{ "objects" : [ { "embark_ID" : 14922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14922", "Disp_Access_No" : "1984.105", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1470", "_Disp_Start_Dat" : "1465", "_Disp_End_Date" : "1475", "Disp_Title" : "Saint Bernard", "Alt_Title" : "", "Obj_Title" : "Saint Bernard", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "49.7 cm x 36 cm (19 9/16 in. x 14 3/16 in.)", "Disp_Height" : "49.7 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "sight", "Medium" : "Oil, tempera, and gold leaf", "Support" : "wood panel", "Disp_Medium" : "Oil, tempera, and gold leaf on wood panel", "Info_Page_Comm" : "This painting presents an unflattering, naturalistic portrayal of an elderly man through the artist's meticulous depiction of wrinkles, veins, warts, and graying hair. The figure has been considered to be Saint Bernard of Clairvaux, who led the reform of the Cistercian Order in twelfth-century France. He wears a white habit, which is usually associated with the Order, and holds an abbot's crozier. The inscription on the ribbonlike banderole reads, “Monstra te esse matrem (Show thyself to be a mother),” the words that Bernard used in his prayer before a statue of Mary. According to legend, the statue came to life and spouted milk from her breast in response to his plea. It is unclear, however, if the present work was originally meant to be an image of Bernard. A close examination of the paint layers has recently revealed that the banderole and the upper half of the crozier, along with the blue clouds in the top corners, are later additions. It is possible that the painting was modified to represent the saint, sometime after its creation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Loretta Marsh, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Rare, gorgeous, has its original panel. Condition issues, conservation issues. Needs restoration in the middle. Would like to see the back. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.105.tif", "IsPrimary" : "1", "_SurrogateID" : "1289", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16455", "Disp_Access_No" : "2017.918", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1634-1635", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1635", "Disp_Title" : "Charity", "Alt_Title" : "", "Obj_Title" : "Charity", "Series_Title" : "", "Disp_Maker_1" : "Jacques Blanchard", "Sort_Artist" : "Blanchard, Jacques", "Disp_Dimen" : "110.5 cm x 142.8 cm (43 1/2 in. x 56 1/4 in.)", "Disp_Height" : "110.5 cm", "Disp_Width" : "142.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jacques Blanchard represents the personification of Charity as a woman breastfeeding a child and tending to two others around her. According to Cesare Ripa, the three children signify the tripling of Charity’s power when accompanied by Faith and Hope, the other theological virtues. Blanchard makes a creative departure from Ripa’s original text, however, by adding more children to illustrate charity in action: a boy assists a crying girl, and the infant on Charity’s lap reaches compassionately out to her. This scene reinforces a passage in the French edition of "Iconologia" that Charity “usually dwells among innocent and pure souls.” Regarded as a gifted colorist, he worked for King Louis XIV in Paris. The Blanton's painting is one of the few paintings by the artist in the United States.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Medallion (FC:jb 4/2/15) One of two Blanchards (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.918.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.918.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.918.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.918.tif", "IsPrimary" : "1", "_SurrogateID" : "2648", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16339", "Disp_Access_No" : "2017.930", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Presentation in the Temple", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple", "Series_Title" : "", "Disp_Maker_1" : "Louis de Boulogne, the elder", "Sort_Artist" : "Boulogne, the elder, Louis de", "Disp_Dimen" : "50 cm x 50 cm (19 11/16 in. x 19 11/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas (oval)", "Support" : "", "Disp_Medium" : "Oil on canvas (oval)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Dog is quite wonderful Research artist importance in Oxford Architecture interesting, lighting good Condition issues, conservation issues: Terrible craquelure, needs to be cleaned (FC:jb 4/9/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.930.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.930.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.930.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.930.tif", "IsPrimary" : "1", "_SurrogateID" : "2644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16371", "Disp_Access_No" : "2017.1041", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Presentation of the Virgin", "Alt_Title" : "", "Obj_Title" : "Presentation of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Chapron", "Sort_Artist" : "Chapron, Nicolas", "Disp_Dimen" : "59.9 cm x 38.1 cm (23 9/16 in. x 15 in.)", "Disp_Height" : "59.9 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs major conservation. Could be 2+ with conservation. (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1041.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1041.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1041.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1041.tif", "IsPrimary" : "1", "_SurrogateID" : "4504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14596, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14596", "Disp_Access_No" : "1991.100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "Ville d'Avray - au bord de l'etang", "Alt_Title" : "", "Obj_Title" : "Ville d'Avray - au bord de l'etang", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "41 cm x 50.9 cm (16 1/8 in. x 20 1/16 in.)", "Disp_Height" : "41 cm", "Disp_Width" : "50.9 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Questions about authenticity. (FC:jb 4/20/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.100.tif", "IsPrimary" : "1", "_SurrogateID" : "3692", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16301, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16301", "Disp_Access_No" : "2017.1098", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "A Personification Holding a Book and a Candle", "Alt_Title" : "", "Obj_Title" : "A Personification Holding a Book and a Candle", "Series_Title" : "", "Disp_Maker_1" : "Michel Dorigny", "Sort_Artist" : "Dorigny, Michel", "Disp_Dimen" : "43.18 cm x 31.75 cm (17 in. x 12 1/2 in.)", "Disp_Height" : "43.18 cm", "Disp_Width" : "31.75 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on panel", "Support" : "", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "After early training in the workshop of the late Mannerist Lallement, Dorigny became a strict follower, as well as son-in-law, of Vouet. At times, especially during the 1640s, his style follows the master’s so closely as to risk confusion. Generally, it tends to be more abstract, harder in its description, and more superficial in its characterization. Dorigny was also Vouet’s preferred interpreter as a printmaker, producing some ninety reproductive engravings after the master’s compositions. This panel is a lovely example of Dorigny’s style, which is also to say of Vouet’s thriving Parisian workshop. Not only are its finish high and its craft refined, but its condition is superb. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1098.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1098.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1098.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1098.tif", "IsPrimary" : "1", "_SurrogateID" : "2603", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16310", "Disp_Access_No" : "2017.1099", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Diana of the Hunt", "Alt_Title" : "", "Obj_Title" : "Diana of the Hunt", "Series_Title" : "", "Disp_Maker_1" : "Michel Dorigny", "Sort_Artist" : "Dorigny, Michel", "Disp_Dimen" : "44.6 cm x 41 cm (17 9/16 in. x 16 1/8 in.)", "Disp_Height" : "44.6 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil on canvas", "Support" : "", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could go in mythology section. (FC:jb 4/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1099.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1099.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1099.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1099.tif", "IsPrimary" : "1", "_SurrogateID" : "4506", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16420", "Disp_Access_No" : "2017.1101", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Charity", "Alt_Title" : "", "Obj_Title" : "Charity", "Series_Title" : "", "Disp_Maker_1" : "René Dudot", "Sort_Artist" : "Dudot, René", "Disp_Dimen" : "76.3 cm x 67 cm (30 1/16 in. x 26 3/8 in.)", "Disp_Height" : "76.3 cm", "Disp_Width" : "67 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned, in bad shape Ranking due to condition (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1101.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1101.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1101.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1101.tif", "IsPrimary" : "1", "_SurrogateID" : "2746", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14227", "Disp_Access_No" : "G1964.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1791-1796", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1796", "Disp_Title" : "Armand Louis Le Boulanger, Marquis d'Acqueville", "Alt_Title" : "", "Obj_Title" : "Armand Louis Le Boulanger, Le Marquis D'Acqueville", "Series_Title" : "", "Disp_Maker_1" : "Aimée Duvivier", "Sort_Artist" : "Duvivier, Aimée", "Disp_Dimen" : "140.8 cm x 111.8 cm (55 7/16 in. x 44 in.)", "Disp_Height" : "140.8 cm", "Disp_Width" : "111.8 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Dressed in a dark blue coat, bluish gray breeches, and a pale yellow waistcoat with poppy design, the Marquis D’Acqueville presents himself as a fashionable young aristocrat. The bust sculpture of a classical figure, the rolled-up musical score, and the quill pen in the inkwell suggest that he wished to be seen as a man of letters. The numbers “23 7 1791” on the letter in the sitter’s hand most likely indicate the date when the work was painted. Aimée Duvivier was among the few women selected to show their work at official exhibitions organized by the French Academy in the late 1700s. Coming from a family of artists, she may have also studied with Jacques-Louis David. The flat, unadorned background, the subdued palette of blue and gray with just a dash of red, the casual pose, and the restrained handling of paint are characteristic of the neoclassical formula that David popularized during the period of the French Revolution. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Clark W. Thompson, Sr., 1964", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Important to have portrait by woman Research what association he was connected to (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.25.tif", "IsPrimary" : "1", "_SurrogateID" : "2298", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16257, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16257", "Disp_Access_No" : "2017.1126", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1608-1613", "_Disp_Start_Dat" : "1608", "_Disp_End_Date" : "1613", "Disp_Title" : "Martyrdom of Saint Cecilia", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Cecilia", "Series_Title" : "", "Disp_Maker_1" : "Guy François", "Sort_Artist" : "François, Guy", "Disp_Dimen" : "126.4 cm x 97.2 cm (49 3/4 in. x 38 1/4 in.)", "Disp_Height" : "126.4 cm", "Disp_Width" : "97.2 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This picture is an early and almost programmatic response to Caravaggio’s lessons. It has long been attributed to Carlo Saraceni, a Venetian painter active in Rome, one of the earliest to espouse the new naturalistic language. It is better seen as a capital work of François, who was also in Rome from 1608 until 1613, then the very first to bring Caravaggism to France. Although extremely similar and usually confused with Saraceni’s, the works of the Frenchman can be distinguished by their slightly more regular shapes and exact contours, which result in compositions of more pronounced pattern than atmospheric space. Precisely this difference is clear in comparing the present composition with a nearly identical version by Saraceni that was recently identified and acquired by Los Angeles. The identity of these pictures also answers any question about the fact and intimate nature of the two painters’ collaboration.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Among FC''s top twenty. Copy. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1126.tif", "IsPrimary" : "1", "_SurrogateID" : "2650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16435, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16435", "Disp_Access_No" : "2017.1202", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1715", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1720", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "Portrait of a Man", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Largillière", "Sort_Artist" : "Largillière, Nicolas de", "Disp_Dimen" : "92.2 cm x 75.4 cm (36 5/16 in. x 29 11/16 in.)", "Disp_Height" : "92.2 cm", "Disp_Width" : "75.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Nicolas de Largillière was one of the most prolific portraitists of his time, with more than 1500 portraits to his credit. He enjoyed the patronage of the royal families and aristocrats in England and France, who frequently had their painted likenesses reproduced as engravings in order to distribute them widely. Portraiture was generally reserved for the nobility as a means to display an individual’s lineage, social status, personal virtues, and fame. With the rise of the middle class in the seventeenth and eighteenth centuries, however, the bourgeoisie increasingly commissioned portraits of themselves, which is also reflected in Largillière’s oeuvre. The sitter’s casual garb and amiable attitude in this portrait may indicate his friendly relationship with the painter. More specifically, the elegantly unkempt dress, similar to that in Largillière’s portrait of the sculptor Nicolas Coustou painted around 1713, which is now in the collection of the Gemäldegalerie in Berlin, may suggest that the sitter is also an artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In play especially for portrait room Pretty good condition but lots of craquelure Many portraits by this artist, not particularly rare (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1202.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1202.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1202.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1202.tif", "IsPrimary" : "1", "_SurrogateID" : "2624", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16374", "Disp_Access_No" : "2017.1217", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1628-1630", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1630", "Disp_Title" : "Pastoral Landscape", "Alt_Title" : "", "Obj_Title" : "Pastoral Landscape", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "61.4 cm x 88.2 cm (24 3/16 in. x 34 3/4 in.)", "Disp_Height" : "61.4 cm", "Disp_Width" : "88.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting portrays two shepherds in love, their grazing flocks, and a soft light bathing an Italian palace. As an early pastoral by Claude Lorrain, it combines his sketches of the Roman countryside with imagery from ancient art and poetry, which idealized the shepherd’s life as being one of serenity and peace. Claude roamed the hills and pastures surrounding the city and created carefully observed landscapes that demonstrate the harmonious relationships between humans and nature, a theme apparent in this painting: two lovers embrace, a palace emerges from a natural rock formation, and a town rests on a tree-lined ridge.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues (FC:jb 4/2/15) Pair with Poussin landscape (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1217.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1217.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1217.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1217.tif", "IsPrimary" : "1", "_SurrogateID" : "2592", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16200", "Disp_Access_No" : "2017.1288", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1647-1650", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1650", "Disp_Title" : "Bacchus and Ariadne", "Alt_Title" : "", "Obj_Title" : "Bacchus and Ariadne", "Series_Title" : "", "Disp_Maker_1" : "François Perrier", "Sort_Artist" : "Perrier, François", "Disp_Dimen" : "33.5 cm x 44 cm (13 3/16 in. x 17 5/16 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Similar to Louvre picture, Orpheus before Pluto & Proserpina, circa 1647-50 (inv. 7163) is close to Suida-Manning in scale & style.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1288.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1288.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1288.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1288.tif", "IsPrimary" : "1", "_SurrogateID" : "2755", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16424, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16424", "Disp_Access_No" : "2017.1324", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1627-1628", "_Disp_Start_Dat" : "1627", "_Disp_End_Date" : "1628", "Disp_Title" : "Arcadian Landscape", "Alt_Title" : "", "Obj_Title" : "Arcadian Landscape", "Series_Title" : "", "Disp_Maker_1" : "Circle of Nicolas Poussin", "Sort_Artist" : "Poussin, Circle of Nicolas", "Disp_Dimen" : "80.01 cm x 101.6 cm (31 1/2 in. x 40 in.)", "Disp_Height" : "80.01 cm", "Disp_Width" : "101.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting had caused considerable perplexity. Without question it was painted in Rome around 1630 by an ambitious artist who was both extending the development of classical landscape beyond Carracci and Domenichino and applying the lessons of earlier Venetian painting, of compositional device and warm opticality, that had so impressed Rome when, in 1598, the Aldobrandini family brought Titian’s great Bacchanals from Ferrara. No less, the painting represents a coalescing of just the type of ideal mythology that in the 1630s would become Poussin’s undisputed province and in turn a fundamental genre of European painting. A few scholars were willing to attribute this work to Poussin himself. Others, however, argued that it must be the work of a follower: its forms are insufficiently constructed; its blond palette, more typical of Poussin’s work of the mid 1630s, is incompatible with the likely date of the composition; and, most telling, its handling is too even, its finish too slick, for Poussin’s own hand at any stage. Very recently the matter has been settled. The identical composition, but rendered with the innate sense of structure, deep palette, and bold touch of Poussin’s early Roman activity has come to light in an English private collection. The Suida-Manning picture is thus proved to be a replica, probably by one of the circle of French painters who lived and worked with Poussin at just this moment. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Pair with Claude landscape (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1324.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1324.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1324.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1324.tif", "IsPrimary" : "1", "_SurrogateID" : "2641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16347", "Disp_Access_No" : "2017.1403", "_AccNumSort1" : "", "Disp_Create_DT" : "1734", "_Disp_Start_Dat" : "1734", "_Disp_End_Date" : "1734", "Disp_Title" : "Portrait of Jean-Baptiste Massé", "Alt_Title" : "", "Obj_Title" : "Portrait of Jean-Baptiste Massé", "Series_Title" : "", "Disp_Maker_1" : "Louis Tocqué", "Sort_Artist" : "Tocqué, Louis", "Disp_Dimen" : "51.2 cm x 41 cm (20 3/16 in. x 16 1/8 in.)", "Disp_Height" : "51.2 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil in grisaille on paper mounted to paperboard", "Support" : "", "Disp_Medium" : "Oil in grisaille on paper mounted to paperboard", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/6/15) Could go into our department with plaster cast concept; could be with the print; could be in our hallway (FC:jb 4/6/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1403.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1403.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1403.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1403.TIF", "IsPrimary" : "1", "_SurrogateID" : "6464", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16466, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16466", "Disp_Access_No" : "2017.1424", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620-1623", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1623", "Disp_Title" : "David with the Head of Goliath", "Alt_Title" : "", "Obj_Title" : "David with the Head of Goliath", "Series_Title" : "", "Disp_Maker_1" : "Claude Vignon", "Sort_Artist" : "Vignon, Claude", "Disp_Dimen" : "133.7 cm x 98 cm (52 5/8 in. x 38 9/16 in.)", "Disp_Height" : "133.7 cm", "Disp_Width" : "98 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting represents the victorious David with the severed head of Goliath, the giant Philistine warrior that he defeated with a sling. In David’s right hand is Goliath’s sword, which he used to cut off the giant’s head. The shepherd boy’s sumptuous headdress and clothes originally belonged to Jonathan, the son of King Saul, who took off his princely robes and gave them to the courageous young man as a token of affection. David is depicted as androgynous, which reflects an ideal of beauty for young men in the sixteenth and seventeenth centuries. Painted during Claude Vignon’s final years in Rome before his return to Paris, the work shows the French artist’s masterful interpretation of Caravaggio’s work. The strong shaft of light coming from the upper left increases the sense of drama in a seemingly calm scene by contrasting the beauty of the protagonist with the horror of the preceding event. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1424.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1424.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1424.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1424.tif", "IsPrimary" : "1", "_SurrogateID" : "2670", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16057", "Disp_Access_No" : "2017.1426", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Madonna and Child with Saints Cecilia, Valerian, and Tibertius", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Cecilia, Valerian, and Tibertius", "Series_Title" : "", "Disp_Maker_1" : "Claude Vignon", "Sort_Artist" : "Vignon, Claude", "Disp_Dimen" : "23.5 cm x 30.16 cm (9 1/4 in. x 11 7/8 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "30.16 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "As the patron saint of music, Cecilia is typically depicted with an instrument; here a small pipe organ. To indicate her purity and devotion, Claude Vignon placed Cecilia at the feet of Mary, who appears as royalty, illuminating the scene with a golden crown. Saints Valerian and Tiburtius hold palms of martyrdom as Cecilia gazes upon baby Jesus. A devout Christian from youth, Cecilia took a vow of chastity before being betrothed to Valerian, a Roman nobleman. She lamented the match, invoking the saints to protect her virginity. Before consummation, she informed Valerian of her vow, claiming that she was protected by an angel whom he could see only if baptized. Valerian was baptized and returned to see the angel crowning Cecilia with a chaplet of rose and lily. Cecilia, Valerian, and his brother Tiburtius were all martyred by order of the Roman governor Almachius.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Copper, display case. Condition issues, conservation: needs to be cleaned. (FC:jb 4/15/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1426.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1426.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1426.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1426.tif", "IsPrimary" : "1", "_SurrogateID" : "2671", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16389, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16389", "Disp_Access_No" : "2017.1425", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Juno", "Alt_Title" : "", "Obj_Title" : "Juno", "Series_Title" : "", "Disp_Maker_1" : "Claude Vignon", "Sort_Artist" : "Vignon, Claude", "Disp_Dimen" : "66.04 cm x 48.9 cm (26 in. x 19 1/4 in.)", "Disp_Height" : "66.04 cm", "Disp_Width" : "48.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Should be taken out of frame (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/594.1999.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/594.1999.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/594.1999.tif", "IIIF_URL": "http://iiif.gallerysystems.com/594.1999.tif", "IsPrimary" : "1", "_SurrogateID" : "4769", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16380", "Disp_Access_No" : "2017.1432", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1618-1619", "_Disp_Start_Dat" : "1618", "_Disp_End_Date" : "1619", "Disp_Title" : "Portrait of a Young Man", "Alt_Title" : "", "Obj_Title" : "Portrait of a Young Man", "Series_Title" : "", "Disp_Maker_1" : "Circle of Simon Vouet", "Sort_Artist" : "Vouet, Circle of Simon", "Disp_Dimen" : "62.23 cm x 48.9 cm (24 1/2 in. x 19 1/4 in.)", "Disp_Height" : "62.23 cm", "Disp_Width" : "48.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1432.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1432.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1432.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1432.tif", "IsPrimary" : "1", "_SurrogateID" : "3431", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16100, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16100", "Disp_Access_No" : "2017.1433", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Mary Magdalene", "Alt_Title" : "", "Obj_Title" : "Saint Mary Magdalene", "Series_Title" : "", "Disp_Maker_1" : "Circle of Simon Vouet", "Sort_Artist" : "Vouet, Circle of Simon", "Disp_Dimen" : "26.5 cm x 34.6 cm (10 7/16 in. x 13 5/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1433.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1433.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1433.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1433.tif", "IsPrimary" : "1", "_SurrogateID" : "4505", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16438", "Disp_Access_No" : "2017.919", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Danaë", "Alt_Title" : "", "Obj_Title" : "Danaë", "Series_Title" : "", "Disp_Maker_1" : "Jacques Blanchard", "Sort_Artist" : "Blanchard, Jacques", "Disp_Dimen" : "93.4 cm x 128.4 cm (36 3/4 in. x 50 9/16 in.)", "Disp_Height" : "93.4 cm", "Disp_Width" : "128.4 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation. Candidate for medallion hang. Louis Waldman: better than other Blanchard. (FC:jb 4/23/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919.tif", "IsPrimary" : "1", "_SurrogateID" : "2669", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.919-pre.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.919-pre.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.919-pre.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.919-pre.tif", "IsPrimary" : "0", "_SurrogateID" : "10339", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16467", "Disp_Access_No" : "2017.1434", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1626", "_Disp_Start_Dat" : "1621", "_Disp_End_Date" : "1631", "Disp_Title" : "Saint Cecilia", "Alt_Title" : "", "Obj_Title" : "Saint Cecilia", "Series_Title" : "", "Disp_Maker_1" : "Simon Vouet", "Sort_Artist" : "Vouet, Simon", "Disp_Dimen" : "134.1 cm x 98.2 cm (52 13/16 in. x 38 11/16 in.)", "Disp_Height" : "134.1 cm", "Disp_Width" : "98.2 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Cecilia, the patron saint of music and musicians, sits in front of a small organ. Clothed in a lush silk dress and a brocaded mantle, she gracefully turns to the two cherubs that appear to her. Soft golden light bathes the figure and the background, infusing the scene with heavenly atmosphere. Cecilia was a Christian martyr who lived in third-century Rome. She took a vow of virginity, and on her wedding night, she converted her groom Valerian, who in turn guided his brother Tiburtius to the Christian faith. Their beliefs were soon discovered by the authorities, which led to their martyrdom. Cecilia has been represented with a musical instrument since the fourteenth century, although her connection to music is tenuous at best. According to "The Golden Legend," the saint heard celestial music when she was praying to God to preserve her virginity. She sang, “Let my heart and my body be undefiled, O Lord, that I may not be confounded.” Depictions of female saints in rapture were popular in Rome in the 1620s. It is possible that Simon Vouet used his wife, the painter Virginia da Vezzo, as the model for the saint figure. 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Suida and Bertina and Robert Manning, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Higher up (FC:jb 4/2/15) Medallion corner room (FC:jb 4/2/15) Potentially pair with Saint Cecilia (Vouet) (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.114.tif", "IsPrimary" : "1", "_SurrogateID" : "4502", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16484, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16484", "Disp_Access_No" : "2017.1436", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Studio of Simon Vouet", "Sort_Artist" : "Vouet, Studio of Simon", "Disp_Dimen" : "45.2 cm x 34.1 cm (17 13/16 in. x 13 7/16 in.)", "Disp_Height" : "45.2 cm", "Disp_Width" : "34.1 cm", "Dimen_Extent" : "panel", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1436.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1436.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1436.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1436.tif", "IsPrimary" : "1", "_SurrogateID" : "4507", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16426, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16426", "Disp_Access_No" : "2017.1435", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child", "Alt_Title" : "", "Obj_Title" : "Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Studio of Simon Vouet", "Sort_Artist" : "Vouet, Studio of Simon", "Disp_Dimen" : "81.3 cm x 64.9 cm (32 in. x 25 9/16 in.)", "Disp_Height" : "81.3 cm", "Disp_Width" : "64.9 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1435.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1435.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1435.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1435.tif", "IsPrimary" : "1", "_SurrogateID" : "3830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16423, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16423", "Disp_Access_No" : "2017.1236", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Portrait of a Lady as Venus with Cupid", "Alt_Title" : "", "Obj_Title" : "Portrait of a Lady as Venus with Cupid", "Series_Title" : "", "Disp_Maker_1" : "Pierre Mignard", "Sort_Artist" : "Mignard, Pierre", "Disp_Dimen" : "80.01 cm x 63.5 cm (31 1/2 in. x 25 in.)", "Disp_Height" : "80.01 cm", "Disp_Width" : "63.5 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "An unidentified sitter poses as a personification of Venus, the goddess of love. Pearls adorn her hair, ears, and neck and remind us that she was a deity born from the sea. Her hand gesture calls attention to her son Cupid, the god of erotic love, who sits beside her on a plush red cushion. Notably absent are his bow and arrows, a wound from which induces uncontrollable desire. Pierre Mignard thus presents his sitter as a Venus in contemporary dress who has disarmed Cupid of his power in favor of a higher spiritual love. Mignard is quoted as saying, “Most women have no idea of what it means to be painted as they are; they have a mental image of the beauty they wish to resemble, and it is this image that they want copied, not their face.” The artist entertains the sitter’s narcissistic desires by fulfilling her fantasy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Portrait gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1236.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1236.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1236.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1236.tif", "IsPrimary" : "1", "_SurrogateID" : "8863", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16119, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16119", "Disp_Access_No" : "2017.1281", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with a Bridge and Hunters", "Alt_Title" : "", "Obj_Title" : "Landscape with a Bridge and Hunters", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Antoine Patel", "Sort_Artist" : "Patel, Pierre-Antoine", "Disp_Dimen" : "27.62 cm x 48.26 cm (10 7/8 in. x 19 in.)", "Disp_Height" : "27.62 cm", "Disp_Width" : "48.26 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1281.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1281.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1281.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1281.tif", "IsPrimary" : "1", "_SurrogateID" : "8865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16392", "Disp_Access_No" : "2017.932", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Brawl in a Guardhouse", "Alt_Title" : "", "Obj_Title" : "A Brawl in a Guardhouse", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "64.4 cm x 54.5 cm (25 3/8 in. x 21 7/16 in.)", "Disp_Height" : "64.4 cm", "Disp_Width" : "54.5 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. 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", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.932.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.932.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.932.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.932.TIF", "IsPrimary" : "1", "_SurrogateID" : "9313", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16190", "Disp_Access_No" : "2017.933", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Bourdon", "Sort_Artist" : "Bourdon, Sébastien", "Disp_Dimen" : "32.3 cm x 38.6 cm (12 11/16 in. x 15 3/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. (FC:jb 5/22/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.933.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.933.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.933.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.933.TIF", "IsPrimary" : "1", "_SurrogateID" : "9314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16191", "Disp_Access_No" : "2017.931", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Return from Egypt", "Alt_Title" : "", "Obj_Title" : "The Return from Egypt", "Series_Title" : "", "Disp_Maker_1" : "Copy after Sébastien Bourdon", "Sort_Artist" : "Bourdon, Copy after Sébastien", "Disp_Dimen" : "32.5 cm x 38.8 cm (12 13/16 in. x 15 1/4 in.)", "Disp_Height" : "32.5 cm", "Disp_Width" : "38.8 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation: needs to be cleaned. 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Too slight to go up. Could go with other 19th C landscape or townscape for the LBJ (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.117.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.117.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.117.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1985.117.TIF", "IsPrimary" : "1", "_SurrogateID" : "10534", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16474, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16474", "Disp_Access_No" : "2017.1038", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Madonna and Child", "Alt_Title" : "", "Obj_Title" : "The Madonna and Child", "Series_Title" : "", "Disp_Maker_1" : "Copy after Philippe de Champaigne", "Sort_Artist" : "Champaigne, Copy after Philippe de", "Disp_Dimen" : "32 cm 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"French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1216.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1216.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1216.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1216.TIF", "IsPrimary" : "1", "_SurrogateID" : "10669", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16283", "Disp_Access_No" : "2017.1383", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Jean Tassel", "Sort_Artist" : "Tassel, Attributed to Jean", "Disp_Dimen" : "41.6 cm x 32.1 cm (16 3/8 in. x 12 5/8 in.)", "Disp_Height" : "41.6 cm", "Disp_Width" : "32.1 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "French", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could go near Circle of Poussin painting (FC:jb 4/24/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1383.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1383.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1383.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1383.TIF", "IsPrimary" : "1", "_SurrogateID" : 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