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"Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.375.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.375.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.375.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.375.tif", "IsPrimary" : "1", "_SurrogateID" : "9230", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12141", "Disp_Access_No" : "2002.376", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "La Virilité [Virility] from the Four Ages of Man", "Alt_Title" : "", "Obj_Title" : "La Virilité [Virility] from the Four Ages of Man", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "22.4 cm x 29 cm (8 13/16 in. x 11 7/16 in.)", "Disp_Height" : "22.4 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.376.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.376.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.376.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.376.tif", "IsPrimary" : "1", "_SurrogateID" : "9231", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12142", "Disp_Access_No" : "2002.377", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "La Vieillesse, from the Four Ages of Man", "Alt_Title" : "", "Obj_Title" : "La Vieillesse, from the Four Ages of Man", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.8 cm x 33.5 cm (10 3/16 in. x 13 3/16 in.)", "Disp_Height" : "25.8 cm", "Disp_Width" : "33.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.377.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.377.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.377.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.377.tif", "IsPrimary" : "1", "_SurrogateID" : "9232", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12143", "Disp_Access_No" : "2002.378", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "Le Mari battant sa femme [The Irate Husband]", "Alt_Title" : "The Husband who Beats his Wife", "Obj_Title" : "The Irate Husband", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.6 cm x 33.4 cm (10 1/16 in. x 13 1/8 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving ", "Support" : "", "Disp_Medium" : "Etching and engraving ", "Info_Page_Comm" : "By the seventeenth century, marriage for men was regarded as honorable and the means for acquiring higher status and authority among neighbors. Married men were assigned better seats in church than bachelors, and men with children were addressed as "yeoman." In order to maintain that status, however, husbands had to keep strict order in their households, and wife beating was common. Men who were "henpecked" as in The Irate Wife, lost esteem in the eyes of their colleagues. By referring in the inscription to the man in this scene as "a husband in name only," the artist leaves open the question of the validity of marriages arranged solely for the social benefits they provided. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.378.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.378.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.378.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.378.tif", "IsPrimary" : "1", "_SurrogateID" : "2921", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12144", "Disp_Access_No" : "2002.379.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Le Contrat [The Contract], plate 1, from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "Le Contrat [The Contract], plate 1, from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "28.3 cm x 36.9 cm (11 1/8 in. x 14 1/2 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "36.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "With over 1,500 prints to his name, Abraham Bosse is a rich source of material for our understanding of seventeenth-century society. Arranged marriages were the convention, and in this series, the first scene depicts the contract negotiated between the two families while the betrothed become acquainted off to the side. Children playing in the center middle ground suggest that the prime function of marriage is to produce heirs to whom the family's wealth will pass.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12145", "Disp_Access_No" : "2002.379.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "La Mariée reconduite chez elle [The Bride Taken Back Home], plate 2, from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "La Mariée reconduite chez elle [The Bride Taken Back Home], plate 2, from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.2 cm x 33.4 cm (10 5/16 in. x 13 1/8 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "In plate 2 of this series, Bosse challenges the bedding ritual, a tradition performed by most aristocratic and upper middleclass couples from antiquity until the early nineteenth century. Consummation of the marriage was as significant as the ceremony itself. A ritual in which attendants and a priest or minister accompanied the couple to their chambers, undressed them, prayed over them, drank a toast to them and then retired from the room evolved to mark the event. Here, Bosse shows the bride protesting against the tradition. Distressed at the breach of etiquette, her attendants remind her that it is unseemly to have a man undress her. The groom loses his patience and chases the women out.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.2-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.2-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.2-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.2-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2901", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12146, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12146", "Disp_Access_No" : "2002.379.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.4 cm x 33.9 cm (10 3/8 in. x 13 3/8 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The remaining plates in the series shed light on the customs surrounding the experience of childbirth. Some scholars propose that these rituals excluding men were forms of resistance to patriarchal authority. Expectant mothers sent formal invitations to their friends to attend the delivery of their child, just as they had for the wedding itself. Upon the onset of labor, the husband gathered the invitees together and then withdrew from the scene. A "lying-in" period of about three weeks followed the delivery during which there was a formal "upsitting" ritual marked by a feast attended only by women. The lying-in period ended when the mother and child attended church in the company of her entourage. All sexual activity was prohibited during this period when she was sequestered in her room, visited only by servants, wet-nurses, and select female friends. Men viewed these occasions with suspicion and feared the potential for the "treason of women." ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12147", "Disp_Access_No" : "2002.379.4/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Le Retour du baptême [The Baptism], plate 4 from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "Le Retour du baptême [The Baptism], plate 4 from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.2 cm x 33.4 cm (10 5/16 in. x 13 1/8 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Abraham Bosse continued his commentary on marriage in the series Marriage in the Country. The tone is decidedly softer than in Marriage in the City. Friends and relatives bring gifts of cooking pots and linen to the new bride as she sets up household. In the final verse of the inscription, the bride assures her benefactors that they will be thanked when her children - not yet born - come of age, stressing the bonds marriage forged between generations and within communities. 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