{ "objects" : [ { "embark_ID" : 17280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17280", "Disp_Access_No" : "2004.182", "_AccNumSort1" : "", "Disp_Create_DT" : "2003-2004", "_Disp_Start_Dat" : "2003", "_Disp_End_Date" : "2004", "Disp_Title" : "Hippies and a Ouija Board (Everyone Needs to Cling to Something)", "Alt_Title" : "", "Obj_Title" : "Hippies and a Ouija Board (Everyone Needs to Cling to Something)", "Series_Title" : "", "Disp_Maker_1" : "Dario Robleto", "Sort_Artist" : "Robleto, Dario", "Disp_Dimen" : "106.7 cm x 58.4 cm x 48.3 cm (42 in. x 23 in. x 19 in.)", "Disp_Height" : "106.7 cm", "Disp_Width" : "58.4 cm", "Dimen_Extent" : "HWD", "Medium" : "Suitcase, Ouija board, bottles, medicine, and records", "Support" : "", "Disp_Medium" : "Suitcase, Ouija board, bottles, medicine, and records", "Info_Page_Comm" : "Extended medium and support: Suitcase: cast and carved dehydrated bone calcium and bone dust from every bone in the body, microcrystalline cellulose, cold cast iron and brass, rust, antique syringe, crushed velvet, leather, thread, water extendable resin, and typeset. Ouija board, bottles, and medicine: cast and carved dehydrated bone calcium and bone dust from every bone in the body, typeset, home-brewed moonshine (potato-derived alcohol), homemade wine health tonics (water, sugar, fermented black cherries, yeast, gelatin, tartaric acid, pectinase, sulfur dioxide, oak flavoring, fortified with: 100-year-old hemlock oil, Devil’s Claw, witch hazel bark, swamp root, powdered rhubarb, pleurisy root, belladonna root, white pine tar, coal tar, dandelion, sarsaparilla, mandrake, mullein, skullcap, cramp bark, elder, ginseng, horny goat weed, tansy, sugar of lead, mercury with chalk and tin-oxide, calcium, potassium, creatine, zinc, iron, nickel, copper, boron, vitamin K, crushed amino acids, home-cultured antibiotics, chromium, magnesium, colostrums, ironized yeast, ground pituitary gland, ground wisdom teeth, ground sea horse, shark cartilage, coral calcium, iodine, and castor oil). Records: various 1960’s 45-rpm records cast in prehistoric whale bone dust, and typeset. In this remarkable work, a young artist schooled in DJ culture and alchemy has collapsed multiple imagined and appropriated histories into one fictional narrative that allows a reconsideration of questions of faith (and faith healing) from a fresh point of view. The meticulous list of media answers the question: What reassurances, comforts, and potions would a 1960s hippie need today to heal the ailments from which he might be suffering?", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of The Brown Foundation, the Michener Acquisitions Fund, and the Blanton Contemporary Circle, 2004", "Copyright_Type" : "All approved", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.182.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.182.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.182.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.182.tif", "IsPrimary" : "1", "_SurrogateID" : "2206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18032", "Disp_Access_No" : "", "_AccNumSort1" : "", "Disp_Create_DT" : "2005-2006", "_Disp_Start_Dat" : "2005", "_Disp_End_Date" : "2006", "Disp_Title" : "A Sadness Silence Can't Touch", "Alt_Title" : "", "Obj_Title" : "A Sadness Silence Can't Touch", "Series_Title" : "", "Disp_Maker_1" : "Dario Robleto", "Sort_Artist" : "Robleto, Dario", "Disp_Dimen" : "24 x 37 x 24 cm (9 7/16 x 14 1/2 x 9 1/4 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "37 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Casts of Civil War era "pain bullets" (bullets used by soldiers to bite on during surgery) made from dissolved audiotape recordings of poets'' voices, lace and fabric from mourning dresses, ink-dyed yellowheart and ash, nickel, silver, milk paint, typeset ", "Support" : "", "Disp_Medium" : "Casts of Civil War era "pain bullets" (bullets used by soldiers to bite on during surgery) made from dissolved audiotape recordings of poets' voices, lace and fabric from mourning dresses, ink-dyed yellowheart and ash, nickel, silver, milk paint, typeset ", "Info_Page_Comm" : "Dario Robleto adapts the processes of both the DJ and the alchemist to the visual arts, appropriating readymade forms and transforming ordinary materials into uncanny, intriguing objects. Like much of Robleto’s recent work, both Daughters of Wounds and Relics and A Sadness Silence Can’t Touch present not historical artifacts, as they may initially seem, but hand-crafted objects cast from such unexpected and poetic substances as dissolved audio tape, ash, sweetheart letters, and lace from a Civil War era mourning dress. By physically embedding this meaningful matter into his sculptures, Robleto not only evokes history, he reanimates it by creating poignant memorials to war-time experiences of loss and healing. 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Placing himself in the imagined role of a wife, mother, or sister, Robleto resuscitates the tradition of mid 19th-century domestic handicrafts, which gave form to collective experiences of grief, trauma, endurance, and recovery. Robleto’s poignant gestures suggest the redemptive power of culture and creativity. Both Daughters of Wounds and Relics and A Sadness Silence Can't Touch, which the artist has compared to the A and B sides of the same recording, ask us to reflect on the often forgotten effects of war beyond the battlefield. ", "Dedication" : "Promised gift of Jeanne and Micheal Klein, 2007", "Copyright_Type" : "edu, web, merch, promo", "Disp_Obj_Type" : "sculpture", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2007.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2007.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2007.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2007.13.tif", "IsPrimary" : "0", "_SurrogateID" : "10062", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "IMAGE IS NOT REPRODUCTION QUALITY", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2007.13-detail1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2007.13-detail1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2007.13-detail1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2007.13-detail1.tif", "IsPrimary" : "0", "_SurrogateID" : "10063", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "IMAGE IS NOT REPRODUCTION QUALITY", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2007.13-detail2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2007.13-detail2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2007.13-detail2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2007.13-detail2.tif", "IsPrimary" : "0", "_SurrogateID" : "10064", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "IMAGE IS NOT REPRODUCTION QUALITY", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/PG2007.13-2018.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/PG2007.13-2018.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/PG2007.13-2018.tif", "IIIF_URL": "http://iiif.gallerysystems.com/PG2007.13-2018.tif", "IsPrimary" : "1", "_SurrogateID" : "18076", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 22805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/22805", "Disp_Access_No" : "2018.4.a-g", "_AccNumSort1" : "", "Disp_Create_DT" : "2001-2003", "_Disp_Start_Dat" : "2001", "_Disp_End_Date" : "2003", "Disp_Title" : "I Won't Let You Say Goodbye This Time", "Alt_Title" : "", "Obj_Title" : "I Won't Let You Say Goodbye This Time", "Series_Title" : "", "Disp_Maker_1" : "Dario Robleto", "Sort_Artist" : "Robleto, Dario", "Disp_Dimen" : "30.5 x 22.9 cm (12 x 9 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "each", "Medium" : "7 digital Chromogenic prints", "Support" : "", "Disp_Medium" : "7 digital Chromogenic prints", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Bridget and Patrick Wade, 2018", "Copyright_Type" : "", "Disp_Obj_Type" : "photograph", "Creation_Place2" : "American", "Department" : "Prints and Drawings; 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Wrapping an amethyst geode in melted audiotape recordings of “Purple Haze,” Robleto pays homage to the rock star’s most iconic song and the dazzling nature of his guitar skills. Robleto describes this work as emerging from a desire to translate “the skills and logic of DJ culture into the sculptural realm.” Here, he quite literally applies a DJ’s techniques to art-making—from song selection to scratching, cutting, sequencing, mixing, and most importantly, sampling. For Robleto, sampling is not just a technique, but a philosophy: “Sampling was quite a liberating and radical idea to me at the time—it revealed to me that with the right care and attention, anything, even the scraps and trash of the world, contained whole other creative universes waiting to be birthed.” Through his early melted vinyl and audiotape works, Robleto gave sensuous form to the intangible emotional effects of music that exist beyond sound. From the artist: "There is a very personal dimension to the work as well, based on a childhood memory. The piece was made to acknowledge this moment in a way I was not yet equipped to as a child. I had a friend in elementary school named Jimmie who I was quite close to. In those years there was no way for either of us to put a name to why he was “different.” He was effeminate and kind—all the things most tough young boys were trying hard not to be. He was also very pale-skinned and blushed incredibly easily. We connected through geology, fossils, and music—especially his love of Jimi Hendrix. The fact that he had the same name, although spelled differently, as one of his musical heroes was a constant source of fun to us both. Later in life he would come out to me, although we knew long before without saying so. One day in gym class, he was being mercilessly picked on during basketball for not wanting to take his shirt off in the “skins and shirts” game. Because of my sticking up for him that day, I was punched hard in the face by another kid. With a bloody lip and swollen cheek, I was sent to the principal’s office with Jimmie and the other kid. I remember sitting there with Jimmie waiting to go into the principal’s office, his cheeks as red as I had ever seen them, and us making fun of the fact that mine were now as red as his. It is one of the sweetest memories I have—two kids trying to find some humor in a situation we both knew was more than we could yet comprehend. This piece, and the title, were made and written to acknowledge that: Jimmie, your cheeks will never lose their luster." 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