{ "objects" : [ { "embark_ID" : 11342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11342", "Disp_Access_No" : "1982.700", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1796", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1801", "Disp_Title" : "Panoramic View of the Thames", "Alt_Title" : "", "Obj_Title" : "Panoramic View of the Thames", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mallord William Turner", "Sort_Artist" : "Turner, Joseph Mallord William", "Disp_Dimen" : "13.5 cm x 20.5 cm (5 5/16 in. x 8 1/16 in.)", "Disp_Height" : "13.5 cm", "Disp_Width" : "20.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Watercolor over notations in pencil", "Support" : "", "Disp_Medium" : "Watercolor over notations in pencil", "Info_Page_Comm" : "Inspired by Richard Earlom’s mezzotint reproductions of Claude Lorrain’s Liber Veritatis, Turner produced his own series of 71 landscape prints divided into six categories: historical, mountainous, pastoral, epic pastoral, marine and architectural. The prints, published between 1807 and 1819, functioned both as an advertisement to potential patrons of his skill and range and as a pedagogical tool for younger artists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "drawing", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.700.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.700.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.700.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.700.tif", "IsPrimary" : "1", "_SurrogateID" : "4199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }