{ "objects" : [ { "embark_ID" : 2989, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2989", "Disp_Access_No" : "1990.194", "_AccNumSort1" : "", "Disp_Create_DT" : "1674", "_Disp_Start_Dat" : "1674", "_Disp_End_Date" : "1674", "Disp_Title" : "The Saving of the Infant Pyrrhus, after Nicolas Poussin", "Alt_Title" : "", "Obj_Title" : "The Saving of the Infant Pyrrhus, after Nicolas Poussin", "Series_Title" : "", "Disp_Maker_1" : "Gérard Audran", "Sort_Artist" : "Audran, Gérard", "Disp_Dimen" : "72.5 cm x 94.3 cm (28 9/16 in. x 37 1/8 in.)", "Disp_Height" : "72.5 cm", "Disp_Width" : "94.3 cm", "Dimen_Extent" : "Outer dimension", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Gérard Audran’s innovation and ambition established his family’s reputation as the most celebrated workshop of engravers in France. He learned his art from his father and perfected his skills in Rome. Upon his return to Paris, he came to the attention of Charles Le Brun, the most important artist in Louis XIV’s court, who recognized Audran’s talent and remarked that his reproductions of paintings were often better drawn than the originals he copied. Another critic said that the artist “paints with the needle and burin, and in his hands these two instruments take on the facility of a brush.” They were responding to Audran’s unconventional combination of etching and engraving that allowed each technique to retain its distinctive character, rather than layering or compounding them so that they become indissoluble. This method lent his plates a dynamism and animation not seen in other artists’ work. He worked, too, on a scale that won him the admiration of his peers and collectors. Here, he reproduced Nicolas Poussin’s The Saving of the Infant Pyrrhus (Louvre, Paris) on two sheets joined together and presented it to the Académie Royale in gratitude for accepting him into its ranks earlier in the year. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Print Study Group, 1990", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.194.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.194.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.194.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.194.tif", "IsPrimary" : "1", "_SurrogateID" : "1498", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19283", "Disp_Access_No" : "2008.136", "_AccNumSort1" : "", "Disp_Create_DT" : "1672", "_Disp_Start_Dat" : "1672", "_Disp_End_Date" : "1672", "Disp_Title" : "Alexander, Having Passed Granique, Attacks the Persians, from the Triumphs of Alexander the Great, after Charles Le Brun", "Alt_Title" : "", "Obj_Title" : "Alexander, Having Passed Granique, Attacks the Persians, from the Triumphs of Alexander the Great, after Charles Le Brun", "Series_Title" : "", "Disp_Maker_1" : "Gérard Audran", "Sort_Artist" : "Audran, Gérard", "Disp_Dimen" : "71 cm x 145.7 cm (27 15/16 in. x 57 3/8 in.)", "Disp_Height" : "71 cm", "Disp_Width" : "145.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving on four sheets (joined)", "Support" : "", "Disp_Medium" : "Engraving on four sheets (joined)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.136.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.136.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.136.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.136.tif", "IsPrimary" : "1", "_SurrogateID" : "5499", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12158", "Disp_Access_No" : "2002.393", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Frontispiece to Ornemens Inventez par J. Berain [Ornament Invented by J. Berain]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Ornemens Inventez par J. Berain [Ornament Invented by J. Berain]", "Series_Title" : "", "Disp_Maker_1" : "Jean Bérain I", "Sort_Artist" : "Bérain I, Jean", "Disp_Dimen" : "28.6 cm x 39 cm (11 1/4 in. x 15 3/8 in.)", "Disp_Height" : "28.6 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.393.tif", "IsPrimary" : "1", "_SurrogateID" : "3707", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.393.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.393.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.393.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.393.tif", "IsPrimary" : "0", "_SurrogateID" : "3725", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12146, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12146", "Disp_Access_No" : "2002.379.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "L'Accouchement [Delivery], plate 3 from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.4 cm x 33.9 cm (10 3/8 in. x 13 3/8 in.)", "Disp_Height" : "26.4 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The remaining plates in the series shed light on the customs surrounding the experience of childbirth. Some scholars propose that these rituals excluding men were forms of resistance to patriarchal authority. Expectant mothers sent formal invitations to their friends to attend the delivery of their child, just as they had for the wedding itself. Upon the onset of labor, the husband gathered the invitees together and then withdrew from the scene. A "lying-in" period of about three weeks followed the delivery during which there was a formal "upsitting" ritual marked by a feast attended only by women. The lying-in period ended when the mother and child attended church in the company of her entourage. All sexual activity was prohibited during this period when she was sequestered in her room, visited only by servants, wet-nurses, and select female friends. Men viewed these occasions with suspicion and feared the potential for the "treason of women." ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12144", "Disp_Access_No" : "2002.379.1/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Le Contrat [The Contract], plate 1, from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "Le Contrat [The Contract], plate 1, from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "28.3 cm x 36.9 cm (11 1/8 in. x 14 1/2 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "36.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "With over 1,500 prints to his name, Abraham Bosse is a rich source of material for our understanding of seventeenth-century society. Arranged marriages were the convention, and in this series, the first scene depicts the contract negotiated between the two families while the betrothed become acquainted off to the side. Children playing in the center middle ground suggest that the prime function of marriage is to produce heirs to whom the family's wealth will pass.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.1-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.1-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.1-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.1-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12149", "Disp_Access_No" : "2002.379.6/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "La Visite de la nourrice [The Wet Nurse's Visit], plate 6, from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "La Visite de la nourrice [The Wet Nurse's Visit], plate 6, from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.2 cm x 33.4 cm (10 5/16 in. x 13 1/8 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Abraham Bosse continued his commentary on marriage in the series Marriage in the Country. The tone is decidedly softer than in Marriage in the City. Friends and relatives bring gifts of cooking pots and linen to the new bride as she sets up household. In the final verse of the inscription, the bride assures her benefactors that they will be thanked when her children - not yet born - come of age, stressing the bonds marriage forged between generations and within communities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.379.6-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.379.6-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.379.6-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.379.6-6.tif", "IsPrimary" : "1", "_SurrogateID" : "2924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8340", "Disp_Access_No" : "2002.381", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "La Chaudeau porté aux mariés [Eggnog Carried to the Newlyweds], plate 3 from Le mariage à la ville [The Marriage in the Country]", "Alt_Title" : "", "Obj_Title" : "La Chaudeau porté aux mariés [Eggnog Carried to the Newlyweds], plate 3 from Le mariage à la ville [The Marriage in the Country]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.4 cm x 33 cm (10 in. x 13 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "33 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Chaudeau was a drink made of egg, sugar and wine believed to be an aphrodisiac. It was served during the bedding ritual. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.381.tif", "IsPrimary" : "1", "_SurrogateID" : "2049", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12150", "Disp_Access_No" : "2002.380", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "Les Présents offerts à la mariée [Presents Offered to the Bride], plate 1 from Le Mariage à la campagne [The Marriage in the Country]", "Alt_Title" : "", "Obj_Title" : "Les Présents offerts à la mariée [Presents Offered to the Bride], plate 1 from Le Mariage à la campagne [The Marriage in the Country]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.6 cm x 32.8 cm (10 1/16 in. x 12 15/16 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "32.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Abraham Bosse continued his commentary on marriage in the series Marriage in the Country. The tone is decidedly softer than in Marriage in the City. Friends and relatives bring gifts of cooking pots and linen to the new bride as she sets up household. In the final verse of the inscription, the bride assures her benefactors that they will be thanked when her children - not yet born - come of age, stressing the bonds marriage forged between generations and within communities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.380.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.380.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.380.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.380.tif", "IsPrimary" : "1", "_SurrogateID" : "2925", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12143, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12143", "Disp_Access_No" : "2002.378", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "Le Mari battant sa femme [The Irate Husband]", "Alt_Title" : "The Husband who Beats his Wife", "Obj_Title" : "The Irate Husband", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "25.6 cm x 33.4 cm (10 1/16 in. x 13 1/8 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving ", "Support" : "", "Disp_Medium" : "Etching and engraving ", "Info_Page_Comm" : "By the seventeenth century, marriage for men was regarded as honorable and the means for acquiring higher status and authority among neighbors. Married men were assigned better seats in church than bachelors, and men with children were addressed as "yeoman." In order to maintain that status, however, husbands had to keep strict order in their households, and wife beating was common. Men who were "henpecked" as in The Irate Wife, lost esteem in the eyes of their colleagues. By referring in the inscription to the man in this scene as "a husband in name only," the artist leaves open the question of the validity of marriages arranged solely for the social benefits they provided. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.378.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.378.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.378.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.378.tif", "IsPrimary" : "1", "_SurrogateID" : "2921", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12128", "Disp_Access_No" : "2002.360", "_AccNumSort1" : "", "Disp_Create_DT" : "1629", "_Disp_Start_Dat" : "1629", "_Disp_End_Date" : "1629", "Disp_Title" : "Gentleman Seen from Behind, from Le Jardin de la noblesse françoise [The Garden of the French Nobility], after Jean de Saint-Igny ", "Alt_Title" : "", "Obj_Title" : "Gentleman Seen from Behind, from Le Jardin de la noblesse françoise [The Garden of the French Nobility], after Jean de Saint-Igny ", "Series_Title" : "Le Jardin de la noblesse françoise", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "14.6 cm x 9.8 cm (5 3/4 in. x 3 7/8 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.360.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.360.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.360.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.360.tif", "IsPrimary" : "1", "_SurrogateID" : "2048", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12145", "Disp_Access_No" : "2002.379.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "La Mariée reconduite chez elle [The Bride Taken Back Home], plate 2, from Le Mariage à la ville [The Marriage in the City]", "Alt_Title" : "", "Obj_Title" : "La Mariée reconduite chez elle [The Bride Taken Back Home], plate 2, from Le Mariage à la ville [The Marriage in the City]", "Series_Title" : "", "Disp_Maker_1" : "Abraham Bosse", "Sort_Artist" : "Bosse, Abraham", "Disp_Dimen" : "26.2 cm x 33.4 cm (10 5/16 in. x 13 1/8 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "In plate 2 of this series, Bosse challenges the bedding ritual, a tradition performed by most aristocratic and upper middleclass couples from antiquity until the early nineteenth century. Consummation of the marriage was as significant as the ceremony itself. A ritual in which attendants and a priest or minister accompanied the couple to their chambers, undressed them, prayed over them, drank a toast to them and then retired from the room evolved to mark the event. Here, Bosse shows the bride protesting against the tradition. Distressed at the breach of etiquette, her attendants remind her that it is unseemly to have a man undress her. 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Conon [St. Conan], plate 19 from Les Images des saints [Images of Saints", "Alt_Title" : "", "Obj_Title" : "S. Conon [St. Conan], plate 19 from Les Images des saints [Images of Saints", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "11.3 cm x 6.8 cm (4 7/16 in. x 2 11/16 in.)", "Disp_Height" : "11.3 cm", "Disp_Width" : "6.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. 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Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Alt_Title" : "", "Obj_Title" : "Restauration du Dome de S. Maria del Fiore à Florence [The Restoration of the Dome of Santa Maria del Fiore in Florence], from La Vie de Ferdinand I de Médicis [The Life of Ferdinand I de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "20.4 cm x 29.8 cm (8 1/16 in. x 11 3/4 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This plate comes from a series of sixteen commissioned by Cosimo II de' Medici to honor his father, Ferdinando I, who had died five years earlier. Ten of the scenes depict military scenes, while the others show public works or political events. 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Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.381.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.381.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.381.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.381.tif", "IsPrimary" : "1", "_SurrogateID" : "6038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2482", "Disp_Access_No" : "1997.158.11/21", "_AccNumSort1" : "", "Disp_Create_DT" : "1616", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1616", "Disp_Title" : "L'Homme au gros dos orné des boutons [Man with the Large Back Decorated with Buttons], plate 10 from Les Gobbi", "Alt_Title" : "", "Obj_Title" : "L'Homme au gros dos orné des boutons [Man with the Large Back Decorated with Buttons], plate 10 from Les Gobbi", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "12.6 cm x 18.5 cm (4 15/16 in. x 7 5/16 in.)", "Disp_Height" : "12.6 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.158.11-21.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.158.11-21.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.158.11-21.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.158.11-21.tif", "IsPrimary" : "1", "_SurrogateID" : "7490", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2458", "Disp_Access_No" : "2002.562", "_AccNumSort1" : "", "Disp_Create_DT" : "1614", "_Disp_Start_Dat" : "1614", "_Disp_End_Date" : "1614", "Disp_Title" : "Le Catafalque de François de Médici [The Bier of Francesco de Medici], after Giulio Parigi, from Estampes Gravées a L’Occasion des Obsèques de François de Médicis [Prints Engraved on the Occasion of the Funeral of Francesco de Medici]", "Alt_Title" : "", "Obj_Title" : "Le Catafalque de François de Médici [The Bier of Francesco de Medici], after Giulio Parigi, from Estampes Gravées a L’Occasion des Obsèques de François de Médicis [Prints Engraved on the Occasion of the Funeral of Francesco de Medici]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "22.4 cm x 15.8 cm (8 13/16 in. x 6 1/4 in.)", "Disp_Height" : "22.4 cm", "Disp_Width" : "15.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Callot began his long service to the Medici with etchings of inventions by Giulio Parigi, the court festival designer. This print belongs to a very rare series that records the decorations for the funeral of Francesco de Medici. It is developed in Callot’s earliest manner of a regular line, single bite, and minimal tone. At the same time, it already demonstrates an aptitude for contemporary events, an inclination toward theatrical staging, and a sensitivity of hand. Later he would employ a hard ground and special needles to endow his plates with the noble appearance of engraving, whether they were elevated to commemorate or popular to entertain.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.562.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.562.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.562.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.562.tif", "IsPrimary" : "1", "_SurrogateID" : "2063", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2542, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2542", "Disp_Access_No" : "P1961.27.2/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1624", "_Disp_Start_Dat" : "1624", "_Disp_End_Date" : "1624", "Disp_Title" : "La Dame au masque [The Masked Lady], from La Noblesse [The Nobility]", "Alt_Title" : "", "Obj_Title" : "La Dame au masque [The Masked Lady], from La Noblesse", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "15.4 cm x 10.45 cm (6 1/16 in. x 4 1/8 in.)", "Disp_Height" : "15.4 cm", "Disp_Width" : "10.45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.27.2-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.27.2-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.27.2-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.27.2-4.tif", "IsPrimary" : "1", "_SurrogateID" : "7788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2584", "Disp_Access_No" : "1998.361", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "S. Lucius, plate 18 from Les Images des saints [Images of Saints]", "Alt_Title" : "", "Obj_Title" : "S. Lucius, plate 18 from Les Images des saints [Images of Saints]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "12.1 cm x 7.7 cm (4 3/4 in. x 3 1/16 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "7.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.361.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.361.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.361.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1998.361.TIF", "IsPrimary" : "1", "_SurrogateID" : "6094", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12274", "Disp_Access_No" : "2002.539.1/3", "_AccNumSort1" : "", "Disp_Create_DT" : "1626", "_Disp_Start_Dat" : "1626", "_Disp_End_Date" : "1626", "Disp_Title" : "Le Culte de Dieu [The Cult of God], from Les Sacrifices", "Alt_Title" : "", "Obj_Title" : "Le Culte de Dieu [The Cult of God], from Les Sacrifices", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "6.6 cm x 4.9 cm (2 5/8 in. x 1 15/16 in.)", "Disp_Height" : "6.6 cm", "Disp_Width" : "4.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.539.1-3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.539.1-3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.539.1-3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.539.1-3.tif", "IsPrimary" : "1", "_SurrogateID" : "6088", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2582, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2582", "Disp_Access_No" : "1998.359", "_AccNumSort1" : "", "Disp_Create_DT" : "1631", "_Disp_Start_Dat" : "1631", "_Disp_End_Date" : "1631", "Disp_Title" : "La Conversion de S. Paul, plate 8 from Les Images des saints [Images of Saints]", "Alt_Title" : "", "Obj_Title" : "La Conversion de S. Paul, plate 8 from Les Images des saints [Images of Saints]", "Series_Title" : "", "Disp_Maker_1" : "Jacques Callot", "Sort_Artist" : "Callot, Jacques", "Disp_Dimen" : "10.8 cm x 7.4 cm (4 1/4 in. x 2 15/16 in.)", "Disp_Height" : "10.8 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. 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1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.148.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.148.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.148.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.148.tif", "IsPrimary" : "1", "_SurrogateID" : "8365", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19198, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19198", "Disp_Access_No" : "2008.124", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1678", "_Disp_Start_Dat" : "1679", "_Disp_End_Date" : "1688", "Disp_Title" : "Barbara, Duchess of Cleveland and Daughter", "Alt_Title" : "", "Obj_Title" : "Barbara, Duchess 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A French portraitist, Gascar executed a small number of mezzotints after his own paintings. “Original” as opposed to “reproductive,” somewhat awkward in their drawing, but exquisite in their textures, these mezzotints are unusual in kind. Impressions are also exceedingly rare.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.124.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.124.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.124.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.124.tif", "IsPrimary" : "1", "_SurrogateID" : "5360", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19563", "Disp_Access_No" : "2010.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1833", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1833", "Disp_Title" : "Descente dans les ateliers de la liberté de la presse, plate 16 from La Caricature's Association Mensuelle lithographique", "Alt_Title" : "", "Obj_Title" : "Descente dans les ateliers de la liberté de la presse, plate 16 from La Caricature's Association Mensuelle lithographique", "Series_Title" : "", "Disp_Maker_1" : "J.J. Grandville", "Sort_Artist" : "Grandville, J.J.", "Disp_Dimen" : "35.9 cm x 53.9 cm (14 1/8 in. x 21 1/4 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "53.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, by exchange, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.65.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.65.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.65.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.65.tif", "IsPrimary" : "1", "_SurrogateID" : "8223", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19544, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19544", "Disp_Access_No" : "2010.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "Personification of Hope, after Niccolò dell'Abate, after Francesco Primaticcio", "Alt_Title" : "", "Obj_Title" : "Personification of Hope, after Niccolò dell'Abate, after Francesco Primaticcio", "Series_Title" : "", "Disp_Maker_1" : "Attributed to René Guérineau", "Sort_Artist" : "Guérineau, Attributed to René", "Disp_Dimen" : "22.2 cm x 16.7 cm (8 3/4 in. x 6 9/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "16.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.39.tif", "IsPrimary" : "1", "_SurrogateID" : "7711", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2710", "Disp_Access_No" : "2002.1917", "_AccNumSort1" : "", "Disp_Create_DT" : "1640", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "L'education du prince de Conti [The Education of the Prince of Conty]", "Alt_Title" : "", "Obj_Title" : "L'education du prince de Conti [The Education of the Prince of Conty]", "Series_Title" : "", "Disp_Maker_1" : "Grégoire Huret", "Sort_Artist" : "Huret, Grégoire", "Disp_Dimen" : "38.4 cm x 48.4 cm (15 1/8 in. x 19 1/16 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "48.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Accompanied by personifications of France and the Genius of the House of Bourbon, Armand de Bourbon, the young prince of the family's Conty line, weds Minerva – Wisdom – who brings him the gift of the Sciences and the Arts. This allegorical tribute was the frontispiece of a doctoral thesis in philosophy that one René Pichon submitted to the Collège de Clermont at Paris in 1640. Students commissioned such thèses to solicit high patronage and advance. Huret, an imaginative designer and dazzling engraver, made a specialty of them.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1917.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1917.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1917.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1917.tif", "IsPrimary" : "1", "_SurrogateID" : "1871", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17680", "Disp_Access_No" : "2005.165", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1680", "_Disp_Start_Dat" : "1675", "_Disp_End_Date" : "1685", "Disp_Title" : "Loeil de Dieu testimoin de toutes nos actions [The Eye of God Witnesses All of Our Actions]", "Alt_Title" : "", "Obj_Title" : "Loeil de Dieu testimoin de toutes nos actions [The Eye of God Witnesses All of Our Actions]", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Larmessin I", "Sort_Artist" : "Larmessin I, Nicolas de", "Disp_Dimen" : "46.5 cm x 34.6 cm (18 5/16 in. x 13 5/8 in.)", "Disp_Height" : "46.5 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.165.tif", "IsPrimary" : "1", "_SurrogateID" : "5269", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11272, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11272", "Disp_Access_No" : "1999.17", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1690", "_Disp_Start_Dat" : "1685", "_Disp_End_Date" : "1695", "Disp_Title" : "Habit de coustellier [A Cutler's Costume], from Habits des métiers et professions", "Alt_Title" : "", "Obj_Title" : "Habit de coustellier [A Cutler's Costume], from Habits des métiers et professions", "Series_Title" : "", "Disp_Maker_1" : "Nicolas de Larmessin II", "Sort_Artist" : "Larmessin II, Nicolas de", "Disp_Dimen" : "36.2 cm x 23.8 cm (14 1/4 in. x 9 3/8 in.)", "Disp_Height" : "36.2 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Since the sixteenth century, printmakers in Europe created series presenting various costumes in an almost encyclopedic manner. These series remained popular through the seventeenth century. Another regular concern in printmaking was the representation of the trades and occupations. Larmessin creatively and humorously combined these two traditions together in a series of figures wearing fanciful costumes of their trade. This particular figure from the series is a personification of the cutler’s trade. He wears a coat which is adorned with surgeon's implements including knives, scissors, and forceps, while in his left hand he holds a surgeon’s saw. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.17.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.17.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.17.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.17.tif", "IsPrimary" : "1", "_SurrogateID" : "2852", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12225", "Disp_Access_No" : "2002.466", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Christ Child with the Instruments of hte Passion", "Alt_Title" : "", "Obj_Title" : "The Christ Child", "Series_Title" : "", "Disp_Maker_1" : "Charles Le Brun", "Sort_Artist" : "Le Brun, Charles", "Disp_Dimen" : "11.6 cm x 12.5 cm (4 9/16 in. x 4 15/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "12.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.466.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.466.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.466.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.466.tif", "IsPrimary" : 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"Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.428.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.428.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.428.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.428.tif", "IsPrimary" : "1", "_SurrogateID" : "3708", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.428.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.428.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.428.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.428.tif", "IsPrimary" : "0", "_SurrogateID" : "3726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.428.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.428.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.428.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.428.tif", "IsPrimary" : "0", "_SurrogateID" : "3747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12191", "Disp_Access_No" : "2002.433", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Moïse esposé par son père sur le Nil [Moses Sent Down the Nile by His Father], plate 2, from the Historie de Moïse [The Life of Moses]", "Alt_Title" : "", "Obj_Title" : "Moïse esposé par son père sur le Nil [Moses Sent Down the Nile by His Father], plate 2, from the Historie de Moïse [The Life of Moses]", "Series_Title" : "", "Disp_Maker_1" : "Jean LePautre", "Sort_Artist" : "LePautre, Jean", "Disp_Dimen" : "22 cm x 29.8 cm (8 11/16 in. x 11 3/4 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Lepautre etched more than two thousand plates of ornament and architectural elements. His fertile imagination extended to series of Old and New Testament subjects with condensed narrative and elaborate enframement. Especially measured in construction and pure in form, this scene from his Life of Moses seems not just an emblem of French classicism but a projection of the Cartesian mind. Despite such inventions and qualities, Lepautre's etchings rarely receive serious consideration. 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Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.1.tif", "IsPrimary" : "1", "_SurrogateID" : "4631", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18684", "Disp_Access_No" : "2006.260", "_AccNumSort1" : "", "Disp_Create_DT" : "1635", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1635", "Disp_Title" : "Le Troupeau à l'abreuvoir", "Alt_Title" : "", "Obj_Title" : "Le Troupeau à l'abreuvoir", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "10.5 cm x 17.2 cm (4 1/8 in. x 6 3/4 in.)", "Disp_Height" : "10.5 cm", "Disp_Width" : "17.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.260.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.260.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.260.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.260.tif", "IsPrimary" : "1", "_SurrogateID" : "4655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18683, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18683", "Disp_Access_No" : "2006.259", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1633", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1638", "Disp_Title" : "Etude d'une scène de brigands [Study with Brigands]", "Alt_Title" : "", "Obj_Title" : "Etude d'une scène de brigands [Study with Brigands]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "20.5 cm x 13.7 cm (8 1/16 in. x 5 3/8 in.)", "Disp_Height" : "20.5 cm", "Disp_Width" : "13.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Claude, the greatest landscape painter of his time, was also a wonderfully sensitive etcher. A series of sketches on the copper plate, this print reveals his working method. The bundles of hatched and cross-hatched marks show the artist warming up his hand. The pairs of prancing animals, probably goats, recall those in a completed etching of around the same time. The most elaborate study, at the bottom, was developed into the group of brigands in the foreground of the etching on the right. Together, these prints underscore the relationship between drawing and etching in Claude’s work and more broadly, in the seventeenth century’s approach to the technique.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.259.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.259.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.259.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.259.tif", "IsPrimary" : "1", "_SurrogateID" : "4654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18681, "URL" : 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7 1/2 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "19 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.384.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.384.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.384.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.384.tif", "IsPrimary" : "1", "_SurrogateID" : "4639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12153, "URL" : 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"Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.387.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.387.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.387.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.387.tif", "IsPrimary" : "1", "_SurrogateID" : "4641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11251", "Disp_Access_No" : "2002.388", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1651", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1656", "Disp_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Alt_Title" : "", "Obj_Title" : "Berger et bergère conversant [Shepherd and Shepherdess Conversing]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "20 cm x 26.3 cm (7 7/8 in. x 10 3/8 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "26.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The creator of classical landscape painting, Claude Lorrain was an etcher of equivalent beauty and significance. Most of his prints were created in the 1630s. They evolved from the densely worked and animated style of Roman tradition to one approximating the subtlety of the artist’s mature paintings. For nearly a decade after that, Claude did not return to etching. Berger et bergère conversant was one of the first plates after he resumed. As with many of Claude’s etchings, the composition is related to that of a painting (Barnes Foundation, Merion, Pennsylvania). Much more than in early works, however, the conception was improvisatory, the initial handling broad, and the reworking of the plate pronounced. Claude had always made subtle changes to his plates in pursuing a desired effect. Now, the states test possibilities, vary mood as much as detail, and do not necessarily reach a conclusion. Here, the second state of the print involved extensive scraping and burnishing of the plate, eradicating entire passages, mottling the surface, and lightening the tone. No etcher in seventeenth-century Italy took greater advantage of the technique’s opportunities for creative experiment. The museum possesses sixteen etchings by Claude. The six in the Leo Steinberg Collection are all very early, fine, and today rare. 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"Disp_Title" : "La Fuite en Egypte [Flight into Egypt]", "Alt_Title" : "", "Obj_Title" : "La Fuite en Egypte [Flight into Egypt]", "Series_Title" : "", "Disp_Maker_1" : "Claude Lorrain", "Sort_Artist" : "Lorrain, Claude", "Disp_Dimen" : "10.2 cm x 16.8 cm (4 in. x 6 5/8 in.)", "Disp_Height" : "10.2 cm", "Disp_Width" : "16.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.409.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.409.tif", "PreviewPath" : 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Austin, Jack S. 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E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.29.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.29.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.29.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.29.tif", "IsPrimary" : "1", "_SurrogateID" : "8155", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16751", "Disp_Access_No" : "2003.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child, after Titian", "Alt_Title" : "", "Obj_Title" : "Madonna and Child, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Jean Morin", "Sort_Artist" : "Morin, Jean", "Disp_Dimen" : "43.1 cm x 31.8 cm (16 15/16 in. x 12 1/2 in.)", "Disp_Height" : "43.1 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Although it has not been identified, the prototype would have been a painting of the 1520s.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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He created the earlier portrait of Philbert-Emmanuel de Beaumanoir de Lavardin, bishop of Le Mans, in 1660. During the 1660s Beaumanoir de Lavardin developed a reputation as an atheist. He was formally denounced by the Church leadership after his death in 1671. Sometime after the decline in the bishop’s reputation, an anonymous artist transformed the sitter into a type of quack doctor that was popular in Dutch genre painting, which was appropriate for an individual whose name became synonymous with fraud. In the new print, Le Bassin, an unknown, different artist added etching to the engraved plate to change various details. The bishop of Le Mans was provided with a fur lined mantel that academics wore, and an oversized hat and pincenez. Various pills and sprigs of flowers are arranged on the parapet. The artist also added a bottle containing a tartar emetic, a "vomitive medicament," that indicates the contents of the chamber-pot. 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Ware, Jr. Collection, purchase from the Leo Steinberg Collection", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "2918", "Rel_Obj_Title" : "Philibert-Emmanuel de Beaumanoir de Lavardin" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.85.tif", "IsPrimary" : "1", "_SurrogateID" : "4868", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3121, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3121", "Disp_Access_No" : "2002.1918", "_AccNumSort1" : "", "Disp_Create_DT" : "1699", "_Disp_Start_Dat" : "1699", "_Disp_End_Date" : "1699", "Disp_Title" : "Moses with the Tablets of the Law, after Philippe de Champagne", "Alt_Title" : "", "Obj_Title" : "Moses with the Tablets of the Law, after Philippe de Champagne", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil and Gérard Edelinck", "Sort_Artist" : "Nanteuil and Gérard Edelinck, Robert", "Disp_Dimen" : "52.6 cm x 41 cm (20 11/16 in. x 16 1/8 in.)", "Disp_Height" : "52.6 cm", "Disp_Width" : "41 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.360.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.360.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.360.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.360.tif", "IsPrimary" : "1", "_SurrogateID" : "1673", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2996", "Disp_Access_No" : "1991.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1677", "_Disp_Start_Dat" : "1677", "_Disp_End_Date" : "1677", "Disp_Title" : "Louis Dauphin", "Alt_Title" : "", "Obj_Title" : "Louis Dauphin", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "53.9 cm x 45 cm (21 1/4 in. x 17 11/16 in.)", "Disp_Height" : "53.9 cm", "Disp_Width" : "45 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Son of Louis XIV, the prince (1661-1711) was called both "Le Grand Dauphin" and "Monseigneur."", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.9.tif", "IsPrimary" : "1", "_SurrogateID" : "6208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2932", "Disp_Access_No" : "1991.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1662", "_Disp_Start_Dat" : "1662", "_Disp_End_Date" : "1662", "Disp_Title" : "Victor Bouthillier, Archbishop of Tours", "Alt_Title" : "", "Obj_Title" : "Victor Bouthillier, Archbishop of Tours", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "37.9 cm x 47.8 cm (14 15/16 in. x 18 13/16 in.)", "Disp_Height" : "37.9 cm", "Disp_Width" : "47.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Victor Bouthillier (1596-1670) was bishop of Boulogne from 1630, then archbishop of Tours from 1641. He also served as chaplain to Marie de' Medici and to Gaston d'Orléans, brother of Louis XIII.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.11.tif", "IsPrimary" : "1", "_SurrogateID" : "4873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12934", "Disp_Access_No" : "2002.1466", "_AccNumSort1" : "", "Disp_Create_DT" : "1667", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1667", "Disp_Title" : "Antoine Dulieu", "Alt_Title" : "", "Obj_Title" : "Antoine Dulieu", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "39.3 cm x 30.8 cm (15 1/2 in. x 12 1/8 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1466.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1466.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1466.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1466.tif", "IsPrimary" : "1", "_SurrogateID" : "1791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2918", "Disp_Access_No" : "1996.328", "_AccNumSort1" : "", "Disp_Create_DT" : "1660", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Philibert-Emmanuel de Beaumanoir de Lavardin", "Alt_Title" : "", "Obj_Title" : "Philibert-Emmanuel de Beaumanoir de Lavardin", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "34.4 cm x 26.2 cm (13 9/16 in. x 10 5/16 in.)", "Disp_Height" : "34.4 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "2921", "Rel_Obj_Title" : "Le Bassin [Philibert - Emmanuel de Beaumanoir de Lavardin]" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.328.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.328.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.328.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.328.tif", "IsPrimary" : "1", "_SurrogateID" : "4877", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2868, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2868", "Disp_Access_No" : "1991.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1656", "_Disp_Start_Dat" : "1656", "_Disp_End_Date" : "1656", "Disp_Title" : "Pierre Séguier, Chancellor of France, after Charles Le Brun", "Alt_Title" : "", "Obj_Title" : "Pierre Séguier, Chancellor of France, after Charles Le Brun", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "47.8 cm x 61.2 cm (18 13/16 in. x 24 1/8 in.)", "Disp_Height" : "47.8 cm", "Disp_Width" : "61.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.10.tif", "IsPrimary" : "1", "_SurrogateID" : "5964", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2900, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2900", "Disp_Access_No" : "1996.316", "_AccNumSort1" : "", "Disp_Create_DT" : "1658", "_Disp_Start_Dat" : "1658", "_Disp_End_Date" : "1658", "Disp_Title" : "Basile Fouquet", "Alt_Title" : "", "Obj_Title" : "Basile Fouquet", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "32.1 cm x 24.4 cm (12 5/8 in. x 9 5/8 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Mid-seventeenth-century France saw the emergence of an utterly coherent system of engraving that is among the major manifestations of the classical Baroque and among the great languages in the history of printmaking. Shortly after the foundation of the Royal Academy of Painting and Sculpture in 1648, engraving was elevated by royal edict from an industrial to a liberal art, incorporated as an academic discipline, and thus given equally systematic means for transmitting its skills and values. The portraits of Robert Nanteuil were the first expression of this system. His work proceeds from an appropriation of Jean Morin’s and Claude Mellan’s modes, through a synthesis of their respective naturalism and idealism, to a moment in the late 1650s of extraordinary balance in the relation of one mark to another, sitter to frame, and form to ethos. Portraying a tenacious councillor of state who was later disgraced, this print is one of the artist’s masterpieces. Much more than the conventions that Nanteuil established, it is his eminently rational conception and procedure, governing individual works and artistic development alike, that has been called “the constitution of French engraving.” Nanteuil’s achievement should be compared with that of Nicolas Poussin in painting, Pierre Corneille in tragedy, and René Descartes in philosophy. The collection boasts 122 engravings by Nanteuil, more than half his oeuvre, with numerous prints in multiple states. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.316.tif", "IsPrimary" : "1", "_SurrogateID" : "1672", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12932", "Disp_Access_No" : "2002.1464", "_AccNumSort1" : "", "Disp_Create_DT" : "1657", "_Disp_Start_Dat" : "1657", "_Disp_End_Date" : "1657", "Disp_Title" : "Pompone II de Bellièvre, after Florent Le Comte", "Alt_Title" : "", "Obj_Title" : "Pompone II de Bellièvre, after Florent Le Comte", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "32.3 cm x 24.7 cm (12 11/16 in. x 9 3/4 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1464.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1464.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1464.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1464.tif", "IsPrimary" : "1", "_SurrogateID" : "4513", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2906, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2906", "Disp_Access_No" : "2002.1461", "_AccNumSort1" : "", "Disp_Create_DT" : "1638", "_Disp_Start_Dat" : "1638", "_Disp_End_Date" : "1638", "Disp_Title" : "Louis-Dominique de Bailleul", "Alt_Title" : "", "Obj_Title" : "Louis-Dominique de Bailleul", "Series_Title" : "", "Disp_Maker_1" : "Robert Nanteuil", "Sort_Artist" : "Nanteuil, Robert", "Disp_Dimen" : "33.2 cm x 25.7 cm (13 1/16 in. x 10 1/8 in.)", "Disp_Height" : "33.2 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1461.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1461.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1461.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1461.tif", "IsPrimary" : "1", "_SurrogateID" : "1790", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12305", "Disp_Access_No" : "2002.574", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Le Chateau d'Ancy le Franc", "Alt_Title" : "", "Obj_Title" : "Le Chateau d'Ancy le Franc", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "26 cm x 34.5 cm (10 1/4 in. x 13 9/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Ancy-le-Franc (constructed 1544-50) is a château in Burgundy commissioned by the French nobleman Antoine de Clermont-Tonnerre from the Italian architect Sebastiano Serlio. The print shows a perspectival view of the whole estate and the surrounding landscape. The central axis dividing the parterres and running through the château is a fundamental principle of the French formal garden. A road alongside cultivated fields and pasture leads across the bridge to a hamlet dominated by a spire in the distance.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.574.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.574.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.574.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.574.tif", "IsPrimary" : "1", "_SurrogateID" : "6918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3130, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3130", "Disp_Access_No" : "2002.577", "_AccNumSort1" : "", "Disp_Create_DT" : "published by Langlois in 1704", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1704", "Disp_Title" : "Le Bassin de Bacchus [The Pond of Bacchus], from the Veues des plus beaux lieux de France et d'Italie [Views of the Most Beautiful Places in France and Italy]", "Alt_Title" : "", "Obj_Title" : "Le Bassin de Bacchus [The Pond of Bacchus], from the Veues des plus beaux lieux de France et d'Italie [Views of the Most Beautiful Places in France and Italy]", "Series_Title" : "Veues des plus beaux lieux de France et d'Italie [Views of the Most Beautiful Pl", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "30.4 cm x 39.6 cm (11 15/16 in. x 15 9/16 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "39.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.577.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.577.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.577.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.577.tif", "IsPrimary" : "1", "_SurrogateID" : "6919", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12309, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12309", "Disp_Access_No" : "2002.582", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1688", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1698", "Disp_Title" : "Arch of Septimius Severus and the Campidoglio, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Alt_Title" : "", "Obj_Title" : "Arch of Septimius Severus and the Campidoglio, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "26 cm x 34.5 cm (10 1/4 in. x 13 9/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.582.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.582.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.582.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.582.tif", "IsPrimary" : "1", "_SurrogateID" : "4649", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3132, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3132", "Disp_Access_No" : "2002.579", "_AccNumSort1" : "", "Disp_Create_DT" : "published by Langlois in 1704", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1704", "Disp_Title" : "La Salle des Festins, Versailles", "Alt_Title" : "", "Obj_Title" : "La Salle des Festins, Versailles", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "31 cm x 41.1 cm (12 3/16 in. x 16 3/16 in.)", "Disp_Height" : "31 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "A bosquet is essentially an outdoor room, open to the sky, with walls of carefully trimmed hedges or trees. They are frequently decorated with elaborate water features and sculptures. At Versailles they were one of the main features of the garden and were treated as flexible all-purpose spaces. Depending on the needs of the court they could be used as quiet retreats or to stage grand spectacles. The Salle des Festins is a fine example of such a bosquet. Its hedge walls surrounded an artificial island ringed by a narrow water channel with ornamental jets. It could be accessed by two small bridges and was used for both quiet strolls and elaborate banquets and balls.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.579.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.579.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.579.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.579.tif", "IsPrimary" : "1", "_SurrogateID" : "6921", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3131, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3131", "Disp_Access_No" : "2002.578", "_AccNumSort1" : "", "Disp_Create_DT" : "published by Langlois in 1704", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1704", "Disp_Title" : "Le Bassin de Saturne, Versailles", "Alt_Title" : "", "Obj_Title" : "Le Bassin de Saturne, Versailles", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "30.6 cm x 40.3 cm (12 1/16 in. x 15 7/8 in.)", "Disp_Height" : "30.6 cm", "Disp_Width" : "40.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Bassin de Bacchus and Bassin de Saturne are two fountains from a series of four representing the four seasons in the guise of ancient gods. They were part of the complex plan of the gardens of Versailles and allude to Louis XIV’s power and divine support. Together they suggest that the seasons, and time itself, revolve around Louis XIV, the magnificent Sun King. Like many such prints the scenes are populated with a variety of figures. These include not only nobles enjoying a stroll in the gardens but also numerous gardeners and their assistants going about their daily chores.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.578.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.578.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.578.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.578.tif", "IsPrimary" : "1", "_SurrogateID" : "6920", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12308, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12308", "Disp_Access_No" : "2002.581", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1688", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1698", "Disp_Title" : "Arch of Constantine, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Alt_Title" : "", "Obj_Title" : "Arch of Constantine, from the Vues de Rome et de ses environs [Views of Rome and Its Surroundings]", "Series_Title" : "", "Disp_Maker_1" : "Adam Perelle", "Sort_Artist" : "Perelle, Adam", "Disp_Dimen" : "26 cm x 33.9 cm (10 1/4 in. x 13 3/8 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "33.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.581.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.581.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.581.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.581.tif", "IsPrimary" : "1", "_SurrogateID" : "4648", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13182", "Disp_Access_No" : "2002.1866", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1668", "_Disp_Start_Dat" : "1663", "_Disp_End_Date" : "1673", "Disp_Title" : "Landscape with the Flight into Egypt, after Sebastien Bourdon", "Alt_Title" : "", "Obj_Title" : "Landscape with The Flight into Egypt, after Sebastien Bourdon", "Series_Title" : "", "Disp_Maker_1" : "Jacques Prou", "Sort_Artist" : "Prou, Jacques", "Disp_Dimen" : "34.3 cm x 46.1 cm (13 1/2 in. x 18 1/8 in.)", "Disp_Height" : "34.3 cm", "Disp_Width" : "46.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1866.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1866.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1866.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1866.tif", "IsPrimary" : "1", "_SurrogateID" : "4138", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12317", "Disp_Access_No" : "2002.591", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Frontispiece to Vues de Paris [Views of Paris]", "Alt_Title" : "", "Obj_Title" : "Frontispiece to Vues de Paris [Views of Paris]", "Series_Title" : "", "Disp_Maker_1" : "Israël Silvestre and Jean LePautre", "Sort_Artist" : "Silvestre and Jean LePautre, Israël", "Disp_Dimen" : "20.8 cm x 30.1 cm (8 3/16 in. x 11 7/8 in.)", "Disp_Height" : "20.8 cm", "Disp_Width" : "30.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.591.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.591.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.591.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.591.tif", "IsPrimary" : "1", "_SurrogateID" : "2064", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/441", "Disp_Access_No" : "2002.1876", "_AccNumSort1" : "", "Disp_Create_DT" : "1664", "_Disp_Start_Dat" : "1664", "_Disp_End_Date" : "1664", "Disp_Title" : "Troisième Journée: Rupture du Palais... [Third Day: The Palace Destroyed...], plate 9 from Les Plaisirs de l’Isle Enchantée, ou Les Festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments ", "Alt_Title" : "", "Obj_Title" : "Troisième Journée: Rupture du Palais des enchantements de l'Isle d'Alcine représentée par un feu d'artifice [Third Day: The Destruction of the Palace of Enchantment of the Isle of Alcine as Represented by a Fireworks Display], plate 9 from Les Plaisirs de l’Isle Enchantée, ou Les Festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments of the King at Versailles]", "Series_Title" : "", "Disp_Maker_1" : "Israël Silvestre", "Sort_Artist" : "Silvestre, Israël", "Disp_Dimen" : "42.5 cm x 55 cm (16 3/4 in. x 21 5/8 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This image records events during the same grand fête in 1664. On the third day of the festival, after the plays and other performances were finished, the theatrical set in the Estang basin was blown up in a magnificent fireworks display. Fireworks were frequently the culmination of grand feasts and the king employed only the best specialists. Silvestre took great care to show not only the fabulous spectacle, but also the large number of spectators attending and their reactions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1876.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1876.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1876.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1876.tif", "IsPrimary" : "1", "_SurrogateID" : "6924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/440", "Disp_Access_No" : "2002.1875", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Troisième Journée: Théâtre dressé. [Third Day: The Theater Prepared], plate 8 from Les plaisirs de l’Isle Enchantée, ou les festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments of the K", "Alt_Title" : "", "Obj_Title" : "Troisième Journée: Théâtre dressé. [Third Day: The Theater Prepared], plate 8 from Les plaisirs de l’Isle Enchantée, ou les festes et divertissements du Roy à Versailles [The Pleasures of the Enchanted Isle, or the Celebrations and Entertainments of the King at Versailles]", "Series_Title" : "", "Disp_Maker_1" : "Israël Silvestre", "Sort_Artist" : "Silvestre, Israël", "Disp_Dimen" : "42.6 cm x 54.6 cm (16 3/4 in. x 21 1/2 in.)", "Disp_Height" : "42.6 cm", "Disp_Width" : "54.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The entertainment of the king and his courtiers was an integral part of life at Versailles and the gardens were planned accordingly. 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Only the best and most ingenious design was tolerated for such a royal event and clever devices such as the three sea monsters floating in the basin were among the attractions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1875.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1875.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1875.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1875.tif", "IsPrimary" : "1", "_SurrogateID" : "6923", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19526, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19526", "Disp_Access_No" : "2010.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1667", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1667", "Disp_Title" : "Frontispiece to the Pastorales", "Alt_Title" : "", "Obj_Title" : "Frontispiece to the Pastorales", "Series_Title" : "", "Disp_Maker_1" : "Claudine Stella", "Sort_Artist" : "Stella, Claudine", "Disp_Dimen" : "27.1 cm x 31.6 cm (10 11/16 in. x 12 7/16 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "31.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.33.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.33.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.33.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.33.tif", "IsPrimary" : "1", "_SurrogateID" : "8159", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8295", "Disp_Access_No" : "2002.464", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1621", "_Disp_Start_Dat" : "1616", "_Disp_End_Date" : "1626", "Disp_Title" : "Children Dancing", "Alt_Title" : "", "Obj_Title" : "Children Dancing", "Series_Title" : "", "Disp_Maker_1" : "Jacques Stella", "Sort_Artist" : "Stella, Jacques", "Disp_Dimen" : "26.8 cm x 23.8 cm (10 9/16 in. x 9 3/8 in.)", "Disp_Height" : "26.8 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "With its playful imagery recalling Netherlandish genre prints, indeed begging a moralizing inscription, and its incongruously refined drawing owing much to Callot, Dancing Children may well have been Stella's first attempt in technique. In any case, the print is exceedingly rare.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.464.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.464.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.464.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.464.tif", "IsPrimary" : "1", "_SurrogateID" : "2058", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12924", "Disp_Access_No" : "2002.1454", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lot and His Daughters, after Claude Mellan", "Alt_Title" : "", "Obj_Title" : "Lot and His Daughters, after Claude Mellan", "Series_Title" : "", "Disp_Maker_1" : "Vienot", "Sort_Artist" : "Vienot", "Disp_Dimen" : "14.6 cm x 10.8 cm (5 3/4 in. x 4 1/4 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "10.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1454.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1454.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1454.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1454.tif", "IsPrimary" : "1", "_SurrogateID" : "5479", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2504, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2504", "Disp_Access_No" : "2002.352", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Finding of the Bodies of Peter and Paul", "Alt_Title" : "", "Obj_Title" : "Finding of the Bodies of Peter and Paul", "Series_Title" : "", "Disp_Maker_1" : "Claude Vignon", "Sort_Artist" : "Vignon, Claude", "Disp_Dimen" : "26.3 cm x 17.8 cm (10 3/8 in. x 7 in.)", "Disp_Height" : "26.3 cm", "Disp_Width" : "17.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.352.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.352.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.352.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.352.tif", "IsPrimary" : "1", "_SurrogateID" : "2046", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11161", "Disp_Access_No" : "1993.113", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Saint James the Greater", "Alt_Title" : "", "Obj_Title" : "Saint James the Greater", "Series_Title" : "", "Disp_Maker_1" : "Jacques Bellange", "Sort_Artist" : "Bellange, Jacques", "Disp_Dimen" : "28.2 cm x 16.3 cm (11 1/8 in. x 6 7/16 in.)", "Disp_Height" : "28.2 cm", "Disp_Width" : "16.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Bellange, active principally as a printmaker, was one of the last distinctive exponents of Mannerism. 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