{ "objects" : [ { "embark_ID" : 17383, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17383", "Disp_Access_No" : "2004.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1773", "_Disp_Start_Dat" : "1773", "_Disp_End_Date" : "1773", "Disp_Title" : "An Iron Forge, after Joseph Wright of Derby", "Alt_Title" : "", "Obj_Title" : "An Iron Forge, after Joseph Wright of Derby", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "48.9 cm x 60.2 cm (19 1/4 in. x 23 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "60.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "Developed in late seventeenth-century Holland, but perfected in eighteenth-century Britain, mezzo tint was better than engraving and etching at simulating the tonal qualities of the paintings it reproduced. In mezzotint the artist painstakingly roughens the entire surface of the plate, creating a uniform black texture were the plate to be printed at this point. He then uses scrapers to remove and polish the roughened areas to be illuminated. Varying the degree of polishing, he works from dark to light and achieves a wide range of mid tones, or mezzotinto in the original Italian. Richard Earlom, whose work is well represented at the museum, used mezzotint to its greatest advantage in reproducing paintings such as Joseph Wright of Derby’s Iron Forge, in which dramatic light is central to its meaning. Fascinated with advances in science and industry, Wright romanticized the early years of the Industrial Revolution. The artist’s use of light here was compared to the illumination that emanates from the Christ Child in medieval and Renaissance nativities. By analogy, the forge and other new technologies were posited as Britain’s salvation in the modern world. Early and with its surface immaculate, this impression reveals the technique’s tremendous subtlety and inherent beauty. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, and purchase through the Archer M. Huntington Museum Fund, 2004", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.188.tif", "IsPrimary" : "1", "_SurrogateID" : "3059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19573", "Disp_Access_No" : "2010.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1791", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1791", "Disp_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Alt_Title" : "", "Obj_Title" : "The Rights of Man; - or - Tommy Paine, the little American Taylor, taking the measure of the crown, for a new pair of Revolution-breeches", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "43.6 cm x 29.1 cm (17 3/16 in. x 11 7/16 in.)", "Disp_Height" : "43.6 cm", "Disp_Width" : "29.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with hand-coloring", "Support" : "", "Disp_Medium" : "Etching with hand-coloring", "Info_Page_Comm" : "The Rights of Man, a pamphlet written by English-American Thomas Paine, criticizes European monarchies and social institutions and argues that people have a right to a revolt if their basic needs are not met under the current government. Ironically, he urged the revolutionaries to spare the life of Louis XVI and exile him to the newly formed United States, where the French king was admired and recognized for his support of the American Revolution. In the print, Paine says that the crown is too large for a tailor to measure. Gillray pokes fun at Paine’s blue-collar origins and reveals that he does not have the kind of upbringing to understand the importance of a constitutional monarchy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Anonymous gift, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.73.tif", "IsPrimary" : "1", "_SurrogateID" : "7899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16637", "Disp_Access_No" : "2002.2847.4/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Industrious 'Prentice a Favourite and Entrusted by his Master, plate IV from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.3 cm x 43.7 cm (11 1/8 in. x 17 3/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.4-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.4-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.4-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.4-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8256", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16628, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16628", "Disp_Access_No" : "2002.2847.1/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Alt_Title" : "", "Obj_Title" : "The Fellow 'Prentices at their Looms, plate I from Industry and Idleness", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "28.3 cm x 43.3 cm (11 1/8 in. x 17 1/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "43.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Previous cataloguing gave state as "final 'lifetime' state". Revised by CZ Oct. 2012", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2847.1-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2847.1-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2847.1-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2847.1-12.tif", "IsPrimary" : "1", "_SurrogateID" : "8253", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16627, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16627", "Disp_Access_No" : "2002.2846", "_AccNumSort1" : "", "Disp_Create_DT" : "1758", "_Disp_Start_Dat" : "1758", "_Disp_End_Date" : "1758", "Disp_Title" : "William Hogarth Painting the Comic Muse", "Alt_Title" : "", "Obj_Title" : "William Hogarth Painting the Comic Muse", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "57.4 cm x 45.6 cm (22 5/8 in. x 17 15/16 in.)", "Disp_Height" : "57.4 cm", "Disp_Width" : "45.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2846.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2846.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2846.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2846.tif", "IsPrimary" : "1", "_SurrogateID" : "8241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3613", "Disp_Access_No" : "1999.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Alt_Title" : "", "Obj_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Series_Title" : "", "Disp_Maker_1" : "Barthelemi Hübner", "Sort_Artist" : "Hübner, Barthelemi", "Disp_Dimen" : "37 cm x 38.9 cm (14 9/16 in. x 15 5/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "38.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "In the late eighteenth century, apothecaries had the legal right to attend and prescribe for the sick as long as they charged only for the drugs dispensed. Physical examination rarely occurred except uroscopy, the examination of urine, a method based on the humors. Uroscopy was a common method for diagnosing illness. The color of the urine, as well as the cloudiness, precipitates, and particles in the urine, was believed to indicate the cause of the disorder. It is one of the oldest forms of diagnostic testing, extending back to the days of Hippocrates. It was a necessary procedure because direct examination of a patient, or at least disrobing the patient, was socially unacceptable. Perhaps it is for this reason that while apothecaries still carried an aura of trade, the profession was nonetheless considered a genteel business and was quite popular. Michel Schuppach, a famed uroscopist, is celebrated in this print. He is portrayed at work in his pharmacy, examining a vial of the young lady’s urine, while others wait their turn. The well-mannered clientele in their fine costume offer visual testimony to the widespread reputation of the distinguished uroscopist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.16.tif", "IsPrimary" : "1", "_SurrogateID" : "2851", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8613", "Disp_Access_No" : "2001.76.10/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "A Boy on a Donkey Tending some Animals, Plate 10, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "A Boy on a Donkey Tending some Animals, Plate 10, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "33 cm x 49.1 cm (13 in. x 19 5/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "49.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.10-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.10-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.10-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.10-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4572", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8612", "Disp_Access_No" : "2001.76.9/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Shepherdess Milking a Goat, Plate 9, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Shepherdess Milking a Goat, Plate 9, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "33 cm x 49.7 cm (13 in. x 19 9/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "49.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.9-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.9-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.9-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.9-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4581", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8607", "Disp_Access_No" : "2001.76.4/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Shepherd with a Sack, Leading His Flock, Plate 4, from The Twelve Etchings Dedicated to Lord Exeter", "Alt_Title" : "", "Obj_Title" : "Shepherd with a Sack, Leading His Flock, Plate 4, from The Twelve Etchings Dedicated to Lord Exeter", "Series_Title" : "", "Disp_Maker_1" : "Francesco Londonio", "Sort_Artist" : "Londonio, Francesco", "Disp_Dimen" : "33.3 cm x 49.2 cm (13 1/8 in. x 19 3/8 in.)", "Disp_Height" : "33.3 cm", "Disp_Width" : "49.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.4-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.4-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.4-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.4-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4576", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3561", "Disp_Access_No" : "2002.1662", "_AccNumSort1" : "", "Disp_Create_DT" : "1769", "_Disp_Start_Dat" : "1769", "_Disp_End_Date" : "1769", "Disp_Title" : "Drawing from the Gladiator, after Joseph Wright of Derby", "Alt_Title" : "", "Obj_Title" : "Drawing from the Gladiator, after Joseph Wright of Derby", "Series_Title" : "", "Disp_Maker_1" : "William Pether", "Sort_Artist" : "Pether, William", "Disp_Dimen" : "48.1 cm x 55.7 cm (18 15/16 in. x 21 15/16 in.)", "Disp_Height" : "48.1 cm", "Disp_Width" : "55.7 cm", "Dimen_Extent" : "", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1662.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1662.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1662.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1662.tif", "IsPrimary" : "1", "_SurrogateID" : "8172", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17266", "Disp_Access_No" : "2004.171.4/7", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "Décrotteur [Shoe Shiner], plate 3 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Alt_Title" : "", "Obj_Title" : "Décrotteur [Shoe Shiner], plate 3 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Tillard", "Sort_Artist" : "Tillard, Jean-Baptiste", "Disp_Dimen" : "30.6 cm x 21.1 cm (12 1/16 in. x 8 5/16 in.)", "Disp_Height" : "30.6 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", 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