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This work presents the viewer with the difficulties of Cuban emigration. The ambiguous figures in the boat are reaching for the oar that will get them to their destination. The out-of-reach oar illustrates the struggle of Cuban emigrants trying to escape their country under Castro’s rule.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Fran Magee and Gallery 106, 2006", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.4.tif", "IsPrimary" : "1", "_SurrogateID" : "3733", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8841, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8841", "Disp_Access_No" : "1998.284", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Démolitions pour le percement du Boulevard St.-Germain [Demolition for the Opening of the Boulevard Saint-Germain]", "Alt_Title" : "", "Obj_Title" : "Démolitions pour le percement du Boulevard St.-Germain [Demolition for the Opening of the Boulevard Saint-Germain]", "Series_Title" : "", "Disp_Maker_1" : "Maxime Lalanne", "Sort_Artist" : "Lalanne, Maxime", "Disp_Dimen" : "36.7 cm x 27.5 cm (14 7/16 in. x 10 13/16 in.)", "Disp_Height" : "36.7 cm", "Disp_Width" : "27.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.284.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.284.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.284.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.284.tif", "IsPrimary" : "1", "_SurrogateID" : "4898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1328", "Disp_Access_No" : "G1974.12.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Hommage à Picasso [Homage to Picasso]", "Alt_Title" : "", "Obj_Title" : "Hommage à Picasso [Homage to Picasso]", "Series_Title" : "", "Disp_Maker_1" : "Wifredo Lam", "Sort_Artist" : "Lam, Wifredo", "Disp_Dimen" : "75.6 cm x 55.9 cm (29 3/4 in. x 22 in.)", "Disp_Height" : "75.6 cm", "Disp_Width" : "55.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Lam made Homage à Picasso [Homage to Picasso] in 1973, the year Picasso passed away. Its distinctive compositional flatness evokes Lam’s interest in Oceanic sculpture, which he collected along with African art, and exemplifies the formal complexity that defines his oeuvre", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Charles and Dorothy Clark, 1974", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1974.12.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1974.12.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1974.12.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1974.12.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2997", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9852, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9852", "Disp_Access_No" : "1982.543", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "Untitled", "Series_Title" : "", "Disp_Maker_1" : "Wifredo Lam", "Sort_Artist" : "Lam, Wifredo", "Disp_Dimen" : "34 cm x 27 cm (13 3/8 in. x 10 5/8 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.543.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.543.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.543.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.543.tif", "IsPrimary" : "1", "_SurrogateID" : "1241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9851, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9851", "Disp_Access_No" : "1982.544", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "Le Loa fetro", "Alt_Title" : "", "Obj_Title" : "Le Loa fetro", "Series_Title" : "", "Disp_Maker_1" : "Wifredo Lam", "Sort_Artist" : "Lam, Wifredo", "Disp_Dimen" : "64.8 cm x 50 cm (25 1/2 in. x 19 11/16 in.)", "Disp_Height" : "64.8 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "The work Le loa fetro [The Fetro Deity] (circa 1947) makes clear reference to Afro-Cuban spiritual practices pertaining specifically to Haitian Vodou, in which “loa” is the term for deity. The central figure displays both animal and human features, namely the mane and long, curved neck of a horse, along with human genitalia. This composite figure references the surrealist symbol of transformation: the minotaur. It also evokes the Afro-Cuban belief in deities taking possession of devotees by “mounting” them as a way of delivering spiritual experience. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1977", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.544.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.544.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.544.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.544.tif", "IsPrimary" : "1", "_SurrogateID" : "1242", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7721", "Disp_Access_No" : "1999.66", "_AccNumSort1" : "", "Disp_Create_DT" : "1981/1983", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Iyare [Mother], from the Rupestrian Sculptures Series", "Alt_Title" : "", "Obj_Title" : "Iyare [Mother], from the Rupestrian Sculptures Series", "Series_Title" : "", "Disp_Maker_1" : "Ana Mendieta", "Sort_Artist" : "Mendieta, Ana", "Disp_Dimen" : "17.9 cm x 25.2 cm (7 1/16 in. x 9 15/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Photo-etching on chine collé", "Support" : "", "Disp_Medium" : "Photo-etching on chine collé", "Info_Page_Comm" : "Following the Cuban Revolution, Ana Mendieta’s family sent her to the United States as an unaccompanied young child. This traumatic separation informed much of her work, which explores native Caribbean religions, Afro-Cuban rituals, feminine archetypes, and landscape. In 1981, she returned to Cuba for the first time since her exile. For this series of photographs, Mendieta carved abstract figures named after Taíno and Ciboney goddesses in the limestone grottos of Jaruco Park outside of Havana, where indigenous people once lived. She meant for the low-relief sculptures, which resembled petroglyphs, to be discovered by future visitors to the park, though they ultimately eroded. Her photographs take on an ethnographic character, pretending to document the monumentality of ancient forms.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of The Judith Rothschild Foundation and the Michener Acquisitions Fund, 1999", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Cuban", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.66.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.66.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.66.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.66.tif", "IsPrimary" : "1", "_SurrogateID" : "1715", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7719", "Disp_Access_No" : "1999.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1981/1983", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Guanbancex [Goddess of the Wind], from the Rupestrian Sculptures Series", "Alt_Title" : "", "Obj_Title" : "Guanbancex [Goddess of the Wind], from the Rupestrian Sculptures Series", "Series_Title" : "", "Disp_Maker_1" : "Ana Mendieta", "Sort_Artist" : "Mendieta, Ana", "Disp_Dimen" : "18.1 cm x 25.4 cm (7 1/8 in. x 10 in.)", "Disp_Height" : "18.1 cm", "Disp_Width" : "25.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Photo-etching on chine collé", "Support" : "", "Disp_Medium" : "Photo-etching on chine collé", "Info_Page_Comm" : "Ana Mendieta’s pioneering artworks investigate identity, memory, and cultural history. Born in Havana, Mendieta was sent to the United States at the age of thirteen in the wake of the Cuban revolution. Raised in foster homes, she moved to New York in 1978 after college and quickly became an active member of the feminist and Conceptual art circles there. Before her untimely death, she produced a body of radically intimate and highly influential performance-based works. Often site-specific and ephemeral, Mendieta’s works are known primarily through photographic documentation. Created during her first trip back to Cuba, the ten works in the Rupestrian Sculptures series (of which the museum owns six) record a series of wall carvings that she made in some remote caves outside Havana. Simple but vital images depict goddess figures drawn from the mythology of the Taínos, the native inhabitants of the island. Immersing herself in her studies of this displaced culture, Mendieta selected a number of documentary photographs of these works from which to make photo etchings, which she combined with a personal text in a limited edition volume. Published posthumously, the project echoes an essential theme in all of Mendieta’s work: the equivalence of the female body and the earth as timeless sources of life. 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