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Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1240.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1240.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1240.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1240.tif", "IsPrimary" : "1", "_SurrogateID" : "6911", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10285, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10285", "Disp_Access_No" : "1982.905", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Cargador [Porter]", "Alt_Title" : "Porter", "Obj_Title" : "Cargador [Porter]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "64.8 cm x 49.8 cm (25 1/2 in. x 19 5/8 in.)", "Disp_Height" : "64.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Jesùs Escobedo was a member of the Taller de Gráfica Popular [People’s Graphic Workshop], a socially and politically engaged art collective. Drawn in a bold graphic style, this lithograph, as well as “Mujer dormida,” focus on the human figure depicted at work and at rest. The composition of “Cargador,” cropped to make the laborer’s flexed arm the primary focus, emphasizes the potency of physical labor.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.905.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.905.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.905.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.905.tif", "IsPrimary" : "1", "_SurrogateID" : "7095", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10286", "Disp_Access_No" : "1982.914", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Vendedor de leña [Wood Seller]", "Alt_Title" : "", "Obj_Title" : "Vendedor de leña [Wood Seller]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "49.8 cm x 64.8 cm (19 5/8 in. x 25 1/2 in.)", "Disp_Height" : "49.8 cm", "Disp_Width" : "64.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Jesùs Escobedo was a member of the Taller de Gráfica Popular [People’s Graphic Workshop], a socially and politically engaged art collective. Working in conjunction with his two other works, “Mujer dormida” and “Cargador,” “Vendedor de leña” is evidence of Escobedo’s interest in the individual as a way to comment on the broader class struggle of the laborer.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.914.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.914.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.914.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.914.tif", "IsPrimary" : "1", "_SurrogateID" : "7102", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10288, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10288", "Disp_Access_No" : "1982.912", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Mujer con niños [Woman with Children]", "Alt_Title" : "Woman with Children", "Obj_Title" : "Mujer con niños [Woman with Children]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "65.1 cm x 49.9 cm (25 5/8 in. x 19 5/8 in.)", "Disp_Height" : "65.1 cm", "Disp_Width" : "49.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.912.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.912.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.912.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.912.tif", "IsPrimary" : "1", "_SurrogateID" : "7100", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10289", "Disp_Access_No" : "1982.915", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Bordello", "Alt_Title" : "", "Obj_Title" : "Bordello", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "64.4 cm x 50 cm (25 3/8 in. x 19 11/16 in.)", "Disp_Height" : "64.4 cm", "Disp_Width" : "50 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.915.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.915.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.915.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.915.tif", "IsPrimary" : "1", "_SurrogateID" : "7103", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10291, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10291", "Disp_Access_No" : "1982.908", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Pareja oaxaqueña [Oaxacan Couple]", "Alt_Title" : "Oaxacan Couple", "Obj_Title" : "Pareja oaxaqueña [Oaxacan Couple]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "64.8 cm x 49.8 cm (25 1/2 in. x 19 5/8 in.)", "Disp_Height" : "64.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Jesús Escobedo was a member of the Taller de Gráfica Popular [People’s Graphic Workshop], a socially engaged art collective. In this lithograph, the artist reflects on the growth pf urban Mexico in the 1930s and 1940s. As the population and the number of vehicles transporting them increased, so did the need for automatic traffic lights, which Mexico City began installing in the 1930s. Here Escobedo seems to contrast this conspicuous sign of modern living, the electric traffic light, with the appearance of an Indigenous couple, dressed in traditional clothes. The older rhythms of life seemed forever altered by a set of electric signs regulating their movements through the public space.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. 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Alvirez [Execution of General Alvirez]", "Series_Title" : "", "Disp_Maker_1" : "After José Clemente Orozco", "Sort_Artist" : "Orozco, After José Clemente", "Disp_Dimen" : "24.2 cm x 33.1 cm (9 1/2 in. x 13 1/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.8.12.7-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.8.12.7-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.8.12.7-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.8.12.7-8.tif", "IsPrimary" : "1", "_SurrogateID" : "6937", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5545, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5545", "Disp_Access_No" : "G1970.8.12.8/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Las Masas [The Masses]", "Alt_Title" : "[The Masses]", "Obj_Title" : "Las Masas [The Masses]", "Series_Title" : "", "Disp_Maker_1" : "After José Clemente Orozco", "Sort_Artist" : "Orozco, After José Clemente", "Disp_Dimen" : "24.2 cm x 33.1 cm (9 1/2 in. x 13 1/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Offset lithograph", "Support" : "", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.8.12.8-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.8.12.8-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.8.12.8-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.8.12.8-8.tif", "IsPrimary" : "1", "_SurrogateID" : "6939", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1446", "Disp_Access_No" : "1986.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Teatro de variedades en Harlem [Vaudeville in Harlem]", "Alt_Title" : "", "Obj_Title" : "Teatro de variedades en Harlem [Vaudeville in Harlem]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "35.7 cm x 47.6 cm (14 1/16 in. x 18 3/4 in.)", "Disp_Height" : "35.7 cm", "Disp_Width" : "47.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "In 1927 José Clemente Orozco moved to the United States, remaining there until 1934. One year after arriving in New York, he produced his first ever lithograph: Vaudeville in Harlem. Of the Blanton Museum’s six New York lithographs by Orozco, this one is unique in its representation of a local urban scene. The Harlem theater would have attracted Orozco, whose work often focused on popular culture, and it is possible that he saw a link between the Harlem Renaissance and the emphasis that the Mexican Revolution placed on Mexico’s indigenous population and culture. Vaudeville in Harlem uses the full tonal range of lithography, from the dark shadows of the audience to the spotlit stage, and the composition suggests that he was more interested in the social space of the theater than in the vaudeville spectacle itself. Despite the quality and sophistication of his New York prints, Orozco soon found himself under pressure to produce more typically Mexican scenes. Most of his subsequent work in the United States depicts scenes from the Mexican Revolution in the style for which he was already famous.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.89.tif", "IsPrimary" : "1", "_SurrogateID" : "1146", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.89.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.89.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.89.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.89.tif", "IsPrimary" : "0", "_SurrogateID" : "1415", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4861", "Disp_Access_No" : "1986.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Hombres y tres mujeres [Men and Three Women], also known as Indios armados y mujeres, Revolution", "Alt_Title" : "", "Obj_Title" : "Hombres y tres mujeres [Men and Three Women], also known as Indios armados y mujeres, Revolution", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "44.3 cm x 57.4 cm (17 7/16 in. x 22 5/8 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "57.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "José Clemente Orozco’s firsthand experience of the Mexican Revolution and dissatisfaction with its outcome are evident in the melancholy tone of his revolutionary scenes. Figures in his works often seem isolated. In "Hombres y tres mujeres," his subjects can be read as both in retreat, or moving towards, the conflict. Orozco leaves the context undefined, concentrating instead on the strength and endurance of the women as they aid male soldiers amidst a shallow landscape. During the revolution, these soldaderas played a variety of roles, fighting alongside their male relatives, carrying supplies, and tending to the wounded.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.70.tif", "IsPrimary" : "1", "_SurrogateID" : "7113", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4879, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4879", "Disp_Access_No" : "G1966.2.175", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Inditos [Indians]", "Alt_Title" : "Indians", "Obj_Title" : "Inditos [Indians]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "40.35 cm x 58.1 cm (15 7/8 in. x 22 7/8 in.)", "Disp_Height" : "40.35 cm", "Disp_Width" : "58.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.175-crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.175-crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.175-crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.175-crop.tif", "IsPrimary" : "1", "_SurrogateID" : "13479", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4955", "Disp_Access_No" : "G1966.2.215", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Mujer grávida [Pregnant Woman], also known as Soldadera [Soldier's Wife]", "Alt_Title" : "", "Obj_Title" : "Mujer grávida [Pregnant Woman], also known as Soldadera [Soldier's Wife]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "56.8 cm x 40 cm (22 3/8 in. x 15 3/4 in.)", "Disp_Height" : "56.8 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "During his stay in the United States in the late 1920s, José Clemente Orozco used the medium of lithography to reproduce images from his frescoes in Mexico City. The prints served to familiarize the American audience with his work while also providing a stream of income. This somber image is based on a detail from one of Orozco’s frescos at the Colegio de San Ildelfonso in Mexico City. The gentle undulations of the draped shawl coupled with the graceful fluidity of her arms, work to create a pensive serenity for the subject, a pregnant wife of one of the soldiers of the Mexican Revolution.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.215.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.215.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.215.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.215.tif", "IsPrimary" : "1", "_SurrogateID" : "7066", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4956", "Disp_Access_No" : "1986.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "Cabeza de mujer [Woman's Head]", "Alt_Title" : "Cabeza de campesina or Mujer mexicana [Head of Peasant Woman or Mexican Woman]", "Obj_Title" : "Cabeza de mujer [Woman's Head]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "40.3 cm x 29.2 cm (15 7/8 in. x 11 1/2 in.)", "Disp_Height" : "40.3 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "During his stay in the United States in the late 1920s, José Clemente Orozco used the medium of lithography to reproduce images from his murals in Mexico City. The prints served to familiarize the American audience with his work while also providing a stream of income. This somber image is based on Orozco’s 1926 mural "Trabajadores" ["Workers"] at the National Preparatory School (Colegio de San Ildelfonso), which presents a group of rural workers. The lithograph focuses on a detail, showing the face of a woman wearing a shawl or "rebozo," whose gentle form contrasts with her angular features.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.85.tif", "IsPrimary" : "1", "_SurrogateID" : "1412", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4957", "Disp_Access_No" : "1986.87", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Franciscano o Fraile y el indio [Franciscan or Friar and Indian]", "Alt_Title" : " ", "Obj_Title" : "Franciscano o Fraile y el indio [Franciscan or Friar and Indian]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "40.4 cm x 29.1 cm (15 7/8 in. x 11 7/16 in.)", "Disp_Height" : "40.4 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.87.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.87.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.87.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.87.tif", "IsPrimary" : "1", "_SurrogateID" : "1413", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4960", "Disp_Access_No" : "1986.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Tres generaciones o La familia [Three Generations or The Family]", "Alt_Title" : "Three Generations or The Family", "Obj_Title" : "Tres generaciones o La familia [Three Generations or The Family]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "40.3 cm x 57.8 cm (15 7/8 in. x 22 3/4 in.)", "Disp_Height" : "40.3 cm", "Disp_Width" : "57.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.90.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.90.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.90.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1986.90.TIF", "IsPrimary" : "1", "_SurrogateID" : "10885", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5193", "Disp_Access_No" : "1986.91", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Zapatistas [Generals]", "Alt_Title" : "", "Obj_Title" : "Zapatistas [Generals]", "Series_Title" : "", "Disp_Maker_1" : "José Clemente Orozco", "Sort_Artist" : "Orozco, José Clemente", "Disp_Dimen" : "44 cm x 57.1 cm (17 5/16 in. x 22 1/2 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "57.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1981", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1120.tif", "IsPrimary" : "1", "_SurrogateID" : "1214", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8942", "Disp_Access_No" : "1982.1121", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Las Mañanitas [Mexican birthday song]", "Alt_Title" : "", "Obj_Title" : "Las Mañanitas [Mexican birthday song]", "Series_Title" : "", "Disp_Maker_1" : "José Guadalupe Posada", "Sort_Artist" : "Posada, José Guadalupe", "Disp_Dimen" : "28 cm x 20 cm (11 in. x 7 7/8 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Relief etching on type metal", "Support" : "", "Disp_Medium" : "Relief etching on type metal", "Info_Page_Comm" : "Las Mañanitas is a traditional Mexican birthday song sung in Mexico at birthday parties, usually early in the morning to awaken the birthday person, also before eating cake, and especially as part of the custom of serenading women. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1981", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1121.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1121.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1121.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1121.tif", "IsPrimary" : "1", "_SurrogateID" : "1215", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8943", "Disp_Access_No" : "1982.1122", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Corrido del automóvil [Ballad of the Automobile]", "Alt_Title" : "Ballad of the Automobile", "Obj_Title" : "Corrida del automóvil [Ballad of the Automobile]", "Series_Title" : "", "Disp_Maker_1" : "José Guadalupe Posada", "Sort_Artist" : "Posada, José Guadalupe", "Disp_Dimen" : "27.8 cm x 20 cm (10 15/16 in. x 7 7/8 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Relief etching on zinc", "Support" : "", "Disp_Medium" : "Relief etching on zinc", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1122.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1122.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1122.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1122.tif", "IsPrimary" : "1", "_SurrogateID" : "1216", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8944", "Disp_Access_No" : "1982.1123", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Corrido: El Chalequero (Francisco Guerrero Pérez)", "Alt_Title" : "", "Obj_Title" : "Corrido: El Chalequero (Francisco Guerrero Pérez)", "Series_Title" : "", "Disp_Maker_1" : "José Guadalupe Posada", "Sort_Artist" : "Posada, José Guadalupe", "Disp_Dimen" : "19 cm x 24.5 cm (7 1/2 in. x 9 5/8 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Relief etching on type metal on pink paper", "Support" : "", "Disp_Medium" : "Relief etching on type metal on pink paper", "Info_Page_Comm" : "Francisco Guerrero Pérez (1840–1910), also known as Antonio Prida, was the first serial killer to be captured in Mexico. Guerrero killed approximately twenty female prostitutes in Mexico City between 1880 and 1888. 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She was imprisoned for five years for one murder in 1887 and later sentenced to ten years and eight months in prison for two more murders in 1892. She died in Belem Prison in Mexico City of natural causes.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Frank Ribelin, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.31.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.31.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.31.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2008.31.TIF", "IsPrimary" : "1", "_SurrogateID" : "10792", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19085", "Disp_Access_No" : "2008.32", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Don Chepito Torrero [Don Chepito as a Bullfighter]", "Alt_Title" : "", "Obj_Title" : "Don Chepito Torrero [Don Chepito as a Bullfighter]", "Series_Title" : "", "Disp_Maker_1" : "José Guadalupe Posada", "Sort_Artist" : "Posada, José Guadalupe", "Disp_Dimen" : "12.8 cm x 22.3 cm (5 1/16 in. x 8 3/4 in.)", "Disp_Height" : "12.8 cm", "Disp_Width" : "22.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Relief etching on type metal and metalcut", "Support" : "", "Disp_Medium" : "Relief etching on type metal and metalcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Frank Ribelin, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; 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Here we see a woman of indigenous descent teaching under the watchful eye of a Federal guard. Such teachers worked with extremely limited resources to reduce the ninety percent illiteracy rate and inform the people of their rights as citizens. Since these rights included claims to ancestral lands, anti-revolutionary forces were a constant threat to this rural education program. Women who pursued this new opportunity for socially engaged work were also putting themselves at grave risk of violence.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Relatively detailed in the foreground and sketchy in the background, the lines build a delicate structure. The modeling, concentrated at the center and foreground, solidifies the head in a way that contrasts with the rest of the drawing. Rivera took advantage of the fine texture of the lithographic stone to create even, soft tones that reveal the curves of the body and the yielding mattress, adding to the picture’s atmosphere of sensuous pleasure. Whereas Rivera’s public works treat heroic themes of Mexico’s past, present, and future, the subject matter here is intimate. The artist had married Frida Kahlo in 1929, so they were newlyweds when he made this print. Kahlo’s parents called it the marriage of an elephant and a dove: he was 44, hefty, and famous; she was 23, petite, not-yet-famous, and feisty. With obvious admiration, Rivera shows Kahlo as both dainty and strong.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Also known as “Bañista de Tehuantepec,” the image may represent a Tehuana woman carrying a load on her head. David Alfaro Siqueiros achieved a highly textured surface through strong crosshatching patterns drawn with a crayon over the lithographic stone, which he then scraped away with a pointed tool. The result is a tense balance between the sculptural quality of the bather and the tense vibrant markings on the flat surface of the stone. The print was most likely made while Siqueiros was in Taxco, banned from leaving the town as punishment for his political activities. Unable to paint murals, he favored easel paintings and prints, often depicting massive figures that seemed crammed into a confined a space. 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The fifteen months of internal exile that followed proved artistically fruitful. Siqueiros worked on many easel paintings and prints, including two portraits of Emiliano Zapata: an oil painting and this lithograph. Based on a famous photograph of the agrarian revolutionary leader, Siqueiros’s "Zapata" is as monumental and massive as the mountains that surround him. The lithograph was produced through the Weyhe Gallery in New York, an institution that helped introduce the work of the Mexican muralists to the U.S. public. Zapata remains a resonant figure among revolutionary groups in southern Mexico.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Huntington Museum Fund, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.105.tif", "IsPrimary" : "1", "_SurrogateID" : "7065", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9643, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9643", "Disp_Access_No" : "1984.5", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Tierra roja [Red earth]", "Alt_Title" : "Red Earth", "Obj_Title" : "Tierra roja [Red earth]", "Series_Title" : "", "Disp_Maker_1" : "David Alfaro Siqueiros", "Sort_Artist" : "Siqueiros, David Alfaro", "Disp_Dimen" : "50.8 cm x 41.2 cm (20 in. x 16 1/4 in.)", "Disp_Height" : "50.8 cm", "Disp_Width" : "41.2 cm", "Dimen_Extent" : "Sight", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Ralph and Marie Hanna, 1984", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.5.tif", "IsPrimary" : "1", "_SurrogateID" : "1294", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4651, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4651", "Disp_Access_No" : "1986.106", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Hombre y mujer [Man and Woman]", "Alt_Title" : "", "Obj_Title" : "Hombre y mujer [Man and Woman]", "Series_Title" : "", "Disp_Maker_1" : "Rufino Tamayo", "Sort_Artist" : "Tamayo, Rufino", "Disp_Dimen" : "40.4 cm x 31.9 cm (15 7/8 in. x 12 9/16 in.)", "Disp_Height" : "40.4 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.106.tif", "IsPrimary" : "1", "_SurrogateID" : "3445", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11519, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11519", "Disp_Access_No" : "1986.108", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1927", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1932", "Disp_Title" : "Dos niñas mexicanas [Two Mexican Girls]", "Alt_Title" : "", "Obj_Title" : "Dos niñas mexicanas [Two Mexican Girls]", "Series_Title" : "", "Disp_Maker_1" : "Rufino Tamayo", "Sort_Artist" : "Tamayo, Rufino", "Disp_Dimen" : "24.3 cm x 20.2 cm (9 9/16 in. x 7 15/16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Best known as a painter, Rufino Tamayo was also one of Mexico’s most prolific printmakers. In 1921, the artist worked at the Department of Ethnographic Drawings at the National Museum of Archaeology with José Vasconcelos, then Mexico’s secretary of education. At the time, Vasconcelos advocated a re-envisioning of Mexico’s national identity through a blending of contemporary indigenous culture with pre-Columbian and post-conquest cultural elements. This early woodcut can be seen as Tamayo’s response to Vasconcelos’s ideas. Likely drawn from the artist’s own Zapotec heritage in his home state of Oaxaca, "Dos niñas mexicanas" features two figures standing next to a maguey plant, which is central to the agriculture and identity of the area. Tamayo’s uniform stylistic treatment of both the people and the landscape, suggests their underlying connectedness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.108.tif", "IsPrimary" : "1", "_SurrogateID" : "6912", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11521", "Disp_Access_No" : "1986.78", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1927", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1932", "Disp_Title" : "Hombre con maguey [Man with Maguey]", "Alt_Title" : "", "Obj_Title" : "Hombre con maguey [Man with Maguey]", "Series_Title" : "", "Disp_Maker_1" : "Rufino Tamayo", "Sort_Artist" : "Tamayo, Rufino", "Disp_Dimen" : "26.1 cm x 19.3 cm (10 1/4 in. x 7 5/8 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "19.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Known for his modernist paintings, Rufino Tamayo was also one of Mexico’s most prolific printmakers. In 1921, the artist worked in the Department of Ethnographic Drawings at the National Museum of Archaeology with José Vasconcelos, Mexico’s then secretary of education. At the time, Vasconcelos advocated a re-envisioning of Mexico’s national identity through a blending of contemporary indigenous culture with pre- and post-Conquest cultural elements. Created in New York, this early woodcut can be seen as Tamayo’s response to Vasconcelos’s ideas. Likely drawn from the artist’s Zapotec heritage in his home state of Oaxaca, "Hombre con maguey" features an armed revolutionary peasant defending his ancestral farmlands. The agave, an important symbol for this land, was central to the agriculture of the area. Tamayo’s similar stylistic treatment of both the figure and the landscape suggests their underlying connectedness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Huntington Museum Fund, 1986", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.107.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.107.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.107.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1986.107.TIF", "IsPrimary" : "1", "_SurrogateID" : "10887", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11523", "Disp_Access_No" : "1986.109", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1927", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1932", "Disp_Title" : "Man Pulling up Tree Trunks", "Alt_Title" : "", "Obj_Title" : "Man Pulling up Tree Trunks", "Series_Title" : "", "Disp_Maker_1" : "Rufino Tamayo", "Sort_Artist" : "Tamayo, Rufino", "Disp_Dimen" : "14.4 cm x 12.7 cm (5 11/16 in. x 5 in.)", "Disp_Height" : "14.4 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1986", "Copyright_Type" : "case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.109.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.109.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.109.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.109.tif", "IsPrimary" : "1", "_SurrogateID" : "1336", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5391", "Disp_Access_No" : "1986.356", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Autorretrato [Self Portrait]", "Alt_Title" : "Self Portrait", "Obj_Title" : "Autorretrato [Self Portrait]", "Series_Title" : "", "Disp_Maker_1" : "Francisco J. 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