{ "objects" : [ { "embark_ID" : 16348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16348", "Disp_Access_No" : "2017.1278", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1750s", "_Disp_Start_Dat" : "1745", "_Disp_End_Date" : "1755", "Disp_Title" : "Personification of Justice", "Alt_Title" : "", "Obj_Title" : "Personification of Justice", "Series_Title" : "", "Disp_Maker_1" : "√Čtienne Parrocel", "Sort_Artist" : "Parrocel, √Čtienne", "Disp_Dimen" : "51.6 cm x 39.5 cm (20 5/16 in. x 15 9/16 in.)", "Disp_Height" : "51.6 cm", "Disp_Width" : "39.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks on beige antique laid paper", "Support" : "", "Disp_Medium" : "Black and white chalks on beige antique laid paper", "Info_Page_Comm" : "Trained in France with family members, settled in Rome by 1717, Parrocel specialized in the production of altarpieces. His style is related to the late Baroque classicism of Carlo Maratta and later Pompeo Batoni, but distinguished by a more deliberate measure, delicate color, and clear light that are recognizably French. Certainly preparatory, although for a project awaiting identification, this study is a grand example of his command and subtle inflection of academic draftsmanship. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1278.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1278.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1278.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1278.tif", "IsPrimary" : "1", "_SurrogateID" : "3096", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }