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"Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1086.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1086.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1086.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1086.tif", "IsPrimary" : "1", "_SurrogateID" : "4541", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1086.tif", "ThumbnailPath" : 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: "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2087.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2087.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2087.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2087.tif", "IsPrimary" : "1", "_SurrogateID" : "1896", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2153", "Disp_Access_No" : "2002.1171", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "36.9 cm x 28.2 cm (14 1/2 in. x 11 1/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Most of Coornhert's works translate drawings by Heemskerck into an exaggerated but perfectly regular Romanist style that became an idiom of mid-century engraving. Many, in series of six to ten plates, illustrate Old Testament narratives. Jacob Wrestling with the Angel is noteworthy as a vivid impression of an alternative plate for one such series that is therefore very rare. The Steinberg Collection includes seven complete series by Coornhert and his circle, as well as several large independent plates. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1171.tif", "IsPrimary" : "1", "_SurrogateID" : "1761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2158", "Disp_Access_No" : "2002.2095", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "The Adoration of an Idol of Isis, or Admonition Against Arrogance and Undeserved Honour, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "The Adoration of an Idol of Isis, or Admonition Against Arrogance and Undeserved Honour, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "29.7 cm x 39.8 cm (11 11/16 in. x 15 11/16 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "39.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2095.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2095.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2095.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2095.tif", "IsPrimary" : "1", "_SurrogateID" : "1897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2261", "Disp_Access_No" : "2002.2098", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Copy after Cornelis Cort", "Sort_Artist" : "Cort, Copy after Cornelis", "Disp_Dimen" : "48.9 cm x 34.7 cm (19 1/4 in. x 13 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2098.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2098.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2098.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2098.tif", "IsPrimary" : "1", "_SurrogateID" : "1900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2259", "Disp_Access_No" : "2002.2096", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence (First Version), after Titian", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.7 cm x 35 cm (19 9/16 in. x 13 3/4 in.)", "Disp_Height" : "49.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The first version of the Martyrdom of Saint Lawrence was painted for the church of Santa Maria dei Crociferi, Venice, between 1548 and 1557. It survives in the church of the Gesuiti. The second was ordered by Philip II in 1564 for the church of his Escorial Palace, delivered in 1571, and passed to the Prado. Coincident with the completion of the second version, Titian engaged Cort to engrave a composition that incorporates elements of both versions and likely depended upon a separate drawing by Titian. Cort also created a second, practically identical version (exhibited adjacent), perhaps to allow more than one publisher to issue the reproduction simultaneously. The reputation of the paintings and the popularity of the print are underscored by the existence of numerous contemporary copies. The third version exhibited is one of the most accomplished. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2096.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2096.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2096.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2096.tif", "IsPrimary" : "1", "_SurrogateID" : "1898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2260", "Disp_Access_No" : "2002.2097", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.4 cm x 35 cm (19 7/16 in. x 13 3/4 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The most innovative and influential engraver of mid-century, Cort reconciled the emphasis on design and ideal appearance with descriptive variety and the approximation of pictorial effects. In Italy from 1565, he became Titian’s preferred interpreter. The Martyrdom of Saint Lawrence combines elements from two painted versions, the earlier in the church of the Gesuiti at Venice, the later for Philip II of Spain. A measure of success, it was immediately repeated by Cort himself, then copied by another printmaker. The Collection includes very fine impressions of both, and another seven major plates by Cort. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2097.tif", "IsPrimary" : "1", "_SurrogateID" : "1899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2271", "Disp_Access_No" : "2002.2102", "_AccNumSort1" : "", "Disp_Create_DT" : "1578", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1578", "Disp_Title" : "The Practitioners of the Visual Arts, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "The Practitioners of the Visual Arts, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "43.7 cm x 29.6 cm (17 3/16 in. x 11 5/8 in.)", "Disp_Height" : "43.7 cm", "Disp_Width" : "29.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This composition shows artists engaged in each of the major arts and essential related studies, clockwise from the top: monumental “statuary” (with smaller scale “sculpture” at the center), painting, architecture, engraving (an unusual addition), drawing, and anatomy. Vasari had organized, and in 1563 Cosimo de’ Medici authorized, the Accademia del Disegno, the first official academy of art. Designed by Stradanus, Vasari’s close collaborator since 1550, this print is emblematic of their undertaking. The preparatory drawing for this print is at the British Museum. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2102.tif", "IsPrimary" : "1", "_SurrogateID" : "1901", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "2002.2103", "_AccNumSort1" : "", "Disp_Create_DT" : "1565", "_Disp_Start_Dat" : "1565", "_Disp_End_Date" : "1565", "Disp_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "32.1 cm x 41.1 cm (12 5/8 in. x 16 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Around 1435 Rogier van der Weyden painted a triptych for the Archer’s Guild at Louvain. By 1549 the central panel, depicting the Descent from the Cross, had been acquired by Mary of Hungary, who later gave it to her nephew Philip II of Spain. Today in the Prado, Madrid, the picture is one of the masterpieces of early Netherlandish art. In 1565, undoubtedly due to recent interest in the painting, the Antwerp publisher and impresario Hieronymus Cock had Cornelis Cort engrave the composition. The resulting print was unusual for Cort, who was primarily concerned with Italianate and then Italian subjects. More important, it was the first explicit reproduction of a fifteenth-century Netherlandish painting. The print is extremely rare, however, this being one of only two impressions in the United States. The most innovative and influential engraver of the third quarter of the century, Cort reconciled the earlier emphasis on design and ideal appearance with more varied description and closer approximation of pictorial effects. Formed and first active in Cock’s workshop, he went to Italy in 1565. Becoming Titian’s preferred interpreter, he developed an unprecedentedly rich and differentiated system of engraving. Point of departure for Hendrick Goltzius in the Netherlands and Agostino Carracci in Italy, this system would help determine the development of the technique. 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"Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2874.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2874.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2874.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2874.tif", "IsPrimary" : "1", "_SurrogateID" : "9350", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13565, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13565", "Disp_Access_No" : "2002.2437", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "View of the Bank of the Longuetoise,from Views and Landscapes of the Chateau of Longuetoise and Surroundings", "Alt_Title" : "", "Obj_Title" : "View of the Bank of the Longuetoise,from Views and Landscapes of the Chateau of Longuetoise and Surroundings", "Series_Title" : "", "Disp_Maker_1" : "Albert Flamen", "Sort_Artist" : "Flamen, Albert", "Disp_Dimen" : "12.2 cm x 21.2 cm (4 13/16 in. x 8 3/8 in.)", "Disp_Height" : "12.2 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { 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"embark_ID" : 2465, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2465", "Disp_Access_No" : "2002.2299", "_AccNumSort1" : "", "Disp_Create_DT" : "1614", "_Disp_Start_Dat" : "1614", "_Disp_End_Date" : "1614", "Disp_Title" : "Landscape, from Topographia Variarum Regionum (Various topographical views), after Mathys Bril", "Alt_Title" : "", "Obj_Title" : "Landscape, from Topographia Variarum Regionum (Various topographical views), after Mathys Bril", "Series_Title" : "", "Disp_Maker_1" : "Simon Frisius", "Sort_Artist" : "Frisius, Simon", "Disp_Dimen" : "10.8 cm x 15.6 cm (4 1/4 in. x 6 1/8 in.)", "Disp_Height" : "10.8 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2299.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2299.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2299.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2299.TIF", "IsPrimary" : "1", "_SurrogateID" : "11080", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11138, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11138", "Disp_Access_No" : "2002.1992", "_AccNumSort1" : "", "Disp_Create_DT" : "late 1700s", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1700", "Disp_Title" : "A Landcape with a Farmhouse", "Alt_Title" : "", "Obj_Title" : "A Landcape with a Farmhouse", "Series_Title" : "", "Disp_Maker_1" : "After Jacques de Gheyn II", "Sort_Artist" : "Gheyn II, After Jacques de", "Disp_Dimen" : "21 cm x 32.2 cm (8 1/4 in. x 12 11/16 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "32.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Extending and elaborating upon Hendrick Goltzius’s audacious style, his pupils constituted a true school of engraving in Haarlem, Holland. Beside Jacob Matham, Jan Saenredam, and Jan Muller, Jacob de Gheyn was the most refined in drawing and subtle in effect. In his early work, he often translated the master’s designs, then he turned to the extravagant compositions of painters, especially Abraham Bloemaert, as well as to his own inventions. De Gheyn was an equally remarkable draftsman, nearly matching Goltzius’s combination of acute observation and virtuoso hand. This etching imposes a contrived arrangement, surging composition, and stylized description upon a seemingly familiar countryside. Because it displays the sinew and flourish of De Gheyn’s work in pen, the print was long attributed to the artist himself. In fact, there exists a virtually identical drawing in the Rijksmuseum, Amsterdam. Very rare, the etching is now generally thought to be a contemporary reproduction by an anonymous printmaker. Whether by De Gheyn himself or an interpreter, this project suggests the taste and burgeoning market for such graphic display. More generally it points to the emergence of etching as the preferred technique for rendering natural subjects and portends an essential type of seventeenth-century Dutch printmaking. The collection contains sixty-nine engravings by De Gheyn, including his most important series. 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"Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2214.1-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2214.1-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2214.1-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2214.1-12.tif", "IsPrimary" : "1", "_SurrogateID" : "1917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13415, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13415", "Disp_Access_No" : "2002.2214.2/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "Lieutenant-Colonel, plate 2 from Officers and Soldiers, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Lieutenant-Colonel, plate 2 from Officers and Soldiers, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Jacques de Gheyn II", "Sort_Artist" : "Gheyn II, Jacques de", "Disp_Dimen" : "21.3 cm x 16.1 cm (8 3/8 in. x 6 5/16 in.)", "Disp_Height" : "21.3 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2214.2.-12.tif", 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"16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2214.3-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2214.3-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2214.3-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2214.3-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4999", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13423, "URL" : 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: "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2171.tif", "IsPrimary" : "1", "_SurrogateID" : "1908", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11126, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11126", "Disp_Access_No" : "2002.2173.1/3", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591-1592", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1592", "Disp_Title" : "The Farnese Hercules", "Alt_Title" : "", "Obj_Title" : "The Farnese Hercules", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "42.2 cm x 30.4 cm (16 5/8 in. x 11 15/16 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "30.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print depicts one of the most famous statues of antiquity, the monumental Hercules in the Roman collection of the noble Farnese family. It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. Goltzius studied these statues and evidently prepared the engravings during a visit to Italy in 1590/91. While published only in 1617, they are capital, and justly celebrated, examples of the artist’s mature style, with virtuoso cutting, rigorous system, and extraordinary plasticity. Through this technique, Goltzius succeeded in conveying both the powerful form and lofty ethos of the prototypes. The Collection includes the complete set of the “Three Antique Roman Statues” in splendid impressions", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "2347", "Rel_Obj_Title" : "Apollo Belvedere, after the Antique" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2173.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2173.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2173.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2173.1-3.tif", "IsPrimary" : "1", "_SurrogateID" : "1909", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2346", "Disp_Access_No" : "2002.2173.2/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1592", "_Disp_Start_Dat" : "1592", "_Disp_End_Date" : "1592", "Disp_Title" : "Commodus as Hercules, after the Antique", "Alt_Title" : "", "Obj_Title" : "Commodus as Hercules, after the Antique ", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "41.5 cm x 29.3 cm (16 5/16 in. x 11 9/16 in.)", "Disp_Height" : "41.5 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "By the end of the 16th century the interest in antique sculpture had begun to take a more literal, archaeological form. Quintessential examples include Hendrick Goltzius’s series of Roman Statues. The prints he completed for an unfinished set were based on drawings of many sculptures that he had made during his first and only trip to Italy—a pilgrimage that was becoming the standard for artists from all over Europe. This print shows an unprecedented attention to detail and exactness in form and plasticity. More broadly, Goltzius’s series is symptomatic of the emergence of a canon of ancient sculpture that would transform the public’s understanding, as well as the ways artists were educated, for centuries to come. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "2347", "Rel_Obj_Title" : "Apollo Belvedere, after the Antique" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2173.2-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2173.2-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2173.2-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2173.2-3.tif", "IsPrimary" : "1", "_SurrogateID" : "7279", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13374", "Disp_Access_No" : "2002.2174", "_AccNumSort1" : "", "Disp_Create_DT" : "1591", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1591", "Disp_Title" : "Dirck Volkertsz. Coornhert", "Alt_Title" : "", "Obj_Title" : "Dirck Volkertsz. Coornhert", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "42.2 cm x 32.3 cm (16 5/8 in. x 12 11/16 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2174.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2174.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2174.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2174.tif", "IsPrimary" : "1", "_SurrogateID" : "7270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13379, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13379", "Disp_Access_No" : "2002.2177", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "The Visitation, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Visitation, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "52 cm x 36.7 cm (20 1/2 in. x 14 7/16 in.)", "Disp_Height" : "52 cm", "Disp_Width" : "36.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2177.tif", "IsPrimary" : "1", "_SurrogateID" : "7271", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13380", "Disp_Access_No" : "2002.2178", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Circumcision, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Circumcision, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "47.7 cm x 35.5 cm (18 3/4 in. x 14 in.)", "Disp_Height" : "47.7 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The great Dutch Mannerist engraver Hendrick Goltzius was one of the most historically aware engravers of the sixteenth century. At the apex of his printmaking career, he conceived a series of six, large-format engravings in the manner of different early masters of the technique. The Circumcision is his audacious homage to Dürer. While the crowded figure group and open architectural setting refers most closely to Dürer’s Circumcision from the Life of the Virgin, the variety of texture and brilliant light effects attempt to match mature engravings such as the Saint Jerome in His Study. According to Goltzius’s contemporary, Karel van Mander, the artist removed his monogram from several impressions. Thus disguised, the impressions were sent off to Venice, Rome, and Amsterdam, where they were prized by connoisseurs as a previously unknown masterpiece by Dürer. When Goltzius admitted that he was the artist, it was conceded the younger artist had surpassed his predecessor. Despite its apocryphal nature, the anecdote reveals Dürer’s enduring position as figure against whom subsequent generations of printmakers would inevitably be compared. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2178.tif", "IsPrimary" : "1", "_SurrogateID" : "7272", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13381", "Disp_Access_No" : "2002.2179", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Annunciation", "Alt_Title" : "", "Obj_Title" : "The Annunciation", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "47.9 cm x 35.6 cm (18 7/8 in. x 14 in.)", "Disp_Height" : "47.9 cm", "Disp_Width" : "35.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2179.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2179.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2179.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2179.tif", "IsPrimary" : "1", "_SurrogateID" : "7273", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13382", "Disp_Access_No" : "2002.2180", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "The Holy Family with the Young Saint John the Baptist, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Holy Family with the Young Saint John the Baptist, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "48 cm x 36 cm (18 7/8 in. x 14 3/16 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Known for his swelling burin lines and naturalistic subjects, Goltzius portrays the Holy Family in an intimate domestic setting. Mary, Joseph, Christ, and Saint John sit together outside a small house. In the window of the house, a cat reaches out to capture a bird with its paws. The humble scene does not depict the Virgin as a heavenly queen but rather as a mother with her child. This connects the holy figures to the viewer’s everyday experiences and so humanizes the religious subject. 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There he obtained a drawing by Palma Giovane that he later translated into this engraving. 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Hage, Jr., 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.25.tif", "IsPrimary" : "1", "_SurrogateID" : "4306", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16767, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16767", "Disp_Access_No" : "2003.15", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590 - 1637", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1637", "Disp_Title" : "Aetas Decrepita [Old Age], plate 6 from The Ages of Man", "Alt_Title" : "", "Obj_Title" : "Aetas Decrepita [Old Age], plate 6 from The Ages of Man", "Series_Title" : "", "Disp_Maker_1" : "Crispijn de Passe I", "Sort_Artist" : "Passe I, Crispijn de", "Disp_Dimen" : "22.2 cm x 15.3 cm (8 3/4 in. x 6 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. 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: "Envy, plate 5 from The Seven Deadly Sins, after Maarten de Vos", "Series_Title" : "", "Disp_Maker_1" : "Crispijn de Passe I", "Sort_Artist" : "Passe I, Crispijn de", "Disp_Dimen" : "15.8 cm x 8.9 cm (6 1/4 in. x 3 1/2 in.)", "Disp_Height" : "15.8 cm", "Disp_Width" : "8.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.276.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.276.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.276.TIF", "IIIF_URL": 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"Disp_Height" : "36.8 cm", "Disp_Width" : "46.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.114.tif", "IsPrimary" : "1", "_SurrogateID" : "9351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12658, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12658", "Disp_Access_No" : "2002.1096", "_AccNumSort1" : "", "Disp_Create_DT" : "1769", "_Disp_Start_Dat" : "1769", "_Disp_End_Date" : "1769", "Disp_Title" : "The Virgin Adoring the Christ Child, after Abraham Bloemaert", "Alt_Title" : "", "Obj_Title" : "The Virgin Adoring the Christ Child, after Abraham Bloemaert", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Ploos van Amstel", "Sort_Artist" : "Ploos van Amstel, Cornelis", "Disp_Dimen" : "17.4 cm x 16.8 cm (6 7/8 in. x 6 5/8 in.)", "Disp_Height" : "17.4 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint with roulette", "Support" : "", "Disp_Medium" : "Etching and aquatint with roulette", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1096.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1096.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1096.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1096.tif", "IsPrimary" : "1", "_SurrogateID" : "5977", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19199", "Disp_Access_No" : "2008.125", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman Leaning Through an Open Door, after Rembrandt van Rijn(?)", "Alt_Title" : "", "Obj_Title" : "Woman Leaning Through an Open Door, after Rembrandt van Rijn(?)", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Ploos van Amstel", "Sort_Artist" : "Ploos van Amstel, Cornelis", "Disp_Dimen" : "15.3 cm x 14.7 cm (6 in. x 5 13/16 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with roulette, printed in sepia", "Support" : "", "Disp_Medium" : "Etching with roulette, printed in sepia", "Info_Page_Comm" : "Ploos van Amstel was a discriminating collector of earlier drawings and an extraordinarily talented self-taught printmaker. Refining techniques and developing new processes for etching, he brought the reproduction of drawings to an unprecedented level, with many of his works appearing hand-drawn. This is a choice example because of its very appealing subject, semblance of rich ink wash, and perfect preservation. The estate stamp on the verso shows that it remained in Ploos’s own collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.125.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.125.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.125.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.125.tif", "IsPrimary" : "1", "_SurrogateID" : "4925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13607", "Disp_Access_No" : "2002.2477", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "The Bull, from Series of Various Oxen and Cows", "Alt_Title" : "", "Obj_Title" : "The Bull, from Series of Various Oxen and Cows", "Series_Title" : "", "Disp_Maker_1" : "Paulus Potter", "Sort_Artist" : "Potter, Paulus", "Disp_Dimen" : "12 cm x 15.5 cm (4 3/4 in. x 6 1/8 in.)", "Disp_Height" : "12 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2477.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2477.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2477.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2477.tif", "IsPrimary" : "1", "_SurrogateID" : "9326", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2732", "Disp_Access_No" : "2002.2480", "_AccNumSort1" : "", "Disp_Create_DT" : "1644", "_Disp_Start_Dat" : "1644", "_Disp_End_Date" : "1644", "Disp_Title" : "The Shepherd", "Alt_Title" : "", "Obj_Title" : "The Shepherd", "Series_Title" : "", "Disp_Maker_1" : "Paulus Potter", "Sort_Artist" : "Potter, Paulus", "Disp_Dimen" : "17.9 cm x 26.8 cm (7 1/16 in. x 10 9/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Etchings of animals were an important genre in 17th-century Holland. At their best, they convey an assurance of place and a tenderness of interaction that transcend the genre, illuminate Dutch character, and move the patient observer. By any standard, Potter’s etchings are exceptionally dignified and forthright. However prominent and appealing, the genre has attracted little subsequent interest. Steinberg delighted in it, acquiring this first state of Potter’s earliest print and the stunning impression of Van der Meer’s rare Sheep, above, among scores of examples.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2480.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2480.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2480.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2480.tif", "IsPrimary" : "1", "_SurrogateID" : "1951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18705, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18705", "Disp_Access_No" : "2006.281", "_AccNumSort1" : "", "Disp_Create_DT" : "1649", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1649", "Disp_Title" : "The Cowherd", "Alt_Title" : "", "Obj_Title" : "The Cowherd", "Series_Title" : "", "Disp_Maker_1" : "Paulus Potter", "Sort_Artist" : "Potter, Paulus", "Disp_Dimen" : "18 cm x 22 cm (7 1/16 in. x 8 11/16 in.)", "Disp_Height" : "18 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.281.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.281.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.281.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.281.tif", "IsPrimary" : "1", "_SurrogateID" : "9327", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19566, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19566", "Disp_Access_No" : "2010.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Jan Punt in the Role of Achilles", "Alt_Title" : "", "Obj_Title" : "Jan Punt in the Role of Achilles", "Series_Title" : "", "Disp_Maker_1" : "Jan Punt", "Sort_Artist" : "Punt, Jan", "Disp_Dimen" : "57.1 cm x 39.4 cm (22 1/2 in. x 15 1/2 in.)", "Disp_Height" : "57.1 cm", "Disp_Width" : "39.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.67.tif", "IsPrimary" : "1", "_SurrogateID" : "8224", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2812", "Disp_Access_No" : "1987.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1651", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1651", "Disp_Title" : "Clement de Jonghe, Printseller", "Alt_Title" : "", "Obj_Title" : "Clement de Jonghe, Printseller", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "21.1 cm x 16.5 cm (8 5/16 in. x 6 1/2 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin", "Info_Page_Comm" : "De Jonghe was a prominent printseller in Amsterdam. Although he did not publish any works by Rembrandt, he assembled a large collection of the etchings. His inventory was the first catalogue of the artist's work. While this impression was printed after numerous changes to the plate, it is still beautifully varied in tone and suggestive in expression. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.87.tif", "IsPrimary" : "1", "_SurrogateID" : "3790", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11252", "Disp_Access_No" : "1995.46", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1652", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1657", "Disp_Title" : "Christ Preaching (La Petite Tombe)", "Alt_Title" : "", "Obj_Title" : "Christ Preaching (La Petite Tombe)", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.5 cm x 20.6 cm (6 1/8 in. x 8 1/8 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin on Japanese paper", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin on Japanese paper", "Info_Page_Comm" : "Christ Preaching is one of Rembrandt’s most famous and beautiful etchings. Its traditional title, La Petite Tombe, refers to the pedestal beneath Christ—a “little tomb”—but derives from a misunderstanding of an early reference to Pieter de la Tombe, for whom Rembrandt probably created the print. The scene conflates the events in Matthew 19, the culmination of Christ’s ministry, in which he explains the sanctity of marriage, orders his disciples to “let the children come to me,” and describes the virtue of poverty. The composition, conceived in light of works by Raphael, is unusually explicit in structure. Christ’s alignment with its axes and his gesture, arms upraised, hands oversized, effectively prefigure the Crucifixion. At the same time, this rigor and this content are relieved by wonderfully observed human incidents, from the unmoved Pharisees to the children, one dumb and led by the hand, another oblivious as he draws with a finger. All are subjected to a mysterious shadow that fuses the theological and human meanings of the scene. These meanings emerge in any impression, but no more than a handful so thoroughly express the artist’s aesthetic intention. With the work in drypoint vivid, a veil of ink tone unifying the surface, and a slightly translucent Japanese paper imparting a faint glow, this would have been among the very first printed by Rembrandt himself.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, The Dean of the College of Fine Arts, and the Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.46.tif", "IsPrimary" : "1", "_SurrogateID" : "1658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2847, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2847", "Disp_Access_No" : "1996.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "The Circumcision in the Stable", "Alt_Title" : "", "Obj_Title" : "The Circumcision in the Stable", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "10 cm x 15 cm (3 15/16 in. x 5 7/8 in.)", "Disp_Height" : "10 cm", "Disp_Width" : "15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.137.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.137.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.137.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.137.tif", "IsPrimary" : "1", "_SurrogateID" : "6205", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2853", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "20.7 cm x 16.3 cm (8 1/8 in. x 6 7/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint on heavy Japanese paper", "Support" : "", "Disp_Medium" : "Etching and drypoint on heavy Japanese paper", "Info_Page_Comm" : "Iconographically unprecedented, this print combines a traditional Deposition with the Lamentation as it prefigures the Entombment. Unparalleled in its evocation of the tragedy of these events, it eliminates any rhetoric, indeed suppresses any obvious reactions and even obscures the ostensible focus, Christ's slack body. Instead, an original and universally affecting mood is set by the overwhelming shadow, the glow of a single torch, and the tenderness of a humble cast. The print is one of Rembrandt's greatest achievements as a printmaker. This impression is printed on the warm toned and absorbent Japanese paper that the artist favored for the first pulls of his late prints. It is exceptionally rich with ink from both the fugitive work in drypoint and the film of ink left across most of the plate by a deliberately incomplete wiping. This impression is also in extraordinary condition, with no disturbance of the surface or scuffing in the shadows. With a second, later 17th-century printing on standard antique laid paper (acquired in 1961), it also forms the most telling comparison of impressions in the entire collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase in honor of Jonathan Bober's tenth anniversary as Curator of Prints and Drawings through the generosity of David Armstrong, Carolyn Bullard, Dr. and Mrs. Paul Burns, George and Jo Anne Christian, Marian Davis, Susan Garwood, M.K. Hage, Jr., Helen Lea, John A. Robertson, Helmut and Petra Rumbler, Susan Thomas, Elgin W. Ware, Jr., Gerturde Weber, Stephen and Julia Wilkinson, Dave and Reba Williams, an anonymous donor, and members of the Print Study Group1998*", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.72.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.72.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.72.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.72.tif", "IsPrimary" : "1", "_SurrogateID" : "1695", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2866", "Disp_Access_No" : "2000.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1655", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1655", "Disp_Title" : "The Goldsmith", "Alt_Title" : "", "Obj_Title" : "The Goldsmith", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "7.6 cm x 5.6 cm (3 in. x 2 3/16 in.)", "Disp_Height" : "7.6 cm", "Disp_Width" : "5.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "This etching was a late meditation on the life and activity of the artist. Amid humble surroundings, the fire in his foundary colling, an old craftsman seems lost in thought, one hand patiently striking an anvil, the other gently encircling a statuette of Charity. The small size of the print and the special warmth of this impression enhance the sense of extraordinary tenderness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of an anonymous donor, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.37.tif", "IsPrimary" : "1", "_SurrogateID" : "6206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11212", "Disp_Access_No" : "2002.2349", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1646", "Disp_Title" : "Man Drawing from a Cast", "Alt_Title" : "", "Obj_Title" : "Man Drawing from a Cast", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "9.1 cm x 6.4 cm (3 9/16 in. x 2 1/2 in.)", "Disp_Height" : "9.1 cm", "Disp_Width" : "6.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Man Drawing from a Cast is one of a number of etchings in which Rembrandt mused about the nature and activity of artistic representation. So modest in scale, so intimate in tenor, it is probably the most earnest and absorbing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2349.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2349.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2349.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2349.tif", "IsPrimary" : "1", "_SurrogateID" : "6313", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2715, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2715", "Disp_Access_No" : "2002.2350", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "The Baptism of the Eunuch", "Alt_Title" : "", "Obj_Title" : "The Baptism of the Eunuch", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "19.3 cm x 22.1 cm (7 5/8 in. x 8 11/16 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching renders the final scene from Acts 8:26-39. On the road from Jerusalem to Gaza, Saint Phillip met a chamberlain from the Ethiopian court. Moved by the apostle's explanation of scripture, the chamberlain converted to Christianity and asked to be baptized. This impression retains the extraordinary delicacy of Rembrandt's line.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2350.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2350.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2350.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2350.tif", "IsPrimary" : "1", "_SurrogateID" : "6204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13501, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13501", "Disp_Access_No" : "2002.2351", "_AccNumSort1" : "", "Disp_Create_DT" : "1639", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1639", "Disp_Title" : "Peasant in a High Cap, Standing, Leaning on a Stick", "Alt_Title" : "", "Obj_Title" : "Peasant in a High Cap, Standing, Leaning on a Stick", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "8.5 cm x 4.6 cm (3 3/8 in. x 1 13/16 in.)", "Disp_Height" : "8.5 cm", "Disp_Width" : "4.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2351.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2351.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2351.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2351.tif", "IsPrimary" : "1", "_SurrogateID" : "3791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11172, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11172", "Disp_Access_No" : "2002.2352", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Beggar with Wooden Leg", "Alt_Title" : "", "Obj_Title" : "Beggar with Wooden Leg", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "11.3 cm x 6.7 cm (4 7/16 in. x 2 5/8 in.)", "Disp_Height" : "11.3 cm", "Disp_Width" : "6.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2352.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2352.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2352.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2352.tif", "IsPrimary" : "1", "_SurrogateID" : "6312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2719", "Disp_Access_No" : "2002.2353", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "The Raising of Lazarus", "Alt_Title" : "", "Obj_Title" : "The Raising of Lazarus", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.1 cm x 11.4 cm (5 15/16 in. x 4 1/2 in.)", "Disp_Height" : "15.1 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Raising of Lazarus is an evenly composed, regularly drawn, and level-tempered work from the middle period and most classical moment of Rembrandt's development. This is an especially fine impression of a more common print from the middle years of Rembrandt's activity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2353.tif", "IsPrimary" : "1", "_SurrogateID" : "1930", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13669, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13669", "Disp_Access_No" : "2002.2588", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "Return of the Prodigal Son", "Alt_Title" : "", "Obj_Title" : "Return of the Prodigal Son", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.9 cm x 14 cm (6 1/4 in. x 5 1/2 in.)", "Disp_Height" : "15.9 cm", "Disp_Width" : "14 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2588.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2588.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2588.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2588.tif", "IsPrimary" : "1", "_SurrogateID" : "3792", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16617", "Disp_Access_No" : "2002.2839", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1634", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1639", "Disp_Title" : "Self-Portrait Wearing a Soft Cap (The Three Mustaches)", "Alt_Title" : "", "Obj_Title" : "Self-Portrait Wearing a Soft Cap (The Three Moustaches)", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "8.7 cm x 7.1 cm (3 7/16 in. x 2 13/16 in.)", "Disp_Height" : "8.7 cm", "Disp_Width" : "7.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Self-portraiture was at the core of Rembrandt’s art. His studies of his own appearance, unusual enough in number, in their play with guises, and in their variety of formats, transcend any convention in their visible probing of the self. In turn, they prepared a vocabulary to express the inner workings of other personalities and, more universally, the inclinations of the soul. Both the astonishing individuality and general humanity of Rembrandt’s personages arise from, and were rehearsed through, this activity. Rembrandt explored self-portraiture in sustained campaigns. The most intensive and experimental occurred among the late paintings and among the early etchings. Never formally published or reprinted, these prints were created for the artist’s own satisfaction and are therefore among his rarest. Here he presents himself in a rakish cap, ever sensitive but quite confident. It is the most direct and emotionally mature of the first campaign. The early self-portraits were no less experimental in technique. Their incredible spontaneity, economy, and of course size suggest the most intimate sketches. Along with some related portraits, these prints represent the most radical expression to date of the conceptual and procedural relation between etching and drawing. In this sense, they also predict Rembrandt’s accomplishments as the greatest master of etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Blanton Ball Purchase, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2839.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2839.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2839.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2839.tif", "IsPrimary" : "1", "_SurrogateID" : "2013", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2650, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2650", "Disp_Access_No" : "G1966.2.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Joseph and Potiphar's Wife", "Alt_Title" : "", "Obj_Title" : "Joseph and Potiphar's Wife", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "9.15 cm x 11.7 cm (3 5/8 in. x 4 5/8 in.)", "Disp_Height" : "9.15 cm", "Disp_Width" : "11.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Although its condition is problematic–the image is cut slightly along the top edge–this is a very fine impression of a rare, early print. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.83.tif", "IsPrimary" : "1", "_SurrogateID" : "3795", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2694, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2694", "Disp_Access_No" : "G1966.2.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1639", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1639", "Disp_Title" : "Jan Uytenbogaert, the Receiver General", "Alt_Title" : "", "Obj_Title" : "Jan Uytenbogaert, the Receiver General", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "25.4 cm x 20.6 cm (10 in. x 8 1/8 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "Uytenbogaert was Receiver General of Holland–the country's tax collector. He is shown having just weighed a bag of gold and entered it in a ledger. This imrpession, probably printed in the 18th century, has lost much of its depth and texture.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. 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The extravagant enframing inscription underscores the significance of the image: the vanity of worldly possessions. Beyond this explicit content, the sheer refinement of technique and elegance of calligraphy create an inescapable irony and reflexive meaning: can one attend such a print any differently from the way Vanity does her objects? Saenrendam’s engraving is a masterpiece of Dutch Mannerism and a timeless emblem of the precariousness of material attachment. 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Saenredam", "Sort_Artist" : "Saenredam, Pieter Jansz.", "Disp_Dimen" : "13.5 cm x 16.1 cm (5 5/16 in. x 6 5/16 in.)", "Disp_Height" : "13.5 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2482.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2482.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2482.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2482.tif", "IsPrimary" : "1", "_SurrogateID" : "1953", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8431", "Disp_Access_No" : "2002.2483", "_AccNumSort1" : "", "Disp_Create_DT" : "1660's", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Woman Milking Cows", "Alt_Title" : "", "Obj_Title" : "Woman Milking Cows", "Series_Title" : "", "Disp_Maker_1" : "Herman Saftleven", "Sort_Artist" : "Saftleven, Herman", "Disp_Dimen" : "15 cm x 19.4 cm (5 7/8 in. x 7 5/8 in.)", "Disp_Height" : "15 cm", "Disp_Width" : "19.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2483.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2483.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2483.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2483.tif", "IsPrimary" : "1", "_SurrogateID" : "1954", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12676", "Disp_Access_No" : "2002.1116", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Luke, from The Four Evangelists", "Alt_Title" : "", "Obj_Title" : "Saint Luke, from The Four Evangelists", "Series_Title" : "", "Disp_Maker_1" : "After Anthonis Sallaert", "Sort_Artist" : "Sallaert, After Anthonis", "Disp_Dimen" : "13.2 cm x 10.7 cm (5 3/16 in. x 4 3/16 in.)", "Disp_Height" : "13.2 cm", "Disp_Width" : "10.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1116.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1116.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1116.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1116.tif", "IsPrimary" : "0", "_SurrogateID" : "4131", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2414, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2414", "Disp_Access_No" : "2002.1073", "_AccNumSort1" : "", "Disp_Create_DT" : "1607", "_Disp_Start_Dat" : "1607", "_Disp_End_Date" : "1607", "Disp_Title" : "Man with Plumed Cap, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Man with Plumed Cap, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Christoffel van Sichem I", "Sort_Artist" : "Sichem I, Christoffel van", "Disp_Dimen" : "30.3 cm x 19.9 cm (11 15/16 in. x 7 13/16 in.)", "Disp_Height" : "30.3 cm", "Disp_Width" : "19.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Sichem was a professional woodcutter of book illustration. 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