theme and emphasis on ornamental forms seems to betray the influence of time spent as a court artist between 1513 and 1519 to the Holy Roman Emperor, Maximillian I. The arrangement of figures has been conceived as an elegant surface pattern, rather than a three-dimensional space. The surrounding angels, from the top corners to the ground, curve like a drapery pulled back to reveal the regal Madonna. As in Dürer’s earlier woodcuts, the individual lines tend to gravitate toward the surface as they come to life with calligraphic beauty. The range of tones, however, has been restricted, tending toward a uniform gray. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.10.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.10.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.10.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.10.TIF", "IsPrimary" : "1", "_SurrogateID" : "5652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2058", "Disp_Access_No" : "P1961.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1519", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1519", "Disp_Title" : "The Peasant Couple at Market", "Alt_Title" : "", "Obj_Title" : "The Peasant Couple at Market", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Humorous depictions of peasants formed a popular genre for German engravings during the fifteenth and sixteenth centuries. Customarily, these scenes provided the opportunity to describe peasant outfits, manners and facial caricatures. While Dürer’s peasants adhere to this tradition, they have been rendered as physically monumental and maintain a degree of dignity in their mores. Like Dürer’s other engravings from this period, the figures have been modeled with fine parallel strokes that tend toward a single tone. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.1.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.1.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.1.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.1.TIF", "IsPrimary" : "1", "_SurrogateID" : "5646", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2068", "Disp_Access_No" : "2002.830", "_AccNumSort1" : "", "Disp_Create_DT" : "1521", "_Disp_Start_Dat" : "1521", "_Disp_End_Date" : "1521", "Disp_Title" : "Saint Christopher ", "Alt_Title" : "", "Obj_Title" : "Saint Christopher ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The cult of Saint Christopher, patron saint of travelers, was particularly strong between the thirteenth and sixteenth centuries. According to popular tradition, Christopher was a man of giant stature who assisted Christ across a river, and in doing so, felt the weight of the world on his shoulders. Night scenes such as this lent themselves well to the restricted tonal scale of Dürer’s late engraving style. Long parallel lines define the water, hilly landscape and sky surrounding the saint. Rather than altering the density of these lines to create gradations of tone, Dürer distinguishes these passages through their directional orientation. Once searchingly descriptive, the fall of light is now mystical and expressive. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.830.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.830.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.830.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.830.tif", "IsPrimary" : "1", "_SurrogateID" : "2085", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2071", "Disp_Access_No" : "2002.829", "_AccNumSort1" : "", "Disp_Create_DT" : "1523", "_Disp_Start_Dat" : "1523", "_Disp_End_Date" : "1523", "Disp_Title" : "Saint Simon", "Alt_Title" : "", "Obj_Title" : "Saint Simon", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Simon was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.829.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.829.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.829.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.829.TIF", "IsPrimary" : "1", "_SurrogateID" : "5642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2076", "Disp_Access_No" : "1991.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Erasmus of Rotterdam", "Alt_Title" : "", "Obj_Title" : "Erasmus of Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "25.4 cm x 19.5 cm (10 in. x 7 11/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait engraving was a significant aspect of Albrecht Dürer’s late activity. His portrait of the great humanist Desiderius Erasmus is his largest and most complex. Dürer had drawn the sitter on a visit to the Netherlands in 1520. By 1525 Erasmus lamented that he had still not seen the promised print. Returning to the project, Dürer borrowed the composition from a painting of Erasmus by Quentin Massys (Louvre, Paris) and inserted his earlier bust-length study. Seeing the engraving, Erasmus noted that the likeness was “not altogether striking.” Later observers have often criticized the composition as awkward. Dürer’s technique, however, rises to a level of differentiation unusual in the late engravings. In their focus and conspicuous detail, numerous passages approach still-life. The light has a pervasiveness and a mystery that suggest both the scholar’s theological concerns and the artist’s own late spirituality. Then there is the conceit of the frame in the background, rhyming with the print’s shape, shedding light like a window but instead bearing inscriptions. The first, in Latin, identifies the artist and the sitter. The second, in Greek, notes, “His writings offer a better likeness.” These inscriptions may refer to the circumstances of the engraving’s creation. In any case, the portrait becomes an extraordinarily modern meditation upon the nature and limits of visual representation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114.tif", "IsPrimary" : "1", "_SurrogateID" : "1504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8184", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8185", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8082", "Disp_Access_No" : "2002.836", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.8 cm x 21.1 cm (11 3/4 in. x 8 5/16 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.836.tif", "IsPrimary" : "1", "_SurrogateID" : "4805", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8084", "Disp_Access_No" : "2002.834", "_AccNumSort1" : "", "Disp_Create_DT" : "1505-1507", "_Disp_Start_Dat" : "1505", "_Disp_End_Date" : "1507", "Disp_Title" : "Knot with a Heart-Shaped Shield, from The Six Knots", "Alt_Title" : "", "Obj_Title" : "Knot with a Heart-Shaped Shield, from The Six Knots", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "27.2 cm x 21.1 cm (10 11/16 in. x 8 5/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Dürer produced six variations of this kind of ornament design, which the artist referred to as “knots.” The designs are literal woodcut copies of engravings thought to have been designed by Leonardo da Vinci and executed to by his followers. Although the practical function of these designs remains unclear, they may have been intended as embroidery designs or purely as a kind of decorative puzzle. While Dürer rarely copied other artist’s works so directly, such a complex and challenging design must have been hard to resist for an artist with such relentless curiosity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.834.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.834.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.834.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.834.tif", "IsPrimary" : "1", "_SurrogateID" : "3626", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11002", "Disp_Access_No" : "1996.288", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1498", "_Disp_Start_Dat" : "1488", "_Disp_End_Date" : "1497", "Disp_Title" : "Saint John before God and the Elders, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "Saint John before God and the Elders, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 27.7 cm (15 3/8 in. x 10 7/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "General source for background of Marco Dente", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.288.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.288.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.288.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1996.288.TIF", "IsPrimary" : "1", "_SurrogateID" : "5653", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11019", "Disp_Access_No" : "1987.13", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1495", "_Disp_Start_Dat" : "1490", "_Disp_End_Date" : "1500", "Disp_Title" : "The Ravisher", "Alt_Title" : "Young Woman Attacked by Death", "Obj_Title" : "The Ravisher", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 10.2 cm (4 1/2 in. x 4 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "As one of Dürer’s earliest efforts in the medium of engraving, this personification of wild human nature, or possibly Death, overcoming a young maiden springs directly from the artist’s inherited Northern tradition. Both in terms of style and choice of subject matter, the print reveals a debt to the dry points of the Housebook Master, an artist who created similarly dynamic allegorical prints by drawing with a sharp needle directly onto a metal plate. Dürer’s affinity for such a coarse and informal style indicates an initial resistance to the kind of deliberate, highly systematic strokes that would come to characterize his mature engraving technique", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.13.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.13.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.13.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1987.13.TIF", "IsPrimary" : "1", "_SurrogateID" : "5638", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11020", "Disp_Access_No" : "1995.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1497-1498", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1498", "Disp_Title" : "Martyrdom of Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39 cm x 28.7 cm (15 3/8 in. x 11 5/16 in.)", "Disp_Height" : "39 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Martyrdom of Saint Catherine combines the stages of the saint’s execution: a first attempt with a spiked wheel, its thwarting by divine intervention, and a second, successful attempt at the hand of a swordsman. Albrecht Dürer crowded the composition with an extraordinary amount of information. He missed no opportunity for conspicuous invention, from the exploding heavens to the splendid executioner, and boasted an unprecedented variety of mark and complexity of effect. Prior to Dürer’s activity, woodcut had been bound by simple conventions and popular functions. Flush with creative as well as commercial ambition, the young artist applied his singular imagination and audacious skill to the technique, single-handedly elevating it to the level of high art. The success of such woodcuts spread Dürer’s compositions and fame across Europe. He went on to explore possibilities of the medium––first pictorial, then schematic, and finally abstract. These experiments would dominate sixteenth-century production and, long after woodcut had returned to its basic tendencies, remain the measure of artistic achievement in the medium. Woodcut, however, was by no means Dürer’s primary graphic technique. His command of the burin, an engraving tool, is masterful and the focus and detail in his engravings approach hyperrealism. The museum houses over 38 etchings, engravings, and woodcuts by the Northern Renaissance master, offering an opportunity to observe the scope of Dürer’s expertise in the graphic arts.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.36.tif", "IsPrimary" : "1", "_SurrogateID" : "1655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11021", "Disp_Access_No" : "P1961.7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Presentation of Christ, from The Great Passion", "Alt_Title" : "Ecce Homo", "Obj_Title" : "The Presentation of Christ, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.35 cm x 28.6 cm (15 1/2 in. x 11 1/4 in.)", "Disp_Height" : "39.35 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.7.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.7.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.7.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.7.TIF", "IsPrimary" : "1", "_SurrogateID" : "5662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11022", "Disp_Access_No" : "P1961.9", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Seven Trumpets, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "The Seven Trumpets, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 28.2 cm (15 3/8 in. x 11 1/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.9.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.9.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.9.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.9.TIF", "IsPrimary" : "1", "_SurrogateID" : "5663", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11027", "Disp_Access_No" : "2002.827", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Man of Sorrows", "Alt_Title" : "", "Obj_Title" : "Man of Sorrows", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 6.8 cm (4 5/8 in. x 2 11/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "6.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Rather than a distinct episode of the Passion narrative, the “Man of Sorrows” is an iconic image used to evoke sympathy for Christ’s suffering. For Dürer, the subject also provided a pretext for depicting an ideally proportioned male figure. As Dürer would later write, “For in the same way as the ancients attributed the most beautiful form to their God Apollo, so we must use the same measure to reproduce the body of Christ our Lord…” Indeed, Christ’s classical proportions and contrapposto anticipates Dürer’s famous Adam of 1504, and the schematic placement of the cross and instruments of the passion resemble the measuring lines used in his Book of Human Proportions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.827.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.827.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.827.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.827.TIF", "IsPrimary" : "1", "_SurrogateID" : "5650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11028", "Disp_Access_No" : "G1966.2.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "The Virgin and Child with Saint Anne", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.149.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.149.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.149.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.149.TIF", "IsPrimary" : "1", "_SurrogateID" : "5643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11030", "Disp_Access_No" : "P1961.5", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1502", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1507", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.95 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.95 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.5.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.5.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.5.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.5.TIF", "IsPrimary" : "1", "_SurrogateID" : "5661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11031", "Disp_Access_No" : "P1961.100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Alt_Title" : "The Nativity ", "Obj_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.75 cm (11 5/8 in. x 8 3/16 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.100.tif", "IsPrimary" : "1", "_SurrogateID" : "4516", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11032", "Disp_Access_No" : "P1965.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Visitation, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.15 cm x 20.75 cm (11 7/8 in. x 8 3/16 in.)", "Disp_Height" : "30.15 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1965", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1965.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1965.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1965.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1965.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11033", "Disp_Access_No" : "G1966.2.95", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1505", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1510", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.9 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.95.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.95.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.95.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.95.TIF", "IsPrimary" : "1", "_SurrogateID" : "5660", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11045", "Disp_Access_No" : "1988.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-11", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Christ Crowned with Thorns, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.7 cm x 11.5 cm (5 13/16 in. x 4 1/2 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.64.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.64.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.64.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1988.64.TIF", "IsPrimary" : "1", "_SurrogateID" : "5651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12475", "Disp_Access_No" : "2002.835", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1507", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1517", "Disp_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Alt_Title" : "Abschied", "Obj_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.1 cm (11 13/16 in. x 8 5/16 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.835.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.835.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.835.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.835.TIF", "IsPrimary" : "1", "_SurrogateID" : "5658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12476", "Disp_Access_No" : "2002.837", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1511", "_Disp_Start_Dat" : "1506", "_Disp_End_Date" : "1516", "Disp_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Alt_Title" : "", "Obj_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "19 cm x 12.8 cm (7 1/2 in. x 5 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "This depiction of the story of Salome is one of Dürer’s lesser known prints. When John the Baptist condemned the marriage of Salome’s mother to King Herod, the young Salome seduced the King with a dance and convinced him to decapitate the saint. Dürer sets the episode in an intimate setting, similar to those of the Small Passion. The stirring exchange of glances between Salome, King Herod, and the decapitated head of Saint John provides the scene with a palpable feeling of discomfort.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.837.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.837.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.837.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.837.TIF", "IsPrimary" : "1", "_SurrogateID" : "5659", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18854", "Disp_Access_No" : "2007.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.5 cm x 21.9 cm (12 in. x 8 5/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The adolescent Christ is shown at a lectern in the right background, disputing the Pharisees within the great hall of a stylized temple. The seventeen prints in Dürer’s Life of the Virgin brought the perspective construction, refined forms, and complex expression of Renaissance painting to woodcut, a technique previously associated with simple, generally popular imagery. Disseminated across Europe, this series’ compositions and figural motifs were probably the most frequently quoted images of the sixteenth century. This impression, printed before the usual addition of text to the verso, is notable for its exceptional clarity and perfect condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18894", "Disp_Access_No" : "2007.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1516", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1516", "Disp_Title" : "The Sudarium Held by One Angel", "Alt_Title" : "", "Obj_Title" : "The Sudarium Held by One Angel", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "18.2 cm x 13.3 cm (7 3/16 in. x 5 1/4 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "13.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "An angel holds aloft the veil Veronica used to wipe Christ’s face on his way to Calvary and upon which his features were miraculously preserved. His unusual posture, the fluttering draperies, and the flashing light convey excited movement, therefore spiritual agitation. This print is one of Dürer’s six etchings. These are among the earliest examples of the technique, and the first in which its potential for individual, even eccentric expression was explored. This impression is distinguished by its printing before any corrosion of the plate and its especially rich inking.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.78.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.78.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.78.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.78.tif", "IsPrimary" : "1", "_SurrogateID" : "4808", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21067", "Disp_Access_No" : "2016.28", "_AccNumSort1" : "", "Disp_Create_DT" : "late 18th century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1799", "Disp_Title" : "The Four Horsemen of the Apocalypse", "Alt_Title" : "", "Obj_Title" : "The Four Horsemen of the Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "38.2 x 27.3 cm (15 1/16 x 10 3/4 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lee Chesney III, 2016", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }