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Padura admired and was fascinated by his father's drawings, and it was through these engineering illustrations that Padura became interested in art. Something of the detached, objective eye of the engineer is evident in Padura's detailed and precise still-lifes, which critics have noted display a "glacial polish" and "elegant technique." Padura is best-known for still-lifes such as this one, which he sees as a vehicle for bringing to the surface his deepest feelings.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ricardo Pau-Llosa, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Cuban", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.160.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.160.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.160.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.160.tif", "IsPrimary" : "1", "_SurrogateID" : "3447", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15008", "Disp_Access_No" : "1982.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Casa con vista al mar [House With a View of the Sea]", "Alt_Title" : "House with a View of the Sea", "Obj_Title" : "Casa con vista al mar [House With a View of the Sea]", "Series_Title" : "", "Disp_Maker_1" : "Emilio Sánchez", "Sort_Artist" : "Sánchez, Emilio", "Disp_Dimen" : "121.7 cm x 183 cm (47 15/16 in. x 72 1/16 in.)", "Disp_Height" : "121.7 cm", "Disp_Width" : "183 cm", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "linen canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Barbara Duncan Fund, 1982", "Copyright_Type" : "all approved.", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Cuban", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.3.tif", "IsPrimary" : "1", "_SurrogateID" : "3173", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14891", "Disp_Access_No" : "1984.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Memory of a Dream", "Alt_Title" : "", "Obj_Title" : "Memory of a Dream", "Series_Title" : "", "Disp_Maker_1" : "Rafael Soriano", "Sort_Artist" : "Soriano, Rafael", "Disp_Dimen" : "60.9 cm x 76.2 cm (24 in. x 30 in.)", "Disp_Height" : "60.9 cm", "Disp_Width" : "76.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ricardo Pau-Llosa, 1984", "Copyright_Type" : "", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Cuban", "Department" : "Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.65.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.65.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.65.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.65.tif", "IsPrimary" : "1", "_SurrogateID" : "2694", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17372, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17372", "Disp_Access_No" : "2003.85.1/2-2/2", "_AccNumSort1" : "", "Disp_Create_DT" : "2000-2001", "_Disp_Start_Dat" : "2000", "_Disp_End_Date" : "2001", "Disp_Title" : "Díptico (En el desierto) [Diptych (In the Desert)]", "Alt_Title" : "", "Obj_Title" : "Díptico (En el desierto) [Diptych (In the Desert)]", "Series_Title" : "", "Disp_Maker_1" : "José A. Toirac", "Sort_Artist" : "Toirac, José A.", "Disp_Dimen" : "95.9 cm x 129.5 cm (37 3/4 in. x 51 in.)", "Disp_Height" : "95.9 cm", "Disp_Width" : "129.5 cm", "Dimen_Extent" : "each panel", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For several years José Toirac has been investigating and taking apart the meaning of Cuba’s official media images. This painting is based on a newspaper photograph of Fidel Castro taken in the northern Chilean desert in 1970. The large scale of this work and the beautifully painted abstract desert draw attention to the heroic, quasi-religious way that the Cuban leader is routinely portrayed in the country’s popular media. The first panel shows the original image untouched by obvious artistic intervention. But by blurring that precise photo-realism in the second panel, the artist has undermined the apparently stable documentary nature of the image. 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