{ "objects" : [ { "embark_ID" : 11174, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11174", "Disp_Access_No" : "2002.1127", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1631", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1631", "Disp_Title" : "The Mocking of Christ (Le Christ au roseau)", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ (Le Christ au roseau)", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.7 cm x 21.2 cm (10 1/8 in. x 8 3/8 in.)", "Disp_Height" : "25.7 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (and engraving by Lucas Vorsterman)", "Support" : "", "Disp_Medium" : "Etching (and engraving by Lucas Vorsterman)", "Info_Page_Comm" : "Aside from the Iconography, a celebrated collection of portraits of fellow artists, Van Dyck created only three etchings. The Mocking of Christ, an interpretation of his own painting of 1627, is by far the most pictorial and dramatic. It began as an energetic but lightly bitten sketch in the manner of Italian etching. Vosterman, a regular interpreter of Rubens, then re-worked the plate with burin to develop its seeming color, brilliant illumination, and intense feeling. In this fusion of traditions, it is a signal example of early Baroque style.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1127.tif", "IsPrimary" : "1", "_SurrogateID" : "1759", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12687, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12687", "Disp_Access_No" : "2002.1130", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joos de Momper, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Joos de Momper, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "24.1 cm x 15.3 cm (9 1/2 in. x 6 in.)", "Disp_Height" : "24.1 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Momper gestures to the rocky landscape in the background, signaling his reputation as an accomplished landscape painter during the transition from Mannerism to Realism.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1130.tif", "IsPrimary" : "1", "_SurrogateID" : "5965", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2738, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2738", "Disp_Access_No" : "2002.1133", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1632", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1631", "Disp_Title" : "Jan Snellinck, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Jan Snellinck, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "23.9 cm x 15.2 cm (9 7/16 in. x 6 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "15.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is a unique plate as it was etched twice. Van Dyck painted stop-out varnish on the left and right edges of the plate to prevent acid from biting. Halfway through the etching process he removed the plate from the acid bath, added more varnish, and etched the plate again. The deeper bite resulted in thicker lines. Painter, draftsman and tapestry designer, Snellinck was also a successful art dealer. He is depicted with a strong, proud stance and a focused gaze. Van Dyck shows him as a general, alluding to the subject matter, battle scenes and historical, for which he is best known.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1133.tif", "IsPrimary" : "1", "_SurrogateID" : "1760", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18636", "Disp_Access_No" : "2006.217", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Joos de Momper, from the Iconography", "Alt_Title" : "", "Obj_Title" : "Joos de Momper, from the Iconography", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "25.5 cm x 16.9 cm (10 1/16 in. x 6 5/8 in.)", "Disp_Height" : "25.5 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.217.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.217.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.217.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.217.tif", "IsPrimary" : "1", "_SurrogateID" : "4798", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }