{ "objects" : [ { "embark_ID" : 15991, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15991", "Disp_Access_No" : "2017.879", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Alt_Title" : "", "Obj_Title" : "Three Figures by a Plinth and a Nude, after Raphael (recto); Figure Studies (verso)", "Series_Title" : "", "Disp_Maker_1" : "Cherubino Alberti", "Sort_Artist" : "Alberti, Cherubino", "Disp_Dimen" : "20 cm x 19.37 cm (7 7/8 in. x 7 5/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "19.37 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash with traces of black chalk (recto and verso) on beige antique laid paper", "Info_Page_Comm" : "Like his engravings, many of Cherubino Alberti’s drawings interpret compositions and often disassociated motifs in venerable early sixteenth-century Roman examples. Characteristic, this study derives from Raphael’s fresco of the Dispute over the Holy Sacrament in the Stanza della Segnatura. 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Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "42.55 cm x 23.18 cm (16 3/4 in. x 9 1/8 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "23.18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.839.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.839.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.839.tif", "IIIF_URL": 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of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.807.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.807.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.807.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.807.tif", "IsPrimary" : "1", "_SurrogateID" : "5892", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15998", "Disp_Access_No" : "2017.803", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Classical Battle Scene", "Alt_Title" : "", "Obj_Title" : 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brown ink (verso)", "Info_Page_Comm" : "In this study, two surprisingly muscular cherubs sit on a lion’s skin. Subtly modeled in red chalk, one cherub hangs a garland while the other gazes out at us, his finger up to his lips. The garland, lion’s skin, and cherubs’ physiques recall the story of Hercules. Ovid writes in the "Metamorphoses" that in preparation for his death “Hercules spread as quilt the lion’s skin, and used his club as pillow, and lay there, no more troubled than a feaster at a great banquet, garland-crowned.” By the end of the fifteenth century, artists started drawing with red chalk by itself, exploring the range of a single color. The strong modeling and compact shallow space in this drawing suggest that it is a sketch for a decorative column.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.854.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.854.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.854.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.854.tif", "IsPrimary" : "1", "_SurrogateID" : "5694", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16171", "Disp_Access_No" : "2017.893", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Christ Appearing to the Virgin and the Magdalen", "Alt_Title" : "", "Obj_Title" : "Christ Appearing to the Virgin and the Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Copy after Federico Barocci", "Sort_Artist" : "Barocci, Copy after Federico", "Disp_Dimen" : "30.48 cm x 22.86 cm (12 in. x 9 in.)", "Disp_Height" : "30.48 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white on brown paper", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/617.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/617.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/617.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/617.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4173", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15940", "Disp_Access_No" : "2017.900", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Two Nudes", "Alt_Title" : "", "Obj_Title" : "Two Nudes", "Series_Title" : "", "Disp_Maker_1" : "Copy after Domenico Beccafumi", "Sort_Artist" : "Beccafumi, Copy after Domenico", "Disp_Dimen" : "17.15 cm x 11.11 cm (6 3/4 in. x 4 3/8 in.)", "Disp_Height" : "17.15 cm", "Disp_Width" : "11.11 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.900.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.900.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.900.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.900.tif", "IsPrimary" : "1", "_SurrogateID" : "5690", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15947, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15947", "Disp_Access_No" : "2017.908", "_AccNumSort1" : "", "Disp_Create_DT" : "1561-63", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Polyhymnia", "Alt_Title" : "Study for a Singing Muse Singing Muse", "Obj_Title" : "Polyhymnia", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "17.5 cm x 12.3 cm (6 7/8 in. x 4 13/16 in.)", "Disp_Height" : "17.5 cm", "Disp_Width" : "12.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over black cha", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over...", "Info_Page_Comm" : "As an architect, sculptor in stucco, and above all fresco painter and draftsman, Bergamasco introduced state-of-the-art Roman style to the prosperous and culturally ambitious families of mid-century Genoa. The decoration of the Palazzo Pallavicino (now Careggi-Cataldi) includes one of his most sophisticated and best preserved ensembles. The vault of the loggia on its main floor is decorated with a scene of Apollo surrounded by four ovals with the Muses making music. This is the preparatory study for one of the four, lacking an instrument but with an open book indicating song.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.908.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.908.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.908.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.908.tif", "IsPrimary" : "1", "_SurrogateID" : "5687", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16031", "Disp_Access_No" : "2017.909", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-62", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Dispute between Athena and Arachne", "Alt_Title" : "", "Obj_Title" : "The Dispute between Athena and Arachne", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "22.3 cm x 32.9 cm (8 3/4 in. x 12 15/16 in.)", "Disp_Height" : "22.3 cm", "Disp_Width" : "32.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, with brush and brown wash (slightly faded) on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink, with brush and brown wash (slightly faded) on cream antique laid paper, laid down", "Info_Page_Comm" : "This drawing was long attributed to Cambiaso. With its elegant proportions, smooth hand, and trademark description like the billowing draperies, it is characteristic of Bergamasco, his regular collaborator for most of the 1560s. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.909.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.909.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.909.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.909.tif", "IsPrimary" : "1", "_SurrogateID" : "5683", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16006", "Disp_Access_No" : "2017.907", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1560-62", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Minerva (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Minerva (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called Bergamasco", "Sort_Artist" : "Bergamasco, Giovanni Battista Castello, called", "Disp_Dimen" : "20.6 cm x 13.9 cm (8 1/8 in. x 5 1/2 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "13.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk", "Info_Page_Comm" : "During the 1560s, Bergamasco collaborated so closely and constantly with Genoa’s most advanced native artist, Luca Cambiaso, and they so influenced one another that their styles in painting and drawing can be difficult to distinguish. Similar to a motif in the decoration of the Palazzo Imperiale di piazza Campetto, this study evinces that collaboration and influence in its swift and approximative calligraphy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/156.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/156.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/156.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/156.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "3297", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.907-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.907-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.907-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.907-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6451", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15903", "Disp_Access_No" : "2017.912", "_AccNumSort1" : "", "Disp_Create_DT" : "1572", "_Disp_Start_Dat" : "1572", "_Disp_End_Date" : "1572", "Disp_Title" : "Study for the Angels of Justice", "Alt_Title" : "", "Obj_Title" : "Study for the Angels of Justice", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Zanguidi Bertoia", "Sort_Artist" : "Bertoia, Jacopo Zanguidi", "Disp_Dimen" : "14 cm x 9.5 cm (5 1/2 in. x 3 3/4 in.)", "Disp_Height" : "14 cm", "Disp_Width" : "9.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, over traces of black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, over traces of black chalk on cream antique laid paper", "Info_Page_Comm" : "The leading painter at Parma in the third quarter of the sixteenth century, Bertoia continued to elaborate upon Parmigianino’s deliberately artificial and extraordinarily beautiful style. The so-called Angels of Justice is one of a series of apocalyptic scenes that Bertoia frescoed in the Farnese palace at Caprarola. Typical in its delicate calligraphy, this drawing was an early idea for the upper part of the composition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.912.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.912.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.912.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.912.tif", "IsPrimary" : "1", "_SurrogateID" : "5693", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11064", "Disp_Access_No" : "1994.8", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine, a Bishop Saint, and a Donor", "Series_Title" : "", "Disp_Maker_1" : "Camillo Boccaccino", "Sort_Artist" : "Boccaccino, Camillo", "Disp_Dimen" : "18.5 cm x 16.1 cm (7 5/16 in. x 6 5/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes over black chalk", "Info_Page_Comm" : "Boccaccino was the leading figure of a progressive school of painting at Cremona. An early work, this drawing was a preparatory study for an altarpiece that has not been identified. Its synthetic style incorporates the elegant rhythms and calligraphic line of Parmigianino’s pen drawings.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "1", "_SurrogateID" : "3682", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.8.tif", "IsPrimary" : "0", "_SurrogateID" : "3685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15920", "Disp_Access_No" : "2017.928", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Alt_Title" : "", "Obj_Title" : "A Baptism with the Virgin and Child Crowned between Saint Peter and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Andrea Boscoli", "Sort_Artist" : "Boscoli, Andrea", "Disp_Dimen" : "15.8 cm x 9.8 cm (6 1/4 in. x 3 7/8 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Recto: Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper; Verso: bottom right corner, fragment of a study of two figures, pen and brown ink with brush and brown wash", "Info_Page_Comm" : "An idiosyncratic late Mannerist, Boscoli was probably trained by the progressive Florentines of Venetian inspiration, but himself returned as an almost reactionary formalist, and repressed romantic, to the school’s first generation of Man-nerists, Pontormo and Rosso. His paintings and especially his drawings distill the styles of those artists to the threshold of geometric abstraction, but also compen-sate with an unusually coherent light and caricatural sentiment. This small study, characteristic in its visual strength and representational ambiguity, surely pre-pared the composition of an altarpiece.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.928.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.928.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.928.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.928.tif", "IsPrimary" : "1", "_SurrogateID" : "5697", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16237", "Disp_Access_No" : "2017.939", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below", "Alt_Title" : "", "Obj_Title" : "Madonna and Child in Glory with Four Female Saints Interceding and Five Male Saints Below ", "Series_Title" : "", "Disp_Maker_1" : "Felice Brusasorci", "Sort_Artist" : "Brusasorci, Felice", "Disp_Dimen" : "37.5 cm x 18 cm (14 3/4 in. x 7 1/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown and gray washes and white heightening", "Info_Page_Comm" : "Brusasorci was the most progressive painter in late-century Verona. His style compounds the lustrous bulk that the school had long drawn from Giulio Romano, the linear sophistication that he gathered from training with Vasari in Florence, and contemporary Venetian elements, especially from Veronese. An advanced study for an altarpiece, this drawing shares basic subject, two-tiered division, and overcast light, as well as physiognomic types, with a series of paintings for some of the major churches of Verona.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.939.tif", "IsPrimary" : "1", "_SurrogateID" : "5858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16497, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16497", "Disp_Access_No" : "2017.965", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1568", "_Disp_Start_Dat" : "1563", "_Disp_End_Date" : "1573", "Disp_Title" : "God the Father and Putti", "Alt_Title" : "", "Obj_Title" : "God the Father and Putti", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "23.1 cm x 33.8 cm (9 1/8 in. x 13 5/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "33.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream paper, laid down", "Info_Page_Comm" : "Related motifs of God-the-Father amidst putti appear in the upper reaches of several altarpieces executed during the 1560s. The indication of the line of a po-lygonal cornice, however, indicates that this drawing was an early idea for architectural decoration, probably the vault fresco in the Zoagli Chapel in the church of Santissima Annunziata di Portoria. Possibly early Paggi (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.965.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.965.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.965.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.965.tif", "IsPrimary" : "1", "_SurrogateID" : "2872", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16016", "Disp_Access_No" : "2017.958", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Betrayal and Death of the Daughter of Spurio Tarpeo", "Alt_Title" : "", "Obj_Title" : "Betrayal and Death of the Daughter of Spurio Tarpeo", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "20.9 cm x 30.2 cm (8 1/4 in. x 11 7/8 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "30.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, squared in red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, squared in red chalk", "Info_Page_Comm" : "Tarpeia, the daughter of Roman general Spurio Tarpeo, betrayed the fortress under her father’s command to the Sabines, but ironically was crushed when their forces entered. This was one of the secondary scenes of Roman history in the Villa Cattaneo-Imperiale, the first of the grand secular schemes executed by Cambiaso independent of Bergamasco. Stressing massing and light over de-scription, this is the preparatory study for the composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.958.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.958.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.958.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.958.tif", "IsPrimary" : "1", "_SurrogateID" : "2887", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16075, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16075", "Disp_Access_No" : "2017.956", "_AccNumSort1" : "", "Disp_Create_DT" : "mid-1570s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "A Sibyl", "Alt_Title" : "", "Obj_Title" : "A Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "24.4 cm x 17 cm (9 5/8 in. x 6 11/16 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash over black chalk, dissolved", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash over black chalk, dissolved", "Info_Page_Comm" : "This drawing embodies the transition from the dynamic calligraphy of Cambiaso’s early draftsmanship to the abstract geometry of his later style. The com-pactness of the figure’s form, the boldness of its illumination, and its placement within a pendentive indicate a preliminary idea for architectural decoration, whether of actual space or within a painted composition. Similarly constructed figures of prophets are rendered in monochrome in the lateral compositions of the Lercari Chapel in Genoa’s cathedral", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.956.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.956.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.956.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.956.tif", "IsPrimary" : "1", "_SurrogateID" : "2682", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16364", "Disp_Access_No" : "2017.976", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562", "_Disp_Start_Dat" : "1557", "_Disp_End_Date" : "1567", "Disp_Title" : "The Martyrdom of Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "56.9 cm x 41.8 cm (22 3/8 in. x 16 7/16 in.)", "Disp_Height" : "56.9 cm", "Disp_Width" : "41.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "Luca Cambiaso is the first great master of sixteenth-century Genoa and the virtual founder of its distinctive school of painting. The Martyrdom of Saint Sebastian is a masterpiece of Cambiaso’s early maturity. His forms, although still in the style of Michelangelo, have been disciplined, smoothed into more regular shapes, and given more elegant proportion than in his earlier work. Around this time he began to employ lines whose varied weight, length, and velocity allowed more elliptic description and flexible structure. This drawing also demonstrates a new level of spatial mastery. While the archers define a horizontal concavity, the saint and angels create a vertical convexity. These intersecting curves involve the entire composition in an energizing tension and virtuoso resolution. Finally, the drawing conveys a consonantly refined and lyrical expression of the saint’s pathos, conspicuous in his face yet woven through the fabric of the entire work. The Martyrdom of Saint Sebastian is no less sophisticated in function. Cambiaso’s earlier drawings still pertain to the graphic system of the early sixteenth century. This later example, rendered at high speed, emulates the summary notation of an advanced compositional study within that system. However, it was not preparatory, but conceived and executed as an autonomous work of art, as confirmed by its remarkable size. Such drawings enjoyed a tremendous success with the ambitious patrons of the artist’s paintings. The resulting production established the very idea of an independent market for drawings in which graphic character and individual personality are the commodities. The Blanton’s seven paintings and over a dozen autograph drawings by Cambiaso represent the most significant holdings of his work outside Genoa. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.976.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.976.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.976.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.976.tif", "IsPrimary" : "1", "_SurrogateID" : "2577", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16116", "Disp_Access_No" : "2017.973", "_AccNumSort1" : "", "Disp_Create_DT" : "1568-69", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Saint Michael and the Damned Souls", "Alt_Title" : "", "Obj_Title" : "Saint Michael and the Damned Souls", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "27.6 cm x 21.3 cm (10 7/8 in. x 8 3/8 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "21.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk on cream an", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of red chalk ", "Info_Page_Comm" : "Again in collaboration, Bergamasco and Cambiaso created a grand cycle of the Last Judgment in the apse of Santissima Annunziata di Portoria. This drawing is one of several preliminary ideas for the canvas of The Damned. It is an early in-stance of the singularly systematic and reductive style, often called “cubic”, that characterizes Cambiaso’s later compositional studies. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.973.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.973.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.973.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.973.tif", "IsPrimary" : "1", "_SurrogateID" : "2681", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16275", "Disp_Access_No" : "2017.972", "_AccNumSort1" : "", "Disp_Create_DT" : "1562", "_Disp_Start_Dat" : "1562", "_Disp_End_Date" : "1562", "Disp_Title" : "Saint Benedict Enthroned between Saint John the Baptist and Saint Luke", "Alt_Title" : "", "Obj_Title" : "Saint Benedict Enthroned between Saint John the Baptist and Saint Luke", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "40.8 cm x 29 cm (16 1/16 in. x 11 7/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "In 1562 Luca Spinola commissioned Cambiaso to decorate his family’s chapel in the church of Santa Caterina dei Monaci. The one element to survive the church’s demolition in the 19th century is the altarpiece, which was transferred to Genoa’s cathedral. This drawing, identical in style to the Persephone, is an early design for the altarpiece, establishing the basic format and distribution of ele-ments but preceding changes in each figure’s attitude and the elimination of the monk in the foreground. Possibly an autographed replica (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.972.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.972.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.972.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.972.tif", "IsPrimary" : "1", "_SurrogateID" : "2875", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16165", "Disp_Access_No" : "2017.975", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "The Entombment", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "29.7 cm x 21.2 cm (11 11/16 in. x 8 3/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk, on cream antique laid paper, laid down", "Info_Page_Comm" : "Relatively conventional in composition, calm in its articulation, and legible in narration, this drawing parallels the development of Cambiaso’s religious paintings after around 1570 in the tempering of virtuosity toward an accommodation of Counter-Reformation expectations. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.975.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.975.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.975.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.975.tif", "IsPrimary" : "1", "_SurrogateID" : "2880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16053", "Disp_Access_No" : "2017.962", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Cupid and Psyche before the Council of the Gods", "Alt_Title" : "", "Obj_Title" : "Cupid and Psyche before the Council of the Gods", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "23.6 cm x 34 cm (9 5/16 in. x 13 3/8 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over traces of black chalk on cream antique laid paper", "Info_Page_Comm" : "Presentation to the gods was a natural theme for the decoration of the grand reception rooms of Genoa's noble families. Cambiaso treated these subjects on numerous occasions. This drawing, previously identified as Venus and Cupid before the council of the gods, in fact represents the wedding of Cupid and Psyche as described in Apuleius's Golden Ass–the only surviving anceint Roman novel–and as depicted by Raphael in the Villa Farnesian in Rome. Thus identified, the drawing can be connected to Cambiaso's lost ceiling fresco of Palazzo Grillo-Serra-Podestà.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.962.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.962.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.962.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.962.tif", "IsPrimary" : "1", "_SurrogateID" : "2877", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16231, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16231", "Disp_Access_No" : "2017.970", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1562-63", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Rape of Proserpina", "Alt_Title" : "Rape of Persephone ", "Obj_Title" : "Rape of Proserpina", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "36.8 cm x 47.2 cm (14 1/2 in. x 18 9/16 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "47.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk on cr", "Support" : "", "Disp_Medium" : "Pen and iron gall ink with brush and brown wash over traces of black chalk", "Info_Page_Comm" : "This drawing is related to the Saint Sebastian in scale, complex space, calligraphic charge, and autonomous function. Its mythological subject and format, how-ever, correspond to the sort of scene Cambiaso and Bergamasco were contemporaneously introducing to the decoration of Genoese palaces. The sheet is further distinguished by its exceptional freshness, without any deterioration of the black-brown, iron gall ink favored by the artist or any fading of its sweeping washes Possibly an autographed replica (Jonathan Bober 5/13/11)", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.970.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.970.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.970.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.970.tif", "IsPrimary" : "1", "_SurrogateID" : "2876", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16138, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16138", "Disp_Access_No" : "2017.969", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1550", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1555", "Disp_Title" : "Perseus", "Alt_Title" : "", "Obj_Title" : "Perseus", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "28.5 cm x 16.3 cm (11 1/4 in. x 6 7/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with traces of black chalk on cream antique laid paper...", "Support" : "", "Disp_Medium" : "Pen and brown ink with traces of black chalk on cream antique laid paper...", "Info_Page_Comm" : "Typical of drawings around 1550, the Perseus is characterized by tremendous energy and incomplete resolution. Its powerful, Michelangesque forms are still awkward in their construction and incomplete in their foreshortening. Meanwhile, with the basic language derived from Perino del Vaga, there are signs of a personal calligraphy, like the remarkable abbreviation in Perseus's lower legs. Around this time Luca and his father were decorating several palace facades with mythological subjects. This drawing was probably a preparatory study. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.969.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.969.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.969.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.969.tif", "IsPrimary" : "1", "_SurrogateID" : "2881", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16345", "Disp_Access_No" : "2017.988", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563-64", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Visitation", "Alt_Title" : "", "Obj_Title" : "Visitation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Luca Cambiaso", "Sort_Artist" : "Cambiaso, Workshop of Luca", "Disp_Dimen" : "50.9 cm x 35.6 cm (20 1/16 in. x 14 in.)", "Disp_Height" : "50.9 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and iron gall and bistre inks, on cream antique laid paper, tipped to modern cardboard", "Support" : "", "Disp_Medium" : "Pen and iron gall and bistre inks, on cream antique laid paper, tipped to modern cardboard", "Info_Page_Comm" : "This is another spectacular and well known example of draftsmanship from Cambiaso’s early maturity. Probably the result of Bergamasco’s influence, he has devised a very personal interpretation of the subject, complicated the spatial arrangement, and thorough interwoven the figures to create a single, seamless fabric. At the same time, his line has become more predictable in its ellipses and regular in its distribution without sacrificing any of its energy. Jonathan Bober changed to Workshop of Luca Cambiaso 5/13/11.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.988.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.988.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.988.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.988.tif", "IsPrimary" : "1", "_SurrogateID" : "2890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15909", "Disp_Access_No" : "2017.989", "_AccNumSort1" : "", "Disp_Create_DT" : "1510s", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Madonna and Child with Saints Anthony of Padua, Prosdocimo, Daniele, and Giustina", "Alt_Title" : "The Madonna and Child with Four Saints", "Obj_Title" : "Madonna and Child with Saints Anthony of Padua, Prosdocimo, Daniele, and Giustina", "Series_Title" : "", "Disp_Maker_1" : "Domenico Campagnola", "Sort_Artist" : "Campagnola, Domenico", "Disp_Dimen" : "14.6 cm x 27.8 cm (5 3/4 in. x 10 15/16 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "27.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, discolored to beige, backed", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, discolored to beige, backed", "Info_Page_Comm" : "Trained by his adoptive father, profoundly influenced by Giorgione and the early works of Titian, Campagnola was briefly the leading graphic artist in Ven-ice before taking up permanent residence in Padua (1523) and becoming its prin-cipal painter. His drawings depend closely upon Titian’s and are regularly con-fused with them and those of numerous followers and imitators. This drawing owes to Titian’s types, dynamism, and pen work of the early 1510s. Distinctive, and immature, are the adherence to a conservative Venetian format for the sacra conversazione, the odd spatial relationships, and the overcharacterization of types. It must be one of the precocious efforts that helped establish Campagnola’s fame.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.989.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.989.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.989.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.989.tif", "IsPrimary" : "1", "_SurrogateID" : "5684", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8099", "Disp_Access_No" : "2001.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1567", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1567", "Disp_Title" : "Saint Jerome and Saint Anthony Abbot", "Alt_Title" : "", "Obj_Title" : "Saint Jerome and Saint Anthony Abbot", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Campi", "Sort_Artist" : "Campi, Bernardino", "Disp_Dimen" : "52.4 cm x 38.2 cm (20 5/8 in. x 15 1/16 in.)", "Disp_Height" : "52.4 cm", "Disp_Width" : "38.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash, black chalk, and white heightening", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash, black chalk, and white heightening", "Info_Page_Comm" : "This grand sheet is the final compositional study––a modello––for an altarpiece (at left) that was executed in 1567 for the church of San Sigismondo at Cremona. The church, a virtual museum of the school of Cremona, includes several of the artist’s most important works. Especially since Campi was resident in Milan at the time of the commission, the modello was surely a demonstration of the intended composition to patrons. Unique in the artist’s surviving oeuvre, this drawing was feared to be a copy after the painting when it appeared at auction. It is now widely admired as one of his greatest drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.53.tif", "IsPrimary" : "1", "_SurrogateID" : "1741", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11080", "Disp_Access_No" : "1988.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "Allegory of Imperial Liberality Toward Education", "Alt_Title" : "", "Obj_Title" : "Allegory of Imperial Liberality Toward Education", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giulio Campi", "Sort_Artist" : "Campi, Circle of Giulio", "Disp_Dimen" : "11.9 cm x 13 cm (4 11/16 in. x 5 1/8 in.)", "Disp_Height" : "11.9 cm", "Disp_Width" : "13 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and two brown inks with brush and brown wash and white heightening on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and two brown inks with brush and brown wash and white heightening on beige antique laid paper, laid down", "Info_Page_Comm" : "From its subject and the probable date of its style, this drawing is apparently connected to the ephemeral decorations that welcomed the visit of Emperor Charles V to Cremona in 1541. Much more than his painting, Parmigianino’s draftsmanship was a touchstone for Giulio Campi. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.2.tif", "IsPrimary" : "1", "_SurrogateID" : "6999", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16014", "Disp_Access_No" : "2017.1007", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Studies of the Madonna and Child (recto), The Triumph of Saint Michael (verso)", "Alt_Title" : "", "Obj_Title" : "Three Studies of the Madonna and Child (recto), The Triumph of Saint Michael (verso)", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Casolani", "Sort_Artist" : "Casolani, Alessandro", "Disp_Dimen" : "20.96 cm x 13.34 cm (8 1/4 in. x 5 1/4 in.)", "Disp_Height" : "20.96 cm", "Disp_Width" : "13.34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1007.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1007.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1007.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1007.tif", "IsPrimary" : "1", "_SurrogateID" : "5685", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15952", "Disp_Access_No" : "2017.1012", "_AccNumSort1" : "", "Disp_Create_DT" : "1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Madonna and Child with Saint John and Another Saint", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child with Saint John and Another Saint", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "17.78 cm x 13.97 cm (7 in. x 5 1/2 in.)", "Disp_Height" : "17.78 cm", "Disp_Width" : "13.97 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash", "Info_Page_Comm" : "Castello was trained by one of Luca Cambiaso's few competitors, Andrea Semino, but then influenced by Cambiaso during the first part of his career. The spare description and sweeping strokes identify this as an early drawing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1012.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1012.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1012.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1012.tif", "IsPrimary" : "1", "_SurrogateID" : "5827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15887, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15887", "Disp_Access_No" : "2017.1010", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa", "Alt_Title" : "", "Obj_Title" : "Charles VI, King of France, Receiving Ambassadors from Antoniotto Adorno, Doge of Genoa ", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "11.5 cm x 19.6 cm (4 1/2 in. x 7 11/16 in.)", "Disp_Height" : "11.5 cm", "Disp_Width" : "19.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray wash and white heightening (slightly oxidized) on blue antique laid paper", "Info_Page_Comm" : "An autograph inscription identifies this scene as one of at least seven from the life of Antoniotto Adorno, doge during Genoa’s first great period, in the 14th-century. There survives at least one other drawing from the series. Their subjects, lunette format and monumental conception, suggest that they were pre-paratory for the fresco decoration of a Genoese palace. Although no such cycle by Castello is known, Lazzaro Tavarone did execute one in the Palazzo Cattaneo-Adorno in 1624. Castello’s drawings could well have served as models in a competition for that project.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1010.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1010.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1010.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1010.tif", "IsPrimary" : "1", "_SurrogateID" : "5840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15915", "Disp_Access_No" : "2017.1009", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Man Whispering to a Lady", "Alt_Title" : "", "Obj_Title" : "A Man Whispering to a Lady", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Castello", "Sort_Artist" : "Castello, Bernardo", "Disp_Dimen" : "15.24 cm x 14.29 cm (6 in. x 5 5/8 in.)", "Disp_Height" : "15.24 cm", "Disp_Width" : "14.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1009.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1009.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1009.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1009.tif", "IsPrimary" : "1", "_SurrogateID" : "5686", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19282", "Disp_Access_No" : "2008.135", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Castello, called il Genovese", "Sort_Artist" : "Castello, called il Genovese, Giovanni Battista", "Disp_Dimen" : "24 cm x 18 cm (9 7/16 in. x 7 1/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Gouache heightened with gold on vellum", "Support" : "", "Disp_Medium" : "Gouache heightened with gold on vellum", "Info_Page_Comm" : "Castello was the last master of miniature painting in Italy. His specialty was the translation of famous works by other artists. Here the composition depends upon Dürer’s woodcut of the scene in his Life of the Virgin. With their meticulous attention to craft and their restrained style, such miniatures were very popular as luxurious objects of private devotion. Despite the limited scope of his art, Castello was the most successful artist in Genoa during the 1590s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.135.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.135.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.135.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2008.135.TIF", "IsPrimary" : "1", "_SurrogateID" : "4927", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16575, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16575", "Disp_Access_No" : "2002.2826", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Standing Male Figure with Drapery", "Alt_Title" : "", "Obj_Title" : "Standing Male Figure with Drapery", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "42.8 cm x 23.6 cm (16 7/8 in. x 9 5/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Red chalk with stumping on gray antique laid paper", "Support" : "", "Disp_Medium" : "Red chalk with stumping on gray antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2826.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2826.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2826.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2826.tif", "IsPrimary" : "1", "_SurrogateID" : "3075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16321", "Disp_Access_No" : "2017.1046", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Cigoli (Ludovico Cardi)", "Sort_Artist" : "Cigoli (Ludovico Cardi)", "Disp_Dimen" : "47.1 cm x 36 cm (18 9/16 in. x 14 3/16 in.)", "Disp_Height" : "47.1 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and blue and brown washes with touches of white heightening over black chalk on cream antique laid paper", "Info_Page_Comm" : "Cigoli was the most progressive of a group of Florentine artists who rejected the cool formula of Mannerism in favor of greater naturalism, dynamism and expressive immediacy. Active in Rome after 1604, he participated in several of the most important commissions of the period. This drawing was an advanced preparatory study for a painting commissioned by Margaret of Austria in 1607. An incessant and resourceful draftsman, Cigoli offered two possible placements for the figure of Saint Joseph amid swirling pen work and deft accents in blue wash. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1046.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1046.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1046.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1046.tif", "IsPrimary" : "1", "_SurrogateID" : "4202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15926, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15926", "Disp_Access_No" : "2017.1054", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1530-34", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Allegory of Virtue", "Alt_Title" : "", "Obj_Title" : "Allegory of Virtue", "Series_Title" : "", "Disp_Maker_1" : "Antonio Allegri, called Correggio", "Sort_Artist" : "Correggio, Antonio Allegri, called", "Disp_Dimen" : "16 cm x 15.6 cm (6 5/16 in. x 6 1/8 in.)", "Disp_Height" : "16 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heighten", "Info_Page_Comm" : "This is a preparatory study for one of Correggio’s last commissions, the pair of allegories in tempera on canvas that completed the decoration of Isabella d’Este’s studiolo in the Ducal Palace at Mantua and that are today in the Louvre. Close to arrangement but reversed in orientation relative to the painting, the figures rep-resent Minerva, at center, holding her helmet and a spear, and a personification of the combined Cardinal Virtues, to her right. The drawing’s first elaboration in pen-and-ink, rather than red chalk, is unusual for the artist, and, as Popham noted, his addition of an ink wash is exceptional. Not just one of the latest sur-viving drawings, it is also one of the most pictorially developed by this eccentric and prescient genius.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/190.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/190.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/190.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/190.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4508", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16129", "Disp_Access_No" : "2017.1104", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Religion with a Putto Flanking the Arms of a Cardinal", "Alt_Title" : "", "Obj_Title" : "Personification of Religion with a Putto Flanking the Arms of a Cardinal", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Chimenti, called Empoli", "Sort_Artist" : "Empoli, Attributed to Jacopo Chimenti, called", "Disp_Dimen" : "27.94 cm x 17.78 cm (11 in. x 7 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Black chalk, pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1104.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1104.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1104.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1104.tif", "IsPrimary" : "1", "_SurrogateID" : "4203", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16221", "Disp_Access_No" : "2017.1103", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Patience", "Alt_Title" : "A Woman, Her Head Bowed, an Urn at Her Feet", "Obj_Title" : "Personification of Patience", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Empoli", "Sort_Artist" : "Empoli, Jacopo", "Disp_Dimen" : "35.1 cm x 23.6 cm (13 13/16 in. x 9 5/16 in.)", "Disp_Height" : "35.1 cm", "Disp_Width" : "23.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1103.tif", "IsPrimary" : "1", "_SurrogateID" : "3688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16002", "Disp_Access_No" : "2017.1105", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family with a Saint", "Alt_Title" : "", "Obj_Title" : "The Holy Family with a Saint", "Series_Title" : "", "Disp_Maker_1" : "Marchetti Marco", "Sort_Artist" : "Marco, Marchetti", "Disp_Dimen" : "20.32 cm x 20 cm (8 in. x 7 7/8 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1105.tif", "IsPrimary" : "1", "_SurrogateID" : "5828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16091", "Disp_Access_No" : "2017.1107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Alt_Title" : "", "Obj_Title" : "A Dragon Decapitated by Perseus, and Two Men", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "26.04 cm x 27.31 cm (10 1/4 in. x 10 3/4 in.)", "Disp_Height" : "26.04 cm", "Disp_Width" : "27.31 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash, heighened with white, over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1107.tif", "IsPrimary" : "1", "_SurrogateID" : "5847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16482", "Disp_Access_No" : "2017.1109", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1580s", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "The Conversion of Saint Paul", "Alt_Title" : "", "Obj_Title" : "Conversion of Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "42.8 cm x 58 cm (16 7/8 in. x 22 13/16 in.)", "Disp_Height" : "42.8 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening over black and lead white chalks on beige antique laid paper, laid down", "Info_Page_Comm" : "This drawing renders the vision of the Roman soldier Saul and his conversion to Christianity as a frieze of spectacular incident and stunning plasticity. This kind of arrangement, horizontal format with surging population, was typical of Farinati’s most imposing paintings. Here, dilated into a sweeping panorama and bound by sustained rhythms, the composition is especially dynamic and coherent. Similarly, the complicated surface, rich color, and elaborate finish are characteristic of Farinati’s preferred mode of drawing. This work reflects his latest graphic development, with relatively restrained heightening and varied washes animating the surface, even hinting at naturalism. So insistent in drawing but then so concentrated in pictorial effect, Farinati’s graphic style lent itself to the production of autonomous works for collectors. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1109.tif", "IsPrimary" : "1", "_SurrogateID" : "3359", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11809", "Disp_Access_No" : "1988.12", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1510's", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Angel Holding a Tablet, after Raphael", "Alt_Title" : "", "Obj_Title" : "Angel Holding a Tablet, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Gaudenzio Ferrari", "Sort_Artist" : "Ferrari, Gaudenzio", "Disp_Dimen" : "30.8 cm x 21 cm (12 1/8 in. x 8 1/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brush with brown ink with gray wash and white heightening over black chalk on antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brush with brown ink with gray wash and white heightening over black chalk on antique laid paper", "Info_Page_Comm" : "This drawing copies a motif in Raphael’s fresco decoration of the Chigi Chapel, 1514, in Santa Maria della Pace, Rome.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.12.tif", "IsPrimary" : "1", "_SurrogateID" : "6323", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16094", "Disp_Access_No" : "2017.1148", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1558", "_Disp_Start_Dat" : "1553", "_Disp_End_Date" : "1563", "Disp_Title" : "Allegory of Birth, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Allegory of Birth, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giorgio Ghisi", "Sort_Artist" : "Ghisi, Attributed to Giorgio", "Disp_Dimen" : "26.3 cm x 41.4 cm (10 3/8 in. x 16 5/16 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "41.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidiz", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partially oxidized) on beige paper", "Info_Page_Comm" : "This composition corresponds in every major element and most details to an engraving by Giorgio Ghisi. The drawing’s highly finished technique, similar size, and of course reversal of direction indicate that even though its design lacks the usual signs of being transferred to a copper plate, it was the immediate model for the print. The ultimate source of the composition is a fresco of around 1531 in the Loggia of the Grotto in the Palazzo del Te, Giulio Romano’s principal project for Federigo Gonzaga at Mantua. Part of an allegorical life cycle, the subject involves a mother expiring after childbirth, a personification consigning the newborn to winged genii, a crouching woman lighting a new torch from an old, and Aurora bringing a new day with her chariot. The drawing’s elaboration of the fresco shows considerable inventiveness, the technique is generally that of other models for engraving by Raphael and his followers, and the handling is quite accomplished, particularly in the heightened modeling of the figures and the loose description of the background in wash. The likelihood, however, is that this is not a drawing by Romano, rather by an artist trained in his circle or conceivably Ghisi himself.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2181", "Rel_Obj_Title" : "Allegory of Birth, after Giulio Romano" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/518.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/518.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/518.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/518.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4867", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16043", "Disp_Access_No" : "2017.1210", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Female Martyr Saint", "Alt_Title" : "", "Obj_Title" : "A Female Martyr Saint", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "22.86 cm x 16.51 cm (9 in. x 6 1/2 in.)", "Disp_Height" : "22.86 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1210.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1210.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1210.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1210.tif", "IsPrimary" : "1", "_SurrogateID" : "5692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16294, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16294", "Disp_Access_No" : "2017.1211", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jacopo Ligozzi", "Sort_Artist" : "Ligozzi, Attributed to Jacopo", "Disp_Dimen" : "42.55 cm x 29.85 cm (16 3/4 in. x 11 3/4 in.)", "Disp_Height" : "42.55 cm", "Disp_Width" : "29.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash, heightened with white", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash, heightened with white", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1211.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1211.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1211.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1211.tif", "IsPrimary" : "1", "_SurrogateID" : "5850", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15999, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15999", "Disp_Access_No" : "2017.1235", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sacrifice of Iphigenia (recto); Study for the Figure of Iphigenia (verso)", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Iphigenia (recto); Study for the Figure of Iphigenia (verso)", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Mei", "Sort_Artist" : "Mei, Bernardino", "Disp_Dimen" : "20.32 cm x 26.04 cm (8 in. x 10 1/4 in.)", "Disp_Height" : "20.32 cm", "Disp_Width" : "26.04 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, squared in red chalk", "Support" : "", "Disp_Medium" : "Black chalk, squared in red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/570.1999_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/570.1999_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/570.1999_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/570.1999_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "3691", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1235-recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1235-recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1235-recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1235-recto.tif", "IsPrimary" : "1", "_SurrogateID" : "6450", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15973", "Disp_Access_No" : "2017.1253", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Nudes and a Term", "Alt_Title" : "", "Obj_Title" : "Three Nudes and a Term", "Series_Title" : "", "Disp_Maker_1" : "Circle of Bartolommeo Neroni", "Sort_Artist" : "Neroni, Circle of Bartolommeo", "Disp_Dimen" : "19.05 cm x 25.08 cm (7 1/2 in. x 9 7/8 in.)", "Disp_Height" : "19.05 cm", "Disp_Width" : "25.08 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1253.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1253.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1253.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1253.tif", "IsPrimary" : "1", "_SurrogateID" : "5699", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16045", "Disp_Access_No" : "2017.1266", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "23.3 cm x 20 cm (9 3/16 in. x 7 7/8 in.)", "Disp_Height" : "23.3 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on beige paper", "Info_Page_Comm" : "Paggi’s style was determined by Cambiaso, his first teacher, but given a more academic orientation and regular appearance during a twenty-year sojourn in Florence. Returning to Genoa in 1599, he was briefly the city’s most important painter and a leading teacher of the next generation. Long thought Cambiaso’s, this drawing has recently been recognized by Mary Newcome as an early work of Paggi.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1266.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1266.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1266.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1266.tif", "IsPrimary" : "1", "_SurrogateID" : "6453", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16177", "Disp_Access_No" : "2017.1263", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Holy Family with the Young Saint John the Baptist in a Landscape", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist in a Landscape", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "31 cm x 21.6 cm (12 3/16 in. x 8 1/2 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on beige paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on beige paper, laid down", "Info_Page_Comm" : "During the 1560s, in religious works of more contemplative subject and gentler mood, Cambiaso often adopted a mode of more conventional description and inherent beauty. This drawing, muted in contrast, lyrical in stroke, and appeal-ing in sentiment, is a fine example of this mode.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1263.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1263.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1263.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1263.tif", "IsPrimary" : "1", "_SurrogateID" : "2871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16039", "Disp_Access_No" : "2017.1267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Deposition", "Alt_Title" : "", "Obj_Title" : "The Deposition", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "22.54 cm x 17.78 cm (8 7/8 in. x 7 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1267.tif", "IsPrimary" : "1", "_SurrogateID" : "5700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16150", "Disp_Access_No" : "2017.1265", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Dominic Distributing Rosaries", "Alt_Title" : "", "Obj_Title" : "Saint Dominic Distributing Rosaries", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Paggi", "Sort_Artist" : "Paggi, Giovanni Battista", "Disp_Dimen" : "29 cm x 20.3 cm (11 7/16 in. x 8 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique la", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk", "Info_Page_Comm" : "This is a fine study of Paggi’s maturity, quite automatic but less extravagant in line, with more carefully applied and gradated washes, relative to the style of Cambiaso. Although no corresponding painting has been identified, the auto-graph inscription describes the drawing as preparatory for “an altarpiece in [the patron’s] chapel in Randazzo, Sicily.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1265.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1265.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1265.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1265.tif", "IsPrimary" : "1", "_SurrogateID" : "5701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16018", "Disp_Access_No" : "2017.1273", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Creation of Eve", "Alt_Title" : "", "Obj_Title" : "The Creation of Eve", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "17.9 cm x 21.5 cm (7 1/16 in. x 8 7/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash and white heightening over black chalk on beige antique laid paper, laid down", "Info_Page_Comm" : "Palma Giovane’s style embodies late Mannerism in Venice. Countless, his paintings carry on Tintoretto’s difficult synthesis of painterly values and complex design with an automatic ease, reemergent naturalism, and self-conscious reference to earlier 16th-century examples, Titian in particular. Ceaseless as both pre-paratory activity and exercise, his draftsmanship is similarly predicated upon lin-ear procedure and rhythmic organization, but ultimately unconcerned with structure and instead dedicated to momentary optical properties. Inspired by a lost scene in Tintoretto’s celebrated History of Adam and Eve for the Scuola della Trinità, rendered in Palma’s most frequent technique, and especially vibrant despite a conspicuous loss, this is an excellent example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1273.tif", "IsPrimary" : "1", "_SurrogateID" : "5705", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15907", "Disp_Access_No" : "2017.1272", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Apotheosis of a Jesuit Saint", "Alt_Title" : "", "Obj_Title" : "The Apotheosis of a Jesuit Saint", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "14.29 cm x 12.07 cm (5 5/8 in. x 4 3/4 in.)", "Disp_Height" : "14.29 cm", "Disp_Width" : "12.07 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1272.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1272.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1272.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1272.tif", "IsPrimary" : "1", "_SurrogateID" : "5702", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16117", "Disp_Access_No" : "2017.1271", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Francis Receiving the Stigmata", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Stigmata", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "27.4 cm x 20.8 cm (10 13/16 in. x 8 3/16 in.)", "Disp_Height" : "27.4 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Support" : "", "Disp_Medium" : "Point of the brush and brown wash, heightened with white, over black chalk on blue paper; pricked for transfer", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1271.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1271.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1271.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1271.tif", "IsPrimary" : "1", "_SurrogateID" : "5703", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16064", "Disp_Access_No" : "2017.1270", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Penitent Magdalen", "Alt_Title" : "", "Obj_Title" : "Penitent Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "24 cm x 15.7 cm (9 7/16 in. x 6 3/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "15.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and pale brown wash over black chalk on beige paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and pale brown wash over black chalk on beige paper", "Info_Page_Comm" : "In its relatively simplification of Tintoretto’s style and incipient naturalism, Palma’s became the dominant style of religious painting in the Veneto in the last quarter of the century. His devotional pictures were preceded by numerous studies in which motifs, their relative positions, even individual gestures under-went minute variations. While not directly preparatory, this rendering of the penitent Magdalene is typical of such studies, related in subject to at least two paintings, and suggestive of their repertory nature. Its hasty brushwork, bristly line, and rather garish hue bespeak a confidence and delight in this Venetian equivalent of Central Italian disegno.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1270.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1270.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1270.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1270.tif", "IsPrimary" : "1", "_SurrogateID" : "5704", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15924", "Disp_Access_No" : "2017.1048", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Decollation of a Saint", "Alt_Title" : "", "Obj_Title" : "The Decollation of a Saint", "Series_Title" : "", "Disp_Maker_1" : "Circle of Domenico Cresti Passignano", "Sort_Artist" : "Circle of Domenico Cresti Passignano", "Disp_Dimen" : "15.88 cm x 13.65 cm (6 1/4 in. x 5 3/8 in.)", "Disp_Height" : "15.88 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash over red chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash over red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1048.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1048.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1048.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1048.tif", "IsPrimary" : "1", "_SurrogateID" : "5706", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16020", "Disp_Access_No" : "2017.1280", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "The Feeding of the Five Thousand", "Alt_Title" : "", "Obj_Title" : "The Feeding of the Five Thousand", "Series_Title" : "", "Disp_Maker_1" : "Domenico Cresti, called Passignano", "Sort_Artist" : "Passignano, Domenico Cresti, called", "Disp_Dimen" : "21.59 cm x 16.51 cm (8 1/2 in. x 6 1/2 in.)", "Disp_Height" : "21.59 cm", "Disp_Width" : "16.51 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk and red wash, squared in black chalk", "Support" : "", "Disp_Medium" : "Red chalk and red wash, squared in black chalk", "Info_Page_Comm" : "The grid laid over Passignano’s preparatory drawing The Feeding of the Five Thousand reveals an underlying cosmos, despite the multitude of figures. By grouping the crowds into organized sections, Passignano, an indefatigable draftsman, brings order to a difficult composition, just as Christ brings spiritual fulfillment to the unruly crowds. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1280.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1280.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1280.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1280.tif", "IsPrimary" : "1", "_SurrogateID" : "5698", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16135, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16135", "Disp_Access_No" : "2017.1286", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Marine Monsters", "Alt_Title" : "", "Obj_Title" : "Marine Monsters", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Piero Buonaccorsi, called Perino del Vaga", "Sort_Artist" : "Perino del Vaga, Attributed to Piero Buonaccorsi, called", "Disp_Dimen" : "28.26 cm x 42.23 cm (11 1/8 in. x 16 5/8 in.)", "Disp_Height" : "28.26 cm", "Disp_Width" : "42.23 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1286.tif", "ThumbnailPath" : 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brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1287.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1287.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1287.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1287.tif", "IsPrimary" : "1", "_SurrogateID" : "3689", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16085", "Disp_Access_No" : "2017.1319", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Kneeling Before a Bishop", "Alt_Title" : "", "Obj_Title" : "A Woman Kneeling Before a Bishop", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Poccetti", "Sort_Artist" : "Poccetti, Bernardino", "Disp_Dimen" : "25.4 cm x 17.78 cm (10 in. x 7 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "17.78 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1319.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1319.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1319.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1319.tif", "IsPrimary" : "1", "_SurrogateID" : "5708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16060, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16060", "Disp_Access_No" : "2017.1320", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of Two Female Figures (recto); Studies of a Kneeling Figure and a Figure in a Niche (verso)", "Alt_Title" : "", "Obj_Title" : "Studies of Two Female Figures (recto); Studies of a Kneeling Figure and a Figure in a Niche (verso)", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Poccetti", "Sort_Artist" : "Poccetti, Bernardino", "Disp_Dimen" : "23.8 cm x 18.9 cm (9 3/8 in. x 7 7/16 in.)", "Disp_Height" : "23.8 cm", "Disp_Width" : "18.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on cream antique laid paper, Verso: Studies of a Kneeling Figure and a Figure in a Niche, in black chalk", "Support" : "", "Disp_Medium" : "Black chalk on cream antique laid paper, Verso: Studies of a Kneeling Figure and a Figure in a Niche, in black chalk", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1320.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1320.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1320.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1320.tif", "IsPrimary" : "1", "_SurrogateID" : "5707", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16008", "Disp_Access_No" : "2017.1322", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527", "_Disp_Start_Dat" : "1522", "_Disp_End_Date" : "1532", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "The Holy Family Surrounded by Worshipping Figures", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Polidoro Caldara, called Polidoro da Caravaggio", "Sort_Artist" : "Polidoro da Caravaggio, Polidoro Caldara, called", "Disp_Dimen" : "20.5 cm x 28.3 cm (8 1/16 in. x 11 1/8 in.)", "Disp_Height" : "20.5 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre washe", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening on ochre...", "Info_Page_Comm" : "Polidoro da Caravaggio was the most inventive and idiosyncratic of Raphael’s followers. From his earliest participation in the master workshop, his irregular and dramatic language was distinct. Later he created a new type of decoration for palace façades, with chiaroscuro frescoes suggesting low-relief sculpture in the style of ancient classical models, brought to life through eccentric form. His pioneering landscapes were similarly inspired by ancient Roman painting, interpreted with such vitality that they anticipate classical landscapes of the next century. After the sacking of Rome, he went to Naples, then Messina. Aggressively deformed, deliberately rude, and profoundly moving, the late works are fully expressionistic. This is a magnificent example of the artist’s most pictorial and dramatic style of drawing from the height of his activity. The composition still involves an underlying geometry and develops from a single plane like an antique low relief, but it is already swept by larger movements and charged with intense feeling. Similarly, the figures are still monumental and declamatory, but are beginning to slip from balance and to warp with individualized response. In terms of technique, form is defined through broad washes, limited pen-and-ink, and summary modeling, as opposed to the previous delicate description, in white heightening. With the reminiscences of Rome fresh and rather poignant, the drawing probably dates from the beginning of the Neapolitan sojourn. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1322.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1322.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1322.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1322.tif", "IsPrimary" : "1", "_SurrogateID" : "2640", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16051", "Disp_Access_No" : "2017.1330", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-10", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Drapery Study for a Standing Male Figure", "Alt_Title" : "", "Obj_Title" : "Drapery Study for a Standing Male Figure", "Series_Title" : "", "Disp_Maker_1" : "Circle of Raffaello Sanzio, called Raphael", "Sort_Artist" : "Raphael, Circle of Raffaello Sanzio, called", "Disp_Dimen" : "23.5 cm x 14.1 cm (9 1/4 in. x 5 9/16 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "14.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk on beige antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk on beige antique laid paper", "Info_Page_Comm" : "Previously identified generically, as early 16th-century Florentine, this study cor-responds exactly to the drapery of a prominent but unnamed figure in Raphael’s School of Athens, painted in the Vatican’s Stanza della Segnatura in 1509-10. Moreover, the motif in the drawing precedes, and therefore cannot copy, that in the painting, where hands are introduced, the line of fabric is interrupted at the back, the drapery’s folds have been adjusted. With such studies characteristic of early Florentine practice, a few examples known in Raphael’s work, and the ma-terials of this sheet contemporary -- a watermark of a six-pointed star with blunt lobes indicates late 15th-century French or Italian manufacture -- it is tempting to regard it as the artist’s very preparatory study. In logic and absolute quality, however, it is inferior: the line is too deliberated, the surface description too regular, and the literal foundation of the motif, at the foot and in the trailing folds, too tentative. Ultimately, the drawing lacks the organic unity of the mas-ter’s works, while hinting at the greater abstractness with which the next genera-tion would interpret the legacy of the High Renaissance. However striking and significant for understanding the genesis of a fundamental work of art, this drawing is a contemporary copy of a presumably lost study by Raphael. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1330.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1330.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1330.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1330.tif", "IsPrimary" : "1", "_SurrogateID" : "2608", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15892", "Disp_Access_No" : "2017.1331", "_AccNumSort1" : "", "Disp_Create_DT" : "1508-09", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Raffaello Sanzio, called Raphael", "Sort_Artist" : "Raphael, Raffaello Sanzio, called", "Disp_Dimen" : "11.7 cm x 10.2 cm (4 5/8 in. x 4 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with graphite (later addition) on cream antique laid paper", "Info_Page_Comm" : "First attributed to Raphael by Konrad Oberhuber, this is a characteristic and fine drawing of the artist’s early maturity. The subject is one explored with repertory insistence in a famous series of paintings and a parallel series of very swift, occasionally preliminary studies in pen-and-ink during his Florentine and early Ro-man periods. Perfectly consistent with this virtual research and the development of High Renaissance style are the solid spatial construction and powerful centripetal movement of this composition. And absolutely cognate with the other pen studies are the large gestures about the perimeter of the motif, changes in the position of the Child’s arm and Joseph’s head, and shorthand notations for the extremities, the Virgin’s profile, and the Child’s features. The only defects are the trimming of the sheet to a round-headed format, an obtrusive collector’s mark, and the modern scribble in graphite at the Virgin’s shoulder. In conception and handling, this is a drawing of the highest intelligence, confidence, and spontaneity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1331.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1331.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1331.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1331.tif", "IsPrimary" : "1", "_SurrogateID" : "5327", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15894", "Disp_Access_No" : "2017.1349", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ at the Tomb with two Angels", "Alt_Title" : "", "Obj_Title" : "Christ at the Tomb with two Angels", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Girolamo Romanino", "Sort_Artist" : "Romanino, Attributed to Girolamo", "Disp_Dimen" : "12.07 cm x 9.21 cm (4 3/4 in. x 3 5/8 in.)", "Disp_Height" : "12.07 cm", "Disp_Width" : "9.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1349.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1349.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1349.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1349.tif", "IsPrimary" : "1", "_SurrogateID" : "5714", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15912", "Disp_Access_No" : "2017.1350", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Putti Bearing the Cross", "Alt_Title" : "", "Obj_Title" : "Putti Bearing the Cross", "Series_Title" : "", "Disp_Maker_1" : "Circle of Giulio Romano", "Sort_Artist" : "Romano, Circle of Giulio", "Disp_Dimen" : "14.92 cm x 33.02 cm (5 7/8 in. x 13 in.)", "Disp_Height" : "14.92 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Support" : "", "Disp_Medium" : "Pen and brown ink. Indented for transfer. The verso rubbed with black chalk.", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1350.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1350.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1350.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1350.tif", "IsPrimary" : "1", "_SurrogateID" : "5713", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15900", "Disp_Access_No" : "2017.1351", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Romulus and Remus with the Wolf", "Alt_Title" : "", "Obj_Title" : "Romulus and Remus with the Wolf", "Series_Title" : "", "Disp_Maker_1" : "Copy after Giulio Romano", "Sort_Artist" : "Romano, Copy after Giulio", "Disp_Dimen" : "13.65 cm x 19.69 cm (5 3/8 in. x 7 3/4 in.)", "Disp_Height" : "13.65 cm", "Disp_Width" : "19.69 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1351.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1351.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1351.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1351.tif", "IsPrimary" : "1", "_SurrogateID" : "5712", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15989", "Disp_Access_No" : "2017.1358", "_AccNumSort1" : "", "Disp_Create_DT" : "1595-1605", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Studies of the Arrest of Christ", "Alt_Title" : "", "Obj_Title" : "Studies of the Arrest of Christ", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "19.9 cm x 27.4 cm (7 13/16 in. x 10 13/16 in.)", "Disp_Height" : "19.9 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Support" : "", "Disp_Medium" : "Black chalk with brown pen and ink and traces of white chalk", "Info_Page_Comm" : "Salimbeni’s later drawing, Studies for the Arrest of Christ, is a conflagration of violence, set in motion by Judas’ kiss. The strokes of the chalk are light and rapid, giving the figures an attenuated elegance and the action a visceral energy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1358.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1358.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1358.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1358.tif", "IsPrimary" : "1", "_SurrogateID" : "5718", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16220", "Disp_Access_No" : "2017.1386", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590s", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1595", "Disp_Title" : "Augustus and the Tiburtine Sibyl", "Alt_Title" : "", "Obj_Title" : "Augustus and the Tiburtine Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "35.1 cm x 25.5 cm (13 13/16 in. x 10 1/16 in.)", "Disp_Height" : "35.1 cm", "Disp_Width" : "25.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over red chalk on cream antique laid paper", "Info_Page_Comm" : "The combination of complicated construction, formulaic elegance, and incipient narrative clarity identify this drawing as the effort of a progressive Tuscan artist, grounded in the graphic style of Vasari but persuaded by the reforms of Santi di Tito and Passignano. The rhythms, however, are sufficiently intricate, the types stylized, and the application of wash ornamental that the style is best referred to late-century Rome, where numerous Florentine artists gravitated after the elec-tion of the Aldobrandini pope, Clement VIII, and assimilated elements of the draftsmanship of the Zuccari. A similar admixture is found in certain drawings by one such artist, Agostino Ciampelli, and, with a comparably heavy touch and insistent hatching, in many by the prolific etcher Tempesta. In any case, the drawing is a very good example of late Tuscan Mannerism on the cusp of the Ba-roque", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1386.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1386.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1386.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1386.tif", "IsPrimary" : "1", "_SurrogateID" : "4204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16109", "Disp_Access_No" : "2017.1401", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Domenico Tintoretto", "Sort_Artist" : "Tintoretto, Domenico", "Disp_Dimen" : "27.2 cm x 37.7 cm (10 11/16 in. x 14 13/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Brush and brown wash with traces of white heightening on gray-green antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1401.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1401.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1401.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1401.tif", "IsPrimary" : "1", "_SurrogateID" : "5716", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15963", "Disp_Access_No" : "2017.1410", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1597", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1596", "Disp_Title" : "Scenes from the Life of Saint Catherine of Siena", "Alt_Title" : "", "Obj_Title" : "Scenes from the Life of Saint Catherine of Siena", "Series_Title" : "", "Disp_Maker_1" : "Francesco Vanni", "Sort_Artist" : "Vanni, Francesco", "Disp_Dimen" : "18.7 cm x 26.7 cm (7 3/8 in. x 10 1/2 in.)", "Disp_Height" : "18.7 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink on cream antique laid paper, laid down", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1410.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1410.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1410.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1410.tif", "IsPrimary" : "1", "_SurrogateID" : "5717", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16034", "Disp_Access_No" : "2017.1411", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1568", "_Disp_Start_Dat" : "1569", "_Disp_End_Date" : "1578", "Disp_Title" : "Decorative Border with the Portrait of Cosimo Rosselli, from Il Libro de' Disegni", "Alt_Title" : "", "Obj_Title" : "Decorative Border with the Portrait of Cosimo Rosselli, from Il Libro de' Disegni [Book of Drawings]", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Vasari", "Sort_Artist" : "Vasari, Giorgio", "Disp_Dimen" : "22.54 cm x 17.46 cm (8 7/8 in. x 6 7/8 in.)", "Disp_Height" : "22.54 cm", "Disp_Width" : "17.46 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, blue and brown washes, and woodcut", "Support" : "", "Disp_Medium" : "Pen and brown ink, blue and brown washes, and woodcut", "Info_Page_Comm" : "woodcut is from Giorgio Vasari, Vite, 2nd edition, 1568", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1411.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1411.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1411.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1411.tif", "IsPrimary" : "1", "_SurrogateID" : "5737", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16030", "Disp_Access_No" : "2017.1418", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of the Virgin", "Alt_Title" : "", "Obj_Title" : "Head of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "22.23 cm x 16.83 cm (8 3/4 in. x 6 5/8 in.)", "Disp_Height" : "22.23 cm", "Disp_Width" : "16.83 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and white chalks with touches of red on blue paper", "Support" : "", "Disp_Medium" : "Black and white chalks with touches of red on blue paper", "Info_Page_Comm" : "Drawing played a conspicuous role in Veronese’s production. Detailed studies not only prepared his paintings but recorded their compositions and motifs for re-use in his workshop. This sheet is characteristic of the master in its pictorial use of chalk and the type of the Virgin. The cautious handling and superficial expression, however, betray its derivation from another work and the hand of an assistant. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1418.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1418.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1418.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1418.tif", "IsPrimary" : "1", "_SurrogateID" : "5710", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15895", "Disp_Access_No" : "2017.1422", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Venice with a Donor ", "Alt_Title" : "", "Obj_Title" : "Personification of Venice with a Donor ", "Series_Title" : "", "Disp_Maker_1" : "Andrea Michieli, called Andrea Vicentino", "Sort_Artist" : "Vicentino, Andrea Michieli, called Andrea", "Disp_Dimen" : "12.07 cm x 26.04 cm (4 3/4 in. x 10 1/4 in.)", "Disp_Height" : "12.07 cm", "Disp_Width" : "26.04 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over black chalk on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over black chalk on cream paper", "Info_Page_Comm" : "In the second half of the sixteenth century, as Venice’s actual might was waning, personifications of the city paid tribute by dignitaries and leading citizens proliferated. From its subject and horizontal format, this drawing probably prepared part of the decoration of a meeting hall. Integrating the solid construction of Veronese’s style with the rhythmic insistence of Tintoretto’s, Vicentino specialized in such decoration as well as altarpieces across the Veneto. His very regular and refined drawings in pen owe also to the example of Federico Zuccaro. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1422.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1422.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1422.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1422.tif", "IsPrimary" : "1", "_SurrogateID" : "5719", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16086, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16086", "Disp_Access_No" : "2017.1441", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Personification of Hope, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "Personification of Hope, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Battista Zelotti", "Sort_Artist" : "Zelotti, Attributed to Giovanni Battista", "Disp_Dimen" : "25.4 cm x 15.24 cm (10 in. x 6 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "15.24 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk with brush and pale brown wash on cream paper", "Support" : "", "Disp_Medium" : "Black chalk with brush and pale brown wash on cream paper", "Info_Page_Comm" : "Of all the painters of the Venetian terra firma, Zelotti was the closest to Veronese in essential make-up, elegance and mastery of large-scale decoration. His palette was, however, much more restrained, and his underlying design was distinctive in its insistence upon simple shapes and unnaturally smooth contours. This rather schematic study underscores his greater stylization. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1441.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1441.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1441.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1441.tif", "IsPrimary" : "1", "_SurrogateID" : "5720", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15988, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15988", "Disp_Access_No" : "2017.1449", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Alt_Title" : "", "Obj_Title" : "St. Roch with Two Dogs Treading on Serpents, between Pillars, a Town Beyond", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "19.69 cm x 22.86 cm (7 3/4 in. x 9 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "22.86 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash and graphite", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash and graphite", "Info_Page_Comm" : "Zuccaro’s effortlessness as a draftsman, but also graphic formulae, is exemplified by this study, presumably for part of a church decoration. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1449.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1449.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1449.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1449.tif", "IsPrimary" : "1", "_SurrogateID" : "5715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16263", "Disp_Access_No" : "2017.1448", "_AccNumSort1" : "", "Disp_Create_DT" : "1568", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1568", "Disp_Title" : "Christ Healing the Blind Man", "Alt_Title" : "", "Obj_Title" : "Christ Healing the Blind Man", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "39.4 cm x 27.3 cm (15 1/2 in. x 10 3/4 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash and white heightening (partly oxidized) on ochre prepared paper, partly squared in black chalk, laid down", "Info_Page_Comm" : "In his encyclopedic style and substantial intellectual activity, Federico Zuccaro is a fundamental figure of late Mannerism. His initial graphic language was a synthesis of developments in central Italy, with a vital accent from Venetian painting and Correggio. Principally in Rome, his later work became more deliberately classicizing and formulaic. His thought was also expressed in the founding of the Roman academy and his publication of Idea de’ pittori, scultori, ed architetti (1607), the most articulate statement of the period’s artistic theory. In 1568 Zuccaro was commissioned for a pair of altarpieces for the Duomo at Orvieto. This drawing corresponds to a preliminary stage of one composition. It differs from the painting in the kneeling figure at the lower left and in a few minor details. Another version of the drawing (Louvre, Paris) is identical in size, technique, and virtually every mark, but its revisions are more logical and its line is more responsive. The Suida-Manning drawing is an autograph replica. It may have had a functional role in the project, as suggested by the squaring of one figure for transfer, or it may have been intended for a collector. The Suida-Manning Collection includes two more compositional studies for major frescoes: The Adoration of the Magi in San Francesco della Vigna, Venice (1563–1564), and the Prophet and Sibyl in the Oratorio del Gonfalone, Rome (1573). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1448.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1448.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1448.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1448.tif", "IsPrimary" : "1", "_SurrogateID" : "2675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17246, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17246", "Disp_Access_No" : "2004.162", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1560s", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "The Myth of Callisto", "Alt_Title" : "", "Obj_Title" : "The Myth of Callisto", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "22.9 cm x 35.1 cm (9 in. x 13 13/16 in.)", "Disp_Height" : "22.9 cm", "Disp_Width" : "35.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Black and red chalks on antique laid paper", "Support" : "", "Disp_Medium" : "Black and red chalks on antique laid paper", "Info_Page_Comm" : "After a fresco in the Villa Farnesina by Baldassare Peruzzi, Federico Zuccaro was following an age old practice of learning how to draw: copying. For each of the bulls, Zuccaro explores the range of a single color, paying special attention to describing the bulls’ anatomy, texture, and whimsical expressions. But throughout the rest of the drawing, red and black chalks interlace. In the figure of Callisto, the two colors appear equally, gestural lines merely suggesting her body. In the original fresco, Baldassare Peruzzi may have merged imagery from different myths, where Zeus sometimes appears as a white bull. In the story of Callisto, Zeus transforms the nymph and her son, Arcas, into the constellations Ursa Major and Minor. The chariot may represent Hera, Zeus’s wife, who tore across the night sky, enraged at their immortalization.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.162.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.162.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.162.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.162.tif", "IsPrimary" : "1", "_SurrogateID" : "3084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15880", "Disp_Access_No" : "2017.1447", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "A Prophet and a Sibyl", "Alt_Title" : "", "Obj_Title" : "A Prophet and a Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Federico Zuccaro", "Sort_Artist" : "Zuccaro, Federico", "Disp_Dimen" : "10.1 cm x 14.4 cm (4 in. x 5 11/16 in.)", "Disp_Height" : "10.1 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk with white heighten", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk with white...", "Info_Page_Comm" : "The Oratorio del Gonfalone was one of the two most important pictorial projects in Rome during the 1560s and 1570s. Half a dozen of the city’s leading young painters collaborated on a fresco cycle of scenes from the Passion of Christ with elaborate decorative surrounds. Zuccaro was responsible for the Flagellation and above it a prophet and sibyl whose texts prefigure the event. Characteristically confident in its plasticity and elegant in its line, this drawing is one of several preparatory studies for the group. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1447.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1447.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1447.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1447.tif", "IsPrimary" : "1", "_SurrogateID" : "5721", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }