{ "objects" : [ { "embark_ID" : 16407, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16407", "Disp_Access_No" : "2017.1068", "_AccNumSort1" : "", "Disp_Create_DT" : "1710s", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "The Education of Achilles ", "Alt_Title" : "", "Obj_Title" : "The Education of Achilles", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "72.5 cm x 59.8 cm (28 9/16 in. x 23 9/16 in.)", "Disp_Height" : "72.5 cm", "Disp_Width" : "59.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Chiron, a mythological being that is half-human, half-horse, or a centaur, taught the art of medicine, hunting, and music to the young Achilles, who would later become the greatest Greek warrior of the Trojan War. In this painting, they are practicing bow hunting. Chiron’s strict but loving mentoring served as a model for tutoring noblemen in ancient Rome and became a popular subject representing humanist education during the fifteenth through the eighteenth centuries in Europe. Active in Bologna, Donato Creti specialized in paintings of classical and mythological themes that feature idealized figures. This particular work is one of several Creti depicted of the education of Achilles. The most famous is still in Bologna: it is set within a more expansive landscape and depicts a lion as their prey.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Would pair well with Lauri and Mulier (FC:jb 4/2/15) Condition issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1068.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1068.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1068.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1068.tif", "IsPrimary" : "1", "_SurrogateID" : "2598", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16415, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16415", "Disp_Access_No" : "2017.1067", "_AccNumSort1" : "", "Disp_Create_DT" : "1710s", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "Lady with a String of Pearls", "Alt_Title" : "Cleopatra Dissolving a Pearl (Changed per JP 1/23/2018) Lady with a String of Pearls (Changed per JB 11/01) Cleopatra (changed per JB 4/2011)", "Obj_Title" : "Lady with a String of Pearls", "Series_Title" : "", "Disp_Maker_1" : "Donato Creti", "Sort_Artist" : "Creti, Donato", "Disp_Dimen" : "75.1 cm x 61.3 cm (29 9/16 in. x 24 1/8 in.)", "Disp_Height" : "75.1 cm", "Disp_Width" : "61.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Donato Creti’s style represents the most self-conscious and rarefied classicism in late Baroque painting. Trained in the Bolognese academy, he reacted against its increasingly stale and unfelt formulae by attempting to return to its first principles, or at least early manifestation, in the art of Guido Reni. The result of this deliberate archaism is an extreme refinement of form and color, a complete suppression of affect, and an unearthly beauty. In character and appearance, Creti’s works recall Mannerism created in the region of Emilia and equally anticipate the true Neoclassicism of several generations later. Cleopatra is a perfect demonstration of this ideal style. The attitude could scarcely be more contrived, the drawing more elegant, the palette more artificial, and the psychology more remote. Intellectual appeal overwhelms plausibility and empathy. Light, space, and sentiment—reasoned and shaped but still accessible in the period’s conventional classicism—here become near abstractions. Creti would often create replicas of individual motifs from larger compositions. This figure corresponds to one that appears in the painting Achilles Dipped in the Styx (Pinacoteca Nazionale, Bologna). Here, however, the motif is more logical and better resolved, suggesting that it preceded the larger composition. Patrons, it seems, requested not just replication but incorporation of favorite motifs, which Creti’s conceptual and systematic style could readily accommodate. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Italian", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possible conservation / restoration issues (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1067.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1067.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1067.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1067.tif", "IsPrimary" : "1", "_SurrogateID" : "2597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }