{ "objects" : [ { "embark_ID" : 17271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17271", "Disp_Access_No" : "2004.173", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Cordero sacrificado [Sacrificed Lamb]", "Alt_Title" : "", "Obj_Title" : "Cordero sacrificado [Sacrificed Lamb]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "236.2 cm x 130.8 cm (93 in. x 51 1/2 in.)", "Disp_Height" : "236.2 cm", "Disp_Width" : "130.8 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Acrylic", "Support" : "polyester blanket", "Disp_Medium" : "Acrylic on polyester blanket", "Info_Page_Comm" : "In Buenos Aires in the 1990s, a new generation of artists responded enthusiastically to the recent democratically elected government and to the air of social tolerance that came with it. Feliciano Centurión was a central figure in the Arte Light movement, known for flamboyant, irreverent works that embodied progressive attitudes about lifestyle and sexuality. By using cheap blankets as the support for large-scale paintings, he sought a new type of beauty through the language of kitsch, humor, and theatricality. Centurión painted his most poignant and personal work, "Sacrificed Lamb," the day he was diagnosed with AIDS. The timing of the work, along with the Christian symbol of the sacrificial lamb, reflects a somber undercurrent in his humor and a sense of impending mortality.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.173.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.173.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.173.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.173.tif", "IsPrimary" : "1", "_SurrogateID" : "2950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17272", "Disp_Access_No" : "2004.174", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Luz divina del alma [Divine Light of the Soul]", "Alt_Title" : "", "Obj_Title" : "Luz divina del alma [Divine Light of the Soul]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "22.2 cm x 38 cm x 7.3 cm (8 3/4 in. x 14 15/16 in. x 2 7/8 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "Few objects are as common and as evocative as pillows. In their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Feliciano Centurión embroidered these pillowcases at the hospital where he received treatment for the HIV-related complications that led to his early death. The blue eyes with frilly lace lashes of “Luz divina del alma” are both comic and poignant when paired with the embroidered title. In “Soledad,” the delicate handwriting of the embroidery radiates vulnerability, making the decorative lace along the edge (an important tradition in the artist’s native Paraguay) all the more moving. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.174.tif", "IsPrimary" : "1", "_SurrogateID" : "2713", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17273", "Disp_Access_No" : "2004.175", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Me adapto a mi enfermedad, de la serie Flores del mal de amor [I Adjust to My Illness, from the series Flowers of Love Sickness]", "Alt_Title" : "", "Obj_Title" : "Me adapto a mi enfermedad, de la serie Flores del mal de amor [I Adjust to My Illness, from the series Flowers of Love Sickness]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "54 cm x 36.5 cm (21 1/4 in. x 14 3/8 in.)", "Disp_Height" : "54 cm", "Disp_Width" : "36.5 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered blanket", "Support" : "", "Disp_Medium" : "Hand embroidered blanket", "Info_Page_Comm" : "The artist produced this pillow as he was dying from complications related to AIDS. Domestic linens appear prominently in Centurión’s earlier work as well: in the early 1990s he explored notions of beauty, sexuality, and femininity through a series of large painted or embroidered blankets. Towards the end of his life he began working on a smaller scale due to his weak and bedridden circumstances. These embroidered pillows and linens articulate the passion, desire, and despair of Centurión’s emotional and mental states at that time.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.175.tif", "IsPrimary" : "1", "_SurrogateID" : "2935", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17274", "Disp_Access_No" : "2004.176", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1993", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1998", "Disp_Title" : "Pulpo blanco [White Octopus]", "Alt_Title" : "", "Obj_Title" : "Pulpo blanco [White Octopus]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "241.3 cm x 213.4 cm (95 in. x 84 in.)", "Disp_Height" : "241.3 cm", "Disp_Width" : "213.4 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Acrylic", "Support" : "polyester blanket", "Disp_Medium" : "Acrylic on polyester blanket", "Info_Page_Comm" : "In Buenos Aires in the 1990s, a new generation of artists responded enthusiastically to the recently (and democratically) elected government and to the air of social tolerance that followed by creating works that were flamboyant and irreverent and that embodied progressive attitudes towards lifestyle and sexuality. Centurión was a central figure in the “Arte Light” movement, which came to symbolize this new spirit. By taking blankets, which were associated with poverty, and using them as the support for paintings of large, extravagant forms like this white octopus, Centurión sought a new type of beauty through the language of kitsch, humor, and theatricality. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.176.tif", "IsPrimary" : "1", "_SurrogateID" : "2951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17275", "Disp_Access_No" : "2004.177", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Reposa [Rest]", "Alt_Title" : "", "Obj_Title" : "Reposa [Rest]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "22 cm x 38 cm (8 11/16 in. x 14 15/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "38 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "Few objects are as common and as evocative as pillows. In their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Feliciano Centurión embroidered these pillowcases at the hospital where he received treatment for the HIV-related complications that led to his early death. The blue eyes with frilly lace lashes of “Luz divina del alma” are both comic and poignant when paired with the embroidered title. In “Soledad,” the delicate handwriting of the embroidery radiates vulnerability, making the decorative lace along the edge (an important tradition in the artist’s native Paraguay) all the more moving. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.177.tif", "IsPrimary" : "1", "_SurrogateID" : "2714", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17276, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17276", "Disp_Access_No" : "2004.178", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Soledad [Solitude]", "Alt_Title" : "", "Obj_Title" : "Soledad [Solitude]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "26 cm x 43 cm (10 1/4 in. x 16 15/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "Few objects are as common and as evocative as pillows. In their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Feliciano Centurión embroidered these pillowcases at the hospital where he received treatment for the HIV-related complications that led to his early death. The blue eyes with frilly lace lashes of “Luz divina del alma” are both comic and poignant when paired with the embroidered title. In “Soledad,” the delicate handwriting of the embroidery radiates vulnerability, making the decorative lace along the edge (an important tradition in the artist’s native Paraguay) all the more moving. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. 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Mullins, Jr., 2004", "Copyright_Type" : "All", "Disp_Obj_Type" : "textile", "Creation_Place2" : "Argentinean", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.179.tif", "IsPrimary" : "1", "_SurrogateID" : "2936", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17278", "Disp_Access_No" : "2004.180", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1996", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "2001", "Disp_Title" : "Sueña [Dream]", "Alt_Title" : "", "Obj_Title" : "Sueña [Dream]", "Series_Title" : "", "Disp_Maker_1" : "Feliciano Centurión", "Sort_Artist" : "Centurión, Feliciano", "Disp_Dimen" : "22 cm x 31 cm (8 11/16 in. x 12 3/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "outer dimension", "Medium" : "Hand embroidered pillow", "Support" : "", "Disp_Medium" : "Hand embroidered pillow", "Info_Page_Comm" : "In Buenos Aires in the 1990s, a new generation of artists responded enthusiastically to the recent democratically elected government and to the air of social tolerance that came with it. Feliciano Centurión was a central figure in the Arte Light movement, known for irreverent works that embodied progressive attitudes about lifestyle and sexuality. Centurión embroidered “Sueña” at the hospital where he received treatment for the HIV-related complications that led to his early death. In this work, pillows are recognized as being both familiar and evocative: in their place at the “head” of the bed, they are associated with our bodies as we rest, love, convalesce, sleep, and die. Weak and bedridden towards the end of his life, Centurión embroidered linens and smaller-scale pillows, such as this one, that express his grief and acceptance of his illness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Museum purchase with funds provided by Donald R. 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