{ "objects" : [ { "embark_ID" : 16110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16110", "Disp_Access_No" : "2017.881", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1710", "_Disp_Start_Dat" : "1705", "_Disp_End_Date" : "1715", "Disp_Title" : "The Battle of the River Graniscus", "Alt_Title" : "", "Obj_Title" : "The Battle of the River Graniscus", "Series_Title" : "", "Disp_Maker_1" : "Martino Altomonte", "Sort_Artist" : "Altomonte, Martino", "Disp_Dimen" : "27.15 cm x 29.21 cm (10 11/16 in. x 11 1/2 in.)", "Disp_Height" : "27.15 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink with brush and gray and brown washes", "Support" : "", "Disp_Medium" : "pen and brown ink with brush and gray and brown washes", "Info_Page_Comm" : "Trained in Rome with Baciccio, Altomonte worked first at the court of Poland, then from 1699 at Vienna. His many religious works and secular projects were important in bringing High Baroque style to Austria. This study for a ceiling painting is characteristic in function and style. It was probably a preparatory study for a canvas depicting the first major battle between Alexander and the Persians, part of Altomonte’s decoration of the residence of the prince-bishop at Salzburg. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.881.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.881.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.881.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.881.tif", "IsPrimary" : "1", "_SurrogateID" : "5664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18029", "Disp_Access_No" : "2006.6", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1638", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1648", "Disp_Title" : "Risen Christ with Fourteen Auxiliary Saints", "Alt_Title" : "", "Obj_Title" : "Risen Christ with Fourteen Auxiliary Saints", "Series_Title" : "", "Disp_Maker_1" : "Karel Skréta", "Sort_Artist" : "Skréta, Karel", "Disp_Dimen" : "30.1 cm x 20.4 cm (11 7/8 in. x 8 1/16 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique ", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash over black chalk on cream antique ", "Info_Page_Comm" : "Skréta trained with artists in the circle of Emperor Rudolf II in Prague but studied further in Italy from 1630 to 1635. He was the most important painter in the transition from late Mannerism to the early Baroque in Bohemia. The Fourteen Auxiliary Saints were a popular cult in Central Europe, and the principal saint here, Vitus, identified by the cauldron of his martyrdom, was venerated in Bohemia. While the arched format indicates the composition of an altarpiece, the coating of black chalk on the verso suggests that this drawing was preparatory for a print after the painting. The pronounced angular design, coursing pen work, and physiognomic abbreviation are all characteristic of Skéta’s draftsmanship after his Italian sojourn. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Bohemian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.6.tif", "IsPrimary" : "1", "_SurrogateID" : "3743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8257", "Disp_Access_No" : "1980.55", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1624", "_Disp_Start_Dat" : "1619", "_Disp_End_Date" : "1629", "Disp_Title" : "Landscape with a Lighthouse", "Alt_Title" : "", "Obj_Title" : "Landscape with a Lighthouse", "Series_Title" : "", "Disp_Maker_1" : "Esaias van de Velde", "Sort_Artist" : "Velde, Esaias van de", "Disp_Dimen" : "12.5 cm x 16.8 cm (4 15/16 in. x 6 5/8 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Black chalk and brown wash on cream antique laid paper", "Info_Page_Comm" : "Esaias van de Velde is the father of Dutch landscape painting. Cultivating an explicitly realistic representation of nature, he established the early conventions and set the stylistic direction in Holland. This new vision was based upon a rejection of both the imaginary subjects preferred by the late Mannerists and their extreme stylization even when treating less fantastic views or motifs. Van de Velde essayed familiar reality in a deliberately simplified and unpretentious fashion. Characteristic, this drawing is one of about a dozen that survive from a dismembered sketchbook. The Mannerists’ layered and interpenetrated composition has yielded to a single diagonal that leads steadily across the dunes like a path. Their complex color scheme has been replaced by a uniform tonality that evokes natural light and palpable atmosphere. Moreover, van de Velde’s reality was not just familiar to the eye but specifically Dutch. Especially telling in this drawing, the low horizon, landmarks like the old lighthouse, and figures like the successful fishermen imply the sea comfortably nearby. Such drawings are among the first works to express the great pride of place in the recently independent Holland. In common with the work of Jan van Goyen and Pieter Molijn, this conception and these formal terms inaugurated the school’s most original and influential tradition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.55.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.55.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.55.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.55.tif", "IsPrimary" : "1", "_SurrogateID" : "1187", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16240, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16240", "Disp_Access_No" : "2017.935", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Liberation of Saint Peter", "Alt_Title" : "", "Obj_Title" : "The Liberation of Saint Peter", "Series_Title" : "", "Disp_Maker_1" : "Leonhard Bramer", "Sort_Artist" : "Bramer, Leonhard", "Disp_Dimen" : "38.1 cm x 24.77 cm (15 in. x 9 3/4 in.)", "Disp_Height" : "38.1 cm", "Disp_Width" : "24.77 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black chalk, gray wash, heightened with white, on brown paper", "Support" : "", "Disp_Medium" : "Black chalk, gray wash, heightened with white, on brown paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.935.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.935.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.935.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.935.tif", "IsPrimary" : "1", "_SurrogateID" : "5857", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15906", "Disp_Access_No" : "2017.1259", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Two Studies of a Boor Filling a Mug from a Pot", "Alt_Title" : "", "Obj_Title" : "Two Studies of a Boor Filling a Mug from a Pot", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van Ostade", "Sort_Artist" : "Ostade, Adriaen van", "Disp_Dimen" : "14.29 cm x 10.48 cm (5 5/8 in. x 4 1/8 in.)", "Disp_Height" : "14.29 cm", "Disp_Width" : "10.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, gray wash, one figure indented, brown ink framing lines", "Support" : "", "Disp_Medium" : "Pen and brown ink, gray wash, one figure indented, brown ink framing lines", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1259.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1259.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1259.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1259.tif", "IsPrimary" : "1", "_SurrogateID" : "5673", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16141", "Disp_Access_No" : "2017.1102", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Adoration of the Magi, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Circle of Anthony van Dyck", "Sort_Artist" : "Dyck, Circle of Anthony van", "Disp_Dimen" : "28.58 cm x 19.05 cm (11 1/4 in. x 7 1/2 in.)", "Disp_Height" : "28.58 cm", "Disp_Width" : "19.05 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink", "Support" : "", "Disp_Medium" : "Pen and brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1102.tif", "IsPrimary" : "1", "_SurrogateID" : "5666", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8296", "Disp_Access_No" : "2001.24", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Two Peasant Women with Farm Animals", "Alt_Title" : "", "Obj_Title" : "Two Peasant Women with Farm Animals", "Series_Title" : "", "Disp_Maker_1" : "Jan Roos, called Giovanni Rosa", "Sort_Artist" : "Roos, called Giovanni Rosa, Jan", "Disp_Dimen" : "21 cm x 29.8 cm (8 1/4 in. x 11 3/4 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk", "Support" : "", "Disp_Medium" : "Red chalk ", "Info_Page_Comm" : "Animal subjects of Flemish character were an important genre of 17th-century Genoese painting, and a specialty of the school’s greatest artist, Giovanni Benedetto Castiglione. The Museum possesses a fine painting of the kind by his son and follower, as well as nine drawings and some three dozen etchings by Giovanni Benedetto himself. Training in Antwerp, then active in Rome, Roos settled in Genoa in 1616. A great success, his work helped established the genre of animal painting and inspired Castiglione’s specific approach, weaving familiar, domesticated animals into a procession across the foreground of a deep landscape. Only recently identified, Roos’s drawings are striking in their complex atmosphere and broad touch. They evidently also influenced the formation of Castiglione’s draftsmanship. They are, however, quite rare: there is only one other in an American public collection, and the Suida-Manning Collection had none. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.24.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.24.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.24.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.24.tif", "IsPrimary" : "1", "_SurrogateID" : "4097", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16005, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16005", "Disp_Access_No" : "2017.1234", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Caricatures of Three Men in Profile, after Guercino", "Alt_Title" : "", "Obj_Title" : "Caricatures of Three Men in Profile, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Livio Mehus", "Sort_Artist" : "Mehus, Livio", "Disp_Dimen" : "20.4 cm x 28.3 cm (8 1/16 in. x 11 1/8 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and brown wash on cream antique laid paper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1234.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1234.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1234.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1234.tif", "IsPrimary" : "1", "_SurrogateID" : "5672", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15884, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15884", "Disp_Access_No" : "2017.806", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "A Mountainous River Landscape", "Alt_Title" : "", "Obj_Title" : "A Mountainous River Landscape", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "10.8 cm x 27.94 cm (4 1/4 in. x 11 in.)", "Disp_Height" : "10.8 cm", "Disp_Width" : "27.94 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.806.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.806.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.806.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.806.tif", "IsPrimary" : "1", "_SurrogateID" : "5674", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15986", "Disp_Access_No" : "2017.1198", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Putti", "Alt_Title" : "", "Obj_Title" : "Three Putti", "Series_Title" : "", "Disp_Maker_1" : "Copy after Gerard de Lairesse (?)", "Sort_Artist" : "Lairesse (?), Copy after Gerard de", "Disp_Dimen" : "19.69 cm x 30.48 cm (7 3/4 in. x 12 in.)", "Disp_Height" : "19.69 cm", "Disp_Width" : "30.48 cm", "Dimen_Extent" : "Sheet", "Medium" : "Red chalk, brown ink framing lines", "Support" : "", "Disp_Medium" : "Red chalk, brown ink framing lines", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1198.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1198.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1198.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1198.tif", "IsPrimary" : "1", "_SurrogateID" : "5670", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16130", "Disp_Access_No" : "2017.1258", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Town in the Campagna", "Alt_Title" : "", "Obj_Title" : "A Town in the Campagna", "Series_Title" : "", "Disp_Maker_1" : "Circle of Jan Frans van Bloemen, called Orizzonte", "Sort_Artist" : "Orizzonte, Circle of Jan Frans van Bloemen, called", "Disp_Dimen" : "27.94 cm x 41.91 cm (11 in. x 16 1/2 in.)", "Disp_Height" : "27.94 cm", "Disp_Width" : "41.91 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1258.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1258.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1258.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1258.tif", "IsPrimary" : "1", "_SurrogateID" : "5851", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15961", "Disp_Access_No" : "2017.1050", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Diana and Actaeon", "Alt_Title" : "", "Obj_Title" : "Diana and Actaeon", "Series_Title" : "", "Disp_Maker_1" : "Franz Cleyn", "Sort_Artist" : "Cleyn, Franz", "Disp_Dimen" : "18.7 cm x 16.1 cm (7 3/8 in. x 6 5/16 in.)", "Disp_Height" : "18.7 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink with brush and gray and pink washes over traces of black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink with brush and gray and pink washes over traces of black chalk", "Info_Page_Comm" : "Cleyn was active in various media and especially projects for decoration in the area of his native north Germany, in Denmark for an extended period, and in England continuously from 1625. With a dedicatory inscription by the artist, this drawing was a finished work, probably for a kind of cultural souvenir album that was popular at the time in Central Europe. Precious in its rendering, dependent upon an engraving by Jacob de Gheyn II after Dirck Barendsz., it suggests Cleyn’s early training with his father as a goldsmith and continuing interest in printmaking.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1050.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1050.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1050.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1050.tif", "IsPrimary" : "1", "_SurrogateID" : "3336", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15875, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15875", "Disp_Access_No" : "2017.927", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Studies of Putti", "Alt_Title" : "", "Obj_Title" : "Studies of Putti", "Series_Title" : "", "Disp_Maker_1" : "Luciano Borzone", "Sort_Artist" : "Borzone, Luciano", "Disp_Dimen" : "7.62 cm x 13.65 cm (3 in. x 5 3/8 in.)", "Disp_Height" : "7.62 cm", "Disp_Width" : "13.65 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink, brown wash", "Support" : "", "Disp_Medium" : "Pen and brown ink, brown wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.927.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.927.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.927.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.927.tif", "IsPrimary" : "1", "_SurrogateID" : "5735", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15904, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15904", "Disp_Access_No" : "2017.1334", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1640-1645", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1645", "Disp_Title" : "A Man Bound to a Tree/Two Brigands Walking Away to the Right", "Alt_Title" : "", "Obj_Title" : "A Man Bound to a Tree/Two Brigands Walking Away to the Right", "Series_Title" : "", "Disp_Maker_1" : "Jusepe de Ribera", "Sort_Artist" : "Ribera, Jusepe de", "Disp_Dimen" : "14.2 cm x 12.8 cm (5 9/16 in. x 5 1/16 in.)", "Disp_Height" : "14.2 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and wash", "Support" : "", "Disp_Medium" : "Pen and brown ink and wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1334.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1334.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1334.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1334.tif", "IsPrimary" : "1", "_SurrogateID" : "5852", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }