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Here, he reproduced Nicolas Poussin’s The Saving of the Infant Pyrrhus (Louvre, Paris) on two sheets joined together and presented it to the Académie Royale in gratitude for accepting him into its ranks earlier in the year. 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Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.136.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.136.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.136.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.136.tif", "IsPrimary" : "1", "_SurrogateID" : "5499", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3140, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3140", "Disp_Access_No" : "2002.2586", "_AccNumSort1" : "", "Disp_Create_DT" : "1710", "_Disp_Start_Dat" : "1710", "_Disp_End_Date" : "1710", "Disp_Title" : "Peter Paul Rubens, after Anthony van Dyck", "Alt_Title" : "", "Obj_Title" : "Peter Paul Rubens, after Anthony van Dyck", "Series_Title" : "", "Disp_Maker_1" : "Jean Audran", "Sort_Artist" : "Audran, Jean", "Disp_Dimen" : "49 cm x 33.9 cm (19 5/16 in. x 13 3/8 in.)", "Disp_Height" : "49 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2586.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2586.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2586.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2586.tif", "IsPrimary" : "1", "_SurrogateID" : "5943", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12962", "Disp_Access_No" : "2002.1496", "_AccNumSort1" : "", "Disp_Create_DT" : "1708", "_Disp_Start_Dat" : "1708", "_Disp_End_Date" : "1708", "Disp_Title" : "Antoine Coysevox, after Hyacinthe Rigaud", "Alt_Title" : "", "Obj_Title" : "Antoine Coysevox, after Hyacinthe Rigaud", "Series_Title" : "", "Disp_Maker_1" : "Jean Audran", "Sort_Artist" : "Audran, Jean", "Disp_Dimen" : "37.8 cm x 27.4 cm (14 7/8 in. x 10 13/16 in.)", "Disp_Height" : "37.8 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1496.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1496.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1496.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1496.tif", "IsPrimary" : "1", "_SurrogateID" : "5202", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13668, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13668", "Disp_Access_No" : "2002.2585", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1707-1709", "_Disp_Start_Dat" : "1707", "_Disp_End_Date" : "1709", "Disp_Title" : "Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "Henri IV délibère sur son future marriage (Henry IV Discusses His Future Marriage), plate 7 of Recueil de la galerie du Luxembourg (The Collection of Gallery of Luxembourg), after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Jean Audran", "Sort_Artist" : "Audran, Jean", "Disp_Dimen" : "50.6 cm x 34.5 cm (19 15/16 in. x 13 9/16 in.)", "Disp_Height" : "50.6 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This is one print from a series of 24 engravings after the designs of the Nattier brothers. The engravings are after a series of paintings by Rubens from 1622-1623 commissioned by Maria de'Medici, depicting allegorical scenes representing different episodes from her life. The paintings originally hung in a gallery in the Palais du Luxembourg and are now in the Musée du Louvre in Paris. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2585.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2585.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2585.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2585.tif", "IsPrimary" : "1", "_SurrogateID" : "5942", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12319", "Disp_Access_No" : "2002.593", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Garden façade of Clagny", "Alt_Title" : "", "Obj_Title" : "Garden façade of Clagny", "Series_Title" : "", "Disp_Maker_1" : "François Antoine Aveline II", "Sort_Artist" : "Aveline II, François Antoine", "Disp_Dimen" : "28.1 cm x 38.6 cm (11 1/16 in. x 15 3/16 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "38.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Château of Clagny (constructed 1674-80), a satellite château located northeast of the Château of Versailles, was designed by the architect Jules Hardouin-Mansart for Madame de Montespan, a mistress of Louis XIV. The garden was laid out by André Le Nôtre. The print depicting the garden façade shows an axial view of the parterres de broderie, two pavilions amidst groves on either side, and the château building with the sun emblem above the central pediment.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.593.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.593.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.593.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.593.tif", "IsPrimary" : "1", "_SurrogateID" : "5409", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12324", "Disp_Access_No" : "2002.598", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Veue et perspective du Theatre d'Eau de Versailles", "Alt_Title" : "", "Obj_Title" : "Veue et perspective du Theatre d'Eau de Versailles", "Series_Title" : "", "Disp_Maker_1" : "François Antoine Aveline II", "Sort_Artist" : "Aveline II, François Antoine", "Disp_Dimen" : "26.1 cm x 38.9 cm (10 1/4 in. x 15 5/16 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "38.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Théâtre d’Eau was one of Versailles most elaborate bosquets. It was a technological marvel with complex water features and rich decoration. It was designed to be able to accommodate various spectacles, such as plays, concerts and ballets. The shows took place on the elevated stage area in front of a backdrop of running water from the fountains. A slightly lower level provided ample space for seating. Most such entertainments were staged on temporary structures constructed in the gardens of Versailles; the Théâtre d’Eau offered a permanent option that did not require constant dismantling and rebuilding.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.598.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.598.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.598.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.598.tif", "IsPrimary" : "1", "_SurrogateID" : "6922", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11287, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11287", "Disp_Access_No" : "1997.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "L'Enseigne de Gersaint [Gersaint's Shopsign], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "L'Enseigne de Gersaint [Gersaint's Shopsign], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Alexandre Aveline", "Sort_Artist" : "Aveline, Pierre-Alexandre", "Disp_Dimen" : "59.4 cm x 86.3 cm (23 3/8 in. x 34 in.)", "Disp_Height" : "59.4 cm", "Disp_Width" : "86.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Fine and sparkling, this impression of Pierre-Alexandre Aveline’s reproduction of Jean-Antoine Watteau’s L’enseigne de Gersaint of 1721 (Palais Charlottenburg, Berlin) is the centerpiece of the museum’s early eighteenth-century French prints. In 1721 the art dealer Gersaint commissioned Watteau to make a shop sign for his gallery. Casually arranged in the artist’s trademark lyrical style, the wealthy clientele visiting the shop are as much on display as are the paintings that they study. Cleverly marking the new political era, Watteau included a vignette of handlers packing away a portrait of Louis XIV, who had died seven years earlier. By combining the techniques of engraving and etching in this reproduction, Aveline achieved an impressive range of tones and details—for example, in the reflections in the mirror and in the windowpanes of the door that leads into an interior room at the center. What Watteau was able to do in paint with the shimmering fabric of the costumes, Aveline successfully translated into black and white using the burin and etching needle. Although Watteau died at thirty-seven, his art continued to have an impact until the end of the century, in part through reproductions such as this. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.133.tif", "IsPrimary" : "1", "_SurrogateID" : "1678", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13112, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13112", "Disp_Access_No" : "2002.1739", "_AccNumSort1" : "", "Disp_Create_DT" : "1554", "_Disp_Start_Dat" : "1554", "_Disp_End_Date" : "1554", "Disp_Title" : "Tomb of Julius II, after Michelangelo from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Alt_Title" : "", "Obj_Title" : "Tomb of Julius II, after Michelangelo from the Speculum Romanae Magnificentiae [Mirror of Roman Magnificence]", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "49.4 cm x 33.6 cm (19 7/16 in. x 13 1/4 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "33.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1739.tif", "ThumbnailPath" : 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"14.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1728.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1728.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1728.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1728.tif", "IsPrimary" : "1", "_SurrogateID" : "4952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13109, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13109", "Disp_Access_No" : "2002.1734", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rape of Ganymede, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Rape of Ganymede, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "42.4 cm x 28.3 cm (16 11/16 in. x 11 1/8 in.)", "Disp_Height" : "42.4 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1734.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1734.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1734.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1734.tif", "IsPrimary" : "1", "_SurrogateID" : "4956", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13106, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13106", "Disp_Access_No" : "2002.1731", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1542", "_Disp_Start_Dat" : "1537", "_Disp_End_Date" : "1547", "Disp_Title" : "Tityos, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Tityos, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "28.6 cm x 38.2 cm (11 1/4 in. x 15 1/16 in.)", "Disp_Height" : "28.6 cm", "Disp_Width" : "38.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1731.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1731.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1731.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1731.tif", "IsPrimary" : "1", "_SurrogateID" : "4954", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19422, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19422", "Disp_Access_No" : "2009.25", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "The Fall of Phaeton, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Fall of Phaeton, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "49.4 cm x 33.3 cm (19 7/16 in. x 13 1/8 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "33.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Michelangelo created three highly finished drawings of mythological subjects as gifts for Tommaso de’ Cavalieri, a young Roman nobleman with whom he had fallen in love. Preserved in the English royal collection at Windsor Castle, The Fall of Phaeton shows Jupiter striking down Apollo’s son, who had dared take the reins of the his father’s chariot, the sun, but was unable to control it. His sisters mourn below. Famed for their inventiveness and craft, these “presentation drawings” were each engraved by Beatrizet. This impression is so brilliant that it conveys not just the composition but the sculptural forms and lustrous surface of the drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund and through the generosity of Faith and Dewayne Perry, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.25.tif", "IsPrimary" : "1", "_SurrogateID" : "5361", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19532, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19532", "Disp_Access_No" : "2010.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1562", "_Disp_Start_Dat" : "1562", "_Disp_End_Date" : "1562", "Disp_Title" : "Angels Trumpeting, plate 7 from The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Angels Trumpeting, plate 7 from The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "32.9 cm x 25.7 cm (12 15/16 in. x 10 1/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.40.tif", "IsPrimary" : "1", "_SurrogateID" : "8218", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11096", "Disp_Access_No" : "1990.134", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1550", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1555", "Disp_Title" : "The Laocöon, after Marco Dente, after a Roman copy of a Hellenistic statue, 1st century B.C.", "Alt_Title" : "", "Obj_Title" : "The Laocöon, after Marco Dente, after a Roman copy of a Hellenistic statue, 1st century B.C.", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "49.2 cm x 32.7 cm (19 3/8 in. x 12 7/8 in.)", "Disp_Height" : "49.2 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In the great Hellenistic statuary group known as the Laocöon, the Trojan high priest and his sons are strangled by serpents. A sensation from the moment of its discovery in Rome in 1506, the group inspired countless artists to copy its complex postures, tortured anatomy, and extraordinary virtuosity. Within a decade of the discovery, Marco Dente had interpreted its forms as a reproductive engraving. Two generations later, Beatrizet’s version would translate Dente’s work into one governed by an even more arbitrary, almost abstract pattern. This print epitomizes Mannerist delight in artful departure from natural appearance. It shows attention to accuracy and at the same time a distance from antique sources. The classical backdrop has been replaced with an abstract background of horizontal lines, which focuses the viewer’s attention on the prototype as an object. Moreover, Beatrizet recorded the precise appearance at the time, indicating missing fingers and limbs, as well as the 1540 restoration of the central figure’s right arm. This engraving is part of an encyclopedic group of prints, the Speculum Romanae Magnificentiae [The Mirror of the Splendors of Rome], that reproduce the wonders of contemporary and ancient Rome as they had survived and appeared to the modern visitor. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.134.tif", "IsPrimary" : "1", "_SurrogateID" : "2866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19533, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19533", "Disp_Access_No" : "2010.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1562", "_Disp_Start_Dat" : "1562", "_Disp_End_Date" : "1562", "Disp_Title" : "Fall of the Sinners, plate 8 from The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Fall of the Sinners, plate 8 from The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "31.5 cm x 29.9 cm (12 3/8 in. x 11 3/4 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "29.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.41.tif", "IsPrimary" : "1", "_SurrogateID" : "8219", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2121", "Disp_Access_No" : "2002.1656", "_AccNumSort1" : "", "Disp_Create_DT" : "1545", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1545", "Disp_Title" : "Combat between Reason and Passion, after Baccio Bandinelli", "Alt_Title" : "", "Obj_Title" : "Combat between Reason and Passion, after Baccio Bandinelli", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "43.1 cm x 57.5 cm (16 15/16 in. x 22 5/8 in.)", "Disp_Height" : "43.1 cm", "Disp_Width" : "57.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Two male figures representing Passion, on the left, and Reason, on the right, shoot arrows at one another while the gods watch. According to their temperaments and associations, the groups can be identified as Passion on the left and Reason on the right. A female figure holding a flaming heart––possibly a personification of neo-Platonic love and the soul’s yearning to re-unite with the transcendental––is suspended between the two groups. This complex allegory was the last of Bandinelli’s three major designs for print. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1656.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1656.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1656.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1656.tif", "IsPrimary" : "1", "_SurrogateID" : "1819", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8117", "Disp_Access_No" : "2002.1723", "_AccNumSort1" : "", "Disp_Create_DT" : "1550's", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Annunciation, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Annunciation, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "30.4 cm x 42.6 cm (11 15/16 in. x 16 3/4 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving reproduces a presentation drawing by Michelangelo, probably of the late 1530s. Beatrizet's print, and at least two painted versions by Marcello Venusti, are the only known records of this design. The setting is unusually articulated as an interior space, with a series of frames that surround the top of the room, the back wall, and an impossibly narrow doorway. Rather than creating a sense of coherent perspective, these elements generate a surface pattern characteristic of Beatrizet. Because of the quality of this impression, therefore the strength of its contrasts, this pattern becomes dazzling.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1723.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1723.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1723.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1723.tif", "IsPrimary" : "1", "_SurrogateID" : "1835", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18809", "Disp_Access_No" : "2007.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1553", "_Disp_Start_Dat" : "1553", "_Disp_End_Date" : "1553", "Disp_Title" : "Sacrifice of Iphigenia", "Alt_Title" : "", "Obj_Title" : "Sacrifice of Iphigenia", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "32.1 cm x 45.4 cm (12 5/8 in. x 17 7/8 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "45.4 cm", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Andrée and Jonathan Bober, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.11.tif", "IsPrimary" : "1", "_SurrogateID" : "4467", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3623, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3623", "Disp_Access_No" : "1995.127", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Edme Bouchardon, after François-Hubert Drouais", "Alt_Title" : "", "Obj_Title" : "Edme Bouchardon, after François-Hubert Drouais", "Series_Title" : "", "Disp_Maker_1" : "Jacques-Firmin Beauvarlet", "Sort_Artist" : "Beauvarlet, Jacques-Firmin", "Disp_Dimen" : "55.6 cm x 40.6 cm (21 7/8 in. x 16 in.)", "Disp_Height" : "55.6 cm", "Disp_Width" : "40.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.127.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.127.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.127.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.127.tif", "IsPrimary" : "1", "_SurrogateID" : "5191", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8646, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8646", "Disp_Access_No" : "2002.1940", "_AccNumSort1" : "", "Disp_Create_DT" : "1793-1794", "_Disp_Start_Dat" : "1793", "_Disp_End_Date" : "1794", "Disp_Title" : "Marat, after Joseph Boze", "Alt_Title" : "", "Obj_Title" : "Marat, after Joseph Boze", "Series_Title" : "", "Disp_Maker_1" : "François Joseph Etienne Beisson", "Sort_Artist" : "Beisson, François Joseph Etienne", "Disp_Dimen" : "38.2 cm x 30 cm (15 1/16 in. x 11 13/16 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1940.tif", "ThumbnailPath" : 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Berain [Ornament Invented by J. Berain]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Ornemens Inventez par J. Berain [Ornament Invented by J. Berain]", "Series_Title" : "", "Disp_Maker_1" : "Jean Bérain I", "Sort_Artist" : "Bérain I, Jean", "Disp_Dimen" : "28.6 cm x 39 cm (11 1/4 in. x 15 3/8 in.)", "Disp_Height" : "28.6 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.393.tif", "IsPrimary" : "1", "_SurrogateID" : "3707", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.393.tif", "IsPrimary" : "0", "_SurrogateID" : "3725", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13224", "Disp_Access_No" : "2002.1934", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "The Laocöon, after Pierre Bouillon, after the Antique", "Alt_Title" : "", "Obj_Title" : "The Laocöon, after Pierre Bouillon, after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Charles-Clément Bervic", "Sort_Artist" : "Bervic, Charles-Clément", "Disp_Dimen" : "44.8 cm x 37.3 cm (17 5/8 in. x 14 11/16 in.)", "Disp_Height" : "44.8 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1934.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1934.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1934.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1934.tif", "IsPrimary" : "1", "_SurrogateID" : "4794", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13227", "Disp_Access_No" : "2002.1939", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Le Ménage ambulant [The Traveling Household], after Jean-Baptiste Greuze", "Alt_Title" : "", "Obj_Title" : "Le Ménage ambulant [The Traveling Household], after Jean-Baptiste Greuze", "Series_Title" : "", "Disp_Maker_1" : "Louis Binet", "Sort_Artist" : "Binet, Louis", "Disp_Dimen" : "32.3 cm x 42 cm (12 11/16 in. x 16 9/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Greuze maintained a stable of printmakers to interpret and market his designs. A pupil of Beauvarlet, one of his favorite engravers, Binet was a late participant. Le ménage captures the bold design and moralizing concern of a highly finished drawing that has been lost. An unrecorded proof, this impression is exceptionally strong but precedes an inscription underscoring the meaning: "These good folks carry everything with them.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1939.tif", "IsPrimary" : "1", "_SurrogateID" : "1873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16754, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16754", "Disp_Access_No" : "2003.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques de Boissieu", "Sort_Artist" : "Boissieu, Jean-Jacques de", "Disp_Dimen" : "39.2 cm x 31.5 cm (15 7/16 in. x 12 3/8 in.)", "Disp_Height" : "39.2 cm", "Disp_Width" : "31.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, drypoint, engraving and roulette", "Support" : "", "Disp_Medium" : "Etching, drypoint, engraving and roulette", "Info_Page_Comm" : "Known for his exquisite landscapes and genre scenes, Jean-Jacques de Boissieu also made a number of portraits. This late self-portrait shows his debt to the seventeenth-century Dutch masters, notably Rembrandt and Adriaen van Ostade. Posed casually in a compressed space, the instruments of his trade arrayed in the foreground, the artist appears with his elbow resting on a closed book as he holds up a copperplate with a portrait of his wife. In a later state, after her death, this portrait was replaced with a landscape. In postrevolutionary France Boissieu was a paragon of the bourgeois amateur artist. By the time he made this self-portrait, he had established himself as one of the best reproductive printmakers in the country. Collectors prized his original etchings for their sensitive handling of light and their rich textures, as did the artists engaged in the Etching Revival in the mid-nineteenth century, such as Charles Meryon and Félix Braquemond. This is one of nine Boissieu prints in the museum’s collection, part of a distinguished group of etchings by late eighteenth-century amateurs, such as Jean-Pierre Norblin and Marcenay de Guy, who pursued pure, personal etching at a time when engraving and other complex reproductive techniques dominated. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.6.tif", "IsPrimary" : "1", "_SurrogateID" : "2133", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3572", "Disp_Access_No" : "2002.653", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Studies of Heads", "Alt_Title" : "", "Obj_Title" : "Studies of Heads", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques de Boissieu", "Sort_Artist" : "Boissieu, Jean-Jacques de", "Disp_Dimen" : "26 cm x 20.5 cm (10 1/4 in. x 8 1/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "20.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.653.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.653.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.653.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.653.tif", "IsPrimary" : "1", "_SurrogateID" : "2069", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18807", "Disp_Access_No" : "2007.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1796", "_Disp_Start_Dat" : "1796", "_Disp_End_Date" : "1796", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques de Boissieu", "Sort_Artist" : "Boissieu, Jean-Jacques de", "Disp_Dimen" : "37 cm x 29.2 cm (14 9/16 in. x 11 1/2 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "29.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, drypoint and engraving", "Support" : "", "Disp_Medium" : "Etching, drypoint and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.9.tif", "IsPrimary" : "1", "_SurrogateID" : "4474", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3531, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3531", "Disp_Access_No" : "1989.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1767", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1767", "Disp_Title" : "Head of a Young Woman, after Charles-Dominique Eisen", "Alt_Title" : "", "Obj_Title" : "Head of a Young Woman, after Charles-Dominique Eisen", "Series_Title" : "", "Disp_Maker_1" : "Louis-Marin Bonnet", "Sort_Artist" : "Bonnet, Louis-Marin", "Disp_Dimen" : "32 cm x 23.1 cm (12 5/8 in. x 9 1/8 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "23.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chalk manner engraving in black and white inks", "Support" : "", "Disp_Medium" : "Chalk manner engraving in black and white inks", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.57.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.57.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.57.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.57.tif", "IsPrimary" : "1", "_SurrogateID" : "6212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12146, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12146", "Disp_Access_No" : "2002.379.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.4 cm x 33.9 cm (10 3/8 in. x 13 3/8 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The remaining plates in the series shed light on the customs surrounding the experience of childbirth. Some scholars propose that these rituals excluding men were forms of resistance to patriarchal authority. Expectant mothers sent formal invitations to their friends to attend the delivery of their child, just as they had for the wedding itself. Upon the onset of labor, the husband gathered the invitees together and then withdrew from the scene. A "lying-in" period of about three weeks followed the delivery during which there was a formal "upsitting" ritual marked by a feast attended only by women. The lying-in period ended when the mother and child attended church in the company of her entourage. All sexual activity was prohibited during this period when she was sequestered in her room, visited only by servants, wet-nurses, and select female friends. Men viewed these occasions with suspicion and feared the potential for the "treason of women." ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12144", "Disp_Access_No" : "2002.379.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Le Contrat [The Contract], plate 1, from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "Le Contrat [The Contract], plate 1, from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "28.3 cm x 36.9 cm (11 1/8 in. x 14 1/2 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "36.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "With over 1,500 prints to his name, Abraham Bosse is a rich source of material for our understanding of seventeenth-century society. Arranged marriages were the convention, and in this series, the first scene depicts the contract negotiated between the two families while the betrothed become acquainted off to the side. Children playing in the center middle ground suggest that the prime function of marriage is to produce heirs to whom the family's wealth will pass.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12149", "Disp_Access_No" : "2002.379.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "La Visite de la nourrice [The Wet Nurse's Visit], plate 6, from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "La Visite de la nourrice [The Wet Nurse's Visit], plate 6, from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.2 cm x 33.4 cm (10 5/16 in. x 13 1/8 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Abraham Bosse continued his commentary on marriage in the series Marriage in the Country. The tone is decidedly softer than in Marriage in the City. Friends and relatives bring gifts of cooking pots and linen to the new bride as she sets up household. In the final verse of the inscription, the bride assures her benefactors that they will be thanked when her children - not yet born - come of age, stressing the bonds marriage forged between generations and within communities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8340", "Disp_Access_No" : "2002.381", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "La Chaudeau porté aux mariés [Eggnog Carried to the Newlyweds], plate 3 from Le mariage à la ville [The Marriage in the Country]", "Alt_Title" : "", "Obj_Title" : "La Chaudeau porté aux mariés [Eggnog Carried to the Newlyweds], plate 3 from Le mariage à la ville [The Marriage in the Country]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.4 cm x 33 cm (10 in. x 13 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "33 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Chaudeau was a drink made of egg, sugar and wine believed to be an aphrodisiac. It was served during the bedding ritual. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.381.tif", "IsPrimary" : "1", "_SurrogateID" : "2049", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12150", "Disp_Access_No" : "2002.380", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "Les Présents offerts à la mariée [Presents Offered to the Bride], plate 1 from Le Mariage à la campagne [The Marriage in the Country]", "Alt_Title" : "", "Obj_Title" : "Les Présents offerts à la mariée [Presents Offered to the Bride], plate 1 from Le Mariage à la campagne [The Marriage in the Country]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.6 cm x 32.8 cm (10 1/16 in. x 12 15/16 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "32.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Abraham Bosse continued his commentary on marriage in the series Marriage in the Country. 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Conon [St. Conan], plate 19 from Les Images des saints [Images of Saints", "Alt_Title" : "", "Obj_Title" : "S. Conon [St. Conan], plate 19 from Les Images des saints [Images of Saints", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.3 cm x 6.8 cm (4 7/16 in. x 2 11/16 in.)", "Disp_Height" : "11.3 cm", "Disp_Width" : "6.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. 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Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Restauration du Dome de S. Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.4 cm x 29.8 cm (8 1/16 in. x 11 3/4 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This plate comes from a series of sixteen commissioned by Cosimo II de' Medici to honor his father, Ferdinando I, who had died five years earlier. Ten of the scenes depict military scenes, while the others show public works or political events. 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Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.381.tif", "IsPrimary" : "1", "_SurrogateID" : "6038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2482", "Disp_Access_No" : "1997.158.11/21", "_AccNumSort1" : "", "Disp_Create_DT" : "1616", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1616", "Disp_Title" : "L'Homme au gros dos orné des boutons [Man with the Large Back Decorated with Buttons], plate 10 from Les Gobbi", "Alt_Title" : "", "Obj_Title" : "L'Homme au gros dos orné des boutons [Man with the Large Back Decorated with Buttons], plate 10 from Les Gobbi", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "12.6 cm x 18.5 cm (4 15/16 in. x 7 5/16 in.)", "Disp_Height" : "12.6 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.158.11-21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.158.11-21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.158.11-21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.158.11-21.tif", "IsPrimary" : "1", "_SurrogateID" : "7490", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2458", "Disp_Access_No" : "2002.562", "_AccNumSort1" : "", "Disp_Create_DT" : "1614", "_Disp_Start_Dat" : "1614", "_Disp_End_Date" : "1614", "Disp_Title" : "Le Catafalque de François de Médici [The Bier of Francesco de Medici], after Giulio Parigi, from Estampes Gravées a L’Occasion des Obsèques de François de Médicis [Prints Engraved on the Occasion of the Funeral of Francesco de Medici]", "Alt_Title" : "", "Obj_Title" : "Le Catafalque de François de Médici [The Bier of Francesco de Medici], after Giulio Parigi, from Estampes Gravées a L’Occasion des Obsèques de François de Médicis [Prints Engraved on the Occasion of the Funeral of Francesco de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "22.4 cm x 15.8 cm (8 13/16 in. x 6 1/4 in.)", "Disp_Height" : "22.4 cm", "Disp_Width" : "15.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Callot began his long service to the Medici with etchings of inventions by Giulio Parigi, the court festival designer. This print belongs to a very rare series that records the decorations for the funeral of Francesco de Medici. It is developed in Callot’s earliest manner of a regular line, single bite, and minimal tone. At the same time, it already demonstrates an aptitude for contemporary events, an inclination toward theatrical staging, and a sensitivity of hand. Later he would employ a hard ground and special needles to endow his plates with the noble appearance of engraving, whether they were elevated to commemorate or popular to entertain.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.562.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.562.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.562.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.562.tif", "IsPrimary" : "1", "_SurrogateID" : "2063", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2542, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2542", "Disp_Access_No" : "P1961.27.2/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1624", "_Disp_Start_Dat" : "1624", "_Disp_End_Date" : "1624", "Disp_Title" : "La Dame au masque [The Masked Lady], from La Noblesse [The Nobility]", "Alt_Title" : "", "Obj_Title" : "La Dame au masque [The Masked Lady], from La Noblesse", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "15.4 cm x 10.45 cm (6 1/16 in. x 4 1/8 in.)", "Disp_Height" : "15.4 cm", "Disp_Width" : "10.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.27.2-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.27.2-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.27.2-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.27.2-4.tif", "IsPrimary" : "1", "_SurrogateID" : "7788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2584", "Disp_Access_No" : "1998.361", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "S. Lucius, plate 18 from Les Images des saints [Images of Saints]", "Alt_Title" : "", "Obj_Title" : "S. Lucius, plate 18 from Les Images des saints [Images of Saints]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "12.1 cm x 7.7 cm (4 3/4 in. x 3 1/16 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "7.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.361.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.361.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.361.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1998.361.TIF", "IsPrimary" : "1", "_SurrogateID" : "6094", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12274", "Disp_Access_No" : "2002.539.1/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1626", "_Disp_Start_Dat" : "1626", "_Disp_End_Date" : "1626", "Disp_Title" : "Le Culte de Dieu [The Cult of God], from Les Sacrifices", "Alt_Title" : "", "Obj_Title" : "Le Culte de Dieu [The Cult of God], from Les Sacrifices", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "6.6 cm x 4.9 cm (2 5/8 in. x 1 15/16 in.)", "Disp_Height" : "6.6 cm", "Disp_Width" : "4.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.539.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.539.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.539.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.539.1-3.tif", "IsPrimary" : "1", "_SurrogateID" : "6088", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2582, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2582", "Disp_Access_No" : "1998.359", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "La Conversion de S. Paul, plate 8 from Les Images des saints [Images of Saints]", "Alt_Title" : "", "Obj_Title" : "La Conversion de S. Paul, plate 8 from Les Images des saints [Images of Saints]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "10.8 cm x 7.4 cm (4 1/4 in. x 2 15/16 in.)", "Disp_Height" : "10.8 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. 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Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.175.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.175.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.175.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.175.tif", "IsPrimary" : "1", "_SurrogateID" : "4787", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3320", "Disp_Access_No" : "1997.180", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Eustache Le Sueur", "Alt_Title" : "", "Obj_Title" : "Eustache Le Sueur", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the elder", "Sort_Artist" : "Cochin, the elder, Charles-Nicolas", "Disp_Dimen" : "37.2 cm x 24.4 cm (14 5/8 in. x 9 5/8 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Le Seuer (1617-35) was an important history painter and among the founding members of the Royal Academy of Painting and Sculpture.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.180.tif", "IsPrimary" : "1", "_SurrogateID" : "7664", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3319, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3319", "Disp_Access_No" : "1995.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Eustache Le Sueur", "Alt_Title" : "", "Obj_Title" : "Eustache Le Sueur", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the elder", "Sort_Artist" : "Cochin, the elder, Charles-Nicolas", "Disp_Dimen" : "36.3 cm x 24.6 cm (14 5/16 in. x 9 11/16 in.)", "Disp_Height" : "36.3 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Le Seuer (1617-35) was an important history painter and among the founding members of the Royal Academy of Painting and Sculpture.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.16.tif", "IsPrimary" : "1", "_SurrogateID" : "7662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3330, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3330", "Disp_Access_No" : "1995.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1734", "_Disp_Start_Dat" : "1734", "_Disp_End_Date" : "1734", "Disp_Title" : "L'Amour au théâtre italien [Actors of the Comédie-Italienne], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "L'Amour au théâtre italien [Actors of the Comédie-Italienne], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the elder", "Sort_Artist" : "Cochin, the elder, Charles-Nicolas", "Disp_Dimen" : "43.1 cm x 60.6 cm (16 15/16 in. x 23 7/8 in.)", "Disp_Height" : "43.1 cm", "Disp_Width" : "60.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This composition is usually related to the return of the commedia dell’arte in 1716 and features the nocturnal effects associated with Italian productions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.63.tif", "IsPrimary" : "1", "_SurrogateID" : "3736", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3318, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3318", "Disp_Access_No" : "1995.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Eustache Le Sueur", "Alt_Title" : "", "Obj_Title" : "Eustache Le Sueur", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the elder", "Sort_Artist" : "Cochin, the elder, Charles-Nicolas", "Disp_Dimen" : "36.3 cm x 24.6 cm (14 5/16 in. x 9 11/16 in.)", "Disp_Height" : "36.3 cm", "Disp_Width" : "24.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Le Seuer (1617-35) was an important history painter and among the founding members of the Royal Academy of Painting and Sculpture.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.15.tif", "IsPrimary" : "1", "_SurrogateID" : "7661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3329, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3329", "Disp_Access_No" : "1995.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1734", "_Disp_Start_Dat" : "1734", "_Disp_End_Date" : "1734", "Disp_Title" : "L'Amour au théâtre françois [Actors of the Comédie-Française], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "L'Amour au théâtre françois [Actors of the Comédie-Française], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the elder", "Sort_Artist" : "Cochin, the elder, Charles-Nicolas", "Disp_Dimen" : "43.4 cm x 60.9 cm (17 1/16 in. x 24 in.)", "Disp_Height" : "43.4 cm", "Disp_Width" : "60.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The subject has been interpreted as a scene from either a mythological performance or a contemporary French romantic comedy.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.62.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.62.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.62.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.62.tif", "IsPrimary" : "1", "_SurrogateID" : "3735", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3169", "Disp_Access_No" : "2002.1935", "_AccNumSort1" : "", "Disp_Create_DT" : "1727", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1727", "Disp_Title" : "Camp Volant [Soldiers in Camp], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "Camp Volant [Soldiers in Camp], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the elder", "Sort_Artist" : "Cochin, the elder, Charles-Nicolas", "Disp_Dimen" : "32.6 cm x 44.2 cm (12 13/16 in. x 17 3/8 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "44.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Around 1709 Watteau returned briefly to his native Valenciennes. Painting soldiers and military subjects in that garrison town, he had his first financial success and began to establish his reputation. Representing vagabonds or perhaps refugees from combat, Camp volant (today in the Pushkin Museum, Moscow), is the best known of these subjects.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1935.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1935.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1935.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1935.tif", "IsPrimary" : "1", "_SurrogateID" : "4647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3335, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3335", "Disp_Access_No" : "1996.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1737", "_Disp_Start_Dat" : "1737", "_Disp_End_Date" : "1737", "Disp_Title" : "Le Tailleur pour femmes [The Women's Tailor]", "Alt_Title" : "", "Obj_Title" : "Le Tailleur pour femmes [The Women's Tailor]", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the younger", "Sort_Artist" : "Cochin, the younger, Charles-Nicolas", "Disp_Dimen" : "39.3 cm x 26.2 cm (15 1/2 in. x 10 5/16 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Translation of text (by Maryvonne Leroux): What a gracious profession you have! Tailor, I envy you. You can [feast your eyes] on Sylvie''s charms. I would endure without grumbling The tortures that she makes me suffer It I were to succeed In taking her measure[ments] as I please. -C. Snay 10/06/06", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.153.tif", "IsPrimary" : "1", "_SurrogateID" : "4708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3365", "Disp_Access_No" : "1988.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1746", "_Disp_Start_Dat" : "1746", "_Disp_End_Date" : "1746", "Disp_Title" : "Décoration de la Salle de Spectacle construite dans le Manège couvert de la grande Ecurie, à Versailles pour la representation de la Princesse de Navarre comédie bales, donnée à l'occasion du mariage de Louis Dauphin de France avec Marie Thérèse Infante..", "Alt_Title" : "", "Obj_Title" : "Décoration de la Salle de Spectacle construite dans le Manège couvert de la grande Ecurie, à Versailles pour la representation de la Princesse de Navarre comédie bales, donnée à l'occasion du mariage de Louis Dauphin de France avec Marie Thérèse Infante d'Espagne, le XXIII février MDCCXLV [Decoration of the Salle de Spectacle Built in the Exercise Ring of the Large Stable at Versailles for the Performance of the Princess of Navarre [Comedy with Dance], Given on the Occasion of the Wedding of Louis Dauphin and Marie Therese, Infanta of Spain, February 22, 1745]", "Series_Title" : "", "Disp_Maker_1" : "Charles-Nicolas Cochin, the younger", "Sort_Artist" : "Cochin, the younger, Charles-Nicolas", "Disp_Dimen" : "86.6 cm x 62 cm (34 1/8 in. x 24 7/16 in.)", "Disp_Height" : "86.6 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Cochin was an eminent artist in the court of Louis XV. His skill as a printmaker earned him many commissions to record official ceremonies and festivities, such as the theatrical performances held to celebrate the marriage of the king's eldest son (aged 16) to Marie Thérèse, princess of Spain (aged 19). The union continued a tradition of Catholic alliances forged to wage war against Protestants.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.62.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.62.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.62.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.62.tif", "IsPrimary" : "1", "_SurrogateID" : "4236", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12244, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12244", "Disp_Access_No" : "2002.505", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Frontispiece to Jacques Callot, Paysages Gravés pour Jean de Médicis [Landscapes Engraved for Giovanni de Medici]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Jacques Callot, Paysages Gravés pour Jean de Médicis [Landscapes Engraved for Giovanni de Medici]", "Series_Title" : "", "Disp_Maker_1" : "François Collignon", "Sort_Artist" : "Collignon, François", "Disp_Dimen" : "12 cm x 24.5 cm (4 3/4 in. x 9 5/8 in.)", "Disp_Height" : "12 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Italian Landscapes consist of ten views of the Tuscan coast and countryside. It was traditionally thought that Giovanni de’Medici commissioned the series based on a letter Callot wrote to him in 1618 to present a series of landscape etchings (“the first of the kind I have made”). The actual circumstance of their creation, however, remains unclear. When the series was first published, in 1633, Callot’s French follower Collignon supplied a title page. Matted and stored with Callot near Lieure 268.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.505.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.505.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.505.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.505.tif", "IsPrimary" : "1", "_SurrogateID" : "6057", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13222", "Disp_Access_No" : "2002.1931", "_AccNumSort1" : "", "Disp_Create_DT" : "1727-1728", "_Disp_Start_Dat" : "1727", "_Disp_End_Date" : "1728", "Disp_Title" : "Berger dansant au son de la flûte [Composition with Dancer, Flautist and Young Woman], plate 2 from Paravent de six feuilles [Folding Screen of Six Panels], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "Berger dansant au son de la flûte [Composition with Dancer, Flautist and Young Woman], plate 2 from Paravent de six feuilles [Folding Screen of Six Panels], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "Louis Crépy", "Sort_Artist" : "Crépy, Louis", "Disp_Dimen" : "39.9 cm x 20.7 cm (15 11/16 in. x 8 1/8 in.)", "Disp_Height" : "39.9 cm", "Disp_Width" : "20.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Crépy reproduced Watteau’s six designs for the faces of a folding screen. Aside from the inscription on the first of Crépy’s plates, there are contemporary references to the screen. Although it has been identified with a number of works appearing at auction in the nineteenth century, these etchings remaining the best record of Watteau’s inventions. 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Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.113.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.113.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.113.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.113.tif", "IsPrimary" : "1", "_SurrogateID" : "3737", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8131", "Disp_Access_No" : "1997.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1550-1583", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1583", "Disp_Title" : "The Rape of Hippodamia, after Enea Vico, after Rosso Fiorentino", 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"embark_ID" : 3634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3634", "Disp_Access_No" : "1995.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "L'Armoire [The Wardrobe]", "Alt_Title" : "", "Obj_Title" : "L'Armoire [The Wardrobe]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "41.6 cm x 54.8 cm (16 3/8 in. x 21 9/16 in.)", "Disp_Height" : "41.6 cm", "Disp_Width" : "54.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "With Jean-Antoine Watteau and François Boucher, Jean-Honoré Fragonard completes the triumvirate of artists who defined the French Rococo style. As shown in The Swing, The Bolt, and The Stolen Kiss, Fragonard excelled at images of illicit love. Witty, charming, and lighthearted, the artist’s approach was comic rather than moralizing. In L’armoire a young man shamefacedly steps out from his hiding spot with his hat suggestively held in front of him as he is threatened with a stick by the irate parents of his lover. The daughter, partly in embarrassment and partly in despair, covers her face with her apron. The painting became famous and increased in popularity after Fragonard etched the image here. The museum etching is an early impression of the second state on eighteenth-century paper that has never been washed. Other works by Fragonard in the Blanton’s collection include the even rarer impression of a portrait of his son, Fan-Fan, made in collaboration with Marguerite Gérard, as well as an important, if somewhat compromised, drawing from the Suida-Manning Collection. 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Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.600.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.600.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.600.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.600.tif", "IsPrimary" : "1", "_SurrogateID" : "8374", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13672, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13672", "Disp_Access_No" : "2002.2592", "_AccNumSort1" : "", "Disp_Create_DT" : "1763", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1763", "Disp_Title" : "Plate from Jeux de satyres", "Alt_Title" : "", "Obj_Title" : "Plate from Jeux de satyres", "Series_Title" : "", "Disp_Maker_1" : "Jean-Honoré Fragonard", "Sort_Artist" : "Fragonard, Jean-Honoré", "Disp_Dimen" : "13.6 cm x 20.7 cm (5 3/8 in. x 8 1/8 in.)", "Disp_Height" : "13.6 cm", "Disp_Width" : "20.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2592.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2592.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2592.tif", "IIIF_URL": 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University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Translation of text (by Maryvonne Leroux): The gods took pleasure in making you perfect, And these vain ornaments that you mistakenly borrow Serve only to hide your real beauty. Leave, then, forever your toilette, Philis. Do you want to provoke the keenest passions to submit all hearts to your kind laws [?] Thus in your prime, show yourself in a state of simple nature, Without pretense and without finery. - Cheryl Snay, 9/13/06", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.180.tif", "IsPrimary" : "1", "_SurrogateID" : "4539", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.180.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.180.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.180.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.180.tif", "IsPrimary" : "0", "_SurrogateID" : "4559", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3641, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3641", "Disp_Access_No" : "2002.1952", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Assault on the City Walls", "Alt_Title" : "", "Obj_Title" : "Assault on the City Walls", "Series_Title" : "", "Disp_Maker_1" : "Jacques Gamelin", "Sort_Artist" : "Gamelin, Jacques", "Disp_Dimen" : "26.5 cm x 39.7 cm (10 7/16 in. x 15 5/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "39.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1952.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1952.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1952.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1952.tif", "IsPrimary" : "1", "_SurrogateID" : "8332", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19198", "Disp_Access_No" : "2008.124", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1678", "_Disp_Start_Dat" : "1679", "_Disp_End_Date" : "1688", "Disp_Title" : "Barbara, Duchess of Cleveland and Daughter", "Alt_Title" : "", "Obj_Title" : "Barbara, Duchess of Cleveland and Daughter", "Series_Title" : "", "Disp_Maker_1" : "Henri Gascar", "Sort_Artist" : "Gascar, Henri", "Disp_Dimen" : "30.2 cm x 39.2 cm (11 7/8 in. x 15 7/16 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "39.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "Barbara Villiers was a famous beauty who became the influential mistress of King Charles II. A French portraitist, Gascar executed a small number of mezzotints after his own paintings. “Original” as opposed to “reproductive,” somewhat awkward in their drawing, but exquisite in their textures, these mezzotints are unusual in kind. Impressions are also exceedingly rare.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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In the first part of the eighteenth century, medical illustrations were printed in black and white and colors had to be applied by hand. In 1741, Jacob Christoph LeBlon devised a three-color printing technique based on Newton’s color theory that stated that all colors can be created by mixing red, blue, and green. Gautier-Dagoty’s father, Jacques- Fabien Gautier (1711-85), was trained by LeBlon and the color mezzotint process was used by the Gautier family for more than twenty-five years. In addition to being an unusual instance of mezzotint in France rather than England, this print is a representative of one of the first anatomical atlases in color created by the Gautier-Dagoty family.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. 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"Obj_Title" : "The Adoration of the Shepherds, after Paolo Veronese, plate 166 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Louis Jacob", "Sort_Artist" : "Jacob, Louis", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.156-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.156-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.156-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.156-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6576", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10972", "Disp_Access_No" : "P1963.4.171/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Flaying of 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"Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.171-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.171-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.171-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.171-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6591", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11086, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11086", "Disp_Access_No" : "2002.1847", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Male Nude", "Alt_Title" : "Acrobat", "Obj_Title" : "Male Nude", "Series_Title" : "", "Disp_Maker_1" : "Juste de Juste", "Sort_Artist" : "Juste, Juste de", "Disp_Dimen" : "19.3 cm x 8.9 cm (7 5/8 in. x 3 1/2 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "8.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1847.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1847.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1847.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1847.tif", "IsPrimary" : "1", "_SurrogateID" : "1864", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11084", "Disp_Access_No" : "2002.1845", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Male Figure Leaning on a Socle", "Alt_Title" : "", "Obj_Title" : "Male Figure Leaning on a Socle", "Series_Title" : "", "Disp_Maker_1" : "Juste de Juste", "Sort_Artist" : "Juste, Juste de", "Disp_Dimen" : "17.6 cm x 9.1 cm (6 15/16 in. x 3 9/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "9.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is one of a series of twelve etchings of single male figures. Anti-classical in their contorted postures and disconcerting in their strained expressions, they elaborate on types that appear in works by Rosso Fiorentino and seem to caricature the ideal nudes of antique statuary. Their meaning and circumstance are, however, unknown. Based on the inscription of a related plate, they are assigned to Juste de Juste, a sculptor from Tours and an assistant at Fontainebleau. The Collection includes two more of these very rare prints. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1845.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1845.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1845.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1845.tif", "IsPrimary" : "1", "_SurrogateID" : "23599", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11085", "Disp_Access_No" : "2002.1846", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Male Nude", "Alt_Title" : "Acrobat", "Obj_Title" : "Male Nude", "Series_Title" : "", "Disp_Maker_1" : "Juste de Juste", "Sort_Artist" : "Juste, Juste de", "Disp_Dimen" : "17.6 cm x 9.1 cm (6 15/16 in. x 3 9/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "9.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1846.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1846.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1846.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1846.tif", "IsPrimary" : "1", "_SurrogateID" : "23600", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17238", "Disp_Access_No" : "2004.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1754", "_Disp_Start_Dat" : "1749", "_Disp_End_Date" : "1759", "Disp_Title" : "An Artist at the French Academy in Rome (?), plate 5, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Alt_Title" : "", "Obj_Title" : "An Artist at the French Academy in Rome (?), plate 5, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Series_Title" : "", "Disp_Maker_1" : "Ange-Laurent de La Live de Jully", "Sort_Artist" : "La Live de Jully, Ange-Laurent de", "Disp_Dimen" : "33.7 cm x 24.5 cm (13 1/4 in. x 9 5/8 in.)", "Disp_Height" : "33.7 cm", "Disp_Width" : "24.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.154.tif", "IsPrimary" : "1", "_SurrogateID" : "2824", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17239", "Disp_Access_No" : "2004.155", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1754", "_Disp_Start_Dat" : "1749", "_Disp_End_Date" : "1759", "Disp_Title" : "An Artist at the French Academy in Rome (?), plate 7, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Alt_Title" : "", "Obj_Title" : "An Artist at the French Academy in Rome (?), plate 7, from Recueil de Caricatures, after Jacques-François-Joseph Saly", "Series_Title" : "", "Disp_Maker_1" : "Ange-Laurent de La Live de Jully", "Sort_Artist" : "La Live de Jully, Ange-Laurent de", "Disp_Dimen" : "33.8 cm x 24.7 cm (13 5/16 in. x 9 3/4 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.155.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.155.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.155.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.155.tif", "IsPrimary" : "1", "_SurrogateID" : "2825", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17680", "Disp_Access_No" : "2005.165", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "Loeil de Dieu testimoin de toutes nos actions [The Eye of God Witnesses All of Our Actions]", "Alt_Title" : "", "Obj_Title" : "Loeil de Dieu testimoin de toutes nos actions [The Eye of God Witnesses All of Our Actions]", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Larmessin I", "Sort_Artist" : "Larmessin I, Nicolas de", "Disp_Dimen" : "46.5 cm x 34.6 cm (18 5/16 in. x 13 5/8 in.)", "Disp_Height" : "46.5 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.165.tif", "IsPrimary" : "1", "_SurrogateID" : "5269", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11272", "Disp_Access_No" : "1999.17", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690", "_Disp_Start_Dat" : "1685", "_Disp_End_Date" : "1695", "Disp_Title" : "Habit de coustellier [A Cutler's Costume], from Habits des métiers et professions", "Alt_Title" : "", "Obj_Title" : "Habit de coustellier [A Cutler's Costume], from Habits des métiers et professions", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Larmessin II", "Sort_Artist" : "Larmessin II, Nicolas de", "Disp_Dimen" : "36.2 cm x 23.8 cm (14 1/4 in. x 9 3/8 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Since the sixteenth century, printmakers in Europe created series presenting various costumes in an almost encyclopedic manner. These series remained popular through the seventeenth century. Another regular concern in printmaking was the representation of the trades and occupations. Larmessin creatively and humorously combined these two traditions together in a series of figures wearing fanciful costumes of their trade. This particular figure from the series is a personification of the cutler’s trade. He wears a coat which is adorned with surgeon's implements including knives, scissors, and forceps, while in his left hand he holds a surgeon’s saw. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.17.tif", "IsPrimary" : "1", "_SurrogateID" : "2852", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3177, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3177", "Disp_Access_No" : "G1964.1.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1729", "_Disp_Start_Dat" : "1729", "_Disp_End_Date" : "1729", "Disp_Title" : "Cardinal Ferry Carondelet and his Secretary, after "Raphael" [Sebastiano del Piombo]", "Alt_Title" : "", "Obj_Title" : "Cardinal Ferry Carondelet and his Secretary, after "Raphael" [Sebastiano del Piombo]", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Larmessin IV", "Sort_Artist" : "Larmessin IV, Nicolas de", "Disp_Dimen" : "38.7 cm x 29.25 cm (15 1/4 in. x 11 1/2 in.)", "Disp_Height" : "38.7 cm", "Disp_Width" : "29.25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of E. Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.132.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.132.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.132.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.132.tif", "IsPrimary" : "1", "_SurrogateID" : "6211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3317", "Disp_Access_No" : "1997.246", "_AccNumSort1" : "", "Disp_Create_DT" : "1730", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "Claude Hallé, after Gros", "Alt_Title" : "", "Obj_Title" : "Claude Hallé, after Gros", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Larmessin IV", "Sort_Artist" : "Larmessin IV, Nicolas de", "Disp_Dimen" : "46 cm x 30.9 cm (18 1/8 in. x 12 3/16 in.)", "Disp_Height" : "46 cm", "Disp_Width" : "30.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.246.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.246.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.246.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.246.tif", "IsPrimary" : "1", "_SurrogateID" : "5199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3323, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3323", "Disp_Access_No" : "1997.247", "_AccNumSort1" : "", "Disp_Create_DT" : "1732", "_Disp_Start_Dat" : "1732", "_Disp_End_Date" : "1732", "Disp_Title" : "Philippe Vleughels, after Philippe de Champaigne", "Alt_Title" : "", "Obj_Title" : "Philippe Vleughels, after Philippe de Champaigne", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Larmessin IV", "Sort_Artist" : "Larmessin IV, Nicolas de", "Disp_Dimen" : "38.3 cm x 26.4 cm (15 1/16 in. x 10 3/8 in.)", "Disp_Height" : "38.3 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.247.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.247.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.247.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.247.tif", "IsPrimary" : "1", "_SurrogateID" : "5265", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3347", "Disp_Access_No" : "1997.250", "_AccNumSort1" : "", "Disp_Create_DT" : "1741", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1741", "Disp_Title" : "Pierre-Jacques Cazes, after Jacques-André-Joseph Aved", "Alt_Title" : "", "Obj_Title" : "Pierre-Jacques Cazes, after Jacques-André-Joseph Aved", "Series_Title" : "", "Disp_Maker_1" : "Jacques-Philippe Le Bas", "Sort_Artist" : "Le Bas, Jacques-Philippe", "Disp_Dimen" : "52.4 cm x 39.1 cm (20 5/8 in. x 15 3/8 in.)", "Disp_Height" : "52.4 cm", "Disp_Width" : "39.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.250.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.250.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.250.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.250.tif", "IsPrimary" : "1", "_SurrogateID" : "5200", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10966, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10966", "Disp_Access_No" : "P1963.4.165/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "The Adoration of the Magi, after Paolo Veronese, plate 165 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](th", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Paolo Veronese, plate 165 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Jacques-Philippe Le Bas", "Sort_Artist" : "Le Bas, Jacques-Philippe", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.165-178.tif", "ThumbnailPath" : 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"Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.466.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.466.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.466.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.466.tif", "IsPrimary" : "1", "_SurrogateID" : "2059", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12171", "Disp_Access_No" : "2002.407", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1698", "_Disp_Start_Dat" : "1693", "_Disp_End_Date" : "1703", "Disp_Title" : "L’Academie des sciences et des beaux-arts [Academy of Sciences and the Fine Arts]", "Alt_Title" : "", "Obj_Title" : "L’Academie des sciences et des beaux-arts [Academy of Sciences and the Fine Arts]", "Series_Title" : "", "Disp_Maker_1" : "Sébastien Le Clerc, the elder", "Sort_Artist" : "Le Clerc, the elder, Sébastien", "Disp_Dimen" : "23.6 cm x 36.8 cm (9 5/16 in. x 14 1/2 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Preparatory drawing at the British Museum, 1886-1-11-18.", "Images": [ { 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Corollary propaganda, Debucourt invented this composition of a cripple unfurling a portrait of the king and describing the scene of his return ––“My people can always count upon my love.” –– to a marveling crowd. Initially (below), Legrand faithfully reproduced the painting. Three years later, after the beheading of the king and Robespierre’s proclamation of “the belief of the French people in a Supreme Being and in the Immortality of the Soul,” Legrand reworked the plate (above), replacing the portrait with the Decree, introducing personifications of Fortitude and Justice, and of course changing the inscription. A decade later, the plate was altered again, with a portrait of Napoleon substituted for the Decret. In 1853, a critic would wryly observe that, “if the plate were to be resurrected, it could serve again to promote the exploits of the French army.” The life of Legrand’s print is a clamorous case of the correlation between political vicissitudes and printmaking. 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Blanton Curatorial Endowment Fund, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.7.tif", "IsPrimary" : "1", "_SurrogateID" : "6440", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3469", "Disp_Access_No" : "1995.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Rape of Europa, after Jean-Baptiste-Marie Pierre", "Alt_Title" : "", "Obj_Title" : "The Rape of Europa, after Jean-Baptiste-Marie Pierre", "Series_Title" : "", "Disp_Maker_1" : "Louis-Simon Lempereur", "Sort_Artist" : "Lempereur, Louis-Simon", "Disp_Dimen" : "44.2 cm x 50.3 cm (17 3/8 in. x 19 13/16 in.)", "Disp_Height" : "44.2 cm", "Disp_Width" : "50.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.18.tif", "IsPrimary" : "1", "_SurrogateID" : "1652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 466, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/466", "Disp_Access_No" : "2002.428", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Vase Decorated with a Frieze of a Small Bacchant on a Lion, plate 6 from Antique Vases", "Alt_Title" : "", "Obj_Title" : "Vase Decorated with a Frieze of a Small Bacchant on a Lion, plate 6 from Antique Vases", "Series_Title" : "", "Disp_Maker_1" : "Jean LePautre", "Sort_Artist" : "LePautre, Jean", "Disp_Dimen" : "22.4 cm x 15.5 cm (8 13/16 in. x 6 1/8 in.)", "Disp_Height" : "22.4 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.428.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.428.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.428.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.428.tif", "IsPrimary" : "1", "_SurrogateID" : "3708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.428.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.428.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.428.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.428.tif", "IsPrimary" : "0", "_SurrogateID" : "3726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.428.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.428.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.428.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.428.tif", "IsPrimary" : "0", "_SurrogateID" : "3747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12191", "Disp_Access_No" : "2002.433", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Moïse esposé par son père sur le Nil [Moses Sent Down the Nile by His Father], plate 2, from the Historie de Moïse [The Life of Moses]", "Alt_Title" : "", "Obj_Title" : "Moïse esposé par son père sur le Nil [Moses Sent Down the Nile by His Father], plate 2, from the Historie de Moïse [The Life of Moses]", "Series_Title" : "", "Disp_Maker_1" : "Jean LePautre", "Sort_Artist" : "LePautre, Jean", "Disp_Dimen" : "22 cm x 29.8 cm (8 11/16 in. x 11 3/4 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Lepautre etched more than two thousand plates of ornament and architectural elements. His fertile imagination extended to series of Old and New Testament subjects with condensed narrative and elaborate enframement. Especially measured in construction and pure in form, this scene from his Life of Moses seems not just an emblem of French classicism but a projection of the Cartesian mind. Despite such inventions and qualities, Lepautre's etchings rarely receive serious consideration. 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Huntington Art Gallery, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.26.tif", "IsPrimary" : "1", "_SurrogateID" : "5295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11293", "Disp_Access_No" : "1995.23", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "A Man Seated on the Ground on a Drapery, Turned to the Right, from Six figures academiques [Six Academic Figures] ", "Alt_Title" : "", "Obj_Title" : "A Man Seated on the Ground on a Drapery, Turned to the Right, from Six figures academiques [Six Academic Figures] ", "Series_Title" : "", "Disp_Maker_1" : "Carle van Loo", "Sort_Artist" : "Loo, Carle van", "Disp_Dimen" : "30.8 cm x 42.8 cm (12 1/8 in. x 16 7/8 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "42.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by the Friends of the Archer M. 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"Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.387.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.387.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.387.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.387.tif", "IsPrimary" : "1", "_SurrogateID" : "4641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11251", "Disp_Access_No" : "2002.388", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1651", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1656", "Disp_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Alt_Title" : "", "Obj_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "20 cm x 26.3 cm (7 7/8 in. x 10 3/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "26.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The creator of classical landscape painting, Claude Lorrain was an etcher of equivalent beauty and significance. Most of his prints were created in the 1630s. They evolved from the densely worked and animated style of Roman tradition to one approximating the subtlety of the artist’s mature paintings. For nearly a decade after that, Claude did not return to etching. Berger et bergère conversant was one of the first plates after he resumed. As with many of Claude’s etchings, the composition is related to that of a painting (Barnes Foundation, Merion, Pennsylvania). Much more than in early works, however, the conception was improvisatory, the initial handling broad, and the reworking of the plate pronounced. Claude had always made subtle changes to his plates in pursuing a desired effect. Now, the states test possibilities, vary mood as much as detail, and do not necessarily reach a conclusion. Here, the second state of the print involved extensive scraping and burnishing of the plate, eradicating entire passages, mottling the surface, and lightening the tone. No etcher in seventeenth-century Italy took greater advantage of the technique’s opportunities for creative experiment. The museum possesses sixteen etchings by Claude. The six in the Leo Steinberg Collection are all very early, fine, and today rare. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.388.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.388.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.388.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.388.tif", "IsPrimary" : "1", "_SurrogateID" : "2052", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11175, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11175", "Disp_Access_No" : "1997.409", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630-1633", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1633", "Disp_Title" : "La Fuite en Egypte [Flight into Egypt]", "Alt_Title" : "", "Obj_Title" : "La Fuite en Egypte [Flight into Egypt]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "10.2 cm x 16.8 cm (4 in. x 6 5/8 in.)", "Disp_Height" : "10.2 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.409.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.409.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.409.tif", "IsPrimary" : "1", "_SurrogateID" : "4630", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11198", "Disp_Access_No" : "2002.383", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1638-1641", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1641", "Disp_Title" : "Le Naufrage [The Shipwreck]", "Alt_Title" : "", "Obj_Title" : "Le Naufrage [The Shipwreck]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "13 cm x 18.3 cm (5 1/8 in. x 7 3/16 in.)", "Disp_Height" : "13 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The number 3 has been erased from the left edge, meaning that it is in fact the second state.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.383.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.383.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.383.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.383.tif", "IsPrimary" : "1", "_SurrogateID" : "2050", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18682", "Disp_Access_No" : "2006.258", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Scène de brigands [Landscape with Brigands]", "Alt_Title" : "", "Obj_Title" : "Scène de brigands [Landscape with Brigands]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "12.9 cm x 19.9 cm (5 1/16 in. x 7 13/16 in.)", "Disp_Height" : "12.9 cm", "Disp_Width" : "19.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.258.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.258.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.258.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.258.tif", "IsPrimary" : "1", "_SurrogateID" : "4252", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2656", "Disp_Access_No" : "2002.385", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Le Soleil levant [Harbor Scene with Rising Sun]", "Alt_Title" : "", "Obj_Title" : "Le Soleil levant [Harbor Scene with Rising Sun]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "13.1 cm x 19.9 cm (5 3/16 in. x 7 13/16 in.)", "Disp_Height" : "13.1 cm", "Disp_Width" : "19.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The creator of classical landscape painting, Claude Lorrain was an etcher of equivalent beauty and significance. Le soleil levant, based on a painting in the Hermitage, is one of the first plates of his mature style, systematic in construction, luminous in effect, and exquisite in touch. For nearly a decade, Claude did not make a print. When he resumed with the Berger et bergère, above, the conception was more improvisatory, the initial handling broader, and the plate steadily refined through multiple states. Steinberg’s six etchings by Claude are of a quality now unobtainable.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.385.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.385.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.385.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.385.tif", "IsPrimary" : "1", "_SurrogateID" : "2051", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3459", "Disp_Access_No" : "2002.1519", "_AccNumSort1" : "", "Disp_Create_DT" : "1760", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1760", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "Self-Portrait", "Series_Title" : "", "Disp_Maker_1" : "Antoine de Marcenay de Ghuy", "Sort_Artist" : "Marcenay de Ghuy, Antoine de", "Disp_Dimen" : "32.3 cm x 23.1 cm (12 11/16 in. x 9 1/8 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "23.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Marcenay was a well-to-do amateur whose etchings, according to Beraldi, "possess an intelligence and an originality that makes them immediately recognizable and way more than the work of an amateur." The portraits, he adds, "are by far his best prints." This self-portrait is one of the earliest and rarest. Responding to Marcenay’s unconventional talent and sensitivity, Steinberg acquired eight other etchings.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1519.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1519.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1519.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1519.tif", "IsPrimary" : "1", "_SurrogateID" : "1793", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17185", "Disp_Access_No" : "2004.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1717", "_Disp_Start_Dat" : "1717", "_Disp_End_Date" : "1717", "Disp_Title" : "Antoine Coypel", "Alt_Title" : "", "Obj_Title" : "Antoine Coypel", "Series_Title" : "", "Disp_Maker_1" : "Jean Baptiste Massé", "Sort_Artist" : "Massé, Jean Baptiste", "Disp_Dimen" : "38.2 cm x 27 cm (15 1/16 in. x 10 5/8 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving with etching", "Support" : "", "Disp_Medium" : "Engraving with etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.133.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.133.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.133.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.133.tif", "IsPrimary" : "1", "_SurrogateID" : "5186", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18065", "Disp_Access_No" : "2005.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1667", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1667", "Disp_Title" : "Henri de Lorraine, Count of Harcourt (Le Cadet à la Perle), after Pierre Mignard", "Alt_Title" : "", "Obj_Title" : "Henri de Lorraine, Count of Harcourt (Le Cadet à la Perle), after Pierre Mignard", "Series_Title" : "", "Disp_Maker_1" : "Antoine Masson", "Sort_Artist" : "Masson, Antoine", "Disp_Dimen" : "66.6 cm x 49.7 cm (26 1/4 in. x 19 9/16 in.)", "Disp_Height" : "66.6 cm", "Disp_Width" : "49.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.176.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.176.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.176.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.176.tif", "IsPrimary" : "1", "_SurrogateID" : "4077", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12113, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12113", "Disp_Access_No" : "2002.344", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Arriveé de Tobie à la maison paternelle [Tobias Arriving at his Father's House], from L'Histoire de Tobie [The History of Tobias]", "Alt_Title" : "", "Obj_Title" : "Arriveé de Tobie à la maison paternelle [Tobias Arriving at his Father's House], from L'Histoire de Tobie [The History of Tobias]", "Series_Title" : "", "Disp_Maker_1" : "Henri Mauperché", "Sort_Artist" : "Mauperché, Henri", "Disp_Dimen" : "18.5 cm x 26.1 cm (7 5/16 in. x 10 1/4 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "26.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with burin", "Support" : "", "Disp_Medium" : "Etching with burin", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.344.tif", "ThumbnailPath" : 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Wyllys Andrews IV, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1964.1.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1964.1.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1964.1.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1964.1.46.tif", "IsPrimary" : "1", "_SurrogateID" : "2926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8369, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8369", "Disp_Access_No" : "2000.273", "_AccNumSort1" : "", "Disp_Create_DT" : "1640's", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Charles de Valois, after Philippe de Champaigne", "Alt_Title" : "", "Obj_Title" : "Charles de Valois, after Philippe de Champaigne", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "31.1 cm x 25 cm (12 1/4 in. x 9 13/16 in.)", "Disp_Height" : "31.1 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.273.tif", "IsPrimary" : "1", "_SurrogateID" : "4060", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12916", "Disp_Access_No" : "2002.1439", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Nicolas de Netz, after Philippe de Champaigne", "Alt_Title" : "", "Obj_Title" : "Nicolas de Netz, after Philippe de Champaigne", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "34.3 cm x 27.4 cm (13 1/2 in. x 10 13/16 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1439.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1439.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1439.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1439.tif", "IsPrimary" : "1", "_SurrogateID" : "1787", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8366", "Disp_Access_No" : "1996.110", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Memento Mori, after Philippe de Champaigne", "Alt_Title" : "", "Obj_Title" : "Memento Mori, after Philippe de Champaigne", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "32.1 cm x 31.9 cm (12 5/8 in. x 12 9/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "If limited in subject and even number of plates, Jean Morin was the most subtle etcher in seventeenth-century France. 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E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.29.tif", "IsPrimary" : "1", "_SurrogateID" : "8155", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16751", "Disp_Access_No" : "2003.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child, after Titian", "Alt_Title" : "", "Obj_Title" : "Madonna and Child, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "43.1 cm x 31.8 cm (16 15/16 in. x 12 1/2 in.)", "Disp_Height" : "43.1 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Although it has not been identified, the prototype would have been a painting of the 1520s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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He created the earlier portrait of Philbert-Emmanuel de Beaumanoir de Lavardin, bishop of Le Mans, in 1660. During the 1660s Beaumanoir de Lavardin developed a reputation as an atheist. He was formally denounced by the Church leadership after his death in 1671. Sometime after the decline in the bishop’s reputation, an anonymous artist transformed the sitter into a type of quack doctor that was popular in Dutch genre painting, which was appropriate for an individual whose name became synonymous with fraud. In the new print, Le Bassin, an unknown, different artist added etching to the engraved plate to change various details. The bishop of Le Mans was provided with a fur lined mantel that academics wore, and an oversized hat and pincenez. Various pills and sprigs of flowers are arranged on the parapet. The artist also added a bottle containing a tartar emetic, a "vomitive medicament," that indicates the contents of the chamber-pot. 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Ware, Jr. Collection, purchase from the Leo Steinberg Collection", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "2918", "Rel_Obj_Title" : "Philibert-Emmanuel de Beaumanoir de Lavardin" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.85.tif", "IsPrimary" : "1", "_SurrogateID" : "4868", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3121", "Disp_Access_No" : "2002.1918", "_AccNumSort1" : "", "Disp_Create_DT" 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"Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.360.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.360.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.360.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.360.tif", "IsPrimary" : "1", "_SurrogateID" : "1673", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2996, "URL" : 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"Disp_Height" : "37.9 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Victor Bouthillier (1596-1670) was bishop of Boulogne from 1630, then archbishop of Tours from 1641. He also served as chaplain to Marie de' Medici and to Gaston d'Orléans, brother of Louis XIII.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.11.tif", "IsPrimary" : "1", "_SurrogateID" : "4873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12934", "Disp_Access_No" : "2002.1466", "_AccNumSort1" : "", "Disp_Create_DT" : "1667", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1667", "Disp_Title" : "Antoine Dulieu", "Alt_Title" : "", "Obj_Title" : "Antoine Dulieu", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "39.3 cm x 30.8 cm (15 1/2 in. x 12 1/8 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1466.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1466.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1466.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1466.tif", "IsPrimary" : "1", "_SurrogateID" : "1791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2918", "Disp_Access_No" : "1996.328", "_AccNumSort1" : "", "Disp_Create_DT" : "1660", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Philibert-Emmanuel de Beaumanoir de Lavardin", "Alt_Title" : "", "Obj_Title" : "Philibert-Emmanuel de Beaumanoir de Lavardin", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "34.4 cm x 26.2 cm (13 9/16 in. x 10 5/16 in.)", "Disp_Height" : "34.4 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2921", "Rel_Obj_Title" : "Le Bassin [Philibert - 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Shortly after the foundation of the Royal Academy of Painting and Sculpture in 1648, engraving was elevated by royal edict from an industrial to a liberal art, incorporated as an academic discipline, and thus given equally systematic means for transmitting its skills and values. The portraits of Robert Nanteuil were the first expression of this system. His work proceeds from an appropriation of Jean Morin’s and Claude Mellan’s modes, through a synthesis of their respective naturalism and idealism, to a moment in the late 1650s of extraordinary balance in the relation of one mark to another, sitter to frame, and form to ethos. Portraying a tenacious councillor of state who was later disgraced, this print is one of the artist’s masterpieces. Much more than the conventions that Nanteuil established, it is his eminently rational conception and procedure, governing individual works and artistic development alike, that has been called “the constitution of French engraving.” Nanteuil’s achievement should be compared with that of Nicolas Poussin in painting, Pierre Corneille in tragedy, and René Descartes in philosophy. The collection boasts 122 engravings by Nanteuil, more than half his oeuvre, with numerous prints in multiple states. 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Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.43.tif", "IsPrimary" : "1", "_SurrogateID" : "4694", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12305", "Disp_Access_No" : "2002.574", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Le Chateau d'Ancy le Franc", "Alt_Title" : "", "Obj_Title" : "Le Chateau d'Ancy le Franc", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "26 cm x 34.5 cm (10 1/4 in. x 13 9/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Ancy-le-Franc (constructed 1544-50) is a château in Burgundy commissioned by the French nobleman Antoine de Clermont-Tonnerre from the Italian architect Sebastiano Serlio. The print shows a perspectival view of the whole estate and the surrounding landscape. The central axis dividing the parterres and running through the château is a fundamental principle of the French formal garden. A road alongside cultivated fields and pasture leads across the bridge to a hamlet dominated by a spire in the distance.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.574.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.574.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.574.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.574.tif", "IsPrimary" : "1", "_SurrogateID" : "6918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3130", "Disp_Access_No" : "2002.577", "_AccNumSort1" : "", "Disp_Create_DT" : "published by Langlois in 1704", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1704", "Disp_Title" : "Le Bassin de Bacchus [The Pond of Bacchus], from the Veues des plus beaux lieux de France et d'Italie [Views of the Most Beautiful Places in France and Italy]", "Alt_Title" : "", "Obj_Title" : "Le Bassin de Bacchus [The Pond of Bacchus], from the Veues des plus beaux lieux de France et d'Italie [Views of the Most Beautiful Places in France and Italy]", "Series_Title" : "Veues des plus beaux lieux de France et d'Italie [Views of the Most Beautiful Pl", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "30.4 cm x 39.6 cm (11 15/16 in. x 15 9/16 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "39.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.577.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.577.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.577.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.577.tif", "IsPrimary" : "1", "_SurrogateID" : "6919", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12309, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12309", "Disp_Access_No" : "2002.582", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1688", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1698", "Disp_Title" : "Arch of Septimius Severus and the Campidoglio, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Alt_Title" : "", "Obj_Title" : "Arch of Septimius Severus and the Campidoglio, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "26 cm x 34.5 cm (10 1/4 in. x 13 9/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.582.tif", "ThumbnailPath" : 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: "A bosquet is essentially an outdoor room, open to the sky, with walls of carefully trimmed hedges or trees. They are frequently decorated with elaborate water features and sculptures. At Versailles they were one of the main features of the garden and were treated as flexible all-purpose spaces. Depending on the needs of the court they could be used as quiet retreats or to stage grand spectacles. The Salle des Festins is a fine example of such a bosquet. Its hedge walls surrounded an artificial island ringed by a narrow water channel with ornamental jets. It could be accessed by two small bridges and was used for both quiet strolls and elaborate banquets and balls.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.579.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.579.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.579.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.579.tif", "IsPrimary" : "1", "_SurrogateID" : "6921", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3131", "Disp_Access_No" : "2002.578", "_AccNumSort1" : "", "Disp_Create_DT" : "published by Langlois in 1704", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1704", "Disp_Title" : "Le Bassin de Saturne, Versailles", "Alt_Title" : "", "Obj_Title" : "Le Bassin de Saturne, Versailles", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "30.6 cm x 40.3 cm (12 1/16 in. x 15 7/8 in.)", "Disp_Height" : "30.6 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Bassin de Bacchus and Bassin de Saturne are two fountains from a series of four representing the four seasons in the guise of ancient gods. They were part of the complex plan of the gardens of Versailles and allude to Louis XIV’s power and divine support. Together they suggest that the seasons, and time itself, revolve around Louis XIV, the magnificent Sun King. Like many such prints the scenes are populated with a variety of figures. These include not only nobles enjoying a stroll in the gardens but also numerous gardeners and their assistants going about their daily chores.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.578.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.578.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.578.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.578.tif", "IsPrimary" : "1", "_SurrogateID" : "6920", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12308, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12308", "Disp_Access_No" : "2002.581", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1688", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1698", "Disp_Title" : "Arch of Constantine, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Alt_Title" : "", "Obj_Title" : "Arch of Constantine, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "26 cm x 33.9 cm (10 1/4 in. x 13 3/8 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.581.tif", "IsPrimary" : "1", "_SurrogateID" : "4648", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19525", "Disp_Access_No" : "2010.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1730", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1730", "Disp_Title" : "Adrien Marius, after Jan Muller", "Alt_Title" : "", "Obj_Title" : "Adrien Marius, after Jan Muller", "Series_Title" : "", "Disp_Maker_1" : "Bernard Picart", "Sort_Artist" : "Picart, Bernard", "Disp_Dimen" : "12.1 cm x 7.1 cm (4 3/4 in. x 2 13/16 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "7.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.32.tif", "IsPrimary" : "1", "_SurrogateID" : "8158", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16782, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16782", "Disp_Access_No" : "2003.28", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1796", "_Disp_Start_Dat" : "1791", "_Disp_End_Date" : "1801", "Disp_Title" : "Allegorical Portrait of Napoleon, after Pierre-Paul Prud'hon", "Alt_Title" : "", "Obj_Title" : "Allegorical Portrait of Napoleon, after Pierre-Paul Prud'hon", "Series_Title" : "", "Disp_Maker_1" : "Victor-Marie Picot", "Sort_Artist" : "Picot, Victor-Marie", "Disp_Dimen" : "41.1 cm x 54.6 cm (16 3/16 in. x 21 1/2 in.)", "Disp_Height" : "41.1 cm", "Disp_Width" : "54.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Stipple engraving", "Support" : "", "Disp_Medium" : "Stipple engraving", "Info_Page_Comm" : "One function of the French Royal Academy of Painting and Sculpture was to broadcast a positive image of the monarchy throughout the kingdom. After the overthrow of the king during the French Revolution (1789-1791), the Academy was reformed; its new function was to glorify the Republican government that took the monarchy’s place. Prud’hon came of age during this revolutionary period and contributed to Napoleon Bonaparte’s rise from general to emperor by mythologizing his victories and celebrating his leadership in paintings and in designs for widely distributed reproductive prints. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.28.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.28.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.28.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.28.tif", "IsPrimary" : "1", "_SurrogateID" : "3982", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3706, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3706", "Disp_Access_No" : "1992.292", "_AccNumSort1" : "", "Disp_Create_DT" : "1790", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "The Laocoön, after a Roman copy of a Hellenistic statue, 2nd century B.C.", "Alt_Title" : "", "Obj_Title" : "The Laocoön, after a Roman copy of a Hellenistic statue, 2nd century B.C.", "Series_Title" : "", "Disp_Maker_1" : "Francesco Piranesi", "Sort_Artist" : "Piranesi, Francesco", "Disp_Dimen" : "94.2 cm x 67.9 cm (37 1/16 in. x 26 3/4 in.)", "Disp_Height" : "94.2 cm", "Disp_Width" : "67.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Friends of the Archer M. Huntington Art Gallery, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.292.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.292.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.292.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.292.tif", "IsPrimary" : "1", "_SurrogateID" : "3666", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13182", "Disp_Access_No" : "2002.1866", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1668", "_Disp_Start_Dat" : "1663", "_Disp_End_Date" : "1673", "Disp_Title" : "Landscape with the Flight into Egypt, after Sebastien Bourdon", "Alt_Title" : "", "Obj_Title" : "Landscape with The Flight into Egypt, after Sebastien Bourdon", "Series_Title" : "", "Disp_Maker_1" : "Jacques Prou", "Sort_Artist" : "Prou, Jacques", "Disp_Dimen" : "34.3 cm x 46.1 cm (13 1/2 in. x 18 1/8 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "46.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1866.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1866.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1866.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1866.tif", "IsPrimary" : "1", "_SurrogateID" : "4138", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12421", "Disp_Access_No" : "2002.723", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Rape of Europa", "Alt_Title" : "", "Obj_Title" : "Rape of Europa", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Paul Prud'hon", "Sort_Artist" : "Prud'hon, Pierre-Paul", "Disp_Dimen" : "18.5 cm x 27.1 cm (7 5/16 in. x 10 11/16 in.)", "Disp_Height" : "18.5 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Prud’hon bridged the divide between neoclassicist and romantic styles, mastering both the linear conception of the former and the expressive handling of the latter. Best known and admired for his draftsmanship, he made only eight prints in his career. The Rape of Europa is a rare first state of one of them. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.723.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.723.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.723.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.723.tif", "IsPrimary" : "1", "_SurrogateID" : "2072", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10974", "Disp_Access_No" : "P1963.4.173/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis, after Paolo Veronese, plate 173 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Simon Francois Ravenet, the elder", "Sort_Artist" : "Ravenet, the elder, Simon Francois", "Disp_Dimen" : "55 cm x 40.3 cm (21 5/8 in. x 15 7/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.173-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.173-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.173-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.173-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6593", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17381", "Disp_Access_No" : "2005.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1550", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Ten Children Dancing to a Bagpipe, after Raphael", "Alt_Title" : "", "Obj_Title" : "Ten Children Dancing to a Bagpipe, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Georges Reverdy", "Sort_Artist" : "Reverdy, Georges", "Disp_Dimen" : "15.5 cm x 26.2 cm (6 1/8 in. x 10 5/16 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.35.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.35.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.35.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.35.tif", "IsPrimary" : "1", "_SurrogateID" : "7018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3327, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3327", "Disp_Access_No" : "2002.1954", "_AccNumSort1" : "", "Disp_Create_DT" : "1733", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1733", "Disp_Title" : "Wedding Ceremony of Anne, Princess Royal of Great Britain and Prince Willem IV of Orange Nassau, after William Kent ", "Alt_Title" : "", "Obj_Title" : "Wedding Ceremony of Anne, Princess Royal of Great Britain and Prince Willem IV of Orange Nassau, after William Kent ", "Series_Title" : "", "Disp_Maker_1" : "Jacques Rigaud", "Sort_Artist" : "Rigaud, Jacques", "Disp_Dimen" : "42 cm x 27.2 cm (16 9/16 in. x 10 11/16 in.)", "Disp_Height" : "42 cm", "Disp_Width" : "27.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Documenting the elaborate decoration of Saint James Chapel for the wedding of Princess Anne, George II's eldest daughter, to William of Orange in 1734, this etching gives little evidence of the political turmoil that preceded the occasion. At 23, Anne was past her prime as a bride and suitable bachelors were scarce. Although a hunchback and physically unattractive, William of Orange was one of the few eligible candidates from Europe's Protestant royal houses. The king gave her the option to decline the offer; but the ambitious princess replied that she would "marry a baboon" if it meant becoming queen. She met her fiancé for the first time just weeks before the original date of the wedding. Contemporary accounts of the ceremony describe Anne's gown of blue satin from France embroidered with silver thread. Her attendants wore white. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1954.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1954.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1954.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1954.tif", "IsPrimary" : "1", "_SurrogateID" : "2920", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3475", "Disp_Access_No" : "1998.423", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "Le Temple antique, plate 5, from Les Soirées de Rome", "Alt_Title" : "", "Obj_Title" : "Le Temple antique, plate 5, from Les Soirées de Rome", "Series_Title" : "", "Disp_Maker_1" : "Hubert Robert", "Sort_Artist" : "Robert, Hubert", "Disp_Dimen" : "13.9 cm x 9.7 cm (5 1/2 in. x 3 13/16 in.)", "Disp_Height" : "13.9 cm", "Disp_Width" : "9.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.423.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.423.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.423.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.423.tif", "IsPrimary" : "1", "_SurrogateID" : "3668", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19604, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19604", "Disp_Access_No" : "2010.97", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1795", "_Disp_Start_Dat" : "1785", "_Disp_End_Date" : "1794", "Disp_Title" : "Death of Hector, after 17th century Italian drawing", "Alt_Title" : "", "Obj_Title" : "Death of Hector, after 17th century Italian drawing", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Jean-Baptiste de Bourgevin Vialart de Saint-Morys", "Sort_Artist" : "Saint-Morys, Charles Paul Jean-Baptiste de Bourgevin Vialart de", "Disp_Dimen" : "21.9 cm x 29 cm (8 5/8 in. x 11 7/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "29 cm", "Dimen_Extent" : "sheet", "Medium" : "Monotype", "Support" : "", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver in honor of Cheryl Snay, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.97.tif", "IsPrimary" : "1", "_SurrogateID" : "8170", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8600, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8600", "Disp_Access_No" : "2000.27", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Adoration of the Shepherds, after Guercino", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Shepherds, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Jean-Baptiste de Bourgevin Vialart de Saint-Morys", "Sort_Artist" : "Saint-Morys, Charles Paul Jean-Baptiste de Bourgevin Vialart de", "Disp_Dimen" : "21.5 cm x 27.1 cm (8 7/16 in. x 10 11/16 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and lavis", "Support" : "", "Disp_Medium" : "Etching and lavis", "Info_Page_Comm" : "This is one of the reproductive etchings that the artist made after drawings in his own collection. There are no more than a few impressions of each.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.27.tif", "IsPrimary" : "1", "_SurrogateID" : "4861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16572, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16572", "Disp_Access_No" : "2002.2823", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1770", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1775", "Disp_Title" : "Illustration for de la Borde's Privilege du Roi mis en musique, after Hubert-François Bourguinon Gravelot", "Alt_Title" : "", "Obj_Title" : "Illustration for de la Borde's Privilege du Roi mis en musique, after Hubert-François Bourguinon Gravelot", "Series_Title" : "", "Disp_Maker_1" : "Jean-Claude-Richard de Saint-Non", "Sort_Artist" : "Saint-Non, Jean-Claude-Richard de", "Disp_Dimen" : "27.7 cm x 20.8 cm (10 7/8 in. x 8 3/16 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2823.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2823.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2823.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2823.tif", "IsPrimary" : "1", "_SurrogateID" : "3739", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12843, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12843", "Disp_Access_No" : "2002.1341", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Delphic Sibyl and the Prophet Jeremiah, after Jean-Honoré Fragonard, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Delphic Sibyl and the Prophet Jeremiah, after Jean-Honoré Fragonard, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Jean-Claude-Richard de Saint-Non", "Sort_Artist" : "Saint-Non, Jean-Claude-Richard de", "Disp_Dimen" : "20.6 cm x 35 cm (8 1/8 in. x 13 3/4 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Aquatint", "Support" : "", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1341.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1341.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1341.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1341.tif", "IsPrimary" : "1", "_SurrogateID" : "4983", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3528", "Disp_Access_No" : "1995.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "Cupid and Psyche, after François Boucher", "Alt_Title" : "", "Obj_Title" : "Cupid and Psyche, after François Boucher", "Series_Title" : "", "Disp_Maker_1" : "Jean-Claude-Richard de Saint-Non", "Sort_Artist" : "Saint-Non, Jean-Claude-Richard de", "Disp_Dimen" : "29.4 cm x 36.7 cm (11 9/16 in. x 14 7/16 in.)", "Disp_Height" : "29.4 cm", "Disp_Width" : "36.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint printed in brown", "Support" : "", "Disp_Medium" : "Etching and aquatint printed in brown", "Info_Page_Comm" : "Jean-Claude-Richard de Saint-Non’s innovations in the field of printmaking rank him as one of the most important amateurs of the eighteenth century. In 1765 he worked with professional printmaker Jean-Baptiste Delafosse to devise the new method of aquatint, which could reproduce the broad tones of wash drawings with a consistency that had eluded engraving and other experiments to that point. This sheet is one of only four known impressions of his earliest attempts in the new medium. It faithfully reproduces François Boucher’s sensuous pen-and-wash technique. Saint-Non produced four other aquatints after Boucher in 1766, but it is believed that Boucher discouraged their publication and distribution, which accounts for their rarity. A younger son in a wealthy family, Saint-Non was destined for the priesthood, but his avid interest in art led him to take only minor orders. He traveled extensively throughout Europe, meeting Jean-Honoré Fragonard at the Académie de France in Rome. Saint-Non used his friend’s drawings made after the Italian masters as the source for his volume of engravings of selected masterpieces in Italy. On the basis of his substantial collection, his patronage of contemporary artists, and his important innovations in printmaking, the Académie Royale de Peinture et de la Sculpture elected Saint-Non an honorary member. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.21.tif", "IsPrimary" : "0", "_SurrogateID" : "1654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8616, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8616", "Disp_Access_No" : "2002.616", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "Le Petit parc [The Little Park], after Jean-Honoré Fragonard", "Alt_Title" : "", "Obj_Title" : "Le Petit parc [The Little Park], after Jean-Honoré Fragonard", "Series_Title" : "", "Disp_Maker_1" : "Jean-Claude-Richard de Saint-Non", "Sort_Artist" : "Saint-Non, Jean-Claude-Richard de", "Disp_Dimen" : "10.8 cm x 15.5 cm (4 1/4 in. x 6 1/8 in.)", "Disp_Height" : "10.8 cm", "Disp_Width" : "15.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.616.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.616.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.616.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.616.tif", "IsPrimary" : "1", "_SurrogateID" : "2067", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11068", "Disp_Access_No" : "1995.73", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1528", "_Disp_Start_Dat" : "1523", "_Disp_End_Date" : "1533", "Disp_Title" : "Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules", "Alt_Title" : "", "Obj_Title" : "Hercules and the Nemean Lion; Hercules Fighting Two Satyrs with a Nymph, from The Labors of Hercules", "Series_Title" : "", "Disp_Maker_1" : "Gabriel Salmon", "Sort_Artist" : "Salmon, Gabriel", "Disp_Dimen" : "29.8 cm x 41 cm (11 3/4 in. x 16 1/8 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut (printed on one sheet)", "Support" : "", "Disp_Medium" : "Woodcut (printed on one sheet)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.73.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.73.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.73.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.73.tif", "IsPrimary" : "1", "_SurrogateID" : "4894", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17187", "Disp_Access_No" : "2004.134", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of General Marceau", "Alt_Title" : "", "Obj_Title" : "Portrait of General Marceau", "Series_Title" : "", "Disp_Maker_1" : "Antoine-François Sergent", "Sort_Artist" : "Sergent, Antoine-François", "Disp_Dimen" : "50.4 cm x 35.3 cm (19 13/16 in. x 13 7/8 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "35.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Color etching and engraving from four plates", "Support" : "", "Disp_Medium" : "Color etching and engraving from four plates", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.134.tif", "IsPrimary" : "1", "_SurrogateID" : "2782", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12317", "Disp_Access_No" : "2002.591", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Frontispiece to Vues de Paris [Views of Paris]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Vues de Paris [Views of Paris]", "Series_Title" : "", "Disp_Maker_1" : "Israël Silvestre and Jean LePautre", "Sort_Artist" : "Silvestre and Jean LePautre, Israël", "Disp_Dimen" : "20.8 cm x 30.1 cm (8 3/16 in. x 11 7/8 in.)", "Disp_Height" : "20.8 cm", "Disp_Width" : "30.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.591.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.591.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.591.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.591.tif", "IsPrimary" : "1", "_SurrogateID" : "2064", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/441", "Disp_Access_No" : "2002.1876", "_AccNumSort1" : "", "Disp_Create_DT" : "1664", "_Disp_Start_Dat" : "1664", "_Disp_End_Date" : "1664", "Disp_Title" : "Troisième Journée: Rupture du Palais... [Third Day: The Palace Destroyed...], plate 9 from Les Plaisirs de l’Isle Enchantée, ou Les Festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments ", "Alt_Title" : "", "Obj_Title" : "Troisième Journée: Rupture du Palais des enchantements de l'Isle d'Alcine représentée par un feu d'artifice [Third Day: The Destruction of the Palace of Enchantment of the Isle of Alcine as Represented by a Fireworks Display], plate 9 from Les Plaisirs de l’Isle Enchantée, ou Les Festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments of the King at Versailles]", "Series_Title" : "", "Disp_Maker_1" : "Israël Silvestre", "Sort_Artist" : "Silvestre, Israël", "Disp_Dimen" : "42.5 cm x 55 cm (16 3/4 in. x 21 5/8 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This image records events during the same grand fête in 1664. On the third day of the festival, after the plays and other performances were finished, the theatrical set in the Estang basin was blown up in a magnificent fireworks display. Fireworks were frequently the culmination of grand feasts and the king employed only the best specialists. Silvestre took great care to show not only the fabulous spectacle, but also the large number of spectators attending and their reactions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1876.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1876.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1876.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1876.tif", "IsPrimary" : "1", "_SurrogateID" : "6924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/440", "Disp_Access_No" : "2002.1875", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Troisième Journée: Théâtre dressé. [Third Day: The Theater Prepared], plate 8 from Les plaisirs de l’Isle Enchantée, ou les festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments of the K", "Alt_Title" : "", "Obj_Title" : "Troisième Journée: Théâtre dressé. [Third Day: The Theater Prepared], plate 8 from Les plaisirs de l’Isle Enchantée, ou les festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments of the King at Versailles]", "Series_Title" : "", "Disp_Maker_1" : "Israël Silvestre", "Sort_Artist" : "Silvestre, Israël", "Disp_Dimen" : "42.6 cm x 54.6 cm (16 3/4 in. x 21 1/2 in.)", "Disp_Height" : "42.6 cm", "Disp_Width" : "54.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The entertainment of the king and his courtiers was an integral part of life at Versailles and the gardens were planned accordingly. They provided ample space and a glorious backdrop for royal celebrations such as fêtes, grand events that usually lasted several days. Some of the most elaborate installations at Versailles were temporary, built for special events such as the 1664 fête “Les plaisirs de l’île enchantée” or “The pleasures of the enchanted isle.” This fête was documented in a series of commemorative prints. This example shows one of the elaborate temporary stage sets commissioned by the king. It was used for a ballet performance and was erected in a large basin known as the Estang. Only the best and most ingenious design was tolerated for such a royal event and clever devices such as the three sea monsters floating in the basin were among the attractions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1875.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1875.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1875.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1875.tif", "IsPrimary" : "1", "_SurrogateID" : "6923", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3115", "Disp_Access_No" : "1993.128", "_AccNumSort1" : "", "Disp_Create_DT" : "1697", "_Disp_Start_Dat" : "1697", "_Disp_End_Date" : "1697", "Disp_Title" : "Allegory of the Marriage of the Duke of Bourgogne and Marie Adelaide of Savoy, after Sebastien Leclerc", "Alt_Title" : "", "Obj_Title" : "Allegory of the Marriage of the Duke of Bourgogne and Marie Adelaide of Savoy, after Sebastien Leclerc", "Series_Title" : "", "Disp_Maker_1" : "Charles-Louis Simmoneau, the elder", "Sort_Artist" : "Simmoneau, the elder, Charles-Louis", "Disp_Dimen" : "57.4 cm x 43 cm (22 5/8 in. x 16 15/16 in.)", "Disp_Height" : "57.4 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "As part of a peace treaty between France and Savoy, the princess Marie-Adelaide, aged 10, was betrothed to Louis, Duke of Burgundy, heir to the French throne, in 1695 in a public ceremony at the ducal palace in Savoy without ever having seen her fiancé. Through envoys, Louis XIV negotiated the marriage contract After she signed the contract, she moved to Versailles where she was raised and educated in the French court. Two years later, the wedding was held. Simmoneau allegorizes the event by placing it on Mt. Olympus in full view of all the classical gods. Prints such as this would have been distributed among courts of Europe to show the new alliance between France and the ever defiant duchy of Savoy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1993", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1993.128.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1993.128.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1993.128.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1993.128.tif", "IsPrimary" : "1", "_SurrogateID" : "6210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19526, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19526", "Disp_Access_No" : "2010.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1667", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1667", "Disp_Title" : "Frontispiece to the Pastorales", "Alt_Title" : "", "Obj_Title" : "Frontispiece to the Pastorales", "Series_Title" : "", "Disp_Maker_1" : "Claudine Stella", "Sort_Artist" : "Stella, Claudine", "Disp_Dimen" : "27.1 cm x 31.6 cm (10 11/16 in. x 12 7/16 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.33.tif", "IsPrimary" : "1", "_SurrogateID" : "8159", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8295", "Disp_Access_No" : "2002.464", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "Children Dancing", "Alt_Title" : "", "Obj_Title" : "Children Dancing", "Series_Title" : "", "Disp_Maker_1" : "Jacques Stella", "Sort_Artist" : "Stella, Jacques", "Disp_Dimen" : "26.8 cm x 23.8 cm (10 9/16 in. x 9 3/8 in.)", "Disp_Height" : "26.8 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "With its playful imagery recalling Netherlandish genre prints, indeed begging a moralizing inscription, and its incongruously refined drawing owing much to Callot, Dancing Children may well have been Stella's first attempt in technique. In any case, the print is exceedingly rare.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.464.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.464.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.464.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.464.tif", "IsPrimary" : "1", "_SurrogateID" : "2058", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10956", "Disp_Access_No" : "P1963.4.154/178", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1730-before 1740", "_Disp_Start_Dat" : "1730", "_Disp_End_Date" : "1740", "Disp_Title" : "Christ at Emmaus, after Paolo Veronese, plate 154 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet", "Alt_Title" : "", "Obj_Title" : "Christ at Emmaus, after Paolo Veronese, plate 154 from the Recueil d’estampes d’après les plus beaux tableaux et d’après les plus beaux dessins qui sont en France [Collection of Prints after the Most Beautiful Paintings and Drawings in France](the Cabinet Crozat)", "Series_Title" : "", "Disp_Maker_1" : "Henri-Simon Thomassin", "Sort_Artist" : "Thomassin, Henri-Simon", "Disp_Dimen" : "55 cm x 70.1 cm (21 5/8 in. x 27 5/8 in.)", "Disp_Height" : "55 cm", "Disp_Width" : "70.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1963", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1963.4.154-178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1963.4.154-178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1963.4.154-178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1963.4.154-178.tif", "IsPrimary" : "1", "_SurrogateID" : "6574", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18279, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18279", "Disp_Access_No" : "2006.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1725", "_Disp_Start_Dat" : "1725", "_Disp_End_Date" : "1725", "Disp_Title" : "Young Lady with Harlequin and Five Characters from the Commedia dell'Arte [Voulez-vous triompher des belles?], after Jean-Antoine Watteau", "Alt_Title" : "", "Obj_Title" : "Young Lady with Harlequin and Five Characters from the Commedia dell'Arte [Voulez-vous triompher des belles?], after Jean-Antoine Watteau", "Series_Title" : "", "Disp_Maker_1" : "Henri-Simon Thomassin", "Sort_Artist" : "Thomassin, Henri-Simon", "Disp_Dimen" : "47.8 cm x 35.5 cm (18 13/16 in. x 14 in.)", "Disp_Height" : "47.8 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Thomassin’s engravings offer the most sensitive translation of the subtle tones, shimmering materials and fleeting mood in Watteau’s paintings. This plate reproduces a famous composition in the Wallace Collection, London. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.94.tif", "IsPrimary" : "1", "_SurrogateID" : "4656", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17263", "Disp_Access_No" : "2004.171.1/7", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "Frontispiece for Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Alt_Title" : "", "Obj_Title" : "Frontispiece for Mes Gens ou Les Commissionnaires ultramontains [My People, or the Ultramontane Characters], after Augustin de Saint-Aubin", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Tillard", "Sort_Artist" : "Tillard, Jean-Baptiste", "Disp_Dimen" : "31 cm x 22.4 cm (12 3/16 in. x 8 13/16 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "22.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.61.tif", "IsPrimary" : "1", "_SurrogateID" : "9058", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8477", "Disp_Access_No" : "2000.62", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Study of Musculature: Upper Leg Left, Interior", "Alt_Title" : "", "Obj_Title" : "Study of Musculature: Upper Leg Left, Interior", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "55.5 cm x 40.5 cm (21 7/8 in. x 15 15/16 in.)", "Disp_Height" : "55.5 cm", "Disp_Width" : "40.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Stipple engraving in color", "Support" : "", "Disp_Medium" : "Stipple engraving in color", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. 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Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.63.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.63.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.63.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.63.tif", "IsPrimary" : "1", "_SurrogateID" : "9060", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8602, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8602", "Disp_Access_No" : "1997.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Le Buste, title page from Les Soirées de Rome", "Alt_Title" : "", "Obj_Title" : "Le Buste, title page from Les Soirées de Rome", "Series_Title" : "", "Disp_Maker_1" : "Hubert Robert", "Sort_Artist" : "Robert, Hubert", "Disp_Dimen" : "13.9 cm x 9.7 cm (5 1/2 in. x 3 13/16 in.)", "Disp_Height" : "13.9 cm", "Disp_Width" : "9.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Robert was known as “Robert of the Ruins” for his many paintings, drawings and prints of ruins and cemeteries. Created for Marguerite Le Comte, Les soirées de Rome is a series of views of ancient Roman ruins overrun by lush foliage. Le sarcophage, is an image of an antique tomb similar to those along the Via Appia in Rome. The initials D.M. on the base invoke the Dieux Mânes, or Gods of the Dead. The appeal of Roman ruins is best articulated in the words of Robert’s contemporary, Diderot, when he wrote: The ideas that ruins evoke in me are of great significance. Everything is reduced to nothing, everything perishes, everything disappears. Only the world is left. Only time remains. How old the world is! I walk between two eternities. No matter where I let my eyes fall, the objects surround me speak to me of an end to everything and force me to resign myself to my own end. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.4.tif", "IsPrimary" : "1", "_SurrogateID" : "9071", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8519, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8519", "Disp_Access_No" : "2000.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Gout and the Spider, from The Fables of Jean de La Fontaine, after Jean-Baptiste Oudry", "Alt_Title" : "", "Obj_Title" : "Gout and the Spider, from The Fables of Jean de La Fontaine, after Jean-Baptiste Oudry", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Louis de Surugue, the younger", "Sort_Artist" : "Surugue, the younger, Pierre-Louis de", "Disp_Dimen" : "30.7 cm x 22.8 cm (12 1/16 in. x 9 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.25.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.25.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.25.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.25.tif", "IsPrimary" : "1", "_SurrogateID" : "9080", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3568", "Disp_Access_No" : "1999.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1770", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Camille de Boissieu", "Alt_Title" : "", "Obj_Title" : "Camille de Boissieu", "Series_Title" : "", "Disp_Maker_1" : "Jean-Jacques de Boissieu", "Sort_Artist" : "Boissieu, Jean-Jacques de", "Disp_Dimen" : "24.2 cm x 18 cm (9 1/2 in. x 7 1/16 in.)", "Disp_Height" : "24.2 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is a loving memorial tribute by Boissieu to his brother, a doctor, Camille de Boissieu, who died in the year the artist created the print. Camille had an illustrious career before his untimely death at age thirty-six. He received his doctorate from Montpellier in 1755, and was distinguished for his devotion during an epidemic that ravished Mâcon in 1768. In 1769, his book on antiseptics was published, and his book on heating and cooling methods (probably based on the humors) was published post-mortem in 1772. Jean-Jacques de Boissieu was a pioneer of the return to pure, painterly etching in the late eighteenth century. This is a rare image, printed in a small edition, it was obviously intended for an intimate circle of family and close friends. The lack of a printed inscription further indicates that it was intended for a small audience to whom its subject and context needed no explanation ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.18.tif", "IsPrimary" : "1", "_SurrogateID" : "9075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12122", "Disp_Access_No" : "2002.354", "_AccNumSort1" : "", "Disp_Create_DT" : "1629", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1629", "Disp_Title" : "Gentleman with a Long Sword, from Le Jardin de la noblesse françoise [The Garden of 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