{ "objects" : [ { "embark_ID" : 16184, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16184", "Disp_Access_No" : "2017.865", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin Annunciate", "Alt_Title" : "", "Obj_Title" : "The Virgin Annunciate", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Florentine", "Sort_Artist" : "Anonymous, Florentine", "Disp_Dimen" : "31.7 cm x 22.9 cm (12 1/2 in. x 9 in.)", "Disp_Height" : "31.7 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on gold ground panel", "Support" : "", "Disp_Medium" : "Oil on gold ground panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.865.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.865.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.865.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.865.tif", "IsPrimary" : "1", "_SurrogateID" : "2742", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16285, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16285", "Disp_Access_No" : "2017.853", "_AccNumSort1" : "", "Disp_Create_DT" : "1490s", "_Disp_Start_Dat" : "1490", "_Disp_End_Date" : "1490", "Disp_Title" : "Ecce Homo", "Alt_Title" : "", "Obj_Title" : "Ecce Homo", "Series_Title" : "", "Disp_Maker_1" : "Anonymous Milanese", "Sort_Artist" : "Anonymous Milanese", "Disp_Dimen" : "41.9 cm x 32.4 cm (16 1/2 in. x 12 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "32.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Need to know if his has been repainted or touched up, FC would like to do infrared. If it''s been touched up too much, shouldn''t go up. Could be unframed and put in gallery in display case. (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.853.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.853.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.853.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.853.tif", "IsPrimary" : "0", "_SurrogateID" : "2754", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.853-2017-frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.853-2017-frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.853-2017-frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.853-2017-frame.tif", "IsPrimary" : "1", "_SurrogateID" : "19533", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16375", "Disp_Access_No" : "2017.855", "_AccNumSort1" : "", "Disp_Create_DT" : "late 14th century", "_Disp_Start_Dat" : "1367", "_Disp_End_Date" : "1399", "Disp_Title" : "Saint Catherine of Alexandria", "Alt_Title" : "", "Obj_Title" : "Saint Catherine of Alexandria", "Series_Title" : "", "Disp_Maker_1" : "Anonymous Venetian", "Sort_Artist" : "Anonymous Venetian", "Disp_Dimen" : "62.2 cm x 33.02 cm (24 1/2 in. x 13 in.)", "Disp_Height" : "62.2 cm", "Disp_Width" : "33.02 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera with gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.855.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.855.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.855.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.855.tif", "IsPrimary" : "1", "_SurrogateID" : "2666", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16519, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16519", "Disp_Access_No" : "2017.913", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1428-29", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Circle of Michelino da Besozzo", "Sort_Artist" : "Besozzo, Circle of Michelino da", "Disp_Dimen" : "56.4 cm x 38.4 cm (22 3/16 in. x 15 1/8 in.)", "Disp_Height" : "56.4 cm", "Disp_Width" : "38.4 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera with tooled gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with tooled gold leaf on wood panel", "Info_Page_Comm" : "Fashionable at the established courts of Europe around 1400, closely associated with miniature painting, the International Gothic style was at once traditional in its decorative elegance and more progressive in its emergent naturalism. In Milan, the leading figure of this style was Michelino da Besozzo, whose work is distinguished by an almost arbitrarily lyrical line and poignant characterization. The subject of the present picture is a favorite International Gothic type, the Madonna of Humility, in which a Virgin of appealing human aspect sits upon a cushion or the ground itself. This subject is interpreted with something of the suave rhythms and affecting expression of Michelino’s works. At the same time, the figures are more regular in construction, insistent in modeling, and literal in address than his. This same combination of characteristics, and probably the identical hand, are apparent in an important processional standard in Milan’s Museo del Duomo that can be dated 1429. Either the two pictures correspond to a later stage of Michelino’s development or, more likely, the style of a follower. Certainly they bridge the International Gothic at its purest and the earliest works of the school’s next great master, Vincenzo Foppa. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.913.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.913.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.913.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.913.tif", "IsPrimary" : "1", "_SurrogateID" : "2600", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16307, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16307", "Disp_Access_No" : "2017.914", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Christ on the Road to Calvary", "Alt_Title" : "", "Obj_Title" : "Christ on the Road to Calvary", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Giovanni Ambrogio Bevilacqua", "Sort_Artist" : "Bevilacqua, Attributed to Giovanni Ambrogio", "Disp_Dimen" : "44.5 cm x 21.6 cm (17 1/2 in. x 8 1/2 in.)", "Disp_Height" : "44.5 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera on wood panel", "Support" : "", "Disp_Medium" : "Tempera on wood panel", "Info_Page_Comm" : "If not a significant agent in the development of Milanese painting, Bevilacqua does epitomize the complicated situation of that school at the close of the 15th century. On the one hand, through appropriations from more innovative compatriots like Foppa and Bergognone, his style reflects a wide range of progressive elements, from the leading painter in North Italy, Mantegna, to early Netherlandish painting. On the other, these appropriations are subsumed by the school’s traditional concerns with rich decoration and material splendor, and there is no sign of the influence of long-time resident Leonardo da Vinci. Praised by the early chroniclers of Milanese painting, Bevilacqua was nearly forgotten until his rediscovery as a coherent personality in recent decades. This panel confirms a painter of conservative cast but narrative gift and considerable refinement. The only example of his work in this country, it must have been served as part of a portable altarpiece for private devotion. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Needs more prominence (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.914.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.914.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.914.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.914.tif", "IsPrimary" : "1", "_SurrogateID" : "6462", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16419", "Disp_Access_No" : "2017.915.b", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1495-1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1500", "Disp_Title" : "Saint Augustine", "Alt_Title" : "Previously called "Saint Gregory"", "Obj_Title" : "Saint Augustine", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Ambrogio Bevilacqua", "Sort_Artist" : "Bevilacqua, Giovanni Ambrogio", "Disp_Dimen" : "76.2 cm x 57 cm (30 in. x 22 7/16 in.)", "Disp_Height" : "76.2 cm", "Disp_Width" : "57 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera with gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "Saints Augustine and Jerome are two of the fathers of the Western church who are venerated especially for their scholarly roles in laying the foundation of Christian thought. Jerome translated the Bible into Latin, and Augustine authored "Confessions" and "City of God." Emphasizing the two saints’ literary contributions, these paintings represent them engaged in writing. Their identification is reinforced by their attributes: Saint Augustine is wearing the habit of the Augustinian Order, while Saint Jerome is in his red cardinal’s robe and hat alongside a lion. The curvilinear form of the edges and the low viewpoint indicate that the paintings were most likely the upper corners of an altarpiece composed of multiple panels.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Farther away and higher up (FC:jb 4/2/15) Stays in, important and rare (FC 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.915.b.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.915.b.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.915.b.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.915.b.tif", "IsPrimary" : "1", "_SurrogateID" : "4815", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16418", "Disp_Access_No" : "2017.915.a", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1495-1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1500", "Disp_Title" : "Saint Jerome", "Alt_Title" : "", "Obj_Title" : "Saint Jerome", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Ambrogio Bevilacqua", "Sort_Artist" : "Bevilacqua, Giovanni Ambrogio", "Disp_Dimen" : "76 cm x 52.5 cm (29 15/16 in. x 20 11/16 in.)", "Disp_Height" : "76 cm", "Disp_Width" : "52.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera with gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "Saints Augustine and Jerome are two of the fathers of the Western church who are venerated especially for their scholarly roles in laying the foundation of Christian thought. Jerome translated the Bible into Latin, and Augustine authored "Confessions" and "City of God." Emphasizing the two saints’ literary contributions, these paintings represent them engaged in writing. Their identification is reinforced by their attributes: Saint Augustine is wearing the habit of the Augustinian Order, while Saint Jerome is in his red cardinal’s robe and hat alongside a lion. The curvilinear form of the edges and the low viewpoint indicate that the paintings were most likely the upper corners of an altarpiece composed of multiple panels. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Farther away and higher up (FC:jb 4/2/15) Stays in, important and rare (FC 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.915.a.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.915.a.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.915.a.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.915.a.tif", "IsPrimary" : "1", "_SurrogateID" : "4814", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16082", "Disp_Access_No" : "2017.940", "_AccNumSort1" : "", "Disp_Create_DT" : "1490s", "_Disp_Start_Dat" : "1490", "_Disp_End_Date" : "1490", "Disp_Title" : "Supper at Bethany", "Alt_Title" : "", "Obj_Title" : "Supper at Bethany", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Butinone", "Sort_Artist" : "Butinone, Bernardino", "Disp_Dimen" : "25.4 cm x 20.5 cm (10 in. x 8 1/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "20.5 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera", "Support" : "wood panel", "Disp_Medium" : "Tempera on wood panel", "Info_Page_Comm" : "Coming to the town of Bethany, Jesus and his disciples were invited to a supper in the house of Lazarus. When they sat down at the table, Mary Magdalene, sister of Lazarus, anointed Jesus' feet with costly perfume and wiped it with her hair. Considered to be a prefiguration of Jesus' death and burial, this story was one of the popular subjects in Christian art. The Blanton's painting belongs to a series of fifteen panels that illustrate important moments from the life of Jesus. As a whole, they would have formed a part of a large altarpiece and functioned as the Bible for those who could not read. In order to enhance the illusion of space, Bernardino Butinone constructs the scene using linear perspective that was developed earlier in the century. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15) Ranking adjusted from B to B+ (FC:jp 7/10/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.940.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.940.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.940.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.940.tif", "IsPrimary" : "1", "_SurrogateID" : "2764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14595, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14595", "Disp_Access_No" : "1991.101", "_AccNumSort1" : "", "Disp_Create_DT" : "1410s", "_Disp_Start_Dat" : "1410", "_Disp_End_Date" : "1410", "Disp_Title" : "Madonna and Child with Angels", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Angels", "Series_Title" : "", "Disp_Maker_1" : "Giovanni dal Ponte", "Sort_Artist" : "Giovanni dal Ponte", "Disp_Dimen" : "89.2 cm x 61.6 cm (35 1/8 in. x 24 1/4 in.)", "Disp_Height" : "89.2 cm", "Disp_Width" : "61.6 cm", "Dimen_Extent" : "panel", "Medium" : "Tempera and tooled gold leaf", "Support" : "wood panel", "Disp_Medium" : "Tempera and tooled gold leaf on wood panel", "Info_Page_Comm" : "The devout Catholics for whom this painting was intended would have recognized this presentation of Mary as the Queen of Heaven. She wears an elaborate crown, in addition to the disc-like halo, and hovering angels honor Mary and the baby Jesus by holding an ornate cloth behind them. Jesus looks out at the viewer and raises his right hand in a gesture of blessing. In his left hand, he holds a finch, a foreshadowing of the Crucifixion that refers to a legend that this bird removed a thorn from Jesus’s crown and was marked by a drop of blood. Based on the scale and the subject matter, it is likely that this was the central panel in an altarpiece. The unworked upper corners and sides indicate that at some point in its history an elaborate gilded frame was removed, so that the fragment preserving the central figures could be sold as a satisfying whole. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.101-frame-2017.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.101-frame-2017.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.101-frame-2017.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.101-frame-2017.tif", "IsPrimary" : "1", "_SurrogateID" : "14668", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16036", "Disp_Access_No" : "2017.1146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1390-1395", "_Disp_Start_Dat" : "1390", "_Disp_End_Date" : "1395", "Disp_Title" : "Saint Bernard", "Alt_Title" : "", "Obj_Title" : "Saint Bernard", "Series_Title" : "", "Disp_Maker_1" : "Niccolò di Pietro Gerini", "Sort_Artist" : "Gerini, Niccolò di Pietro", "Disp_Dimen" : "22.6 cm x 25 cm (8 7/8 in. x 9 13/16 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "canvas", "Medium" : "Tempera with gold leaf on wood panel", "Support" : "", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Could potentially be used for a double hang (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1146.tif", "IsPrimary" : "1", "_SurrogateID" : "2612", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1146_with_frame.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1146_with_frame.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1146_with_frame.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1146_with_frame.tif", "IsPrimary" : "0", "_SurrogateID" : "2613", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16457, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16457", "Disp_Access_No" : "2017.1233", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Clare", "Alt_Title" : "", "Obj_Title" : "Saint Clare", "Series_Title" : "", "Disp_Maker_1" : "Filippo Mazzola", "Sort_Artist" : "Mazzola, Filippo", "Disp_Dimen" : "114.3 cm x 44.45 cm (45 in. x 17 1/2 in.)", "Disp_Height" : "114.3 cm", "Disp_Width" : "44.45 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with 403.1999. Higher up. (FC:jb 5/22/15) Louis Waldman: This and 403 may have come from an alterpiece. The central panel may have been the Madonna; Saint Claire would have been on the left. Prof Waldman very excited about these two works. (FC:jb 5/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1233.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1233.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1233.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1233.tif", "IsPrimary" : "1", "_SurrogateID" : "2627", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16460, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16460", "Disp_Access_No" : "2017.1248", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Virgin Standing Full Length", "Alt_Title" : "", "Obj_Title" : "The Virgin Standing Full Length", "Series_Title" : "", "Disp_Maker_1" : "Andrea da Murano", "Sort_Artist" : "Murano, Andrea da", "Disp_Dimen" : "117.48 cm x 41.91 cm (46 1/4 in. x 16 1/2 in.)", "Disp_Height" : "117.48 cm", "Disp_Width" : "41.91 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Needs to be cleaned. (FC:jb 4/21/15) Higher up. Pair with 391.1999 (FC:jb 5/22/15) Louis Waldman gives it a 1. Could be in a medallion hang with two fathers of the church (Bevilacqua) (FC:jb 5/23/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1248.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1248.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1248.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1248.tif", "IsPrimary" : "1", "_SurrogateID" : "2629", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16475", "Disp_Access_No" : "2017.1372", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1390-1395", "_Disp_Start_Dat" : "1390", "_Disp_End_Date" : "1395", "Disp_Title" : "Triptych", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Christ in the Sepulchre (center panel); Saint Peter and the Archangel Gabriel (left panel); Saint Paul and the Virgin Annunciate (right panel)", "Series_Title" : "", "Disp_Maker_1" : "Simone dei Crocifissi (Simone da Bologna)", "Sort_Artist" : "Simone dei Crocifissi (Simone da Bologna)", "Disp_Dimen" : "60.2 cm x 47.3 cm (23 11/16 in. x 18 5/8 in.)", "Disp_Height" : "60.2 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "overall", "Medium" : "Tempera with gold leaf", "Support" : "wood panel", "Disp_Medium" : "Tempera with gold leaf on wood panel", "Info_Page_Comm" : "Normalizing the style of his brilliant teacher, Vitale da Bologna, Simone became the leading painter in Bologna in the second half of the 14th century. His appellation owes to his execution of several monumental depictions of the Crucifixion for major churches in that city. By the 1360s, having built his reputation, he added small-scale polyptychs for private devotion as another specialty. This painting offers a particularly efficient synopsis of the principal mysteries and foundation of the Christian church. The dark underpainting, which heightens contrasts and modeling in the flesh tones, the delicate drawing, and the relatively loose application of paint are characteristic of the Bolognese school of the period. And the prosaic charm and accessibility of the personalities is typical of Simone’s style. Exceptional, however, is the condition of this work, with the paint surface practically undisturbed, the gold leaf revealing its original patterns of application, and even the complex finials of the frame unrestored. 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