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Curtius", "Alt_Title" : "", "Obj_Title" : "Marcus Curtius", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "15.3 cm x 10.6 cm (6 in. x 4 3/16 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In a legend recounted by the ancient Roman historian Livy, Marcus Curtius at the instruction of an oracle leapt on horseback into a chasm that had opened in the forum in order to save the city. Exaggerating the antique flavor, Aldegrever has juxtaposed this emblem of sacrifice with a group of five female nudes and, evident in this extraordinary impression, imparted the plasticity of statuary to the whole scene. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.757.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.757.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.757.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.757.tif", "IsPrimary" : "1", "_SurrogateID" : "2076", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12444, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12444", "Disp_Access_No" : "2002.765", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1513", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1518", "Disp_Title" : "Ascension of Christ, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Alt_Title" : "", "Obj_Title" : "Ascension of Christ, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Altdorfer", "Sort_Artist" : "Altdorfer, Albrecht", "Disp_Dimen" : "7.2 cm x 4.8 cm (2 13/16 in. x 1 7/8 in.)", "Disp_Height" : "7.2 cm", "Disp_Width" : "4.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.765.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.765.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.765.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.765.tif", "IsPrimary" : "1", "_SurrogateID" : "2078", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2047", "Disp_Access_No" : "2002.766", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1513", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1518", "Disp_Title" : "Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Alt_Title" : "", "Obj_Title" : "Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Altdorfer", "Sort_Artist" : "Altdorfer, Albrecht", "Disp_Dimen" : "7.5 cm x 5.1 cm (2 15/16 in. x 2 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Altdorfer’s series consists of forty blocks rendering the fundamental Christian narrative, from Original Sin through the Last Judgment, with most devoted to the Life of Christ. Distinctively, they bring the miniature scale, pictorial values, and technical refinement of some of Dürer’s engravings to woodcut. The Steinberg Collection includes three other prints from the series, and the later engraving of Hercules and a Muse. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.766.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.766.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.766.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.766.tif", "IsPrimary" : "1", "_SurrogateID" : "2079", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18962", "Disp_Access_No" : "2008.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1520 - 1526", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1526", "Disp_Title" : "Horatius Cocles Leaping into the Tiber", "Alt_Title" : "", "Obj_Title" : "Horatius Cocles Leaping into the Tiber", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Altdorfer", "Sort_Artist" : "Altdorfer, Albrecht", "Disp_Dimen" : "7.1 cm x 4.1 cm (2 13/16 in. x 1 5/8 in.)", "Disp_Height" : "7.1 cm", "Disp_Width" : "4.1 cm", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase as a gift of Leslie Blanton in honor of Michelle Brock with a contribution from Peter Parshall and through the Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.9.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.9.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.9.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.9.tif", "IsPrimary" : "1", "_SurrogateID" : "4676", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11200", "Disp_Access_No" : "2002.2589", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1640", "Disp_Title" : "Fleuch wa du willt, Des todtes bild, Staetz auff dich zielt [Death with a Crossbow, or Death Stays on Target]", "Alt_Title" : "", "Obj_Title" : "Fleuch wa du willt, Des todtes bild, Staetz auff dich zielt [Death with a Crossbow, or Death Stays on Target]", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "36.7 x 27.9 cm (14 7/16 x 11 in.)", "Disp_Height" : "36.7 cm", "Disp_Width" : "27.9 cm", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2589.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2589.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2589.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2589.tif", "IsPrimary" : "1", "_SurrogateID" : "5408", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19530, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19530", "Disp_Access_No" : "2010.37", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pool of Bethesda", "Alt_Title" : "", "Obj_Title" : "Pool of Bethesda", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "24.7 cm x 17.5 cm (9 3/4 in. x 6 7/8 in.)", "Disp_Height" : "24.7 cm", "Disp_Width" : "17.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut with hand-coloring", "Support" : "", "Disp_Medium" : "Woodcut with hand-coloring", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.37_recto.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.37_recto.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.37_recto.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.37_recto.tif", "IsPrimary" : "1", "_SurrogateID" : "7709", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.37_verso.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.37_verso.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.37_verso.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.37_verso.tif", "IsPrimary" : "0", "_SurrogateID" : "7757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11001", "Disp_Access_No" : "1996.171", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1485", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1484", "Disp_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous German (Bamberg and Regensburg)", "Sort_Artist" : "Anonymous German (Bamberg and Regensburg)", "Disp_Dimen" : "37.2 cm x 23.4 cm (14 5/8 in. x 9 3/16 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Support" : "", "Disp_Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Info_Page_Comm" : "This, the central image of the Christian faith, commonly appeared before the Canon of the Mass in medieval manuscript missals, the books containing all that is said or sung at mass during the entire year. As these were replaced by printed volumes in the second half of the fifteenth century, the Kanonbild, or Canon Crucifixion, was translated into woodcut, printed separately, then pasted into the volumes or sold as an independent devotional image. This particular version appears in missals published by Johann Sensenschmidt with various partners in Bamberg and Regensburg between 1485 and 1492. The museum’s impression was printed on vellum, colored by hand, and gilded and silvered in the halos in order to imitate the appearance of a manuscript leaf. There are three other such deluxe impressions in the United States. Deeply conservative in function and materials, they are excellent examples of the relationship between the manuscript tradition and early prints, especially in northern Europe. At the same time, amid the explosion of book illustration in the late fifteenth century, Kanonbilder were much larger in size, more articulate in cutting, and more expressive—note the body of Christ—than the typical product of the day. Within a decade, Albrecht Dürer would introduce virtuoso artistic woodcuts. The Kanonbilder point in their direction and help explain their origin.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, by exchange, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.171.tif", "IsPrimary" : "1", "_SurrogateID" : "2934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8091", "Disp_Access_No" : "P1965.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1530's", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "The Women's Bath", "Alt_Title" : "", "Obj_Title" : "The Women's Bath", "Series_Title" : "", "Disp_Maker_1" : "Sebald Beham", "Sort_Artist" : "Beham, Sebald", "Disp_Dimen" : "29.35 cm x 29.5 cm (11 9/16 in. x 11 5/8 in.)", "Disp_Height" : "29.35 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1965", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1965.2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1965.2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1965.2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1965.2.tif", "IsPrimary" : "1", "_SurrogateID" : "6537", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2098", "Disp_Access_No" : "2002.771", "_AccNumSort1" : "", "Disp_Create_DT" : "1539", "_Disp_Start_Dat" : "1539", "_Disp_End_Date" : "1539", "Disp_Title" : "Melencolia", "Alt_Title" : "Melencolia", "Obj_Title" : "Melancholia", "Series_Title" : "", "Disp_Maker_1" : "Sebald Beham", "Sort_Artist" : "Beham, Sebald", "Disp_Dimen" : "8 cm x 5.2 cm (3 1/8 in. x 2 1/16 in.)", "Disp_Height" : "8 cm", "Disp_Width" : "5.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The iconography and composition of this print expressly quote Dürer’s famed engraving of 1514: a winged personification of genius sits listless amid emblems of artistic knowledge and ability, a timeless metaphor for the frustrations of creativity. In Dürer’s engraving, however, knowledge includes mathematics, melancholy is further associated with the traditional symbols of that temperament, and the figure broods. In Beham’s, with the concern more superficial and the plate a tenth the size, the figure rather dozes and charms. 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", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.828.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.828.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.828.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.828.tif", "IsPrimary" : "1", "_SurrogateID" : "2084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2068", "Disp_Access_No" : "2002.830", "_AccNumSort1" : "", "Disp_Create_DT" : "1521", "_Disp_Start_Dat" : "1521", "_Disp_End_Date" : "1521", "Disp_Title" : "Saint Christopher ", "Alt_Title" : "", "Obj_Title" : "Saint Christopher ", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The cult of Saint Christopher, patron saint of travelers, was particularly strong between the thirteenth and sixteenth centuries. According to popular tradition, Christopher was a man of giant stature who assisted Christ across a river, and in doing so, felt the weight of the world on his shoulders. Night scenes such as this lent themselves well to the restricted tonal scale of Dürer’s late engraving style. Long parallel lines define the water, hilly landscape and sky surrounding the saint. Rather than altering the density of these lines to create gradations of tone, Dürer distinguishes these passages through their directional orientation. Once searchingly descriptive, the fall of light is now mystical and expressive. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.830.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.830.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.830.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.830.tif", "IsPrimary" : "1", "_SurrogateID" : "2085", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11020", "Disp_Access_No" : "1995.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1497-1498", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1498", "Disp_Title" : "Martyrdom of Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39 cm x 28.7 cm (15 3/8 in. x 11 5/16 in.)", "Disp_Height" : "39 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Martyrdom of Saint Catherine combines the stages of the saint’s execution: a first attempt with a spiked wheel, its thwarting by divine intervention, and a second, successful attempt at the hand of a swordsman. Albrecht Dürer crowded the composition with an extraordinary amount of information. He missed no opportunity for conspicuous invention, from the exploding heavens to the splendid executioner, and boasted an unprecedented variety of mark and complexity of effect. Prior to Dürer’s activity, woodcut had been bound by simple conventions and popular functions. Flush with creative as well as commercial ambition, the young artist applied his singular imagination and audacious skill to the technique, single-handedly elevating it to the level of high art. The success of such woodcuts spread Dürer’s compositions and fame across Europe. He went on to explore possibilities of the medium––first pictorial, then schematic, and finally abstract. These experiments would dominate sixteenth-century production and, long after woodcut had returned to its basic tendencies, remain the measure of artistic achievement in the medium. Woodcut, however, was by no means Dürer’s primary graphic technique. His command of the burin, an engraving tool, is masterful and the focus and detail in his engravings approach hyperrealism. The museum houses over 38 etchings, engravings, and woodcuts by the Northern Renaissance master, offering an opportunity to observe the scope of Dürer’s expertise in the graphic arts.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.36.tif", "IsPrimary" : "1", "_SurrogateID" : "1655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11019", "Disp_Access_No" : "1987.13", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1495", "_Disp_Start_Dat" : "1490", "_Disp_End_Date" : "1500", "Disp_Title" : "The Ravisher", "Alt_Title" : "Young Woman Attacked by Death", "Obj_Title" : "The Ravisher", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 10.2 cm (4 1/2 in. x 4 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "As one of Dürer’s earliest efforts in the medium of engraving, this personification of wild human nature, or possibly Death, overcoming a young maiden springs directly from the artist’s inherited Northern tradition. Both in terms of style and choice of subject matter, the print reveals a debt to the dry points of the Housebook Master, an artist who created similarly dynamic allegorical prints by drawing with a sharp needle directly onto a metal plate. Dürer’s affinity for such a coarse and informal style indicates an initial resistance to the kind of deliberate, highly systematic strokes that would come to characterize his mature engraving technique", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.13.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.13.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.13.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1987.13.TIF", "IsPrimary" : "1", "_SurrogateID" : "5638", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11045", "Disp_Access_No" : "1988.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-11", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Christ Crowned with Thorns, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.7 cm x 11.5 cm (5 13/16 in. x 4 1/2 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.64.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.64.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.64.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1988.64.TIF", "IsPrimary" : "1", "_SurrogateID" : "5651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2029", "Disp_Access_No" : "P1961.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.6 cm (11 5/8 in. x 8 1/8 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.8.tif", "IsPrimary" : "1", "_SurrogateID" : "4811", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2071, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2071", "Disp_Access_No" : "2002.829", "_AccNumSort1" : "", "Disp_Create_DT" : "1523", "_Disp_Start_Dat" : "1523", "_Disp_End_Date" : "1523", "Disp_Title" : "Saint Simon", "Alt_Title" : "", "Obj_Title" : "Saint Simon", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Simon was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.829.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.829.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.829.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.829.TIF", "IsPrimary" : "1", "_SurrogateID" : "5642", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2051", "Disp_Access_No" : "1995.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Madonna by the Wall", "Alt_Title" : "", "Obj_Title" : "Madonna by the Wall", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.8 cm x 10.1 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In this engraving, the instability that characterizes the Virgin and Child with the Pear gives way to a sense of monumentality and repose created by the group’s regular, triangular composition and centeral positioning. Whereas Dürer employed mostly long, parallel hatchings to describe the earlier Virgin and Child, in this engraving he uses a diverse combination of strokes to suggest a warm fall of light and a wide variety of textures. Most notable is the artist’s ability to render the Virgin’s luminous silk mantle resting over her knee. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of M.K. Hage, Jr., Susan Thomas, and Jo Alice Tomforde, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.113.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.113.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.113.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.113.TIF", "IsPrimary" : "1", "_SurrogateID" : "5639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2036", "Disp_Access_No" : "1996.146", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ on the Cross, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.9 cm x 7.6 cm (4 11/16 in. x 3 in.)", "Disp_Height" : "11.9 cm", "Disp_Width" : "7.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.146.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.146.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.146.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1996.146.TIF", "IsPrimary" : "1", "_SurrogateID" : "5640", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12476", "Disp_Access_No" : "2002.837", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1511", "_Disp_Start_Dat" : "1506", "_Disp_End_Date" : "1516", "Disp_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Alt_Title" : "", "Obj_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "19 cm x 12.8 cm (7 1/2 in. x 5 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "This depiction of the story of Salome is one of Dürer’s lesser known prints. When John the Baptist condemned the marriage of Salome’s mother to King Herod, the young Salome seduced the King with a dance and convinced him to decapitate the saint. Dürer sets the episode in an intimate setting, similar to those of the Small Passion. The stirring exchange of glances between Salome, King Herod, and the decapitated head of Saint John provides the scene with a palpable feeling of discomfort.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.837.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.837.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.837.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.837.TIF", "IsPrimary" : "1", "_SurrogateID" : "5659", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2045", "Disp_Access_No" : "2002.2327", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Caiaphas, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12 cm x 7.5 cm (4 3/4 in. x 2 15/16 in.)", "Disp_Height" : "12 cm", "Disp_Width" : "7.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2327.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2327.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2327.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2327.TIF", "IsPrimary" : "1", "_SurrogateID" : "5641", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2040", "Disp_Access_No" : "2002.2328", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1497-1500", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1500", "Disp_Title" : "The Flagellation, from The Great Passion", "Alt_Title" : "", "Obj_Title" : "The Flagellation, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "38.2 cm x 27.4 cm (15 1/16 in. x 10 13/16 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Because they afforded little sense of discovery and required more substantial outlay, Steinberg rarely pursued prints by the most familiar masters, Dürer and Rembrandt. Still the Collection includes notable examples by each. The “Great” or “Large Passion”, the most dramatic of the three series Dürer devoted to the subject, began with seven compositions in 1497-98. The Flagellation is one of another four in a more equilibrated manner that were added in 1511. This is a fine, proof impression, with little wear to the block and before the edition with text on the reverse of each sheet.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2328.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2328.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2328.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2328.tif", "IsPrimary" : "1", "_SurrogateID" : "1926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11028", "Disp_Access_No" : "G1966.2.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "The Virgin and Child with Saint Anne", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Anne", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.149.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.149.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.149.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.149.TIF", "IsPrimary" : "1", "_SurrogateID" : "5643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11022", "Disp_Access_No" : "P1961.9", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Seven Trumpets, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "The Seven Trumpets, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 28.2 cm (15 3/8 in. x 11 1/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.9.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.9.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.9.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.9.TIF", "IsPrimary" : "1", "_SurrogateID" : "5663", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11033", "Disp_Access_No" : "G1966.2.95", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1505", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1510", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.9 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.95.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.95.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.95.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.95.TIF", "IsPrimary" : "1", "_SurrogateID" : "5660", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11030", "Disp_Access_No" : "P1961.5", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1502", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1507", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.95 cm (11 5/8 in. x 8 1/4 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.95 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.5.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.5.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.5.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.5.TIF", "IsPrimary" : "1", "_SurrogateID" : "5661", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2076", "Disp_Access_No" : "1991.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Erasmus of Rotterdam", "Alt_Title" : "", "Obj_Title" : "Erasmus of Rotterdam", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "25.4 cm x 19.5 cm (10 in. x 7 11/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait engraving was a significant aspect of Albrecht Dürer’s late activity. His portrait of the great humanist Desiderius Erasmus is his largest and most complex. Dürer had drawn the sitter on a visit to the Netherlands in 1520. By 1525 Erasmus lamented that he had still not seen the promised print. Returning to the project, Dürer borrowed the composition from a painting of Erasmus by Quentin Massys (Louvre, Paris) and inserted his earlier bust-length study. Seeing the engraving, Erasmus noted that the likeness was “not altogether striking.” Later observers have often criticized the composition as awkward. Dürer’s technique, however, rises to a level of differentiation unusual in the late engravings. In their focus and conspicuous detail, numerous passages approach still-life. The light has a pervasiveness and a mystery that suggest both the scholar’s theological concerns and the artist’s own late spirituality. Then there is the conceit of the frame in the background, rhyming with the print’s shape, shedding light like a window but instead bearing inscriptions. The first, in Latin, identifies the artist and the sitter. The second, in Greek, notes, “His writings offer a better likeness.” These inscriptions may refer to the circumstances of the engraving’s creation. In any case, the portrait becomes an extraordinarily modern meditation upon the nature and limits of visual representation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1991", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114.tif", "IsPrimary" : "1", "_SurrogateID" : "1504", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 audioEng.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114 audioEng.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114 audioEng.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114 audioEng.mp3", "IsPrimary" : "0", "_SurrogateID" : "8184", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.114 audioSpan.mp3", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.114 audioSpan.mp3", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.114 audioSpan.mp3", "IIIF_URL": "http://iiif.gallerysystems.com/1991.114 audioSpan.mp3", "IsPrimary" : "0", "_SurrogateID" : "8185", "Image_Type" : "audio", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2048", "Disp_Access_No" : "G1966.2.150", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.55 cm x 7.3 cm (4 9/16 in. x 2 11/16 in.)", "Disp_Height" : "11.55 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Thomas was part of an intended series of all twelve Apostles. The figure offers a variation on an austere, well-balanced and monumental figure similar to that of an antique philosopher. At the time, such a series was almost an obligatory endeavor for printmakers. Dürer, however, initiated the task later in his career and completed only five of the plates before his death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.150.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.150.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.150.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.150.TIF", "IsPrimary" : "1", "_SurrogateID" : "5644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11021", "Disp_Access_No" : "P1961.7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Presentation of Christ, from The Great Passion", "Alt_Title" : "Ecce Homo", "Obj_Title" : "The Presentation of Christ, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.35 cm x 28.6 cm (15 1/2 in. x 11 1/4 in.)", "Disp_Height" : "39.35 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.7.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.7.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.7.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.7.TIF", "IsPrimary" : "1", "_SurrogateID" : "5662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2041", "Disp_Access_No" : "2002.2803", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ Before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2803.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2803.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2803.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2803.TIF", "IsPrimary" : "1", "_SurrogateID" : "5654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8084", "Disp_Access_No" : "2002.834", "_AccNumSort1" : "", "Disp_Create_DT" : "1505-1507", "_Disp_Start_Dat" : "1505", "_Disp_End_Date" : "1507", "Disp_Title" : "Knot with a Heart-Shaped Shield, from The Six Knots", "Alt_Title" : "", "Obj_Title" : "Knot with a Heart-Shaped Shield, from The Six Knots", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "27.2 cm x 21.1 cm (10 11/16 in. x 8 5/16 in.)", "Disp_Height" : "27.2 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "image", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Dürer produced six variations of this kind of ornament design, which the artist referred to as “knots.” The designs are literal woodcut copies of engravings thought to have been designed by Leonardo da Vinci and executed to by his followers. Although the practical function of these designs remains unclear, they may have been intended as embroidery designs or purely as a kind of decorative puzzle. While Dürer rarely copied other artist’s works so directly, such a complex and challenging design must have been hard to resist for an artist with such relentless curiosity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.834.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.834.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.834.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.834.tif", "IsPrimary" : "1", "_SurrogateID" : "3626", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12475", "Disp_Access_No" : "2002.835", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1507", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1517", "Disp_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Alt_Title" : "Abschied", "Obj_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.1 cm (11 13/16 in. x 8 5/16 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.835.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.835.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.835.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.835.TIF", "IsPrimary" : "1", "_SurrogateID" : "5658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2038", "Disp_Access_No" : "2002.832", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "The Descent from the Cross, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.8 cm x 9.8 cm (5 1/16 in. x 3 7/8 in.)", "Disp_Height" : "12.8 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.832.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.832.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.832.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.832.TIF", "IsPrimary" : "1", "_SurrogateID" : "5656", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2035", "Disp_Access_No" : "1980.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Madonna with the Pear", "Alt_Title" : "", "Obj_Title" : "Madonna with the Pear", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "15.9 cm x 10.6 cm (6 1/4 in. x 4 3/16 in.)", "Disp_Height" : "15.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Dürer returned to the theme of the Virgin and Child throughout his career. Executed in 1511, this engraving is one of Dürer’s most curious and disconcerting treatments of the subject. Most striking is the contradiction of the tender, maternal scene between mother and child by the artist’s formal choices. The oppressive city gate towering above the viewer’s eye level; the Virgin’s off-center, twisting pose; and the contorted pattern of lines that compose the large tree: all induce a feeling of isolation that seems to portend Christ’s future suffering. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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: "Christ before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.833.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.833.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.833.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.833.TIF", "IsPrimary" : "1", "_SurrogateID" : "5657", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2037", "Disp_Access_No" : "2002.831", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "The Mocking of Christ, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "The Mocking of Christ, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.6 cm x 9.6 cm (4 15/16 in. x 3 3/4 in.)", "Disp_Height" : "12.6 cm", "Disp_Width" : "9.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.831.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.831.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.831.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.831.TIF", "IsPrimary" : "1", "_SurrogateID" : "5655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11002", "Disp_Access_No" : "1996.288", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1498", "_Disp_Start_Dat" : "1488", "_Disp_End_Date" : "1497", "Disp_Title" : "Saint John before God and the Elders, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "Saint John before God and the Elders, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 27.7 cm (15 3/8 in. x 10 7/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "General source for background of Marco Dente", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.288.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.288.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.288.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1996.288.TIF", "IsPrimary" : "1", "_SurrogateID" : "5653", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2057", "Disp_Access_No" : "1995.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1518", "_Disp_Start_Dat" : "1518", "_Disp_End_Date" : "1518", "Disp_Title" : "The Virgin and Child Surrounded by Angels", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child Surrounded by Angels", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.2 cm (11 13/16 in. x 8 3/8 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The artist’s choice of an imperial theme and emphasis on ornamental forms seems to betray the influence of time spent as a court artist between 1513 and 1519 to the Holy Roman Emperor, Maximillian I. The arrangement of figures has been conceived as an elegant surface pattern, rather than a three-dimensional space. The surrounding angels, from the top corners to the ground, curve like a drapery pulled back to reveal the regal Madonna. As in Dürer’s earlier woodcuts, the individual lines tend to gravitate toward the surface as they come to life with calligraphic beauty. The range of tones, however, has been restricted, tending toward a uniform gray. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.10.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.10.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.10.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.10.TIF", "IsPrimary" : "1", "_SurrogateID" : "5652", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11027, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11027", "Disp_Access_No" : "2002.827", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Man of Sorrows", "Alt_Title" : "", "Obj_Title" : "Man of Sorrows", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 6.8 cm (4 5/8 in. x 2 11/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "6.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Rather than a distinct episode of the Passion narrative, the “Man of Sorrows” is an iconic image used to evoke sympathy for Christ’s suffering. For Dürer, the subject also provided a pretext for depicting an ideally proportioned male figure. As Dürer would later write, “For in the same way as the ancients attributed the most beautiful form to their God Apollo, so we must use the same measure to reproduce the body of Christ our Lord…” Indeed, Christ’s classical proportions and contrapposto anticipates Dürer’s famous Adam of 1504, and the schematic placement of the cross and instruments of the passion resemble the measuring lines used in his Book of Human Proportions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.827.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.827.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.827.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.827.TIF", "IsPrimary" : "1", "_SurrogateID" : "5650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11032", "Disp_Access_No" : "P1965.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Visitation, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.15 cm x 20.75 cm (11 7/8 in. x 8 3/16 in.)", "Disp_Height" : "30.15 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1965", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1965.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1965.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1965.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1965.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11031", "Disp_Access_No" : "P1961.100", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Alt_Title" : "The Nativity ", "Obj_Title" : "The Adoration of the Shepherds, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.55 cm x 20.75 cm (11 5/8 in. x 8 3/16 in.)", "Disp_Height" : "29.55 cm", "Disp_Width" : "20.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.100.tif", "IsPrimary" : "1", "_SurrogateID" : "4516", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18854", "Disp_Access_No" : "2007.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.5 cm x 21.9 cm (12 in. x 8 5/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The adolescent Christ is shown at a lectern in the right background, disputing the Pharisees within the great hall of a stylized temple. The seventeen prints in Dürer’s Life of the Virgin brought the perspective construction, refined forms, and complex expression of Renaissance painting to woodcut, a technique previously associated with simple, generally popular imagery. Disseminated across Europe, this series’ compositions and figural motifs were probably the most frequently quoted images of the sixteenth century. This impression, printed before the usual addition of text to the verso, is notable for its exceptional clarity and perfect condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2053", "Disp_Access_No" : "P1964.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1515", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1515", "Disp_Title" : "Agony in the Garden", "Alt_Title" : "Christ on the Mount of Olives", "Obj_Title" : "Agony in the Garden", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "22 cm x 15.7 cm (8 11/16 in. x 6 3/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "15.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Dürer was one of the first printmakers to experiment with etching. To produce an etching, a metal plate is first covered with an acid-resistant ground, through which the artist draws with a sharp, fine point. The plate is then bathed in acid, which bites the exposed drawing to form the grooves that receive the printing ink. Whereas the engraver’s burin demands great discipline and labor, the etching needle allows a spontaneity and freedom comparable to that of a pen and ink sketch. Recognizing the technique’s expressive potential, Dürer produced six etchings of intense emotional drama.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1964", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1964.13.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1964.13.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1964.13.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1964.13.TIF", "IsPrimary" : "1", "_SurrogateID" : "5648", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2043", "Disp_Access_No" : "1996.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1512", "_Disp_Start_Dat" : "1512", "_Disp_End_Date" : "1512", "Disp_Title" : "The Entombment, from The Engraved Passion", "Alt_Title" : "", "Obj_Title" : "The Entombment, from The Engraved Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.8 cm x 7.6 cm (4 5/8 in. x 3 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.147.tif", "IsPrimary" : "1", "_SurrogateID" : "3840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2046", "Disp_Access_No" : "P1961.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1513", "_Disp_Start_Dat" : "1513", "_Disp_End_Date" : "1513", "Disp_Title" : "Madonna by the Tree", "Alt_Title" : "", "Obj_Title" : "Madonna by the Tree", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.3.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.3.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.3.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.3.TIF", "IsPrimary" : "1", "_SurrogateID" : "5647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8082", "Disp_Access_No" : "2002.836", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.8 cm x 21.1 cm (11 3/4 in. x 8 5/16 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.836.tif", "IsPrimary" : "1", "_SurrogateID" : "4805", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2058", "Disp_Access_No" : "P1961.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1519", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1519", "Disp_Title" : "The Peasant Couple at Market", "Alt_Title" : "", "Obj_Title" : "The Peasant Couple at Market", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.7 cm x 7.4 cm (4 5/8 in. x 2 15/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Humorous depictions of peasants formed a popular genre for German engravings during the fifteenth and sixteenth centuries. Customarily, these scenes provided the opportunity to describe peasant outfits, manners and facial caricatures. While Dürer’s peasants adhere to this tradition, they have been rendered as physically monumental and maintain a degree of dignity in their mores. Like Dürer’s other engravings from this period, the figures have been modeled with fine parallel strokes that tend toward a single tone. 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Tonkin, 1966", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.25.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.25.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.25.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.25.TIF", "IsPrimary" : "1", "_SurrogateID" : "5645", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1454", "Disp_Access_No" : "1994.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1816", "_Disp_Start_Dat" : "1816", "_Disp_End_Date" : "1816", "Disp_Title" : "Le Paresseux [The Lazy One]", "Alt_Title" : "[The Lazy One]", "Obj_Title" : "Le Paresseux [The Lazy One]", "Series_Title" : "", "Disp_Maker_1" : "Pierre-Narcisse Guérin", "Sort_Artist" : "Guérin, Pierre-Narcisse", "Disp_Dimen" : "36 cm x 27.6 cm (14 3/16 in. x 10 7/8 in.)", "Disp_Height" : "36 cm", "Disp_Width" : "27.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Guérin’s lithograph is part of a series of six executed between 1816 and 1819 in response to an assignment from the Institut de France asking the artist to explore the expressive potential of the new medium. Invented in Germany in 1798, lithography was first used primarily as a means to reproduce music and scripts. Its use in making images was still somewhat experimental and not yet fully embraced by the art establishment. This work shows an allegory of the debate between neoclassical and romantic artists over whether antiquity or nature should serve as the model for art. Seduced by nature, a classically trained artist discards his tools (the palette and brush), leaving his talent and fame unrealized. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.4.tif", "IsPrimary" : "1", "_SurrogateID" : "5417", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13068", "Disp_Access_No" : "2002.1666", "_AccNumSort1" : "", "Disp_Create_DT" : "1842", "_Disp_Start_Dat" : "1842", "_Disp_End_Date" : "1842", "Disp_Title" : "Scene from October Festival in Rome, after Wilhlem Nikolais Marstrand", "Alt_Title" : "", "Obj_Title" : "Scene from October Festival in Rome, after Wilhelm Nikolais Marstrand", "Series_Title" : "", "Disp_Maker_1" : "Franz Hanfstaengl", "Sort_Artist" : "Hanfstaengl, Franz", "Disp_Dimen" : "49 cm x 63.6 cm (19 5/16 in. x 25 1/16 in.)", "Disp_Height" : "49 cm", "Disp_Width" : "63.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1666.tif", "ThumbnailPath" : 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Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.976.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.976.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.976.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.976.tif", "IsPrimary" : "1", "_SurrogateID" : "5986", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18522", "Disp_Access_No" : "2006.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1772", "_Disp_Start_Dat" : "1772", "_Disp_End_Date" : "1772", "Disp_Title" : "Father with His Children, after Johann Eleazar Schenau", "Alt_Title" : "", "Obj_Title" : "Father with His Children, after Johann Eleazar Schenau", "Series_Title" : "", "Disp_Maker_1" : "Carl Friedrich Holzmann", "Sort_Artist" : "Holzmann, Carl Friedrich", "Disp_Dimen" : "27.3 cm x 21 cm (10 3/4 in. x 8 1/4 in.)", "Disp_Height" : "27.3 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.129.tif", "PreviewPath" : 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B. ", "Alt_Title" : "", "Obj_Title" : "Roma, after Master I. B. ", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Hopfer", "Sort_Artist" : "Hopfer, Hieronymus", "Disp_Dimen" : "22.5 cm x 15.8 cm (8 7/8 in. x 6 1/4 in.)", "Disp_Height" : "22.5 cm", "Disp_Width" : "15.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This personification of the City of Rome, seated atop the trophies of war and holding a statuette of Victory, depends upon an engraving by the so-called Master I.B. Rich but a bit coarse in description, it epitomizes the characteristics of the technique, as well as the naive classicism, of the Hopfers. Since iron plates corroded quickly, only the earliest impressions are this vivid. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.843.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.843.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.843.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.843.tif", "IsPrimary" : "1", "_SurrogateID" : "2086", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3613", "Disp_Access_No" : "1999.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Alt_Title" : "", "Obj_Title" : "Le Pharmacie rustique [The Rural Pharmacy (Michel Schuppach, Uroscopist)], after Gottfried Locher", "Series_Title" : "", "Disp_Maker_1" : "Barthelemi Hübner", "Sort_Artist" : "Hübner, Barthelemi", "Disp_Dimen" : "37 cm x 38.9 cm (14 9/16 in. x 15 5/16 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "38.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "In the late eighteenth century, apothecaries had the legal right to attend and prescribe for the sick as long as they charged only for the drugs dispensed. Physical examination rarely occurred except uroscopy, the examination of urine, a method based on the humors. Uroscopy was a common method for diagnosing illness. The color of the urine, as well as the cloudiness, precipitates, and particles in the urine, was believed to indicate the cause of the disorder. It is one of the oldest forms of diagnostic testing, extending back to the days of Hippocrates. It was a necessary procedure because direct examination of a patient, or at least disrobing the patient, was socially unacceptable. Perhaps it is for this reason that while apothecaries still carried an aura of trade, the profession was nonetheless considered a genteel business and was quite popular. Michel Schuppach, a famed uroscopist, is celebrated in this print. He is portrayed at work in his pharmacy, examining a vial of the young lady’s urine, while others wait their turn. 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Ware, Jr. Collection, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.16.tif", "IsPrimary" : "1", "_SurrogateID" : "2851", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18888", "Disp_Access_No" : "2007.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1622", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1622", "Disp_Title" : "Title page to Die Werke des Leonhard Weiss", "Alt_Title" : "Ornament with Alphabet", 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Huntington Museum Fund, 1987", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.88.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.88.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.88.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.88.tif", "IsPrimary" : "1", "_SurrogateID" : "4200", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13067", "Disp_Access_No" : "2002.1660", "_AccNumSort1" : "", "Disp_Create_DT" : "1667", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1667", "Disp_Title" : "Plate from The Eternal Fire, after Lodovico Burnacini", "Alt_Title" : "", "Obj_Title" : "Plate from The Eternal Fire, after Lodovico Burnacini", "Series_Title" : "", "Disp_Maker_1" : "Mathäus Küsel", "Sort_Artist" : "Küsel, Mathäus", "Disp_Dimen" : "44.3 cm x 69 cm (17 7/16 in. x 27 3/16 in.)", "Disp_Height" : "44.3 cm", "Disp_Width" : "69 cm", "Dimen_Extent" : "", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1660.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1660.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1660.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1660.tif", "IsPrimary" : "1", "_SurrogateID" : "5348", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2165", "Disp_Access_No" : "1993.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1553", "_Disp_Start_Dat" : "1553", "_Disp_End_Date" : "1553", "Disp_Title" : "Landscape with a Pollard Willow", "Alt_Title" : "", "Obj_Title" : "Landscape with a Pollard Willow", "Series_Title" : "", "Disp_Maker_1" : "Hanns Lautensack", "Sort_Artist" : "Lautensack, Hanns", "Disp_Dimen" : "17.4 cm x 11.2 cm (6 7/8 in. x 4 7/16 in.)", "Disp_Height" : "17.4 cm", "Disp_Width" : "11.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From around 1520 a distinctive style developed in the Danube Valley. Its artists, led by Albrecht Altdorfer, cultivated a self-consciously native style opposite to the classical, Italianate style popular in Nuremberg and Augsburg. Its compositions organic, its forms fluid, and its light supernatural, the style lent itself to expressionism in figural subjects and animism in the rendering of nature. The Danube School is the first in history to explore the metaphoric personality of pure landscape. Altdorfer, followed by Augustin Hirschvogel, was also the first to realize the aptness of etching for conveying the appearance and suggesting the character of nature. A Nuremberg printmaker, Hanns Lautensack brought a distinctively German landscape etching into a third generation. His principal work in the genre is a loose series of twenty plates executed in 1553 and 1554. Having generally deep perspectives with elaborately layered space, these plates impose a more regular structure and professional hand on the dramatic topography and dense growth associated with the Valley. In this plate the principal motifs—the gnarled outcrop, the leafing pollard, the spindly pines, and the dwarfed habitation—are especially clear and knowing citations of the Danube School. With its rich tone and soft luminosity, this very early impression retains something of the mystery and subjectivity of Altdorfer and Hirschvogel. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by M.K. Hage, Jr., the Dean's Associates of the College of Fine Arts, and the Archer M. 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Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.46.tif", "IsPrimary" : "1", "_SurrogateID" : "8164", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11016", "Disp_Access_No" : "2002.799", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1475-1490", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1490", "Disp_Title" : "Descent into Limbo, after Martin Schongauer", "Alt_Title" : "", "Obj_Title" : "Descent into Limbo, after Martin Schongauer", "Series_Title" : "", "Disp_Maker_1" : "Master A.G. 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At opposite corners, the figure of Tolerantia [Forebearance] reclines, while Spes [Hope] point to the heavens as rain falls. This allegory of the trial and reward of Patience was invented by the Nuremburg humanist, Willibald Pirckheimer, as his own device, and interpreted by his friend Dürer in a drawing that is the basis of this engraving. Elaborating upon the concept, the printmaker tethered the panel of the composition to an ionic column, emblematic of Christ’s Flagellation, and therefore the Passion, archetype of Christian patience. Close in style to Beham, even signing “I. B.” to capitalize on his success, this printmaker may have been the young Georg Pencz, whose mature Medea is adjacent. 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"Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.79.5-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.79.5-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.79.5-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.79.5-16.tif", "IsPrimary" : "1", "_SurrogateID" : "4689", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18942", "Disp_Access_No" : "2007.79.6/16", "_AccNumSort1" : "", "Disp_Create_DT" : "1803", "_Disp_Start_Dat" : "1803", "_Disp_End_Date" : "1803", "Disp_Title" : "The Last Judgment, plate V, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, plate V, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Conrad Martin Metz", "Sort_Artist" : "Metz, Conrad Martin", "Disp_Dimen" : "79.8 cm x 62 cm (31 7/16 in. x 24 7/16 in.)", "Disp_Height" : "79.8 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "sheet", "Medium" : "Crayon-manner engraving", "Support" : "", "Disp_Medium" : "Crayon-manner engraving", "Info_Page_Comm" : "This print reproduces the upper middle section, and iconographic core, of Michelangelo’s Last Judgment. When assembled, the fifteen engravings in this volume form an oversized reproduction of the entire fresco on the end wall of the Sistine Chapel. Bound thus, with full margins, the plates were like illustrations in a modern coffee-table book. This allowed for the study of the composition’s powerful forms and tortuous postures, which were greatly admired at the time. Metz’s project was the last in a line going back two-and-a-half centuries to Giorgio Ghisi’s ten-plate engraving. The project, however, seems to have failed; the edition was apparently small, and just seven other complete sets are recorded in public collections", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.79.6-16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.79.6-16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.79.6-16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.79.6-16.tif", "IsPrimary" : "1", "_SurrogateID" : "4690", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18940, "URL" : 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"Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.854.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.854.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.854.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.854.tif", "IsPrimary" : "1", "_SurrogateID" : "2087", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3625, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3625", "Disp_Access_No" : "1997.284", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Louis Galloche, after Louis Tocqué", "Alt_Title" : "", "Obj_Title" : "Louis Galloche, after Louis Tocqué", "Series_Title" : "", "Disp_Maker_1" : "Johann Gotthard von Müller", "Sort_Artist" : "Müller, Johann Gotthard von", "Disp_Dimen" : "38.2 cm x 26.9 cm (15 1/16 in. x 10 9/16 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Galloche (1670-1761) was a history and landscape painter of sensitive naturalism and considerable contemporary reputation.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.284.tif", "ThumbnailPath" : 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"Info_Page_Comm" : "Although Eugen Neureuther worked as a muralist, he was renowned for his book illustrations, especially the lithographs he made for Vignettes for Goethe’s Ballads and Romances (1829–1839). This illustration of the Brothers Grimm’s Sleeping Beauty is similarly a tour de force of German Romanticism, with an intricacy and sheer technique that are dizzying. The scene functions like a visual synopsis of the text, printed so small as to be almost illegible. He placed the climax of the tale in the center of the composition and arranged the princess’s sleeping court, her parents, and the instrument of her demise, the old woman spinning in the garret, in a circular pattern around her. Weaving them together is the heavy foliage that the Brothers Grimm described as growing over the castle. The morals the writers provide at the conclusion of their stories find a corollary here in the classical allegory at the bottom. By appealing to the viewer’s imagination and emotion through local folk literature, regarded by the Romantics as an authentic and pure source of the Truth, Neureuther has left us with a remarkably rich and telling document of the collective German psyche.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2876.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2876.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2876.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2876.tif", "IsPrimary" : "1", "_SurrogateID" : "2034", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12567", "Disp_Access_No" : "2002.985", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Michael Defeating Satan", "Alt_Title" : "", "Obj_Title" : "Saint Michael Defeating Satan", "Series_Title" : "", "Disp_Maker_1" : "Georg Pecham", "Sort_Artist" : "Pecham, Georg", "Disp_Dimen" : "21 cm x 15 cm (8 1/4 in. x 5 7/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.985.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.985.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.985.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.985.tif", "IsPrimary" : "1", "_SurrogateID" : "2096", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2099", "Disp_Access_No" : "2002.934", "_AccNumSort1" : "", "Disp_Create_DT" : "1539", "_Disp_Start_Dat" : "1539", "_Disp_End_Date" : "1539", "Disp_Title" : "Medea Giving Jason Her Household Gods as a Token of her Faith", "Alt_Title" : "", "Obj_Title" : "Medea Giving Jason Her Household Gods as a Token of her Faith", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "11.6 cm x 7.2 cm (4 9/16 in. x 2 13/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "7.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.934.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.934.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.934.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.934.tif", "IsPrimary" : "1", "_SurrogateID" : "2092", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11082", "Disp_Access_No" : "1998.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "The Marriage of Tobias and Sarah", "Alt_Title" : "", "Obj_Title" : "The Marriage of Tobias and Sarah", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.9 cm x 10.6 cm (2 11/16 in. x 4 3/16 in.)", "Disp_Height" : "6.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the Old Testament, a demon possessed Sarah, widowing her seven times, each on the night of her wedding. The Angel Raphael instructed Tobias to rid her of the demon by burning the organs of a fish in the conjugal bedchamber. Here, the rabbi joins the couple's hands reminiscent of an ancient hand-fasting tradition. The witness behind Sarah covers her nose, foreshadowing the stench of the fish. As late as 1875, bridal bed blessings invoked the holy couple: Lord, bless the bed and those you find there; bless these dear children as you have blessed Toby and Sara. Deign to bless them also, Lord, to the end that in your name they will live and grow old and multiply by Christ, our Lord. Amen. 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"_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Tobias and the Archangel Raphael", "Alt_Title" : "", "Obj_Title" : "Tobias and the Archangel Raphael", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.6 cm x 10.5 cm (2 5/8 in. x 4 1/8 in.)", "Disp_Height" : "6.6 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.338.tif", "ThumbnailPath" : 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"Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2337.tif", "IsPrimary" : "1", "_SurrogateID" : "1928", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3652", "Disp_Access_No" : "1990.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1781", "_Disp_Start_Dat" : "1781", "_Disp_End_Date" : "1781", "Disp_Title" : "Virtue Attacking Vice, after Jacopo Ligozzi", "Alt_Title" : "", "Obj_Title" : "Virtue Attacking Vice, after Jacopo Ligozzi", "Series_Title" : "", "Disp_Maker_1" : "Maria Catharina Prestel", "Sort_Artist" : "Prestel, Maria Catharina", "Disp_Dimen" : "30.7 cm x 23.2 cm (12 1/16 in. x 9 1/8 in.)", "Disp_Height" : "30.7 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint with relief-printed gold leaf", "Support" : "", "Disp_Medium" : "Etching and aquatint with relief-printed gold leaf", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.157.tif", "IsPrimary" : "1", "_SurrogateID" : "5452", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3838, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3838", "Disp_Access_No" : "1994.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1826", "_Disp_Start_Dat" : "1826", "_Disp_End_Date" : "1826", "Disp_Title" : "View of the Outside of the Roman Baths at Trier", "Alt_Title" : "Die Aussere Ansicht der Römischen Bäder zu Trier (Malerische Ansichten der merkwürdigsten Alterthümer und vorzüglicher Naturanlagen im Moselthale bey Trier, part II, plate 7), plate 7, from Painterly Views of the Most Noteworthy Antiquities and Principal Natural Features in the Mosesl Valley at Trier, part III", "Obj_Title" : "View of the Outside of the Roman Baths at Trier", "Series_Title" : "", "Disp_Maker_1" : "Johann Anton Ramboux", "Sort_Artist" : "Ramboux, Johann Anton", "Disp_Dimen" : "45.5 cm x 54.6 cm (17 15/16 in. x 21 1/2 in.)", "Disp_Height" : "45.5 cm", "Disp_Width" : "54.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with gray tint stone", "Support" : "", "Disp_Medium" : "Lithograph with gray tint stone", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.15.tif", "IsPrimary" : "1", "_SurrogateID" : "1638", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3960", "Disp_Access_No" : "1995.177", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Der Tod als Freund [Death as a Friend]", "Alt_Title" : "", "Obj_Title" : "Der Tod als Freund [Death as a Friend]", "Series_Title" : "", "Disp_Maker_1" : "Alfred Rethel", "Sort_Artist" : "Rethel, Alfred", "Disp_Dimen" : "30.2 x 27 cm (11 7/8 x 10 5/8 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Richard Julius Jungtow)", "Support" : "", "Disp_Medium" : "Wood engraving (by Richard Julius Jungtow)", "Info_Page_Comm" : "Death as a Friend portrays a pious monk’s peaceful passage into eternity. As the sun sets, Death, who is dressed as an ally in his monk’s robe adorned with a pilgrim’s shell, respectfully bows his head as he tolls the knell for his friend", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.177.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.177.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.177.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.177.tif", "IsPrimary" : "1", "_SurrogateID" : "5550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3961", "Disp_Access_No" : "1995.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1851", "_Disp_Start_Dat" : "1851", "_Disp_End_Date" : "1851", "Disp_Title" : "Der Tod als Erwürger [Death as Strangler]", "Alt_Title" : "", "Obj_Title" : "Der Tod als Erwürger [Death as Strangler]", "Series_Title" : "", "Disp_Maker_1" : "Alfred Rethel", "Sort_Artist" : "Rethel, Alfred", "Disp_Dimen" : "33.5 cm x 27.4 cm (13 3/16 in. x 10 13/16 in.)", "Disp_Height" : "33.5 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Wood engraving (by Gustav Richard Steinbrecher)", "Support" : "", "Disp_Medium" : "Wood engraving (by Gustav Richard Steinbrecher)", "Info_Page_Comm" : "Death as an Enemy is inspired by a story of the first appearance of cholera in France written by the German poet Heinrich Heine. In the image, his dancing slippers appear from beneath Death’s monk’s robe as he dances to the fiddle music that he plays. In his wake lie the bodies of the costumed revelers, who were met unprepared for death. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.190.tif", "IsPrimary" : "1", "_SurrogateID" : "5551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13732", "Disp_Access_No" : "2002.2643", "_AccNumSort1" : "", "Disp_Create_DT" : "1660s", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Four Resting Sheep and One Standing Sheep Near a Wall", "Alt_Title" : "", "Obj_Title" : "Four Resting Sheep and One Standing Sheep Near a Wall", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Roos", "Sort_Artist" : "Roos, Johann Heinrich", "Disp_Dimen" : "21.3 cm x 17.5 cm (8 3/8 in. x 6 7/8 in.)", "Disp_Height" : "21.3 cm", "Disp_Width" : "17.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Etchings of animals were an important genre in 17th-century Holland. At their best, they convey an assurance of place that expresses the Dutch character and a tenderness of interaction that touches the patient observer. One of a set of thirteen animals, the print is appealing enough in its sound composition and dignified characterization. The impression, however, is breathtaking, with the dense polishing scratches and velvety blacks of the first pulls from the plate. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2643.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2643.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2643.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2643.tif", "IsPrimary" : "1", "_SurrogateID" : "1971", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18074, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18074", "Disp_Access_No" : "2005.185", "_AccNumSort1" : "", "Disp_Create_DT" : "1816", "_Disp_Start_Dat" : "1816", "_Disp_End_Date" : "1816", "Disp_Title" : "Das Schlob Prediama in Crein XII Stund: von Triest [Predjama Castle in Carniola, Twelve Hours from Trieste]", "Alt_Title" : "", "Obj_Title" : "Das Schlob Prediama in Crein XII Stund: von Triest [Predjama Castle in Carniola, Twelve Hours from Trieste]", "Series_Title" : "", "Disp_Maker_1" : "Karl Friedrich Schinkel", "Sort_Artist" : "Schinkel, Karl Friedrich", "Disp_Dimen" : "39.3 cm x 31.3 cm (15 1/2 in. x 12 5/16 in.)", "Disp_Height" : "39.3 cm", "Disp_Width" : "31.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Pen lithograph with yellow plate tone with re-touching in ink", "Support" : "", "Disp_Medium" : "Pen lithograph with yellow plate tone with re-touching in ink", "Info_Page_Comm" : "Karl Schinkel is best known for his Greek Revival and Gothic Revival architecture, but he was also a painter, a set designer, and an early proponent of lithography. It was during his trip to Italy from 1803 to 1805 that he visited Predjama Castle and drew this scene. What impressed the young architect most was the castle’s location on a rocky precipice. He was in awe of “the wildest courage that people can command to settle in such a position.” The drawing lay in Schinkel’s sketchbooks until 1816, when he met the brilliant poet and playwright Johann Wolfgang von Goethe, whose theory that mountains were crystalline in structure may have inspired the artist to return to the motif. The juxtaposition of man-made structures and natural elements was particularly appealing to the architect, more generally to the Romantic sensibility. The rustic wooden buildings nestled into the forest in the foreground were an addition to the original drawing and echo the theme of the castle tucked into the mountainside, suggesting the work’s evolutionary process. Like Eugen Neureuther’s Sleeping Beauty (1836), opposite, Schinkel’s Predjama Castle is characteristic of German Romanticism with its focus on the intersection of nature and the human spirit and its remove from the classical tradition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.185.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.185.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.185.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.185.tif", "IsPrimary" : "1", "_SurrogateID" : "3880", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3362, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3362", "Disp_Access_No" : "2002.1915", "_AccNumSort1" : "", "Disp_Create_DT" : "1744", "_Disp_Start_Dat" : "1744", "_Disp_End_Date" : "1744", "Disp_Title" : "Pierre Mignard, after Hyacinthe Rigaud", "Alt_Title" : "", "Obj_Title" : "Pierre Mignard, after Hyacinthe Rigaud", "Series_Title" : "", "Disp_Maker_1" : "Georg Friedrich Schmidt", "Sort_Artist" : "Schmidt, Georg Friedrich", "Disp_Dimen" : "54.2 cm x 39.6 cm (21 5/16 in. x 15 9/16 in.)", "Disp_Height" : "54.2 cm", "Disp_Width" : "39.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Schmidt was the last major figure in the long tradition of French portrait prints. Following the virtuoso but superficial engravings of early century, and competing with the lively but less substantial etchings of its middle years, Schmidt’s portraits reintegrated brilliant cutting and penetrating characterization. While this combination recalls the work of the founders of the tradition, Nanteuil and Edelinck, his touch was more severe and his surfaces harder. This engraving, after Rigaud’s portrait of the painter Mignard, is considered his masterpiece. It culminated his activity in Paris (1736-44) and won his admission to the Royal Academy. The style of later, governmental engraving for currency and postage stamps derives from the works of Schmidt and his teacher, Wille. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1915.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1915.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1915.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1915.tif", "IsPrimary" : "1", "_SurrogateID" : "1869", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17186, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17186", "Disp_Access_No" : "2004.136", "_AccNumSort1" : "", "Disp_Create_DT" : "1772", "_Disp_Start_Dat" : "1772", "_Disp_End_Date" : "1772", "Disp_Title" : "Self-Portrait, after Maurice-Quentin de La Tour", "Alt_Title" : "", "Obj_Title" : "Self-Portrait, after Maurice-Quentin de La Tour", "Series_Title" : "", "Disp_Maker_1" : "Georg Friedrich Schmidt", "Sort_Artist" : "Schmidt, Georg Friedrich", "Disp_Dimen" : "33.6 cm x 25.9 cm (13 1/4 in. x 10 3/16 in.)", "Disp_Height" : "33.6 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence A. 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The principal character, the aging, corpulent human in Bacchus’s entourage, is propped upon the god’s leopard, plied with drink, and mocked with a crown of grape leaves. The general composition and certain motifs recall Ribera’s grand etching of the same subject. But the arbitrary rhythms, the ominous atmosphere, and the distorted forms, together conveying intense but unspecific feeling, pertain to Lombard painting of the period", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.980.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.980.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.980.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.980.tif", "IsPrimary" : "1", "_SurrogateID" : "2095", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19543", "Disp_Access_No" : "2010.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "View of a Garden through a Palace Gateway, after Wilhelm von Kobell", "Alt_Title" : "", "Obj_Title" : "View of a Garden through a Palace Gateway, after Wilhelm von Kobell", "Series_Title" : "", "Disp_Maker_1" : "Wilhelm Thierry (?)", "Sort_Artist" : "Thierry (?), Wilhelm", "Disp_Dimen" : "11.7 cm x 12.4 cm (4 5/8 in. x 4 7/8 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "12.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.51.tif", "IsPrimary" : "1", "_SurrogateID" : "8165", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3614", "Disp_Access_No" : "2000.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1775", "_Disp_Start_Dat" : "1775", "_Disp_End_Date" : "1775", "Disp_Title" : "Female Figure Seated by a Rock", "Alt_Title" : "", "Obj_Title" : "Female Figure Seated by a Rock", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Tischbein, the younger", "Sort_Artist" : "Tischbein, the younger, Johann Heinrich", "Disp_Dimen" : "21.2 cm x 17.1 cm (8 3/8 in. x 6 3/4 in.)", "Disp_Height" : "21.2 cm", "Disp_Width" : "17.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, aquatint, and roulette", "Support" : "", "Disp_Medium" : "Etching, aquatint, and roulette", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Print and Drawing Society, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19191", "Disp_Access_No" : "2008.117", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1759", "_Disp_Start_Dat" : "1754", "_Disp_End_Date" : "1764", "Disp_Title" : "The Raising of Lazarus", "Alt_Title" : "", "Obj_Title" : "The Raising of Lazarus", "Series_Title" : "", "Disp_Maker_1" : "Johann Georg Trautmann", "Sort_Artist" : "Trautmann, Johann Georg", "Disp_Dimen" : "20.7 cm x 16.5 cm (8 1/8 in. x 6 1/2 in.)", "Disp_Height" : "20.7 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.117.tif", "IsPrimary" : "1", "_SurrogateID" : "5365", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11305", "Disp_Access_No" : "2002.1213", "_AccNumSort1" : "", "Disp_Create_DT" : "1750s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "The Blinding of Samson", "Alt_Title" : "", "Obj_Title" : "The Blinding of Samson", "Series_Title" : "", "Disp_Maker_1" : "Johann Zoffany", "Sort_Artist" : "Zoffany, Johann", "Disp_Dimen" : "19.2 cm x 27.2 cm (7 9/16 in. x 10 11/16 in.)", "Disp_Height" : "19.2 cm", "Disp_Width" : "27.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1213.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1213.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1213.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1213.tif", "IsPrimary" : "1", "_SurrogateID" : "1767", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12493, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12493", "Disp_Access_No" : "2002.859", "_AccNumSort1" : "", "Disp_Create_DT" : "1551", "_Disp_Start_Dat" : "1551", "_Disp_End_Date" : "1551", "Disp_Title" : "Design for a Ewer, from New Work of Vessel Design", "Alt_Title" : "", "Obj_Title" : "Design for a Ewer, from New Work of Vessel Design", "Series_Title" : "", "Disp_Maker_1" : "Matthias Zündt", "Sort_Artist" : "Zündt, Matthias", "Disp_Dimen" : "25.9 cm x 11.8 cm (10 3/16 in. x 4 5/8 in.)", "Disp_Height" : "25.9 cm", "Disp_Width" : "11.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.859.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.859.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.859.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.859.tif", "IsPrimary" : "1", "_SurrogateID" : "2089", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11092, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11092", "Disp_Access_No" : "1981.43", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546-circa 1550", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1550", "Disp_Title" : "Death and Three Nude Women", "Alt_Title" : "", "Obj_Title" : "Death and Three Nude Women", "Series_Title" : "", "Disp_Maker_1" : "Sebald Beham", "Sort_Artist" : "Beham, Sebald", "Disp_Dimen" : "7.9 x 5.7 cm (3 1/8 x 2 1/4 in.)", "Disp_Height" : "7.9 cm", "Disp_Width" : "5.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a reworking of a print originally created by the artist’s brother, Barthel Beham. The print shows the skeletal figure of Death gazing toward a young, voluptuous woman to his left. A larger, middle-aged woman, standing with her foot on a skull, and her arm around an elderly woman to her left, dominates much of the image. The theme of Death and three nude women of various ages was popular in Northern Europe for its moralizing reminder of fleeting beauty, the shortness of life, and the foolishness of vanity. The image by Hans Sebald and Barthel Beham is memorable for the inclusion of erotic details into this tradition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.43.tif", "IsPrimary" : "1", "_SurrogateID" : "9016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12462, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12462", "Disp_Access_No" : "2002.791", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Satyr Playing Lyre", "Alt_Title" : "", "Obj_Title" : "Satyr Playing Lyre", "Series_Title" : "", "Disp_Maker_1" : "Sebald Beham", "Sort_Artist" : "Beham, Sebald", "Disp_Dimen" : "4.1 cm x 3.3 cm (1 5/8 in. x 1 5/16 in.)", "Disp_Height" : "4.1 cm", "Disp_Width" : "3.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.791.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.791.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.791.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.791.tif", "IsPrimary" : "1", "_SurrogateID" : "9029", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12463, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12463", "Disp_Access_No" : "2002.792", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Satyr Woman Playing Bagpipe", "Alt_Title" : "", "Obj_Title" : "Satyr Woman Playing Bagpipe", "Series_Title" : "", "Disp_Maker_1" : "Sebald Beham", "Sort_Artist" : "Beham, Sebald", "Disp_Dimen" : "4.1 cm x 3.3 cm (1 5/8 in. x 1 5/16 in.)", "Disp_Height" : "4.1 cm", "Disp_Width" : "3.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.792.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.792.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.792.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.792.tif", "IsPrimary" : "1", "_SurrogateID" : "9030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. Old Testament Prophets surround the scene and Adam and Eve occupy the upper corners of the printed frame. The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12508, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12508", "Disp_Access_No" : "2002.906", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1548", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1553", "Disp_Title" : "Saturn", "Alt_Title" : "", "Obj_Title" : "Saturn", "Series_Title" : "", "Disp_Maker_1" : "Johann Ladenspelder", "Sort_Artist" : "Ladenspelder, Johann", "Disp_Dimen" : "8.4 cm x 5.8 cm (3 5/16 in. x 2 5/16 in.)", "Disp_Height" : "8.4 cm", "Disp_Width" : "5.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving ", "Support" : "", "Disp_Medium" : "Engraving ", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.906.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.906.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.906.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.906.tif", "IsPrimary" : "1", "_SurrogateID" : "9032", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2079", "Disp_Access_No" : "P1961.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "The Virgin and Child at the Foot of a Tree", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child at the Foot of a Tree", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "7.5 cm x 5.3 cm (2 15/16 in. x 2 1/16 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Throughout the 1500s, small devotional images remained relatively constant in their portrayal of the Virgin. Many major artists engraved small images of the Virgin and Child for personal, private devotion. These prints were avidly collected and they were used in a variety of ways that evolved as the Virgin’s reception transformed. Devout Christians carried around these small, pocket-sized prints with them. Some early Netherlandish paintings contain a detail of a print of the Virgin tacked to the wall of a room with sealing wax. A pious nun even sewed a print of the Virgin and Child into the bodice of her dress so that she could always have it near her. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.79.tif", "IsPrimary" : "1", "_SurrogateID" : "9038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2065", "Disp_Access_No" : "2002.2333", "_AccNumSort1" : "", "Disp_Create_DT" : "1519 - 1520", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1520", "Disp_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Alt_Title" : "", "Obj_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Series_Title" : "", "Disp_Maker_1" : "Michael Ostendorfer", "Sort_Artist" : "Ostendorfer, Michael", "Disp_Dimen" : "54.4 cm x 38.1 cm (21 7/16 in. x 15 in.)", "Disp_Height" : "54.4 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Beautiful Virgin was a statue (after an Altdorfer painting of the same subject inside the church) at a popular pilgrimage church in Regensburg in southern Germany. Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. 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