{ "objects" : [ { "embark_ID" : 8345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8345", "Disp_Access_No" : "1996.183", "_AccNumSort1" : "", "Disp_Create_DT" : "1634-1635", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1635", "Disp_Title" : "Le Savetier [The Cobbler], from Les Métiers", "Alt_Title" : "", "Obj_Title" : "Le Savetier [The Cobbler], from Les Métiers", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.1 cm x 33.7 cm (10 1/4 in. x 13 1/4 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "33.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Restauration du Dome de S. Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.4 cm x 29.8 cm (8 1/16 in. x 11 3/4 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This plate comes from a series of sixteen commissioned by Cosimo II de' Medici to honor his father, Ferdinando I, who had died five years earlier. Ten of the scenes depict military scenes, while the others show public works or political events. All are based on designs by the Florentine painter Matteo Rosselli with substantial elaboration by Callot. Conceived as an extension of the Life of the Medici designed by Stradanus and engraved in Antwerp, the series maintains their format and the technique of pure engraving, which is exceptional for Callot.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.381.tif", "IsPrimary" : "1", "_SurrogateID" : "6038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12238", "Disp_Access_No" : "2002.479", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1618", "_Disp_Start_Dat" : "1613", "_Disp_End_Date" : "1623", "Disp_Title" : "Frontispiece to Varie Figure [Various Figures]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Varie Figure [Various Figures]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "8.8 cm x 9.7 cm (3 7/16 in. x 3 13/16 in.)", "Disp_Height" : "8.8 cm", "Disp_Width" : "9.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.479.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.479.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.479.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.479.tif", "IsPrimary" : "1", "_SurrogateID" : "6075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18595, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18595", "Disp_Access_No" : "2006.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "Lever de lune [Moonrise]", "Alt_Title" : "", "Obj_Title" : "Lever de lune [Moonrise]", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "20.7 cm x 17.7 cm (8 1/8 in. x 6 15/16 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "17.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.176.tif", "IsPrimary" : "1", "_SurrogateID" : "5560", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4004", "Disp_Access_No" : "1998.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1861", "_Disp_Start_Dat" : "1861", "_Disp_End_Date" : "1861", "Disp_Title" : "Le Bateau-atelier, from Voyage en bateau [The Voyage by Boat]", "Alt_Title" : "", "Obj_Title" : "Le Bateau-atelier, from Voyage en bateau [The Voyage by Boat]", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "19.7 cm x 24.7 cm (7 3/4 in. x 9 3/4 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "One of the hallmarks of the Barbizon artists was their effort to capture the immediacy of their direct response to nature. In his series of sixteen prints from Voyage en bateau, characterized as an amusement for a small circle of friends, Daubigny recorded his trip down the Oise and Seine rivers. In 1857 he outfitted a small boat as a studio where he sketched some of his views, finishing them at a later date. Considered one of the "most remarkable" sheets in the album, this strongly backlit self-portrait was reprinted in contemporary monographs of the artist (1874, the year of the first Impressionist exhibition, and 1912) validating the Impressionists' firmly held belief in painting en plein air (outdoors).", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.156.tif", "IsPrimary" : "1", "_SurrogateID" : "4030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3869, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3869", "Disp_Access_No" : "1992.298", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Un Forgeron [A Blacksmith]", "Alt_Title" : "", "Obj_Title" : "Un Forgeron [A Blacksmith]", "Series_Title" : "", "Disp_Maker_1" : "Eugène Delacroix", "Sort_Artist" : "Delacroix, Eugène", "Disp_Dimen" : "52.5 cm x 37.1 cm (20 11/16 in. x 14 5/8 in.)", "Disp_Height" : "52.5 cm", "Disp_Width" : "37.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "Delacroix and Jean-Auguste-Dominique Ingres were rivals representing different sides of the debate over the form that art should take, and the Academy accepted both of them into its ranks. Unlike Ingres’s linear style, Delacroix’s art relies more on color (or in the case of prints, tone), rather than line and contour, and on an expressive application of the medium to convey its message. An unconventional and anti-classical subject, Delacroix’s blacksmith, fashioned in the aftermath of the July Revolution (1830), offers a new and threatening image of the working class. Powerful and determined, standing in his shadowy and sinister workshop, the image of a blacksmith provoked strong emotions – confidence, pride and hope among the under class; fear and contempt among those who held political power. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.298.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.298.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.298.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.298.tif", "IsPrimary" : "1", "_SurrogateID" : "5416", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1286, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1286", "Disp_Access_No" : "1985.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1872", "_Disp_Start_Dat" : "1872", "_Disp_End_Date" : "1872", "Disp_Title" : "Inside the Docks, from Jerrold Blanchard's London, a Pilgrimage; Chapter III: The Docks", "Alt_Title" : "", "Obj_Title" : "Inside the Docks, from Jerrold Blanchard's London, a Pilgrimage; Chapter III: The Docks", "Series_Title" : "", "Disp_Maker_1" : "After Gustave Doré", "Sort_Artist" : "Doré, After Gustave", "Disp_Dimen" : "34.7 cm x 27.3 cm (13 11/16 in. x 10 3/4 in.)", "Disp_Height" : "34.7 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Charles Maurand)", "Support" : "", "Disp_Medium" : "Wood engraving (by Charles Maurand)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.28.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.28.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.28.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.28.tif", "IsPrimary" : "1", "_SurrogateID" : "4757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11251", "Disp_Access_No" : "2002.388", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1651", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1656", "Disp_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Alt_Title" : "", "Obj_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "20 cm x 26.3 cm (7 7/8 in. x 10 3/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "26.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The creator of classical landscape painting, Claude Lorrain was an etcher of equivalent beauty and significance. Most of his prints were created in the 1630s. They evolved from the densely worked and animated style of Roman tradition to one approximating the subtlety of the artist’s mature paintings. For nearly a decade after that, Claude did not return to etching. Berger et bergère conversant was one of the first plates after he resumed. As with many of Claude’s etchings, the composition is related to that of a painting (Barnes Foundation, Merion, Pennsylvania). Much more than in early works, however, the conception was improvisatory, the initial handling broad, and the reworking of the plate pronounced. Claude had always made subtle changes to his plates in pursuing a desired effect. Now, the states test possibilities, vary mood as much as detail, and do not necessarily reach a conclusion. Here, the second state of the print involved extensive scraping and burnishing of the plate, eradicating entire passages, mottling the surface, and lightening the tone. No etcher in seventeenth-century Italy took greater advantage of the technique’s opportunities for creative experiment. The museum possesses sixteen etchings by Claude. The six in the Leo Steinberg Collection are all very early, fine, and today rare. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.388.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.388.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.388.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.388.tif", "IsPrimary" : "1", "_SurrogateID" : "2052", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12562", "Disp_Access_No" : "2002.977", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Shepherd with Dog and Departing Flock", "Alt_Title" : "", "Obj_Title" : "Shepherd with Dog and Departing Flock", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Reinhold", "Sort_Artist" : "Reinhold, Heinrich", "Disp_Dimen" : "17.6 cm x 25.2 cm (6 15/16 in. x 9 15/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.977.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.977.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.977.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.977.tif", "IsPrimary" : "1", "_SurrogateID" : "2093", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17266", "Disp_Access_No" : "2004.171.4/7", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "Décrotteur [Shoe Shiner], plate 3 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Alt_Title" : "", "Obj_Title" : "Décrotteur [Shoe Shiner], plate 3 from Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Tillard", "Sort_Artist" : "Tillard, Jean-Baptiste", "Disp_Dimen" : "30.6 cm x 21.1 cm (12 1/16 in. x 8 5/16 in.)", "Disp_Height" : "30.6 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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