{ "objects" : [ { "embark_ID" : 14275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14275", "Disp_Access_No" : "2001.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Evidence of Houdini's Return", "Alt_Title" : "", "Obj_Title" : "Evidence of Houdini's Return", "Series_Title" : "", "Disp_Maker_1" : "Vernon Fisher", "Sort_Artist" : "Fisher, Vernon", "Disp_Dimen" : "236.2 cm x 236.2 cm x 25.4 cm (93 in. x 93 in. x 10 in.)", "Disp_Height" : "236.2 cm", "Disp_Width" : "236.2 cm", "Dimen_Extent" : "", "Medium" : "Oil, blackboard slating, wooden shelf with cast and painted polyurethane", "Support" : "board", "Disp_Medium" : "Oil, blackboard slating, wooden shelf with cast and painted polyurethane on board", "Info_Page_Comm" : "Vernon Fisher creates complex visual narratives from enigmatic combinations of images, objects, and text. By placing together seemingly disjunctive elements—a photograph, a chalkboard, a cartoon—he challenges viewers to invent their own meanings from what they see. Fisher’s constructions primarily explore processes of memory. Working in his studio from an ever-expanding archive of texts and images, he shuffles and rearranges maps, charts, diagrams torn from scientific journals, personal photographs, and pictures appropriated from magazines and newspapers. When he can see a story unfolding, he embellishes it with drawings and handwritten text, presumably authentic statements in the artist’s hand. But sleight-of-hand invariably trumps authenticity in these impeccably crafted works. Evidence of Houdini’s Return is one in a series of blackboard paintings that trick the eye with illusions. What is real? What is fabricated? What and how do we believe what we see? His tour-de-force trompe l’oeil painting technique is as sly as a magician’s act. The fictional visual tale reads like memory itself—shifting, open-ended, and ambiguous. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the Michener Acquisitions Fund and with support from Linda Pace, 2001", "Copyright_Type" : "edu; promo; web", "Disp_Obj_Type" : "painting", "Creation_Place2" : "American", "Department" : "American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.94.tif", "IsPrimary" : "1", "_SurrogateID" : "2833", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.94installnote.pdf", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.94installnote.pdf", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.94installnote.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/2001.94installnote.pdf", "IsPrimary" : "0", "_SurrogateID" : "5501", "Image_Type" : "Scan", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }