{ "objects" : [ { "embark_ID" : 15888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15888", "Disp_Access_No" : "2017.1371", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1763", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1773", "Disp_Title" : "Tarquin and Lucretia", "Alt_Title" : "", "Obj_Title" : "Tarquin and Lucretia", "Series_Title" : "", "Disp_Maker_1" : "Franz Sigrist, the elder", "Sort_Artist" : "Sigrist, the elder, Franz", "Disp_Dimen" : "11.43 cm x 20.32 cm (4 1/2 in. x 8 in.)", "Disp_Height" : "11.43 cm", "Disp_Width" : "20.32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Trained in the Viennese academy, Sigrist was active at Augsburg before retuning to the Austrian capital in service to the imperial family. While few of his conventional drawings have been identified, such monochrome oil sketches were frequent in his work. Here, the figures’ more robust construction and the composition’s more regulated movement––signs of an emerging classicism––correspond to Sigrist’s later Viennese activity. Rendered on a scrap of canvas, it was probably preparatory for a large easel picture. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1371.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1371.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1371.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1371.tif", "IsPrimary" : "1", "_SurrogateID" : "5676", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15899, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15899", "Disp_Access_No" : "2017.1406", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1724", "_Disp_Start_Dat" : "1719", "_Disp_End_Date" : "1729", "Disp_Title" : "Leda and the Swan", "Alt_Title" : "", "Obj_Title" : "Leda and the Swan", "Series_Title" : "", "Disp_Maker_1" : "Paul Troger", "Sort_Artist" : "Troger, Paul", "Disp_Dimen" : "13 cm x 19 cm (5 1/8 in. x 7 1/2 in.)", "Disp_Height" : "13 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink over traces of black chalk on cream paper", "Support" : "", "Disp_Medium" : "Pen and brown ink over traces of black chalk on cream paper", "Info_Page_Comm" : "This study was probably executed in Rome during Troger’s longest sojourn in Italy (1722-26). Like many of his drawings, it was probably a pure graphic exercise. Elegant and fluent, such pen work is characteristic of the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1406.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1406.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1406.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1406.tif", "IsPrimary" : "1", "_SurrogateID" : "5677", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16267, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16267", "Disp_Access_No" : "2017.1359", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "The Assumption of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Assumption of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Caspar Franz Sambach", "Sort_Artist" : "Sambach, Caspar Franz", "Disp_Dimen" : "39.6 cm x 22.5 cm (15 9/16 in. x 8 7/8 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and black ink with brush and gray wash on cream paper", "Support" : "", "Disp_Medium" : "Pen and black ink with brush and gray wash on cream antique laid paper", "Info_Page_Comm" : "Pupil of Troger and later director of the Vienna academy, Sambach worked throughout Austria, Hungary and Moravia. In 1757 he received payment for an altarpiece of the Assumption of the Virgin for the Church of the Virgin in Buda, Hungary. Given its fully developed composition and careful finish, this drawing may have been a model submitted to a patron or, considering its autograph date, a record for the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1359.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1359.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1359.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1359.tif", "IsPrimary" : "1", "_SurrogateID" : "5853", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18924", "Disp_Access_No" : "2007.87", "_AccNumSort1" : "", "Disp_Create_DT" : "18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1799", "Disp_Title" : "Saint Agnes Holding a Lamb with a Putto", "Alt_Title" : "", "Obj_Title" : "Saint Agnes Holding a Lamb with a Putto", "Series_Title" : "", "Disp_Maker_1" : "Ignaz Unterberger", "Sort_Artist" : "Unterberger, Ignaz", "Disp_Dimen" : "15.45 cm x 22 cm (6 1/16 in. x 8 11/16 in.)", "Disp_Height" : "15.45 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Red chalk on cream antique laid paper", "Support" : "", "Disp_Medium" : "Red chalk on cream antique laid paper", "Info_Page_Comm" : "This sheet, a second drawingin the Blanton's collection, and two more drawings in the Albertina, Vienna, are all slightly varying studies for the same composition. While no corresponding project has been identified, this meticulous graphic process is characteristic of the artist. Moreover, the very sweet types and gentle tenor of the subject recall that during a long period in Rome (1770-76), Unterberger specialized in copying Old Masters and in imitating Correggio with particular success. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alessandra and Kurt Dolnier in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.87.tif", "IsPrimary" : "1", "_SurrogateID" : "5364", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16253", "Disp_Access_No" : "2017.1231", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "Empress Maria Theresa with her Sons Joseph II, Leopold II, Ferdinand, and Maximilian Francis", "Alt_Title" : "", "Obj_Title" : "Empress Maria Theresa with her Sons Joseph II, Leopold II, Ferdinand, and Maximilian Francis", "Series_Title" : "", "Disp_Maker_1" : "Franz Anton Maulbertsch", "Sort_Artist" : "Maulbertsch, Franz Anton", "Disp_Dimen" : "39.4 cm x 25.2 cm (15 1/2 in. x 9 15/16 in.)", "Disp_Height" : "39.4 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown and black inks with brush and brown and gray washes over traces of", "Support" : "", "Disp_Medium" : "Pen and brown and black inks with brush and brown and gray washes over traces of", "Info_Page_Comm" : "The empress Maria Theresa (1717–1780), queen of Hungary and Bohemia from 1740, is considered the greatest Hapsburg ruler for her numerous reforms, tenacious struggle against Prussian secession, and sagacity. Here she is enthroned at the center of the composition. At the upper left, an allegorical figure places a halo upon a portrait bust and holds a crown above a young man with a staff that rhymes with the scepter of the empress. The scene commemorates both the death of her husband, Francis I, and the naming of her eldest son, twenty-four-year-old Joseph II, as coregent and emperor in 1765. At the time Maulbertsch was at the height of his powers and success. The imagery and style of this drawing––its amorphous space, undulating surface and flickering light––are closely related to his celebrated decorations at Kromeríz, Halbturn and Vienna. With its autograph notation of colors on the verso, this sheet must have been preparatory for another, unidentified imperial commission. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1231.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1231.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1231.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1231.tif", "IsPrimary" : "1", "_SurrogateID" : "3333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16132", "Disp_Access_No" : "2017.1232", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "The Education of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Education of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Franz Anton Maulbertsch", "Sort_Artist" : "Maulbertsch, Franz Anton", "Disp_Dimen" : "28 cm x 17 cm (11 in. x 6 11/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Pen and brown ink and gray wash over black chalk", "Support" : "", "Disp_Medium" : "Pen and brown ink and gray wash over black chalk", "Info_Page_Comm" : "This is a compositional study for an altarpiece in the church of Saint Nicholas, now the cathedral, in Böhmisch Budweis, Germany. The altarpiece, executed in 1770-71, differs considerably in the secondary figures and detail. While the drawing retains the amplitude and the luminosity that are characteristic of Maulbertsch’s mature activity, the calmer order of the composition and the relatively simplified poses of the figures suggest an incipient classicism. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1232.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1232.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1232.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1232.tif", "IsPrimary" : "1", "_SurrogateID" : "5671", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16044", "Disp_Access_No" : "2017.1408", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Agnes Holding a Lamb with a Putto (recto and verso)", "Alt_Title" : "", "Obj_Title" : "Saint Agnes Holding a Lamb with a Putto (recto and verso)", "Series_Title" : "", "Disp_Maker_1" : "Ignaz Unterberger", "Sort_Artist" : "Unterberger, Ignaz", "Disp_Dimen" : "22.86 cm x 34.29 cm (9 in. x 13 1/2 in.)", "Disp_Height" : "22.86 cm", "Disp_Width" : "34.29 cm", "Dimen_Extent" : "Sheet", "Medium" : "Black and red chalk (recto), and black chalk (verso)", "Support" : "", "Disp_Medium" : "Black and red chalk (recto), and black chalk (verso)", "Info_Page_Comm" : "The two sides of this sheet, a second drawingin the Blanton's collection, and two more drawings in the Albertina, Vienna, are all slightly varying studies for the same composition. While no corresponding project has been identified, this meticulous graphic process is characteristic of the artist. Moreover, the very sweet types and gentle tenor of the subject recall that during a long period in Rome (1770-76), Unterberger specialized in copying Old Masters and in imitating Correggio with particular success. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1408.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1408.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1408.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1408.tif", "IsPrimary" : "1", "_SurrogateID" : "7787", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16110", "Disp_Access_No" : "2017.881", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1710", "_Disp_Start_Dat" : "1705", "_Disp_End_Date" : "1715", "Disp_Title" : "The Battle of the River Graniscus", "Alt_Title" : "", "Obj_Title" : "The Battle of the River Graniscus", "Series_Title" : "", "Disp_Maker_1" : "Martino Altomonte", "Sort_Artist" : "Altomonte, Martino", "Disp_Dimen" : "27.15 cm x 29.21 cm (10 11/16 in. x 11 1/2 in.)", "Disp_Height" : "27.15 cm", "Disp_Width" : "29.21 cm", "Dimen_Extent" : "Sheet", "Medium" : "pen and brown ink with brush and gray and brown washes", "Support" : "", "Disp_Medium" : "pen and brown ink with brush and gray and brown washes", "Info_Page_Comm" : "Trained in Rome with Baciccio, Altomonte worked first at the court of Poland, then from 1699 at Vienna. His many religious works and secular projects were important in bringing High Baroque style to Austria. This study for a ceiling painting is characteristic in function and style. It was probably a preparatory study for a canvas depicting the first major battle between Alexander and the Persians, part of Altomonte’s decoration of the residence of the prince-bishop at Salzburg. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "Austrian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.881.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.881.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.881.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.881.tif", "IsPrimary" : "1", "_SurrogateID" : "5664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }