{ "objects" : [ { "embark_ID" : 16102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16102", "Disp_Access_No" : "2017.866", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Florentine or Lombard", "Sort_Artist" : "Anonymous, Florentine or Lombard", "Disp_Dimen" : "26.7 cm x 22.4 cm (10 1/2 in. x 8 13/16 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be restored. With conservation could be a nice addition (among top things that need to be conserved). (FC:jb 4/17/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.866.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.866.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.866.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.866.tif", "IsPrimary" : "1", "_SurrogateID" : "2743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16422, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16422", "Disp_Access_No" : "2017.896", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "David and Goliath", "Alt_Title" : "", "Obj_Title" : "David and Goliath", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Gerolamo Bassano", "Sort_Artist" : "Bassano, Attributed to Gerolamo", "Disp_Dimen" : "78.74 cm x 58.42 cm (31 in. x 23 in.)", "Disp_Height" : "78.74 cm", "Disp_Width" : "58.42 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/26.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "2609", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16454", "Disp_Access_No" : "2017.895", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1542 - 1545", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1545", "Disp_Title" : "Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano (Jacopo da Ponte)", "Sort_Artist" : "Bassano (Jacopo da Ponte), Jacopo", "Disp_Dimen" : "109.22 cm x 71.76 cm (43 in. x 28 1/4 in.)", "Disp_Height" : "109.22 cm", "Disp_Width" : "71.76 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Cut out from a larger canvas, this painting represents John the Baptist turning his gaze toward the spectator. The saint’s truncated forearm and the direction of his pose, among other elements, suggest that this fragment once formed the right part of a composition, which likely featured the Madonna and Child in the center; there would have been another saint on the left. The farmhouses with thatched roofs in the background demonstrate the painter’s well-known tendency to incorporate rustic elements in religious paintings. The figure’s right eye, left knee, and left foot are reconstructions completed in 2009.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.895-post-Res.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.895-post-Res.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.895-post-Res.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.895-post-Res.tif", "IsPrimary" : "1", "_SurrogateID" : "6465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16096", "Disp_Access_No" : "2017.894", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1577", "_Disp_Start_Dat" : "1572", "_Disp_End_Date" : "1582", "Disp_Title" : "Sacrifice of Isaac", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Isaac", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano (Jacopo da Ponte)", "Sort_Artist" : "Bassano (Jacopo da Ponte), Jacopo", "Disp_Dimen" : "26.2 cm x 33.6 cm (10 5/16 in. x 13 1/4 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "On the grassy knoll of a mountain, Abraham prepares to carry out a divine order to sacrifice his son, Isaac, who kneels with his hands bound behind his back. Suddenly, an angel appears to stay Abraham’s knife-wielding hand, saying that God is satisfied by the proof of Abraham’s fear and reverence. Jacopo Bassano’s mastery of dynamic contours appears in the lively, varied lines of Abraham’s outstretched arm and the clouds and dark mountains echoing it. His expressive brushstrokes and his playful use of perspective, animated by the figures’ diverse postures, also demonstrate his confidence as a painter. This work is probably a copy of a background scene from Bassano’s popular series depicting the four seasons. To meet popular demand, the artist and his workshop created numerous versions of the series. In fact, previous scholarship suggested that this might be a fragment from a lost painting in the series. Close examination of the painting disproved this theory, however; the painting’s edges are mostly untouched and not cut from a larger canvas.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.894.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.894.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.894.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.894.tif", "IsPrimary" : "1", "_SurrogateID" : "2744", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16431", "Disp_Access_No" : "2017.897", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Woman with Her Son", "Alt_Title" : "", "Obj_Title" : "Portrait of a Woman with Her Son", "Series_Title" : "", "Disp_Maker_1" : "Leandro Bassano", "Sort_Artist" : "Bassano, Leandro", "Disp_Dimen" : "89 cm x 72 cm (35 1/16 in. x 28 3/8 in.)", "Disp_Height" : "89 cm", "Disp_Width" : "72 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Can''t put up until fully restored. Status due to conservation issues. Down the line, could be 2+. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.879.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.879.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.879.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.879.tif", "IsPrimary" : "1", "_SurrogateID" : "6983", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16297, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16297", "Disp_Access_No" : "2017.934", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Follower of Bramantino (Bartolomeo Suardi)", "Sort_Artist" : "Bramantino (Bartolomeo Suardi), Follower of", "Disp_Dimen" : "43 cm x 35.5 cm (16 15/16 in. x 14 in.)", "Disp_Height" : "43 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This panel is a fine example of late 15th-century Milanese painting. While grounded in the ornamental style that had dominated the school before the arrival of Leonardo, and conditioned by early Netherlandish painting, it incorporates the geometric order that the most ambitious local painters were deducing from his art. In a major study, William Suida described it as an early work by Bramantino, the most cerebral and rigorous exponent of this kind of synthesis. It is much more likely by a master who also absorbed the charming, anecdotal style of another local, Ambrogio Bergognone, and anticipated the greatest native painter of the next generation, Bernardino Luini.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Possible condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.934.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.934.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.934.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.934.tif", "IsPrimary" : "1", "_SurrogateID" : "2679", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16264", "Disp_Access_No" : "2017.938", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Man, bust length, in a white ruff", "Alt_Title" : "", "Obj_Title" : "Head of a Man, bust length, in a white ruff", "Series_Title" : "", "Disp_Maker_1" : "Domenico Brusasorci", "Sort_Artist" : "Brusasorci, Domenico", "Disp_Dimen" : "39.6 cm x 30 cm (15 9/16 in. x 11 13/16 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.938.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.938.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.938.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.938.tif", "IsPrimary" : "1", "_SurrogateID" : "5994", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16035", "Disp_Access_No" : "2017.947", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1582-1600", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1600", "Disp_Title" : "The Holy Family with Saint Anne by a Fireplace", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint Anne by a Fireplace", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Orazio Cambiaso", "Sort_Artist" : "Cambiaso, Attributed to Orazio", "Disp_Dimen" : "22.6 cm x 29.8 cm (8 7/8 in. x 11 3/4 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This is an apocryphal scene from the infancy of Christ. Such charming, anecdotal variations were inspired by the popularity of Netherlandish genre paintings and conditioned by the Counter- Reformation’s imperative that religious imagery engage the viewer. In his late devotional paintings, Luca Cambiaso often used nocturnal settings to increase the sense of intimacy and mystery, and his late drawings include many versions of this subject. The combination of these elements in the present painting has led some to attribute the work to Cambiaso himself. Yet, the uncertain relation between the figures and the heavy touch indicate that it is instead the work of a close follower, possibly his son, Orazio", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.947.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.947.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.947.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.947.tif", "IsPrimary" : "1", "_SurrogateID" : "5988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16432", "Disp_Access_No" : "2017.957", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "90.3 cm x 47.3 cm (35 9/16 in. x 18 5/8 in.)", "Disp_Height" : "90.3 cm", "Disp_Width" : "47.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "On several occasions, beginning with the great altarpiece for San Domenico in Bologna, Cambiaso rendered the Adoration of the Shepherds as a nocturne. With its extreme simplificaiton of composition and articulation of individual figures, this is a late version, of a size suited for private devotion. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Can pull if we need something, only one from R91A in play Very dark picture, sweet but not our best Cambiaso Could be used in diamond hang of Cambiasos (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.957.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.957.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.957.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.957.tif", "IsPrimary" : "1", "_SurrogateID" : "2726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16471, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16471", "Disp_Access_No" : "2017.974", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1565", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1570", "Disp_Title" : "Suicide of Lucretia", "Alt_Title" : "", "Obj_Title" : "Suicide of Lucretia", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "166.4 cm x 90.2 cm (65 1/2 in. x 35 1/2 in.)", "Disp_Height" : "166.4 cm", "Disp_Width" : "90.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : " ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Medallion, would help hold in middle (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.974.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.974.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.974.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.974.tif", "IsPrimary" : "1", "_SurrogateID" : "2580", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16437, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16437", "Disp_Access_No" : "2017.966", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Holy Family with Saint Anne", "Alt_Title" : "", "Obj_Title" : "Holy Family with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "92.8 cm x 73.2 cm (36 9/16 in. x 28 13/16 in.)", "Disp_Height" : "92.8 cm", "Disp_Width" : "73.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Concluding just years before the execution of this painting, the Council of Trent had proposed systematic reform of the Catholic Church and responses to the Reformation. Its provisions for religious art included decrees that the subjects of paintings be easily intelligible and that there be no distraction from overly characterized or intrinsically appealing style, rather that devout feelings be stirred in the viewer. At a far frontier of Mannerism, pushing the research of ideal form beyond conventional pictorial standards, Cambiaso was already inclined toward the kind of "styleless style" implied by the Council’s imperatives. In his mature religious works, he perfected a mode that is diagrammatic in subject and practically shorn of material appeal, but equipped with unprecedentedly naturalistic incidents, specifically the action of light, that relieve the abstractness and cue a sentimental response. This painting is an important early example of this religious mode, ideal in essence, while predicting features of the early Baroque, and anticipating features of Caravaggio and Georges de La Tour.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.966.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.966.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.966.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.966.tif", "IsPrimary" : "1", "_SurrogateID" : "2579", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16451, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16451", "Disp_Access_No" : "2017.963", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Ecce Homo", "Alt_Title" : "", "Obj_Title" : "Ecce Homo", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "108 cm x 98 cm (42 1/2 in. x 38 9/16 in.)", "Disp_Height" : "108 cm", "Disp_Width" : "98 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""Ecce Homo," a Latin phrase meaning “behold the man,” represents a scene from the Passion. Pontius Pilate presents Jesus, bound and crowned with thorns, before a crowd demanding his crucifixion. Here the tumult of the scene is replaced with a quiet, almost meditative atmosphere. The simplicity of narrative closely reflects the religious and artistic environment in which Luca Cambiaso worked. Faced with the rise of Protestantism in the sixteenth century, the Catholic Church carried out a series of reforms, now referred to as the Counter-Reformation. During this period, the Catholic Church encouraged artists to make decorous images with minimal distractions, like this painting, to communicate the Catholic doctrines effectively. Through its simplified composition, Cambiaso’s "Ecce Homo" invites the viewer to focus on the suffering of Jesus. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.963.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.963.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.963.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.963.tif", "IsPrimary" : "1", "_SurrogateID" : "2727", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16469", "Disp_Access_No" : "2017.967", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Madonna and Child with Saint Catherine and an Angel", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saint Catherine and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "140.9 cm x 102.6 cm (55 1/2 in. x 40 3/8 in.)", "Disp_Height" : "140.9 cm", "Disp_Width" : "102.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Concluding just years before the execution of this painting, the Council of Trent proposed the systematic reform of the Catholic Church, largely in response to the Protestant Reformation. The Council and its subsequent interpreters insisted that religious painting should be scripturally accurate, clearly legible, and stirring of devout feeling in the viewer. After a long collaboration with the brilliant architect Bergamasco and an increasing manufacture during the 1560s, Luca Cambiaso had already developed a more calculated, spare, and efficacious style. For the later religious works, consonant with, if not explicitly serving, the new ideals, he perfected a mode that is diagrammatic in subject and radically pared of obvious material appeal. To relieve the abstractness, to cue a sentimental response, and certainly also to satisfy his own instincts as a painter, Cambiaso equipped this mode with passages of stunning natural observation and tender human interaction. The most original and striking of these paintings are the nocturnes, concentrated in the early 1570s. This picture is the grandest of three examples in the Suida-Manning Collection. While the general conception and function of these nocturnes point toward Cambiaso’s last activity, as official painter to the Spanish king Philip II at the monastery of the Escorial, their coherent light and authentic feeling anticipate the tenebrism of the early Baroque, from Caravaggio to Georges de La Tour and Gerrit van Honthorst.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Wonderful, lovely, should be upstairs (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.967.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.967.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.967.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.967.tif", "IsPrimary" : "1", "_SurrogateID" : "2581", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16443, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16443", "Disp_Access_No" : "2017.964", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1569", "_Disp_Start_Dat" : "1564", "_Disp_End_Date" : "1574", "Disp_Title" : "Esther and Ahasuerus", "Alt_Title" : "", "Obj_Title" : "Esther and Ahasuerus", "Series_Title" : "", "Disp_Maker_1" : "Luca Cambiaso", "Sort_Artist" : "Cambiaso, Luca", "Disp_Dimen" : "98.4 cm x 88.5 cm (38 3/4 in. x 34 13/16 in.)", "Disp_Height" : "98.4 cm", "Disp_Width" : "88.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Before the mid 16th century, Genoese patrons generally satisfied their artistic needs by importing works or artists themselves from elsewhere in Italy or even the North. The activity of Luca Cambiaso represents the foundation of a native and highly progressive school of painting. First trained locally by his father, Cambiaso then went to Rome, where he assimilated the current style based on Michelangelo’s painting. Returning to Genoa, he cultivated the geometry and ideality that underpin that style. This led to the development of what is perhaps the most abstract and intellectualized style of the entire Italian Renaissance. Its characteristics are an extreme simplification of form, opacity of expression, broadness of execution, and modality according to the subject and function of the painting. Rendering the Jewish queen’s courageous intercession with the Persian king to save her people, this painting is an outstanding example of Cambiaso’s most conventionally beautiful mode. Expressing the powerful conjunction of physical allure and moral force, the subject was a favorite from around this time through the 18th century. Typical of Cambiaso’s art, the composition is spare, schematic, and still. True to this mode, and appropriate to the subject, the description is relatively generous, the touch, especially in the ornament, delicate, and the tenor gentle. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Higher up (FC:jb 4/2/15) Ranking adjusted (JP 5/19/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.964.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.964.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.964.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.964.tif", "IsPrimary" : "1", "_SurrogateID" : "2578", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16186", "Disp_Access_No" : "2017.996", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist and an Angel", "Series_Title" : "", "Disp_Maker_1" : "Girolamo da Carpi", "Sort_Artist" : "Carpi, Girolamo da", "Disp_Dimen" : "30.99 cm x 43.18 cm (12 3/16 in. x 17 in.)", "Disp_Height" : "30.99 cm", "Disp_Width" : "43.18 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This panel is characteristic of the late development of this artist and of Ferrarese painting toward mid-century. While active in Bologna in the 1520s, Girolamo had proved one of the first and most successful artists in the region to assimilate currents of the most advanced Central Italian style, particularly from Giulio Romano after his relocation in nearby Mantua. Back in his native Ferrara over the following two decades, the power and distinctiveness of Girolamo’s first manner were overtaken by a more precious and formulaic elegance. In typical, small-scale religious works like the present one, there are still the figure types and iridescent passages recalling Romano’s influence, but the description is less coordinated, the color more local, and the execution more cautious. This same development, from progressive experiment toward conservative production, can also be observed in the later work of the city’s other principal painters, Garofalo and the Dossi brothers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could potentially be used in a double hang (FC:jb 4/2/15) Rating provisional (JP 4/16/15) Ranking adjusted, in play (FC: jp 7/3/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.996.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.996.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.996.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.996.tif", "IsPrimary" : "1", "_SurrogateID" : "2583", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16434, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16434", "Disp_Access_No" : "2017.1036", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1541", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1546", "Disp_Title" : "The Coronation of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Coronation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista della Cerva", "Sort_Artist" : "Cerva, Giovanni Battista della", "Disp_Dimen" : "87 cm x 71.5 cm (34 1/4 in. x 28 1/8 in.)", "Disp_Height" : "87 cm", "Disp_Width" : "71.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Jesus crowns her mother Mary as God the Father gazes down from above and the Holy Spirit descends in the form of a dove. Playful cherubim in the wreath of cloud add to the jubilant mood. This theme represents the final episode in the life of Mary, when, according to the tradition of the Catholic Church, she was brought to heaven after death and crowned as Queen of Heaven. In order to set the scene for the celestial event, Giovanni Battista della Cerva creates an abstract space relying on colors associated with heaven (blue) and eternity (gold). ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Lost in corner, needs more of a relationship with objects around it (FC:jb 4/2/15) Ranking adjusted (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1036.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1036.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1036.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1036.tif", "IsPrimary" : "1", "_SurrogateID" : "2740", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16229", "Disp_Access_No" : "2017.1369", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1516", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1521", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "Portrait of a Man", "Series_Title" : "", "Disp_Maker_1" : "Sebastiano del Piombo", "Sort_Artist" : "Sebastiano del Piombo", "Disp_Dimen" : "36.4 cm x 25.9 cm (14 5/16 in. x 10 3/16 in.)", "Disp_Height" : "36.4 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Although no information on the sitter exists, the individualized facial features and contemporary dress indicate that this is a portrait. The painting was not, however, originally of this size and format. Examination of the panel shows that it was cut down from a much larger composition and later balanced with the addition of a narrow strip along the right side. It is possible that the original painting represented the sitter in three-quarter length against a dark green background, not unlike the "Portrait of a Humanist" from around 1520 (National Gallery of Art, Washington, D.C.). One of the most celebrated painters of the Italian Renaissance, Sebastiano del Piombo combined the resplendent colors characteristic of Venetian painting with clear modeling of form prized by central Italian artists. Applied to portraiture, this combination resulted in a particularly moving likeness of an individual. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Potentially next to Cambiaso (FC:jb 4/2/15) Potentially in display case on the floor or portrait gallery (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1369.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1369.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1369.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1369.tif", "IsPrimary" : "1", "_SurrogateID" : "2652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16573", "Disp_Access_No" : "2002.2824", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Three Maries at the Tomb", "Alt_Title" : "", "Obj_Title" : "Three Maries at the Tomb", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Empoli", "Sort_Artist" : "Empoli, Jacopo", "Disp_Dimen" : "181.7 cm x 150.5 cm (71 9/16 in. x 59 1/4 in.)", "Disp_Height" : "181.7 cm", "Disp_Width" : "150.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "According to the Gospels, Mary Magdalene, Mary, the mother of James, and Mary Salome went to Jesus’ tomb, only to find that his body was no longer there. To the puzzled women appeared an angel, clothed in a bright white robe, who told them that Jesus had risen from death. This painting captures the dramatic moment with remarkable clarity. The monumental scale of the figures and the simplified composition draw the viewer to the scene. The three women’s facial expressions convey perplexity and amazement, and the angel’s parted lips and gesture animate his role as the messenger of the exciting news. To elucidate the angel’s message, the artist inserts another scene in the background—Jesus greeting the women who are on their way to Galilee to announce his resurrection to his disciples. Faced with the challenges posed by the Protestants in the sixteenth and seventeenth centuries, the Catholic Church encouraged such narrative clarity in art in order to communicate important doctrines effectively. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Blanton Ball Purchase, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2824.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2824.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2824.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2824.tif", "IsPrimary" : "1", "_SurrogateID" : "1979", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16049", "Disp_Access_No" : "2017.1108", "_AccNumSort1" : "", "Disp_Create_DT" : "1590s", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Catherine of Alexandria", "Alt_Title" : "", "Obj_Title" : "Saint Catherine of Alexandria", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "23.2 cm x 20.2 cm (9 1/8 in. x 7 15/16 in.)", "Disp_Height" : "23.2 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conservation, condition issues: needs to be cleaned. Not in great condition. Could be 2+ if cleaned. On copper, display case. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1108.tif", "IsPrimary" : "1", "_SurrogateID" : "3429", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16069", "Disp_Access_No" : "2017.1110", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Fragment from the Adoration of the Magi", "Alt_Title" : "", "Obj_Title" : "A Fragment from the Adoration of the Magi", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Defendente Ferrari", "Sort_Artist" : "Ferrari, Attributed to Defendente", "Disp_Dimen" : "24.2 cm x 21.1 cm (9 1/2 in. x 8 5/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 4/27/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1110.tif", "IsPrimary" : "1", "_SurrogateID" : "2605", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16448, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16448", "Disp_Access_No" : "2017.1137", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 16th century", "_Disp_Start_Dat" : "1533", "_Disp_End_Date" : "1566", "Disp_Title" : "Portrait of a Gentleman, Standing Three-quarter Length, in Armor, Beside a Table", "Alt_Title" : "", "Obj_Title" : "Portrait of a Gentleman, Standing Three-quarter Length, in Armor, Beside a Table", "Series_Title" : "", "Disp_Maker_1" : "Gervasio Gatti", "Sort_Artist" : "Gatti, Gervasio", "Disp_Dimen" : "100.97 cm x 79.69 cm (39 3/4 in. x 31 3/8 in.)", "Disp_Height" : "100.97 cm", "Disp_Width" : "79.69 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Portrait room (FC:jb 4/2/15) Ranking adjusted (JP 5/19/15) Ranking confirmed (FC:jp 5/26/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1137.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1137.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1137.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1137.tif", "IsPrimary" : "1", "_SurrogateID" : "7755", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16360, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16360", "Disp_Access_No" : "2017.1147", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "An Allegory of Music", "Alt_Title" : "", "Obj_Title" : "An Allegory of Music", "Series_Title" : "", "Disp_Maker_1" : "Follower of Ridolfo Ghirlandaio", "Sort_Artist" : "Ghirlandaio, Follower of Ridolfo", "Disp_Dimen" : "54.6 cm x 45.5 cm (21 1/2 in. x 17 15/16 in.)", "Disp_Height" : "54.6 cm", "Disp_Width" : "45.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional. Could potentially be a copy. Could have been cleaned and revarnished. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1147.tif", "IsPrimary" : "1", "_SurrogateID" : "6988", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16076", "Disp_Access_No" : "2017.1274", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-1527", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1527", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "24.4 cm x 18.8 cm (9 5/8 in. x 7 3/8 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "11065", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1274.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1274.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1274.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1274.tif", "IsPrimary" : "1", "_SurrogateID" : "3360", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14900", "Disp_Access_No" : "1984.54", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Rebecca and Eliezer at the Well", "Alt_Title" : "", "Obj_Title" : "Rebecca and Eliezer at the Well", "Series_Title" : "", "Disp_Maker_1" : "Santi di Tito", "Sort_Artist" : "Santi di Tito", "Disp_Dimen" : "351 cm x 258.1 cm (138 3/16 in. x 101 5/8 in.)", "Disp_Height" : "351 cm", "Disp_Width" : "258.1 cm", "Dimen_Extent" : "frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Santi di Tito was the first and most important Florentine painter to reform the dominant, Mannerist style of Vasari and his circle. He was himself schooled in that style, its Roman equivalent, and especially the work of Bronzino, but even his earliest paintings show a reaction against its complex artifice and a return to the simpler compositions and clearer rhetoric of the High Renaissance and Raphael in particular. Later, stimulated by Venetian painting, Santi’s added to these deliberately conservative schemes a more naturalistic color and atmospheric light that were new to Florentine painting. His works after around 1570 represent the school’s best examples of Counter Reformation style and best predictions of the early Baroque. Many of the principal painters of the next generation would come from his workshop. Sent by Abraham to find a wife for Isaac, Eliezar came upon Rebecca, who offered him and his camels drink in the predicted sign of the right woman (Genesis 25: 46). This painting renders the following moment as Eliezar explains to Rebecca her destiny and his attendants ready gifts in betrothal, but she for the time being resists. The subject, large size, low viewpoint, and generally broad handling of this painting indicate that it was created as an altarpiece, probably on an aisle or in a side chapel of a major church. Santi contributed very comparable works to programs for the renovation of the Florentine churches of Santa Croce and Santa Maria Novella. Characteristic are the painting’s relatively simple organization, plain exposition, and quiet dignity, while the Venetian influence is pronounced in the diagonal compositional structure, fused color, and coherent illumination. This is a rare kind of work outside Italy and a major example of Santa’s early maturity . ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Could potentially be displayed at the top of the stairs outside of the gallery as a lead-in (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.54.tif", "IsPrimary" : "1", "_SurrogateID" : "1299", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16268", "Disp_Access_No" : "2017.1362", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Diana and Callisto", "Alt_Title" : "", "Obj_Title" : "Diana and Callisto", "Series_Title" : "", "Disp_Maker_1" : "Andrea Schiavone (Andrea Meldolla)", "Sort_Artist" : "Schiavone (Andrea Meldolla), Andrea", "Disp_Dimen" : "40 cm x 132.5 cm (15 3/4 in. x 52 3/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "132.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "This lovely panel appears to render the passage from Ovid’s Metamorphoses in which Diana and her nymphs discover that one of their companions, Callisto, has been made pregnant by Jupiter. The exaggerated horizontal format and size indicate that it originally served as part of an interior ensemble or piece of furniture, perhaps a cassone (storage chest) or spalliera (chair back). Especially considering this function, the panel is in excellent condition. Bonifazio was perhaps the first painter in Venice to explore ways of reconciling the school’s traditional insistence upon more naturalistic representation with Central Italian concerns of the moment: complex design, complicated linear rhythm, and self-conscious elegance. In this exploration of a distinctively Venetian Mannerism, his work anticipated and helped prepare the brilliant researches of Tintoretto and Veronese. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional. Could go above a doorway or in a medallion hang. Should be in galleries. Needs to be unframed, picture might go beyond frame (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1362.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1362.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1362.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1362.tif", "IsPrimary" : "1", "_SurrogateID" : "9155", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16377, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16377", "Disp_Access_No" : "2017.1402", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585-1590", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1590", "Disp_Title" : "Portrait of a Gentleman", "Alt_Title" : "", "Obj_Title" : "Portrait of a Gentleman", "Series_Title" : "", "Disp_Maker_1" : "Domenico Tintoretto", "Sort_Artist" : "Tintoretto, Domenico", "Disp_Dimen" : "61.5 cm x 49.8 cm (24 3/16 in. x 19 5/8 in.)", "Disp_Height" : "61.5 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The dynamic composition, mobile light, and inherent expressiveness of the Venetian tradition were carried to their extreme in the painting of Jacopo Tintoretto. However arbitrary his compositions and complicated his devices, their visual energy and the viewer’s visceral sensation return to inform the ostensible subject. In this sense his work represents both the height of a distinctively Venetian Mannerism and a critical source of the Baroque, Rubens’s work in particular. So vital and economical, this style lent itself to portraiture. At their best, Tintoretto’s portraits combine audacious painterliness and powerful characterization. Often, due to the intervention of assistants, they also appear formulaic and unfelt. This portrait, by Jacopo’s eldest son, is an extraordinary example. The drawing is unusually firm, the surface compact, and the light varied, from the glistening corner of the sitter’s eye to the faint glow about his head. This description of a very specific appearance is matched by the psychology, not just generically present but momentary and penetrating. During the 1580s Agostino and Annibale Carracci traveled frequently to Venice and assimilated the school’s most advanced developments: color and classicizing form from Paolo Veronese, and of course dynamic and light from Jacopo Tintoretto. This painting involves the opposite phenomenon: Domenico Tintoretto’s response to the revolutionary experiments of the Carracci. It joins their work on the threshold of the Baroque. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Circle of Jacopo Tintoretto, "Portrait of a Bearded Middle-Aged Man", in Verona, Museo di Castlevecchio, recent acquisition (2002) - very similar to S-M Domenico in format, size, finish, date, but much less well preserved. Portrait room (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1402.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1402.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1402.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1402.tif", "IsPrimary" : "1", "_SurrogateID" : "2662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16450, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16450", "Disp_Access_No" : "2017.1417", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s (?)", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Three Cherubim", "Alt_Title" : "", "Obj_Title" : "Three Cherubim", "Series_Title" : "", "Disp_Maker_1" : "Paolo Veronese", "Sort_Artist" : "Veronese, Paolo", "Disp_Dimen" : "105.41 cm x 81.92 cm (41 1/2 in. x 32 1/4 in.)", "Disp_Height" : "105.41 cm", "Disp_Width" : "81.92 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a fragment from a much larger composition. Cherubim along with seraphim form the highest order of angels in the Christian celestial hierarchy. In Byzantine and medieval art they were represented as heads surrounded by six wings. Varied and humanized in the Renaissance, they evolved into the sweet-faced, two-winged creatures seen here, and further into the baby angels, or putti, that populate many paintings. Veronese used groups of cherubim, first in the background of the upper reaches of altarpieces, then more prominently at the boundary between heavenly and earthly zones in various religious works. The group just above Saint Michael in the Petrobelli Altarpiece is typical. Judging by the size of these heads, the heavy weave of canvas, and the broad handling of paint, this fragment must come from a comparably large work, probably an altarpiece. While the type and function of these cherubim are evident, their realization is problematic. The arrangement of the three heads seems awkward, with their foreshortening uncoordinated and the upper two badly crowded. The individual heads lack volume, tending to flatten into simple shapes with no connection to their wings. Even allowing for condition––moderate abrasion and scattered paint losses throughout––the brushwork seems coarse, the accents in heavy pigment––the curls of the cherub on the right––superficial, and the surface inert. The habits are those of Veronese, but the hand shows little understanding of structure or sensitivity. Whatever the source of this fragment, an assistant was responsible for its execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "Three Cherubim", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition, conservation issues: needs to be cleaned. Whites are yellow. 2+ with cleaning. Could go in medallion hang. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1417.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1417.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1417.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1417.tif", "IsPrimary" : "1", "_SurrogateID" : "2762", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16276, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16276", "Disp_Access_No" : "2017.1416", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1563", "_Disp_Start_Dat" : "1558", "_Disp_End_Date" : "1568", "Disp_Title" : "Head of Saint Michael", "Alt_Title" : "", "Obj_Title" : "Head of Saint Michael", "Series_Title" : "", "Disp_Maker_1" : "Paolo Veronese", "Sort_Artist" : "Veronese, Paolo", "Disp_Dimen" : "41 cm x 32.1 cm (16 1/8 in. x 12 5/8 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "32.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is a fragment of a fifteen-foot-tall altarpiece painted for the church of San Francesco at Lendinara, a small town near Padua, Italy. Commissioned by the cousins Antonio and Girolamo Petrobelli, the painting was one of the major projects of Paolo Veronese’s career. By 1785 the church was abandoned and demolished, and the altarpiece was cut and sold in pieces in 1788 to maximize profits. Four fragments have been identified to date. The original canvas had the body of Jesus supported by angels in the upper register and the two donors with their respective patrons—Saint Anthony Abbot and Saint Jerome—in the lower register. Saint Michael stood in the center, holding in his right hand a spear pointed at the demon and in his left scales to weigh souls on Judgment Day. The upright form of the archangel figure connects the upper and lower sections of the composition, while also reflecting the intermediary role of the much-venerated saint.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Needs illustration of the larger image from which it was cut (FC:jb 4/2/15) Possibly higher up (FC:jb 4/2/15) Medallion (FC:jb 4/2/15) Possible pair with other Veroneses, distinct palette (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1416-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1416-2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1416-2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1416-2.tif", "IsPrimary" : "1", "_SurrogateID" : "2761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1416-recon1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1416-recon1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1416-recon1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1416-recon1.tif", "IsPrimary" : "0", "_SurrogateID" : "7902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1416-install.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1416-install.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1416-install.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1416-install.tif", "IsPrimary" : "0", "_SurrogateID" : "7903", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16449", "Disp_Access_No" : "2017.1419", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1590", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Paolo Veronese", "Sort_Artist" : "Veronese, Workshop of Paolo", "Disp_Dimen" : "104.5 cm x 82.9 cm (41 1/8 in. x 32 5/8 in.)", "Disp_Height" : "104.5 cm", "Disp_Width" : "82.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Of the great Venetian painters of the sixteenth century, Paolo Veronese was the most systematic and subtle in exploring the action, formal implications, and even expressive meanings of light upon color. Early in his development, the forms had been quite arbitrary and the result stylish but implausible. Steadily, his design was regularized according to classical models, his palette reached an unprecedented optical range, and his light became naturalistically descriptive. A small altarpiece probably for private devotion, this picture sets the Virgin and the archangel Gabriel in a handsome loggia, like that of an actual villa by Palladio, with whom the artist often collaborated. It is one of numerous late versions of the subject, with no sign of the workshop participation that had become frequent by then. The highlights have lost little of their energy, coursing across the surfaces and infusing the work with a metaphoric vitality. The figures, however, have been simplified in shape, their cadence slowed and their gesture subdued. And the palette is relatively restricted and uniform in value. In such paintings, the heroic splendor of the artist’s mature style yields to something less calculated and more reflective. The Suida-Manning Collection includes two other paintings from the same period, each a fragment from a larger composition. The composition depends upon a painting by Tintoretto. Infrared examination by Stephen Gritt (Feb. 2010) revealed no variation between underdrawing and execution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1419.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1419.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1419.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1419.tif", "IsPrimary" : "1", "_SurrogateID" : "2668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16499, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16499", "Disp_Access_No" : "2017.924", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Prodigal Son", "Alt_Title" : "", "Obj_Title" : "Prodigal Son", "Series_Title" : "", "Disp_Maker_1" : "Bonifazio de Pitati, called Bonifazio Veronese", "Sort_Artist" : "Bonifazio Veronese, Bonifazio de Pitati, called", "Disp_Dimen" : "16.1 cm x 39.2 cm (6 5/16 in. x 15 7/16 in.)", "Disp_Height" : "16.1 cm", "Disp_Width" : "39.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, laid down on panel, oval", "Support" : "", "Disp_Medium" : "Oil on canvas, laid down on panel, oval", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, in terrible condition (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.924.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.924.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.924.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.924.TIF", "IsPrimary" : "1", "_SurrogateID" : "10554", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16478, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16478", "Disp_Access_No" : "2017.1209", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bust of a Lady", "Alt_Title" : "", "Obj_Title" : "Bust of a Lady", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Bernardo Licinio", "Sort_Artist" : "Licinio, Attributed to Bernardo", "Disp_Dimen" : "39.6 cm x 32.6 cm (15 9/16 in. x 12 13/16 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "32.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could be cut out of a larger work. How rare? What would we put it next to? (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1209.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1209.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1209.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1209.TIF", "IsPrimary" : "1", "_SurrogateID" : "10558", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16487", "Disp_Access_No" : "2017.1361", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Eustace", "Alt_Title" : "", "Obj_Title" : "St. Eustace", "Series_Title" : "", "Disp_Maker_1" : "Circle of Ippolito Scarsella, called Scarsellino", "Sort_Artist" : "Scarsellino, Circle of Ippolito Scarsella, called", "Disp_Dimen" : "50.5 cm x 66.2 cm (19 7/8 in. x 26 1/16 in.)", "Disp_Height" : "50.5 cm", "Disp_Width" : "66.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1361.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1361.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1361.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1361.TIF", "IsPrimary" : "1", "_SurrogateID" : "10560", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16500, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16500", "Disp_Access_No" : "2017.925", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Scorpio", "Alt_Title" : "", "Obj_Title" : "Scorpio", "Series_Title" : "", "Disp_Maker_1" : "Bonifazio de Pitati, called Bonifazio Veronese", "Sort_Artist" : "Bonifazio Veronese, Bonifazio de Pitati, called", "Disp_Dimen" : "20.9 cm x 12.1 cm (8 1/4 in. x 4 3/4 in.)", "Disp_Height" : "20.9 cm", "Disp_Width" : "12.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, laid down on (3) panel (s), framed as one", "Support" : "", "Disp_Medium" : "Oil on canvas, laid down on (3) panel (s), framed as one", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.925.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.925.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.925.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.925.TIF", "IsPrimary" : "1", "_SurrogateID" : "10644", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16027", "Disp_Access_No" : "2017.1182", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1590", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1600", "Disp_Title" : "Saint Jerome in the Wilderness", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Palma il Giovane", "Sort_Artist" : "Jacopo Palma il Giovane", "Disp_Dimen" : "22.1 cm x 16.8 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on copper, attached to wood panel", "Support" : "", "Disp_Medium" : "Oil on copper, attached to wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. Could get higher ranking if conserved. Top conservation list. Could go in display case. See what it looks like without the frame. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1182.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1182.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1182.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1182.TIF", "IsPrimary" : "1", "_SurrogateID" : "10663", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16486", "Disp_Access_No" : "2017.1240", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Luca Mombello", "Sort_Artist" : "Mombello, Attributed to Luca", "Disp_Dimen" : "44.4 cm x 36.8 cm (17 1/2 in. x 14 1/2 in.)", "Disp_Height" : "44.4 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas, unframed", "Support" : "", "Disp_Medium" : "Oil on canvas, unframed", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1240.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1240.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1240.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1240.TIF", "IsPrimary" : "1", "_SurrogateID" : "10673", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16256", "Disp_Access_No" : "2017.875", "_AccNumSort1" : "", "Disp_Create_DT" : "late 16th century", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1599", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Anonymous, Venetian", "Sort_Artist" : "Anonymous, Venetian", "Disp_Dimen" : "39.3 cm x 33.1 cm (15 1/2 in. x 13 1/16 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Terrible craquelure. (FC:jb 4/21/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.875.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.875.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.875.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.875.TIF", "IsPrimary" : "1", "_SurrogateID" : "10786", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }