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Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.142.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.142.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.142.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.142.tif", "IsPrimary" : "1", "_SurrogateID" : "4707", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8701, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8701", "Disp_Access_No" : "1982.1297", "_AccNumSort1" : "", "Disp_Create_DT" : "1810s", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1810", "Disp_Title" : "Walton-on-the-Naze (recto), Weymouth Bay (verso)", "Alt_Title" : "", "Obj_Title" : "Walton-on-the-Naze (recto), Weymuth Bay (verso)", "Series_Title" : "", "Disp_Maker_1" : "John Constable", "Sort_Artist" : "Constable, John", "Disp_Dimen" : "13.2 cm x 8.8 cm (5 3/16 in. x 3 7/16 in.)", "Disp_Height" : "13.2 cm", "Disp_Width" : "8.8 cm", "Dimen_Extent" : "Sight", "Medium" : "Graphite and watercolor on white laid paper", "Support" : "", "Disp_Medium" : "Graphite and watercolor on white laid paper", "Info_Page_Comm" : "This double-sided study probably comes from a sketchbook of drawings Constable made in the English countryside. He believed that sketching encouraged close observation and helped him understand nature. Unlike many of his contemporaries, who altered the landscape according to a preexisting idea or compositional need, Constable was determined to capture it exactly as it appeared at a particular moment. Ever changing and barely tangible, clouds were a particular fascination and an ever more frequent subject of his watercolors.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of John and Nancy Cavanaugh, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1297.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1297.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1297.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1297.tif", "IsPrimary" : "1", "_SurrogateID" : "5188", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3734, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3734", "Disp_Access_No" : "1982.1299", "_AccNumSort1" : "", "Disp_Create_DT" : "1801", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1801", "Disp_Title" : "Part of the Tuileries", "Alt_Title" : "", "Obj_Title" : "Part of the Tuileries", "Series_Title" : "", "Disp_Maker_1" : "Thomas Girtin", "Sort_Artist" : "Girtin, Thomas", "Disp_Dimen" : "37.7 cm x 32 cm (14 13/16 in. x 12 5/8 in.)", "Disp_Height" : "37.7 cm", "Disp_Width" : "32 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite and watercolor on off-white antique laid paper", "Support" : "", "Disp_Medium" : "Graphite and watercolor on off-white antique laid paper", "Info_Page_Comm" : "Thomas Girtin’s view of the Tuileries belongs to the English tradition of topographical watercolor, of which the Blanton Museum has numerous examples by such artists as J. M. W. Turner, John Constable, and Thomas and William Daniell. Turner, in fact, who once worked with Girtin copying drawings for their patron Dr. Monro, admired his friend’s talent, commenting, “If Tom Girtin had lived, I should have starved.” Girtin visited Paris in 1801–1802 and made a series of etchings of the city, published the year after his death as A Selection of Twenty of the Most Picturesque Views in Paris and Its Environs. The museum’s drawing may have been a preliminary study for one of these views that was never executed, or it may have been part of an abandoned plan to create a large panoramic painting of the city of Paris to display in London. The watercolor has been cut down from a larger composition and pieced back together at the left, with the two sections differently colored to suggest full daylight and twilight. It is his innovative handling of the watercolor medium that earned Girtin not only Turner’s admiration but also a place in the history of landscape painting in England. He is said to have revolutionized watercolor painting by his use of broadly applied, strong washes, which freed the medium from its dependence on line drawing. 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Huntington Museum Fund, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.67.tif", "IsPrimary" : "1", "_SurrogateID" : "5190", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3711, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3711", "Disp_Access_No" : "1996.128", "_AccNumSort1" : "", "Disp_Create_DT" : "1792", "_Disp_Start_Dat" : "1792", "_Disp_End_Date" : "1792", "Disp_Title" : "Studies of Sculpted Motifs on the Columns of Trimmul Naig's Choutry, Madura", "Alt_Title" : "", "Obj_Title" : "Studies of Sculpted Motifs on the Columns of Trimmul Naig's Choutry, Madura", "Series_Title" : "", "Disp_Maker_1" : "Thomas Daniell", "Sort_Artist" : "Daniell, Thomas", "Disp_Dimen" : "24.8 cm x 20.3 cm (9 3/4 in. x 8 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite and gray wash", "Support" : "", "Disp_Medium" : "Graphite and gray wash", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Professor Robert L. Hardgrave, Jr., 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.128.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.128.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.128.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.128.tif", "IsPrimary" : "1", "_SurrogateID" : "5192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3806", "Disp_Access_No" : "2000.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1822", "_Disp_Start_Dat" : "1822", "_Disp_End_Date" : "1822", "Disp_Title" : "Panorama with the Taj Mahal", "Alt_Title" : "", "Obj_Title" : "Panorama with the Taj Mahal", "Series_Title" : "", "Disp_Maker_1" : "William Daniell", "Sort_Artist" : "Daniell, William", "Disp_Dimen" : "31.9 cm x 52.7 cm (12 9/16 in. x 20 3/4 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "52.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Graphite", "Support" : "", "Disp_Medium" : "Graphite", "Info_Page_Comm" : "Interpreting the most famous setting of the subcontinent through the British landscape tradition, the drawing becomes a magnificent emblem of the entire colonial period.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Professor Robert L. 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