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In his series of sixteen prints from Voyage en bateau, characterized as an amusement for a small circle of friends, Daubigny recorded his trip down the Oise and Seine rivers. In 1857 he outfitted a small boat as a studio where he sketched some of his views, finishing them at a later date. Considered one of the "most remarkable" sheets in the album, this strongly backlit self-portrait was reprinted in contemporary monographs of the artist (1874, the year of the first Impressionist exhibition, and 1912) validating the Impressionists' firmly held belief in painting en plein air (outdoors).", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.156.tif", "IsPrimary" : "1", "_SurrogateID" : "4030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3869, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3869", "Disp_Access_No" : "1992.298", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Un Forgeron [A Blacksmith]", "Alt_Title" : "", "Obj_Title" : "Un Forgeron [A Blacksmith]", "Series_Title" : "", "Disp_Maker_1" : "Eugène Delacroix", "Sort_Artist" : "Delacroix, Eugène", "Disp_Dimen" : "52.5 cm x 37.1 cm (20 11/16 in. x 14 5/8 in.)", "Disp_Height" : "52.5 cm", "Disp_Width" : "37.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "Delacroix and Jean-Auguste-Dominique Ingres were rivals representing different sides of the debate over the form that art should take, and the Academy accepted both of them into its ranks. Unlike Ingres’s linear style, Delacroix’s art relies more on color (or in the case of prints, tone), rather than line and contour, and on an expressive application of the medium to convey its message. An unconventional and anti-classical subject, Delacroix’s blacksmith, fashioned in the aftermath of the July Revolution (1830), offers a new and threatening image of the working class. Powerful and determined, standing in his shadowy and sinister workshop, the image of a blacksmith provoked strong emotions – confidence, pride and hope among the under class; fear and contempt among those who held political power. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.298.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.298.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.298.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.298.tif", "IsPrimary" : "1", "_SurrogateID" : "5416", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1286", "Disp_Access_No" : "1985.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1872", "_Disp_Start_Dat" : "1872", "_Disp_End_Date" : "1872", "Disp_Title" : "Inside the Docks, from Jerrold Blanchard's London, a Pilgrimage; Chapter III: The Docks", "Alt_Title" : "", "Obj_Title" : "Inside the Docks, from Jerrold Blanchard's London, a Pilgrimage; Chapter III: The Docks", "Series_Title" : "", "Disp_Maker_1" : "After Gustave Doré", "Sort_Artist" : "Doré, After Gustave", "Disp_Dimen" : "34.7 cm x 27.3 cm (13 11/16 in. x 10 3/4 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Charles Maurand)", "Support" : "", "Disp_Medium" : "Wood engraving (by Charles Maurand)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.28.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.28.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.28.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.28.tif", "IsPrimary" : "1", "_SurrogateID" : "4757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17383", "Disp_Access_No" : "2004.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "An Iron Forge, after Joseph Wright of Derby", "Alt_Title" : "", "Obj_Title" : "An Iron Forge, after Joseph Wright of Derby", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "48.9 cm x 60.2 cm (19 1/4 in. x 23 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "Developed in late seventeenth-century Holland, but perfected in eighteenth-century Britain, mezzo tint was better than engraving and etching at simulating the tonal qualities of the paintings it reproduced. In mezzotint the artist painstakingly roughens the entire surface of the plate, creating a uniform black texture were the plate to be printed at this point. He then uses scrapers to remove and polish the roughened areas to be illuminated. Varying the degree of polishing, he works from dark to light and achieves a wide range of mid tones, or mezzotinto in the original Italian. Richard Earlom, whose work is well represented at the museum, used mezzotint to its greatest advantage in reproducing paintings such as Joseph Wright of Derby’s Iron Forge, in which dramatic light is central to its meaning. Fascinated with advances in science and industry, Wright romanticized the early years of the Industrial Revolution. The artist’s use of light here was compared to the illumination that emanates from the Christ Child in medieval and Renaissance nativities. By analogy, the forge and other new technologies were posited as Britain’s salvation in the modern world. Early and with its surface immaculate, this impression reveals the technique’s tremendous subtlety and inherent beauty. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, and purchase through the Archer M. Huntington Museum Fund, 2004", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.188.tif", "IsPrimary" : "1", "_SurrogateID" : "3059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10285, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10285", "Disp_Access_No" : "1982.905", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Cargador [Porter]", "Alt_Title" : "Porter", "Obj_Title" : "Cargador [Porter]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "64.8 cm x 49.8 cm (25 1/2 in. x 19 5/8 in.)", "Disp_Height" : "64.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Jesùs Escobedo was a member of the Taller de Gráfica Popular [People’s Graphic Workshop], a socially and politically engaged art collective. Drawn in a bold graphic style, this lithograph, as well as “Mujer dormida,” focus on the human figure depicted at work and at rest. The composition of “Cargador,” cropped to make the laborer’s flexed arm the primary focus, emphasizes the potency of physical labor.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.905.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.905.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.905.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.905.tif", "IsPrimary" : "1", "_SurrogateID" : "7095", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10286", "Disp_Access_No" : "1982.914", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Vendedor de leña [Wood Seller]", "Alt_Title" : "", "Obj_Title" : "Vendedor de leña [Wood Seller]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "49.8 cm x 64.8 cm (19 5/8 in. x 25 1/2 in.)", "Disp_Height" : "49.8 cm", "Disp_Width" : "64.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Jesùs Escobedo was a member of the Taller de Gráfica Popular [People’s Graphic Workshop], a socially and politically engaged art collective. Working in conjunction with his two other works, “Mujer dormida” and “Cargador,” “Vendedor de leña” is evidence of Escobedo’s interest in the individual as a way to comment on the broader class struggle of the laborer.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.914.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.914.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.914.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.914.tif", "IsPrimary" : "1", "_SurrogateID" : "7102", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10299, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10299", "Disp_Access_No" : "1982.906", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Vendedor de canastas [Basket Seller]", "Alt_Title" : "Basket Seller", "Obj_Title" : "Vendedor de canastas [Basket Seller]", "Series_Title" : "", "Disp_Maker_1" : "Jesús Escobedo", "Sort_Artist" : "Escobedo, Jesús", "Disp_Dimen" : "61.9 cm x 46.7 cm (24 3/8 in. x 18 3/8 in.)", "Disp_Height" : "61.9 cm", "Disp_Width" : "46.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.906.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.906.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.906.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.906.tif", "IsPrimary" : "1", "_SurrogateID" : "7096", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5764, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5764", "Disp_Access_No" : "1991.371", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "Fishermen", "Alt_Title" : "", "Obj_Title" : "Fishermen", "Series_Title" : "", "Disp_Maker_1" : "Kelly Fearing", "Sort_Artist" : "Fearing, Kelly", "Disp_Dimen" : "26.2 cm x 20 cm (10 5/16 in. x 7 7/8 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "20 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and softground etching", "Support" : "", "Disp_Medium" : "Etching and softground etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Albert Gillis, 1991", "Copyright_Type" : "All", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; 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Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.921.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.921.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.921.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.921.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "1267", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13330, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13330", "Disp_Access_No" : "2002.2128", "_AccNumSort1" : "", "Disp_Create_DT" : "1578", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1578", "Disp_Title" : "Bee Keeping, plate 37 from The Hunting Parties, after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Bee Keeping, plate 37 from The Hunting Parties, after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "20.1 cm x 27.3 cm (7 15/16 in. x 10 3/4 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2128.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2128.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2128.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2128.tif", "IsPrimary" : "1", "_SurrogateID" : "1906", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19317", "Disp_Access_No" : "2009.6", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1591", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1596", "Disp_Title" : "Hyacum, et Lues Venerea [The Discovery of Guaiacum as a Cure for Syphillis], plate 6 from Nova Repertum [New Inventions of Modern Times], after Jan van der Straet, called Stradanus", "Alt_Title" : "", "Obj_Title" : "Hyacum, et Lues Venerea [The Discovery of Guaiacum as a Cure for Syphillis], plate 6 from Nova Repertum [New Inventions of Modern Times], after Jan van der Straet, called Stradanus", "Series_Title" : "", "Disp_Maker_1" : "Theodor Galle", "Sort_Artist" : "Galle, Theodor", "Disp_Dimen" : "20.3 cm x 27.6 cm (8 in. x 10 7/8 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Antwerp became the center of European print production in the late sixteenth century. Its enterprising publishers coordinated vast projects illustrating an encyclopedic range of subjects. Organized by the Galle family and designed by a Flemish artist living in Florence, Nova Repertum depicted the supposed origins of important modern inventions. This scene of the preparation and ministering of a cure for syphilis is a striking inclusion and a famous image in the history of the disease.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2009", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.6.tif", "IsPrimary" : "1", "_SurrogateID" : "5399", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10365", "Disp_Access_No" : "1982.951", "_AccNumSort1" : "", "Disp_Create_DT" : "not dated", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Glass Blowers", "Alt_Title" : "", "Obj_Title" : "Glass Blowers", "Series_Title" : "", "Disp_Maker_1" : "Arturo García Bustos", "Sort_Artist" : "García Bustos, Arturo", "Disp_Dimen" : "32.7 cm x 48.8 cm (12 7/8 in. x 19 3/16 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "48.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1966; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.951.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.951.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.951.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.951.tif", "IsPrimary" : "1", "_SurrogateID" : "6806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19573", "Disp_Access_No" : "2010.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Alt_Title" : "", "Obj_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "43.6 cm x 29.1 cm (17 3/16 in. x 11 7/16 in.)", "Disp_Height" : "43.6 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Rights of Man, a pamphlet written by English-American Thomas Paine, criticizes European monarchies and social institutions and argues that people have a right to a revolt if their basic needs are not met under the current government. 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"", "Obj_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "20 cm x 26.3 cm (7 7/8 in. x 10 3/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "26.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The creator of classical landscape painting, Claude Lorrain was an etcher of equivalent beauty and significance. Most of his prints were created in the 1630s. They evolved from the densely worked and animated style of Roman tradition to one approximating the subtlety of the artist’s mature paintings. For nearly a decade after that, Claude did not return to etching. Berger et bergère conversant was one of the first plates after he resumed. As with many of Claude’s etchings, the composition is related to that of a painting (Barnes Foundation, Merion, Pennsylvania). Much more than in early works, however, the conception was improvisatory, the initial handling broad, and the reworking of the plate pronounced. Claude had always made subtle changes to his plates in pursuing a desired effect. Now, the states test possibilities, vary mood as much as detail, and do not necessarily reach a conclusion. Here, the second state of the print involved extensive scraping and burnishing of the plate, eradicating entire passages, mottling the surface, and lightening the tone. 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Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1150.tif", "IsPrimary" : "1", "_SurrogateID" : "6613", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1150.tif", "IsPrimary" : "0", "_SurrogateID" : "6658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9959", "Disp_Access_No" : "1982.1135", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "En el taller [In the Workshop]", "Alt_Title" : "In the Workshop", "Obj_Title" : "En el taller [In the Workshop]", "Series_Title" : "", "Disp_Maker_1" : "Everardo Ramírez", "Sort_Artist" : "Ramírez, Everardo", "Disp_Dimen" : "56.2 cm x 43.8 cm (22 1/8 in. x 17 1/4 in.)", "Disp_Height" : "56.2 cm", "Disp_Width" : "43.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1135.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1135.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1135.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1135.tif", "IsPrimary" : "1", "_SurrogateID" : "7059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12562", "Disp_Access_No" : "2002.977", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Shepherd with Dog and Departing Flock", "Alt_Title" : "", "Obj_Title" : "Shepherd with Dog and Departing Flock", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Reinhold", "Sort_Artist" : "Reinhold, Heinrich", "Disp_Dimen" : "17.6 cm x 25.2 cm (6 15/16 in. x 9 15/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.977.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.977.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.977.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.977.tif", "IsPrimary" : "1", "_SurrogateID" : "2093", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2866", "Disp_Access_No" : "2000.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1655", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1655", "Disp_Title" : "The Goldsmith", "Alt_Title" : "", "Obj_Title" : "The Goldsmith", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "7.6 cm x 5.6 cm (3 in. x 2 3/16 in.)", "Disp_Height" : "7.6 cm", "Disp_Width" : "5.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "This etching was a late meditation on the life and activity of the artist. Amid humble surroundings, the fire in his foundary colling, an old craftsman seems lost in thought, one hand patiently striking an anvil, the other gently encircling a statuette of Charity. The small size of the print and the special warmth of this impression enhance the sense of extraordinary tenderness. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of an anonymous donor, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.37.tif", "IsPrimary" : "1", "_SurrogateID" : "6206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4951", "Disp_Access_No" : "1986.101", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Mercado de Tehuantepec [Tehuantepec Market]", "Alt_Title" : "", "Obj_Title" : "Mercado de Tehuantepec [Tehuantepec Market]", "Series_Title" : "", "Disp_Maker_1" : "Diego Rivera", "Sort_Artist" : "Rivera, Diego", "Disp_Dimen" : "38.7 cm x 50.8 cm (15 1/4 in. x 20 in.)", "Disp_Height" : "38.7 cm", "Disp_Width" : "50.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph, printed in black ink with yellow tone stone", "Support" : "", "Disp_Medium" : "Lithograph, printed in black ink with yellow tone stone", "Info_Page_Comm" : "“Mercado de Tehuantepec” reflects Diego Rivera’s lifelong project to create a modern Mexican aesthetic. When developing a post-revolutionary national iconography during the 1920’s, Rivera often drew on the country’s traditional heritage. Here, he depicts the market at Tehuantepec, a Oaxacan city known for its indigenous culture, rich traditions, and famous rebellion against Spanish authorities in the colonial period. Prominent cultural officials like José Vasconcelos promoted Tehuantepec as a site of “mexicanidad,” or Mexican identity, which inspired Rivera’s many depictions of the city in his murals and prints. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.171.6-7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.171.6-7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.171.6-7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.171.6-7.tif", "IsPrimary" : "1", "_SurrogateID" : "3755", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17269", "Disp_Access_No" : "2004.171.7/7", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "Scieur de bois [Sawyer], plate 6 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Alt_Title" : "", "Obj_Title" : "Scieur de bois [Sawyer], plate 6 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Tillard", "Sort_Artist" : "Tillard, Jean-Baptiste", "Disp_Dimen" : "31 cm x 20.6 cm (12 3/16 in. x 8 1/8 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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