{ "objects" : [ { "embark_ID" : 14407, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14407", "Disp_Access_No" : "1991.97", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "An Italianate Landscape with Animals, a Shepherd, and a Peasant Woman Holding a Distaff", "Alt_Title" : "", "Obj_Title" : "An Italianate Landscape with Animals, a Shepherd, and a Peasant Woman Holding a Distaff", "Series_Title" : "", "Disp_Maker_1" : "Workshop of Nicolas Pietersz Berchem", "Sort_Artist" : "Berchem, Workshop of Nicolas Pietersz", "Disp_Dimen" : "128 cm x 96.6 cm (50 3/8 in. x 38 1/16 in.)", "Disp_Height" : "128 cm", "Disp_Width" : "96.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Ranking is provisional (FC:jb 4/2/15) Medallion (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.97.tif", "IsPrimary" : "1", "_SurrogateID" : "1599", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14898, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14898", "Disp_Access_No" : "1984.56", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "A Roemer with Grapes, a Pewter Plate, and a Roll", "Alt_Title" : "", "Obj_Title" : "A Roemer with Grapes, a Pewter Plate, and a Roll", "Series_Title" : "", "Disp_Maker_1" : "Abraham van Beyeren", "Sort_Artist" : "Beyeren, Abraham van", "Disp_Dimen" : "92.7 cm x 79.4 cm (36 1/2 in. x 31 1/4 in.)", "Disp_Height" : "92.7 cm", "Disp_Width" : "79.4 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil on wood panel", "Support" : "", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Still-life painting became popular in Europe in the seventeenth century. Lacking the traditional patronage of Church and court, Dutch artists excelled at these banquet table scenes. They were especially popular among the growing merchant class who were interested in commercial goods. These paintings also served as reminders of the transient nature of life. Here, the artist shows plates precariously set near the edge of the table on a rumpled tablecloth and a knife with its handle jutting out towards the spectator, which suggests a sudden departure of people from the scene. The pocket watch with a winding key on a ribbon further emphasizes the effect of fleeting time. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.56.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.56.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.56.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.56.tif", "IsPrimary" : "1", "_SurrogateID" : "1301", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14406", "Disp_Access_No" : "1991.98", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "A Kermesse", "Alt_Title" : "", "Obj_Title" : "A Kermesse", "Series_Title" : "", "Disp_Maker_1" : "Richard Brakenburg", "Sort_Artist" : "Brakenburg, Richard", "Disp_Dimen" : "48.1 cm x 64.2 cm (18 15/16 in. x 25 1/4 in.)", "Disp_Height" : "48.1 cm", "Disp_Width" : "64.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "If we organize by nationality and need a Dutch picture, this could go up. Could be in play. 2- in terms of great Dutch pictures In decent enough condition that it could go up, not going to hold up next to other Dutch works (FC:jb 4/9/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.98.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.98.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.98.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.98.tif", "IsPrimary" : "1", "_SurrogateID" : "2815", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15019", "Disp_Access_No" : "1982.182", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1605-1608", "_Disp_Start_Dat" : "1605", "_Disp_End_Date" : "1608", "Disp_Title" : "Diana and Callisto", "Alt_Title" : "", "Obj_Title" : "Diana and Callisto", "Series_Title" : "", "Disp_Maker_1" : "Jan Brueghel the Elder and Hendrick van Balen", "Sort_Artist" : "Brueghel the Elder and Hendrick van Balen, Jan", "Disp_Dimen" : "26.4 cm x 37.9 cm (10 3/8 in. x 14 15/16 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "37.9 cm", "Dimen_Extent" : "panel", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "The goddess Diana and her chaste nymphs have returned from hunting to bathe in their sacred stream, but Callisto is reluctant. Sensing she is hiding something, Diana orders her entourage to forcibly remove Callisto’s garments, revealing her pregnancy. According to Ovid’s "Metamorphoses," Jupiter had disguised himself as Diana and lured Callisto into his embrace. No longer virginal and pure, Callisto was banished from Diana’s sacred waters. Depicting the climactic moment of the myth, this painting alludes to the immediate and eternal punishment of Callisto. Diana leans forward in the same direction as Callisto’s movement backwards, emphasizing their roles as punisher and punished. A bearded iris near Diana represents the goddess Iris, Juno’s messenger of bad tidings. The collection of shells, corals, and accessories for grooming after the bath are abandoned at the bottom right, which signals the final outcome for Callisto. Collaborations between artists of different specialties were fashionable in early seventeenth-century Flanders. Here, as in many pieces by this pair, Hendrick van Balen’s ability to render the female nude and Jan Brueghel’s skills as a landscape painter work in tandem. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Display case to show copper on back (FC:jb 4/2/15) Could potentially go with Sprangers, northern European gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.182.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.182.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.182.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.182.tif", "IsPrimary" : "1", "_SurrogateID" : "1233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14405", "Disp_Access_No" : "1991.99", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "A Village Scene", "Alt_Title" : "", "Obj_Title" : "A Village Scene", "Series_Title" : "", "Disp_Maker_1" : "Circle of Jan Brueghel, the elder, called Velvet", "Sort_Artist" : "Brueghel, the elder, called Velvet, Circle of Jan", "Disp_Dimen" : "43.8 cm x 52.7 cm (17 1/4 in. x 20 3/4 in.)", "Disp_Height" : "43.8 cm", "Disp_Width" : "52.7 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In play. On copper, display case option and/or a Dutch/German area. Compare to Brueghel the Younger. This is a comparable clunkiness in the figures in the Brueghel at Poughkeepsie at Vassar College. Painting is called "Springtime." (FC:jb 4/16/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.99.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.99.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.99.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.99.tif", "IsPrimary" : "1", "_SurrogateID" : "2816", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16388", "Disp_Access_No" : "2017.1244", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Pan and Daphnis", "Alt_Title" : "", "Obj_Title" : "Pan and Daphnis ", "Series_Title" : "", "Disp_Maker_1" : "Pieter Mulier the younger", "Sort_Artist" : "Mulier the younger, Pieter", "Disp_Dimen" : "65.6 cm x 49.3 cm (25 13/16 in. x 19 7/16 in.)", "Disp_Height" : "65.6 cm", "Disp_Width" : "49.3 cm", "Dimen_Extent" : "canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The beautiful young man holding a panpipe is Daphnis, a Sicilian herdsman and son of Mercury, the god of commerce. It was thought that Daphnis invented pastoral music and that his good looks enchanted many, including Pan, the god of shepherds, flocks, and the wild. Pan wandered the mountains and fields of Arcadia, playing his panpipe, often in lustful chases after nymphs and young men. Here, Pan teaches Daphnis how to play the panpipe as he makes an advance in the guise of instruction. Likely modeled on one of the ancient Roman sculptures discovered in the Renaissance, this painting echoes the ideals of the pastoral lifestyle filled with music and love. Pieter Mulier adds a contemporary touch to the scene through the inclusion of a viol, a string instrument popular in his time.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Would pair well with Lauri works (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1244.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1244.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1244.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1244.tif", "IsPrimary" : "1", "_SurrogateID" : "2658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14586, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14586", "Disp_Access_No" : "1991.110", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Hendrick Van Gelder", "Alt_Title" : "", "Obj_Title" : "Hendrick Van Gelder", "Series_Title" : "", "Disp_Maker_1" : "Anonymous (formerly attributed to Anthony van Dyck)", "Sort_Artist" : "Anonymous (formerly attributed to Anthony van Dyck)", "Disp_Dimen" : "48.6 cm x 41.6 cm (19 1/8 in. x 16 3/8 in.)", "Disp_Height" : "48.6 cm", "Disp_Width" : "41.6 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.110.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.110.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.110.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.110.tif", "IsPrimary" : "1", "_SurrogateID" : "2809", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14388", "Disp_Access_No" : "1993.131", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "Landscape", "Series_Title" : "", "Disp_Maker_1" : "Jan Griffier", "Sort_Artist" : "Griffier, Jan", "Disp_Dimen" : "22.8 cm x 32.4 cm (9 in. x 12 3/4 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "32.4 cm", "Dimen_Extent" : "Board", "Medium" : "Oil on wood", "Support" : "", "Disp_Medium" : "Oil on wood", "Info_Page_Comm" : "One of the artist’s many Rhineland landscapes admired by British collectors, this painting is likely an invention of Griffier’s imagination rather than a depiction of an actual place. He traveled extensively in England and Holland, but never visited the lower Rhineland. He drew instead on the work of his contemporary Herman Saftleven and on the artificiality of even earlier landscape artists, such as Jan Brueghel. The enamel-like colors, minute detail, and blue-green gradation in the distant mountains and sky are evidence of the latter.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Wunsch Foundation, Inc., 1993", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Could go in Dutch gallery (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.131.tif", "IsPrimary" : "1", "_SurrogateID" : "1625", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14386, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14386", "Disp_Access_No" : "1993.178", "_AccNumSort1" : "", "Disp_Create_DT" : "1638-1642", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1642", "Disp_Title" : "Wooded Landscape with Peasants", "Alt_Title" : "", "Obj_Title" : "Wooded Landscape with Peasants", "Series_Title" : "", "Disp_Maker_1" : "Alexander Keirincx", "Sort_Artist" : "Keirincx, Alexander", "Disp_Dimen" : "24.2 cm x 20.5 cm (9 1/2 in. x 8 1/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "20.5 cm", "Dimen_Extent" : "Sight", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Wunsch Foundation, Inc., 1993", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Frame must be changed, could go up like this (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.178.tif", "IsPrimary" : "1", "_SurrogateID" : "1627", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14592", "Disp_Access_No" : "1991.104", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1677-before 1693", "_Disp_Start_Dat" : "1677", "_Disp_End_Date" : "1693", "Disp_Title" : "Mary Stuart II", "Alt_Title" : "", "Obj_Title" : "Mary Stuart II", "Series_Title" : "", "Disp_Maker_1" : "Nicolaes Maes", "Sort_Artist" : "Maes, Nicolaes", "Disp_Dimen" : "54 cm x 42.3 cm (21 1/4 in. x 16 5/8 in.)", "Disp_Height" : "54 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Portrait gallery or northern European room, low level (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.104.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.104.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.104.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.104.tif", "IsPrimary" : "1", "_SurrogateID" : "2807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14591, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14591", "Disp_Access_No" : "1991.105", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1677-before 1693", "_Disp_Start_Dat" : "1677", "_Disp_End_Date" : "1693", "Disp_Title" : "William III of Orange", "Alt_Title" : "", "Obj_Title" : "William III of Orange", "Series_Title" : "", "Disp_Maker_1" : "Nicolaes Maes", "Sort_Artist" : "Maes, Nicolaes", "Disp_Dimen" : "54 cm x 42.3 cm (21 1/4 in. x 16 5/8 in.)", "Disp_Height" : "54 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Bequest of Jack G. Taylor, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Portrait gallery or northern European room, low level (FC:jb 4/2/15) ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.105.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.105.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.105.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.105.tif", "IsPrimary" : "1", "_SurrogateID" : "2808", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14020", "Disp_Access_No" : "G1975.7.1", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "River Landscape with Duck Hunters", "Alt_Title" : "", "Obj_Title" : "River Landscape with Duck Hunters", "Series_Title" : "", "Disp_Maker_1" : "Pieter de Neyn", "Sort_Artist" : "Neyn, Pieter de", "Disp_Dimen" : "89.5 cm x 119 cm (35 1/4 in. x 46 7/8 in.)", "Disp_Height" : "89.5 cm", "Disp_Width" : "119 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Dr. George S. Heyer, Jr., 1975", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Condition issues, conservation issues: some of pigment has disintegrated, creates unevenness and overall muddiness (FC:jb 5/13/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1975.7.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1975.7.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1975.7.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1975.7.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2458", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16219, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16219", "Disp_Access_No" : "2017.1355", "_AccNumSort1" : "", "Disp_Create_DT" : "1601-1602", "_Disp_Start_Dat" : "1601", "_Disp_End_Date" : "1602", "Disp_Title" : "Head of a Young Man", "Alt_Title" : "", "Obj_Title" : "Head of a Young Man", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "36.5 cm x 24.5 cm (14 3/8 in. x 9 5/8 in.)", "Disp_Height" : "36.5 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "panel", "Medium" : "Oil on antique laid paper mounted on wood panel", "Support" : "", "Disp_Medium" : "Oil on antique laid paper mounted on wood panel", "Info_Page_Comm" : "Peter Paul Rubens was a painter, draftsman, and diplomat in several European courts. Considered to be one of the pioneers of Baroque art, Rubens was highly sought after during his lifetime. In order to keep up with the high demand for his work, Rubens ran a large workshop and often used same figural models for different works. This study is among his earliest oil sketches. It was probably used for a painting illustrated here, "The Mocking of Christ," which was one of Rubens’s first public commissions in Rome. Over the next fifteen years, the artist would frequently use this face, which appears in at least four other religious paintings with themes like Christ’s transfiguration. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection, 2017", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.1335.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.1335.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.1335.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2017.1335.tif", "IsPrimary" : "1", "_SurrogateID" : "2649", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14584", "Disp_Access_No" : "1991.162", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Portrait of a Man Holding a Scroll", "Alt_Title" : "", "Obj_Title" : "Portrait of a Man Holding a Scroll", "Series_Title" : "", "Disp_Maker_1" : "Godfried Schalcken", "Sort_Artist" : "Schalcken, Godfried", "Disp_Dimen" : "43.1 cm x 34.3 cm (16 15/16 in. x 13 1/2 in.)", "Disp_Height" : "43.1 cm", "Disp_Width" : "34.3 cm", "Dimen_Extent" : "panel", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "After training in Leiden with Gerrit Dou, Schalcken established himself as one of the most popular portrait painters in Dordrecht. He was renowned for his lighting effects, evident here in the soft golden light falling over the marble sculpture of Athena in the right background, which is divided by a dark, heavy curtain. To the left a brilliant red sun is setting. The light cast on the subject, however, comes from the front, causing the man’s scroll and collar to glow in stark contrast to his black coat.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the Wunsch Foundation, Inc., 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Dutch", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Portrait gallery or Dutch gallery if it''s Dutch. Copper, could go in display case. (FC:jb 4/14/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.162.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.162.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.162.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.162.tif", "IsPrimary" : "1", "_SurrogateID" : "1506", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14901", "Disp_Access_No" : "1984.53", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14903", "Rel_Obj_Title" : "Saint Margaret" },{ "Rel_Obj_ID" : "14902", "Rel_Obj_Title" : "Saint Ursula" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.53.tif", "IsPrimary" : "1", "_SurrogateID" : "1298", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14902, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14902", "Disp_Access_No" : "1984.52", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Ursula", "Alt_Title" : "", "Obj_Title" : "Saint Ursula", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14903", "Rel_Obj_Title" : "Saint Margaret" },{ "Rel_Obj_ID" : "14901", "Rel_Obj_Title" : "Saint Catherine" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works or displayed in a case in the middle of the gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.52.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.52.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.52.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.52.tif", "IsPrimary" : "1", "_SurrogateID" : "1297", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14903", "Disp_Access_No" : "1984.51", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1583", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1588", "Disp_Title" : "Saint Margaret", "Alt_Title" : "", "Obj_Title" : "Saint Margaret", "Series_Title" : "", "Disp_Maker_1" : "Bartholomaeus Spranger", "Sort_Artist" : "Spranger, Bartholomaeus", "Disp_Dimen" : "37.2 cm x 30.5 cm (14 5/8 in. x 12 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "30.5 cm", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "wood panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Beautiful, pious, and able to wear the “crown of martyrdom,” the Saints Catherine, Margaret, and Ursula are prime subjects for devotional painting. According to "The Golden Legend," a popular medieval text on the lives of the saints, Catherine converted multitudes using her great wisdom and erudition. She holds the sword used for her own beheading in one hand and a book in the other. She also stands over a Roman emperor who attempted to kill her on a spiked wheel. Likewise, Margaret stands triumphant over her enemy, a demon dragon, whom she defeated by making the sign of the cross. (This action takes material form as the wooden cross in her left hand.) Ursula is shown, not with her enemy, but with a crowd of fellow martyrs, whom she led during persecution. From the complex folds of the saints’ drapery to a delicate rendering of jewelry, flower petals, and even toes, Bartholomaeus Spranger’s interest in detail connects the artist to his Netherlandish roots and a Northern Renaissance style of painting. But it also draws the viewer into a closer study of the saints. For instance, notice the prominent pearl on Margaret’s forehead attached to strands of smaller pearls in her hair. According to the "Legend," the saint’s name corresponds with the Latin word for a pearl, margarita, a “precious gem [that shines] white, small, and endowed with virtue.” In like manner, says the "Legend," “Saint Margaret was shining white by her virginity, small by her humility, and endowed with the power to work miracles.” For viewers familiar with her story, a study of the painting’s details could lead to a meditation on the saint’s character.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1984", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "painting", "Creation_Place2" : "Flemish", "Department" : "European Paintings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "14902", "Rel_Obj_Title" : "Saint Ursula" },{ "Rel_Obj_ID" : "14901", "Rel_Obj_Title" : "Saint Catherine" } ], "Curator" : "Ranking is provisional (FC:jb 4/2/15) All of the Sprangers could potentially be in a smaller space with other Dutch and Flemish works or displayed in a case in the middle of the gallery (FC:jb 4/2/15)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1984.51.tif", "IsPrimary" : "1", "_SurrogateID" : "1296", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 14899, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/14899", "Disp_Access_No" : "1984.55", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1595-1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1600", "Disp_Title" : "Raising of Lazarus", "Alt_Title" : "", "Obj_Title" : "Raising of Lazarus", "Series_Title" : "", "Disp_Maker_1" : "Joachim Wtewael and workshop", "Sort_Artist" : "Wtewael and workshop, Joachim", "Disp_Dimen" : "132.1 cm x 170.2 cm (52 in. x 67 in.)", "Disp_Height" : "132.1 cm", "Disp_Width" : "170.2 cm", "Dimen_Extent" : "Canvas", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting is one of four known copies made in Wtewael’s workshop of his now lost original. It displays all the Mannerist characteristics for which the master was known, including vivid colors, compressed space, and contorted figures disproportionate to their surroundings. Wtewael based this work on Abraham Bloemart’s painting of the same subject, which he likely saw in an engraved reproduction. This kind of artistic borrowing through intermediary prints and subsequent copying of one’s own work helped spread new ideas about style and ideology to a wider audience.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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