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Exceptionally nimble in stroke, plastic in form, and equilibrated in design –– poised between the figural and the ornamental –– it suggests why Zerner has called Domenico “one of the masters of printmaking.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1836.tif", "IsPrimary" : "1", "_SurrogateID" : "1858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11928, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11928", "Disp_Access_No" : "2002.99", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1581", "_Disp_Start_Dat" : "1576", "_Disp_End_Date" : "1586", "Disp_Title" : "Madonna and Child on the Clouds", "Alt_Title" : "", "Obj_Title" : "Madonna and Child on the Clouds", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "12.5 cm x 10.6 cm (4 15/16 in. x 4 3/16 in.)", "Disp_Height" : "12.5 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.99.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.99.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.99.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.99.tif", "IsPrimary" : "1", "_SurrogateID" : "5437", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2280", "Disp_Access_No" : "2002.1775", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Alt_Title" : "", "Obj_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "55.3 cm x 34.5 cm (21 3/4 in. x 13 9/16 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Federico Barocci, a painter of extreme sensitivity and incipient naturalism, had a fundamental role as a precursor of the Baroque. Although they are still essentially idealized, his works built upon the innovations of Titian and especially Correggio to achieve unprecedented optical sensation and affecting sentiment. Later in his career, he experimented with printmaking, making four etchings. This, one of two large and complex plates, reproduces his own altarpiece of 1576 for the church of San Francesco at Urbino. Its subject is Saint Francis’s vision of Christ granting indulgences to the pilgrims who would visit the saint’s chapel at Portiuncola. The etching translates not just the composition but the vibrance and ecstatic feeling of the prototype. Extremely important despite being few in number, Barocci’s prints set the course of Italian Baroque etching. Combining the plastic values of late-century engraving with the graphic freedom of etching, they were the first to accommodate the naturalism and inherent expressiveness of the emergent style of painting. Immediately, they helped reinforce and further Barocci’s influence. More generally, they established the proposition of painters conveying their full style, not merely their composition or drawing, through printmaking. Most of the etchers of the next century would be painters first, and many of their finest plates would interpret their own works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1775.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1775.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1775.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1775.tif", "IsPrimary" : "1", "_SurrogateID" : "1849", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10924", "Disp_Access_No" : "1989.109", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1600-before 1700", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1700", "Disp_Title" : "Diana as Goddess of the Moon, after the Antique", "Alt_Title" : "", "Obj_Title" : "Diana as Goddess of the Moon, after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Pietro Santo Bartoli", "Sort_Artist" : "Bartoli, Pietro Santo", "Disp_Dimen" : "37.2 cm x 24.9 cm (14 5/8 in. x 9 13/16 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "24.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.109.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.109.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.109.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1989.109.TIF", "IsPrimary" : "1", "_SurrogateID" : "9750", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3482", "Disp_Access_No" : "2002.1797", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "Saint Anne with the Virgin and Child, after Guercino", "Alt_Title" : "", "Obj_Title" : "Vision of Saint Anna Metterza, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "48 cm x 34.6 cm (18 7/8 in. x 13 5/8 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "etching in sanguine", "Support" : "", "Disp_Medium" : "etching in sanguine", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1797.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1797.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1797.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1797.tif", "IsPrimary" : "1", "_SurrogateID" : "1852", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3524", "Disp_Access_No" : "1992.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "38.8 cm x 53 cm (15 1/4 in. x 20 7/8 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with abrasive scumbling monotype-printed in sanguine", "Support" : "", "Disp_Medium" : "Etching with abrasive scumbling monotype-printed in sanguine", "Info_Page_Comm" : "This print is an especially elaborate reproduction of both the composition and technique of a drawing by Castiglione at Windsor Castle.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13108, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13108", "Disp_Access_No" : "2002.1733", "_AccNumSort1" : "", "Disp_Create_DT" : "1795", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1795", "Disp_Title" : "Figure from the Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Figure from the Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "43.4 cm x 32.3 cm (17 1/16 in. x 12 11/16 in.)", "Disp_Height" : "43.4 cm", "Disp_Width" : "32.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Stipple engraving in sanguine", "Support" : "", "Disp_Medium" : "Stipple engraving in sanguine", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1733.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1733.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1733.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1733.tif", "IsPrimary" : "1", "_SurrogateID" : "4955", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13107, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13107", "Disp_Access_No" : "2002.1732", "_AccNumSort1" : "", "Disp_Create_DT" : "1795", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1795", "Disp_Title" : "Tityos, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Tityos, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "24.8 cm x 35.1 cm (9 3/4 in. x 13 13/16 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "35.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Stipple engraving in brown ink", "Support" : "", "Disp_Medium" : "Stipple engraving in brown ink", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1732.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1732.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1732.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1732.tif", "IsPrimary" : "1", "_SurrogateID" : "4941", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3525", "Disp_Access_No" : "1992.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "32 cm x 29.8 cm (12 5/8 in. x 11 3/4 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Plate", "Medium" : "Etching in red ink with abrasive scumbling", "Support" : "", "Disp_Medium" : "Etching in red ink with abrasive scumbling", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4785", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11931, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11931", "Disp_Access_No" : "2002.102", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Boar Hunt", "Alt_Title" : "", "Obj_Title" : "Boar Hunt", "Series_Title" : "", "Disp_Maker_1" : "Ercole Bazzicaluva", "Sort_Artist" : "Bazzicaluva, Ercole", "Disp_Dimen" : "12.3 cm x 17.1 cm (4 13/16 in. x 6 3/4 in.)", "Disp_Height" : "12.3 cm", "Disp_Width" : "17.1 cm", "Dimen_Extent" : "plate", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.102.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.102.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.102.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.102.TIF", "IsPrimary" : "1", "_SurrogateID" : "9755", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11077", "Disp_Access_No" : "1996.108", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Milo of Croton, after Pordenone", "Alt_Title" : "", "Obj_Title" : "Milo of Croton, after Pordenone", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "30.5 cm x 41.9 cm (12 in. x 16 1/2 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "41.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro Woodcut", "Support" : "", "Disp_Medium" : "Chiaroscuro Woodcut", "Info_Page_Comm" : "Looking at impressions like this one, some early connoisseurs speculated that the composition allowed for the printing of a tone block in pale ink and that the print was conceived as a chiaroscuro. The existence of one such impression, in the British Museum, proves their intuition. That tone block must have been damaged or lost early in the printing. Nonetheless, the second, line block was so skillfully cut and elaborate that it could function well on its own. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1996", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.108.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.108.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.108.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.108.tif", "IsPrimary" : "1", "_SurrogateID" : "9125", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2002.1652", "_AccNumSort1" : "", "Disp_Create_DT" : "1530s", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Saint Jerome in the Wilderness, after Titian", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "38.8 cm x 53.5 cm (15 1/4 in. x 21 1/16 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Woodcut reached a very high level in 16th-century Venice, where, notably in Titian’s circle, it was preferred to engraving for the reproduction of paintings and drawings. Boldrini developed its basic language of long, curvilinear cuts and sustained pictorial effects on a large scale. Saint Jerome in the wilderness was a favorite subject in Venetian art. Here the penitent and his faithful lion are set amid an ideal panorama of the kind pioneered by Titian and establishing the classical landscape tradition. The composition depends generally on a painting that Titian executed for Isabella d’Este between 1523 and 1531 (today in the Louvre), while the cliff and trees on the right were specifically prepared in a drawing now at Edinburgh. Although damaged along a center crease, this impression is especially even in its inking and clear in its printing. 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Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.44.tif", "IsPrimary" : "1", "_SurrogateID" : "8207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13164, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13164", "Disp_Access_No" : "2002.1844", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tuccia, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tuccia, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "26.8 cm x 34.7 cm (10 9/16 in. x 13 11/16 in.)", "Disp_Height" : "26.8 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1844.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1844.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1844.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1844.tif", "IsPrimary" : "1", "_SurrogateID" : "8215", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11874, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11874", "Disp_Access_No" : "2002.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Silenus on an Ass", "Alt_Title" : "", "Obj_Title" : "Silenus on an Ass", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "13.5 cm x 22 cm (5 5/16 in. x 8 11/16 in.)", "Disp_Height" : "13.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.39.tif", "IsPrimary" : "1", "_SurrogateID" : "8212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13110", "Disp_Access_No" : "2002.1735", "_AccNumSort1" : "", "Disp_Create_DT" : "1561", "_Disp_Start_Dat" : "1561", "_Disp_End_Date" : "1561", "Disp_Title" : "Il Silenzio (The Madonna of the Silence), after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Il Silenzio (The Madonna of the Silence), after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "40.1 cm x 26.9 cm (15 13/16 in. x 10 9/16 in.)", "Disp_Height" : "40.1 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Joseph and a young Saint John watch as Christ sleeps, draped across his mother's lap in a position suggestive of the pietà. Traditionally, the pietà is a theme in which the grieving mother clutches the body of her dead son in her lap. Here, the familial scene alludes both to the hope of salvation and Christ’s sacrifice. Mary’s lap becomes an altar upon which the sacrifice is made.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1735.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1735.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1735.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1735.tif", "IsPrimary" : "1", "_SurrogateID" : "1837", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12824", "Disp_Access_No" : "2002.1322", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "29 cm x 18 cm (11 7/16 in. x 7 1/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1322.tif", "ThumbnailPath" : 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"sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11091", "Disp_Access_No" : "2002.1353", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546", "_Disp_Start_Dat" : "1541", "_Disp_End_Date" : "1551", "Disp_Title" : "Jesse-David-Solomon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Ancestors: Jesse, David, Solomon, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "20.6 cm x 30.7 cm (8 1/8 in. x 12 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" 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"Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print interprets the figure traditionally identified as Raphael himself in the artist’s Double-Portrait of circa 1518, today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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"", "Obj_Title" : "Creation of Eve, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "17 cm x 21.8 cm (6 11/16 in. x 8 9/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "21.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1342.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1342.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1342.tif", "IIIF_URL": 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"Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.37.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.37.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.37.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.37.tif", "IsPrimary" : "1", "_SurrogateID" : "5320", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11873", "Disp_Access_No" : "2002.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Triumph of Bacchus", 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Huntington Museum Fund, 1992", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.6.tif", "IsPrimary" : "1", "_SurrogateID" : "8208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13099, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13099", "Disp_Access_No" : "2002.1716", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mars Visiting Rhea Silvia", "Alt_Title" : "", "Obj_Title" : "Mars Visiting Rhea Silvia", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "30.1 cm x 43.6 cm (11 7/8 in. x 17 3/16 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "43.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1716.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1716.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1716.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1716.tif", "IsPrimary" : "1", "_SurrogateID" : "8214", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11163", "Disp_Access_No" : "2002.1769", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Saint Christopher", "Alt_Title" : "", "Obj_Title" : "Saint Christopher", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "39.1 cm x 29.3 cm (15 3/8 in. x 11 9/16 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Borgianni, principally a Caravaggesque painter, made two original etchings just before his death. Bold in massing, dramatic in light, and vigorous in mark, they are among the very few prints to evoke the physical presence and intense feeling of the new realism. Related to several painted versions of the subject, the Saint Christopher is the larger, more audacious in the hulking form and foreshortened stride of the giant, and painterly in its printing. 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"_AccNumSort1" : "", "Disp_Create_DT" : "1615", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1615", "Disp_Title" : "The Lamentation", "Alt_Title" : "", "Obj_Title" : "The Lamentation", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "23.6 cm x 22.2 cm (9 5/16 in. x 8 3/4 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "22.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1770.tif", "ThumbnailPath" : 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cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1657.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1657.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1657.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1657.tif", "IsPrimary" : "1", "_SurrogateID" : "4643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16943", "Disp_Access_No" : "2002.2933", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Chiesa de San Salvatore", "Alt_Title" : "", "Obj_Title" : "Chiesa de San Salvatore", "Series_Title" : "", "Disp_Maker_1" : "Ambrogio Brambilla", "Sort_Artist" : "Brambilla, Ambrogio", "Disp_Dimen" : "16.3 cm x 11.6 cm (6 7/16 in. x 4 9/16 in.)", "Disp_Height" : "16.3 cm", "Disp_Width" : "11.6 cm", "Dimen_Extent" : "", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2933.tif", "ThumbnailPath" : 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Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.117.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.117.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.117.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.117.tif", "IsPrimary" : "1", "_SurrogateID" : "7008", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11024", "Disp_Access_No" : "1987.47", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Triumph of Caesar: The Elephants, after Andrea Mantegna", "Alt_Title" : "", "Obj_Title" : "Triumph of Caesar: The Elephants, after Andrea Mantegna", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio da Brescia", "Sort_Artist" : "Brescia, Giovanni Antonio da", "Disp_Dimen" : "28.5 cm x 26.6 cm (11 1/4 in. x 10 1/2 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "26.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One of the geniuses of the Renaissance, Andrea Mantegna brought Florentine inventions to north Italy and laid the foundation for developments across the Po Valley and in Venice. From the outset his work was demanding in concept and incomparable in technique. During long service to the Gonzaga family at Mantua, he realized projects of unprecedented intellectual, archaeological, and pictorial ambition. That Mantegna’s achievements had such influence is due also to his pioneering efforts in another sphere, the use of engraving to disseminate artistic ideas and fame. This engraving pertains to a famous project for the Gonzagas, The Triumph of Caesar. Executed between 1486 and 1494, the series of eleven canvases was based upon ancient descriptions of victorious Roman processions and inspired by the monumental reliefs the artist saw on an intervening visit to Rome. Furthering the dynastic propaganda and satisfying curiosity about the project, Mantegna directed the engraving of three alternative drawings for the series. There are seven versions by three different printmakers, with those of Giovanni Antonio da Brescia the most refined and regular. All adhere to Mantegna’s own system of engraving, close in style to his drawing. Their delicate and dense hatching wore rapidly in printing. This is an unusually fine, early impression, capturing the master’s subtlety and the intended effect of relief sculpture. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.47.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.47.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.47.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.47.tif", "IsPrimary" : "1", "_SurrogateID" : "3347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11173", "Disp_Access_No" : "2002.139", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Woman Drying Herself", "Alt_Title" : "", "Obj_Title" : "A Woman Drying Herself", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Caletti", "Sort_Artist" : "Caletti, Giuseppe", "Disp_Dimen" : "13.2 cm x 8.7 cm (5 3/16 in. x 3 7/16 in.)", "Disp_Height" : "13.2 cm", "Disp_Width" : "8.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.139.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.139.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.139.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.139.tif", "IsPrimary" : "1", "_SurrogateID" : "4132", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11959", "Disp_Access_No" : "2002.140", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Samson and Delilah", "Alt_Title" : "", "Obj_Title" : "Samson and Delilah", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Caletti", "Sort_Artist" : "Caletti, Giuseppe", "Disp_Dimen" : "18.7 cm x 19.8 cm (7 3/8 in. x 7 13/16 in.)", "Disp_Height" : "18.7 cm", "Disp_Width" : "19.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.140.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.140.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.140.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.140.tif", "IsPrimary" : "1", "_SurrogateID" : "5581", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8338", "Disp_Access_No" : "2002.142", "_AccNumSort1" : "", "Disp_Create_DT" : "1630's", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Saint Roch", "Alt_Title" : "", "Obj_Title" : "Saint Roch", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Caletti", "Sort_Artist" : "Caletti, Giuseppe", "Disp_Dimen" : "21.9 cm x 16.1 cm (8 5/8 in. x 6 5/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Caletti was a minor Ferrarese painter inspired principally by Guercino. His etchings are delightful in their witty characterization, bristly description, and delicate biting. They are, however, quite rare and little known to this day. Steinberg took special pleasure in discovering and pursuing such distinctive but unfamiliar personalities. There are four other etchings by Caletti in the Collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.142.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.142.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.142.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.142.tif", "IsPrimary" : "1", "_SurrogateID" : "1785", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11074, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11074", "Disp_Access_No" : "2002.1681", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1530s", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "Landscape with a Shepherd and a Watermill", "Alt_Title" : "", "Obj_Title" : "Landscape with a Shepherd and a Watermill", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Domenico Campagnola", "Sort_Artist" : "Campagnola, Attributed to Domenico", "Disp_Dimen" : "24.5 cm x 39 cm (9 5/8 in. x 15 3/8 in.)", "Disp_Height" : "24.5 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching on iron", "Support" : "", "Disp_Medium" : "Etching on iron", "Info_Page_Comm" : "Pastoral landscape -- regular in structure, ideal in form, poetic in tone -- was an invention of early 16th-century Venetian art. Its early popularity was due to drawings by Titian and Campagnola, and prints after these by other artists. This etching, close in character to the drawings and signed with the monogram “DC”, is the only one that can be plausibly attributed to either artist. Unpracticed in its printing, therefore grainy in its line, and exceedingly rare, therefore unmentioned in the extensive literature on such landscapes, it seems to have been a unique experiment.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1681.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1681.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1681.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1681.tif", "IsPrimary" : "1", "_SurrogateID" : "1827", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11095, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11095", "Disp_Access_No" : "2002.1312", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "Mutius Scaevola, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Mutius Scaevola, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Antonio Campi", "Sort_Artist" : "Campi, Antonio", "Disp_Dimen" : "13.3 cm x 11.5 cm (5 1/4 in. x 4 1/2 in.)", "Disp_Height" : "13.3 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Parmigianino’s art was an essential ingredient in the eclectic, sophisticated style of painting developed by several members of the Campi family in mid sixteenth-century Cremona. Its influence is especially clear in the early work of Antonio Campi, and manifests itself in his production of a number of woodcuts after designs by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1312.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1312.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1312.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1312.tif", "IsPrimary" : "1", "_SurrogateID" : "1774", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3349", "Disp_Access_No" : "2002.249", "_AccNumSort1" : "", "Disp_Create_DT" : "1741", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1741", "Disp_Title" : "House with the Inscription", "Alt_Title" : "", "Obj_Title" : "House with the Inscription", "Series_Title" : "", "Disp_Maker_1" : "Antonio Canal, called Canaletto", "Sort_Artist" : "Canaletto, Antonio Canal, called", "Disp_Dimen" : "31.5 cm x 22.5 cm (12 3/8 in. x 8 7/8 in.)", "Disp_Height" : "31.5 cm", "Disp_Width" : "22.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.249.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.249.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.249.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.249.tif", "IsPrimary" : "1", "_SurrogateID" : "1955", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11291, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11291", "Disp_Access_No" : "1980.51", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1741-1744", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1744", "Disp_Title" : "Portico with a Lantern", "Alt_Title" : "", "Obj_Title" : "Portico with a Lantern", "Series_Title" : "", "Disp_Maker_1" : "Antonio Canal, called Canaletto", "Sort_Artist" : "Canaletto, Antonio Canal, called", "Disp_Dimen" : "38.6 cm x 46.4 cm (15 3/16 in. x 18 1/4 in.)", "Disp_Height" : "38.6 cm", "Disp_Width" : "46.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.51.tif", "IsPrimary" : "1", "_SurrogateID" : "4531", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.51.tif", "IsPrimary" : "0", "_SurrogateID" : "4551", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11943", "Disp_Access_No" : "2002.120", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Saint Bernardino of Siena in Milan, after Ventura Salimbeni", "Alt_Title" : "", "Obj_Title" : "Saint Bernardino of Siena in Milan, after Ventura Salimbeni", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Capitelli", "Sort_Artist" : "Capitelli, Bernardino", "Disp_Dimen" : "21.4 cm x 37.8 cm (8 7/16 in. x 14 7/8 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "37.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.120.tif", "IsPrimary" : "1", "_SurrogateID" : "1763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13100, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13100", "Disp_Access_No" : "2002.1717", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Marriage of the Virgin, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Marriage of the Virgin, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "46.4 cm x 23.2 cm (18 1/4 in. x 9 1/8 in.)", "Disp_Height" : "46.4 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving reproduces a drawing in the Devonshire Collection at Chatsworth House. The drawing, which has long been admired, was the preparatory study for an altarpiece for the Cesi family chapel in the church of Santa Maria della Pace. For unknown reasons, the decoration of the chapel was never realized.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1717.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1717.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1717.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1717.tif", "IsPrimary" : "1", "_SurrogateID" : "2918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17182", "Disp_Access_No" : "2004.131", "_AccNumSort1" : "", "Disp_Create_DT" : "1536-1537", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1537", "Disp_Title" : "The Annunciation, after Titian", "Alt_Title" : "", "Obj_Title" : "The Annunciation, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "45.4 cm x 34.8 cm (17 7/8 in. x 13 11/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "34.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving is the only record of the altarpiece that Titian executed for the Santa Maria degli Angeli, Murano, in 1537. When the convent could not meet the artist’s price, it refused the picture, and he gave it as a present to either Charles V or his wife, Queen Isabella. Last mentioned in Spain in 1794, the painting was apparently lost during the French occupation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.131.tif", "IsPrimary" : "1", "_SurrogateID" : "2184", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2077, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2077", "Disp_Access_No" : "2002.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Saturn and Phylira, after Rosso Fiorentino, from the Loves of the Gods", "Alt_Title" : "", "Obj_Title" : "Saturn and Phylira, after Rosso Fiorentino, from the Loves of the Gods", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "17.9 cm x 13.5 cm (7 1/16 in. x 5 5/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Newly arrived in Rome, Caraglio was charged by a certain Baviera, the manager of Raphael’s printmaking enterprise, with engraving a series of twenty loves of the gods, mostly after drawings by Perino del Vaga, but with two by Rosso Fiorentino. One of these is the rare subject of the union between Saturn in the form of a horse and the nymph Philyra, which produced the centaur Chiron. A generation later, Vasari wrote that the series was “engraved with such skill that it has always been prized.” Wickedly erotic and extremely stylized, it is today regarded as a capital work of early Mannerism. In the early 19th-century, the great cataloguer Bartsch would add that impressions from the series “are extremely rare.” The Steinberg Collection includes six. The Saturn and Philyra is lacking entirely from the collections of the Metropolitan and British Museum, and this impression is finer than the one in Vienna’s Albertina. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.137.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.137.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.137.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.137.tif", "IsPrimary" : "1", "_SurrogateID" : "1779", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11063", "Disp_Access_No" : "1994.34", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1526-1527", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1527", "Disp_Title" : "Council of the Gods, after Raphael", "Alt_Title" : "", "Obj_Title" : "Council of the Gods, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "38.8 cm x 55.5 cm (15 1/4 in. x 21 7/8 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is an interpretation of one of the two principal compositions on the vault of the Loggia di Psiche, 1517, in the Villa Farnesina, Rome.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.34.tif", "IsPrimary" : "1", "_SurrogateID" : "3628", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11910", "Disp_Access_No" : "2002.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1524", "_Disp_Start_Dat" : "1524", "_Disp_End_Date" : "1524", "Disp_Title" : "Hercules Fighting Cacus, from the Labors of Hercules, after Rosso", "Alt_Title" : "", "Obj_Title" : "Hercules Fighting Cacus, from the Labors of Hercules, after Rosso", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "21.2 cm x 17.6 cm (8 3/8 in. x 6 15/16 in.)", "Disp_Height" : "21.2 cm", "Disp_Width" : "17.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2403, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2403", "Disp_Access_No" : "2000.12", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1526-27", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Nymphs at the Bath, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Nymphs at the Bath, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Ugo da Carpi", "Sort_Artist" : "Carpi, Attributed to Ugo da", "Disp_Dimen" : "28.3 cm x 19.8 cm (11 1/8 in. x 7 13/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "19.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from three blocks, tone blocks printed in ochre and brown", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from three blocks, tone blocks printed in ochre and brown", "Info_Page_Comm" : "This print interprets a pen-and-wash drawing of about 1524 in the Uffizi.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.12.tif", "IsPrimary" : "1", "_SurrogateID" : "9128", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17323, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17323", "Disp_Access_No" : "2005.16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "Diogenes, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Diogenes, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Ugo da Carpi", "Sort_Artist" : "Carpi, Ugo da", "Disp_Dimen" : "47.7 cm x 35 cm (18 3/4 in. x 13 3/4 in.)", "Disp_Height" : "47.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Chiaroscuro woodcut from four blocks, printed in blue-green", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from four blocks, printed in blue-green", "Info_Page_Comm" : "From the moment of its creation, this has been the most celebrated woodcut of sixteenth-century Italy. Diogenes was the ancient Greek philosopher for whom the pursuit of virtue was the sole good. Here he appears as a heroic figure before the wooden barrel in which he lived, the billowing drape his only clothing and the plucked chicken a reference to his mocking of Plato’s definition of man as “a featherless biped.” Equally striking is the mastery of technique in which separate blocks were printed in successively darker tones to suggest modeling. In no work of the kind was the cutting more virtuoso, the printing better coordinated, or the scale more audacious. Ugo da Carpi was the first and greatest master of chiaroscuro woodcut in Italy. Active in Venice as an illustrator, he learned the technique from the circulation of early German examples. Going to Rome in 1516, he turned to reproducing Raphael’s drawings in brush and wash with white heightening. With its Michelangelesque form, suave rhythms, and improbable grace, Diogenes depends on a lost drawing of Parmigianino’s period in Rome. Surely it was the challenge of interpreting his difficult and utterly personal style that brought da Carpi to the unequaled heights of this print. Diogenes was reprinted through the sixteenth century in various colors and with increasing coarseness. Extremely rare, the blue-green scheme and clarity of this impression correspond to the earliest printings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson, 2005", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.16.tif", "IsPrimary" : "1", "_SurrogateID" : "2717", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11050", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1516", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1521", "Disp_Title" : "Sibyl Reading, Facing Right, after Raphael", "Alt_Title" : "", "Obj_Title" : "Sibyl Reading, Facing Right, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Ugo da Carpi", "Sort_Artist" : "Carpi, Ugo da", "Disp_Dimen" : "27.8 cm x 23.2 cm (10 15/16 in. x 9 1/8 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in blue-gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in blue-gray", "Info_Page_Comm" : "This print interprets a drawing by Raphael that is presumably lost.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.11.tif", "IsPrimary" : "1", "_SurrogateID" : "9126", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11969", "Disp_Access_No" : "2002.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Agony in the Garden", "Alt_Title" : "Christ on the Mount of Olives", "Obj_Title" : "Agony in the Garden", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "29.5 cm x 21.8 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "21.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching; pen and ink and red chalk and black chalk on verso", "Support" : "", "Disp_Medium" : "Etching; pen and ink and red chalk and black chalk on verso", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Original drawings on verso; two putti and a seated figure. [HB 5/30/2020]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.153.tif", "IsPrimary" : "1", "_SurrogateID" : "1795", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2324", "Disp_Access_No" : "1988.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "41.9 cm x 29.8 cm (16 1/2 in. x 11 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "With efforts like this Saint Jerome, its encyclopedia of mark and intensity of pictorial effect––consider its contrasts and seeming color––Agostino consolidated his place as the leading engraver in Italy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.61.tif", "IsPrimary" : "1", "_SurrogateID" : "6561", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2338", "Disp_Access_No" : "2002.165", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "Mercury and the Three Graces, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "Mercury and the Three Graces, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "20.1 cm x 25.7 cm (7 15/16 in. x 10 1/8 in.)", "Disp_Height" : "20.1 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.165.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.165.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.165.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.165.tif", "IsPrimary" : "1", "_SurrogateID" : "1816", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11951", "Disp_Access_No" : "2002.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Alt_Title" : "", "Obj_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "25 cm x 18.5 cm (9 13/16 in. x 7 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving, with red chalk on verso", "Support" : "", "Disp_Medium" : "Engraving, with red chalk on verso", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Red chalk sketch on verso shows artist copying composition on recto. Will be displayed double-sided.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.129.tif", "IsPrimary" : "1", "_SurrogateID" : "9333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2372, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2372", "Disp_Access_No" : "2002.1750", "_AccNumSort1" : "", "Disp_Create_DT" : "1595", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1595", "Disp_Title" : "Aeneas and His Family Fleeing Troy, after Federico Barocci", "Alt_Title" : "Aeneas Bearing Anchises, after Barocci", "Obj_Title" : "Aeneas and His Family Fleeing Troy, after Federico Barocci", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "40.2 cm x 52.4 cm (15 13/16 in. x 20 5/8 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "52.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print depends upon a modello by Barocci and represents the height of Agostino’s virtuosity with a burin. 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By 1600, Clement began to regulate printed works as well.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2343", "Disp_Access_No" : "2002.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1591", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1591", "Disp_Title" : "The Penitent Magdalen", "Alt_Title" : "", "Obj_Title" : "The Penitent Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "21.9 cm x 16.2 cm (8 5/8 in. x 6 3/8 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "16.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.158.tif", "IsPrimary" : "1", "_SurrogateID" : "1806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13118", "Disp_Access_No" : "2002.1753", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Susannah and the Elders", "Alt_Title" : "", "Obj_Title" : "Susannah and the Elders", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "31.9 cm x 31 cm (12 9/16 in. x 12 3/16 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Annibale Carracci arrived in Rome in 1595. His major project was the decoration of a gallery in the Farnese Palace in celebration of Duke Rannuccio’s engagement to the niece of Clement VIII. Its style combined radical naturalism with the orderliness and intellectual appeal of the city’s ingrained classicism. Created shortly before, this etching anticipates the heroic forms and sensuous presentation on the gallery ceiling. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1753.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1753.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1753.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1753.tif", "IsPrimary" : "1", "_SurrogateID" : "4085", "Image_Type" : "Scan", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11973", "Disp_Access_No" : "2002.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist and Saint Elizabeth ( Madonna della Scodella)", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist and Saint Elizabeth ( Madonna della Scodella)", "Series_Title" : "", "Disp_Maker_1" : "Circle of Annibale Carracci", "Sort_Artist" : "Carracci, Circle of Annibale", "Disp_Dimen" : "12.3 cm x 15.9 cm (4 13/16 in. x 6 1/4 in.)", "Disp_Height" : "12.3 cm", "Disp_Width" : "15.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.157.tif", "IsPrimary" : "1", "_SurrogateID" : "7012", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11117", "Disp_Access_No" : "2002.1752", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585-1590", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1590", "Disp_Title" : "The Virgin and Child with Saint Joseph", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Joseph", "Series_Title" : "", "Disp_Maker_1" : "Ludovico Carracci", "Sort_Artist" : "Carracci, Ludovico", "Disp_Dimen" : "26.5 cm x 32.7 cm (10 7/16 in. x 12 7/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a superb impression of Lodovico Carracci’s first and most elaborate print. His paintings, relative to those of his cousins Agostino and Annibale, essay less rational and classically conditioned approaches to visually convincing and sentimentally affecting representation. This engraving strains the conventions of its technique with lyrical forms and an eccentric syntax –- the arbitrary shape and luminous facets of the Virgin’s drapery –- that achieve a similarly personal expressiveness.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1752.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1752.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1752.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1752.tif", "IsPrimary" : "1", "_SurrogateID" : "1843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11970, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11970", "Disp_Access_No" : "2002.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1602-1604", "_Disp_Start_Dat" : "1602", "_Disp_End_Date" : "1604", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Ludovico Carracci", "Sort_Artist" : "Carracci, Ludovico", "Disp_Dimen" : "18.4 cm x 13.6 cm (7 1/4 in. x 5 3/8 in.)", "Disp_Height" : "18.4 cm", "Disp_Width" : "13.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and drypoint", "Support" : "", "Disp_Medium" : "Engraving and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.154.tif", "IsPrimary" : "1", "_SurrogateID" : "9334", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11950, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11950", "Disp_Access_No" : "2002.128", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Magi, after Ludovico Carracci", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi, after Ludovico Carracci", "Series_Title" : "", "Disp_Maker_1" : "School of Annibale Carracci", "Sort_Artist" : "Carracci, School of Annibale", "Disp_Dimen" : "38.4 cm x 27 cm (15 1/8 in. x 10 5/8 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.128.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.128.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.128.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.128.tif", "IsPrimary" : "1", "_SurrogateID" : "7009", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19507", "Disp_Access_No" : "2010.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Diogenes Searching for an Honest Man", "Alt_Title" : "", "Obj_Title" : "Diogenes Searching for an Honest Man", "Series_Title" : "", "Disp_Maker_1" : "Copy after Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Copy after Giovanni Benedetto", "Disp_Dimen" : "20 cm x 29.8 cm (7 7/8 in. x 11 3/4 in.)", "Disp_Height" : "20 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11226", "Disp_Access_No" : "1997.47.9/16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Head of an Old Man Turned to the Left, from the Small Heads with Oriental Headdresses", "Alt_Title" : "", "Obj_Title" : "Head of an Old Man Turned to the Left, from the Small Heads with Oriental Headdresses", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "11.6 cm x 8.7 cm (4 9/16 in. x 3 7/16 in.)", "Disp_Height" : "11.6 cm", "Disp_Width" : "8.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Castiglione assimilated Rembrandt's dense, scribbly lines to produce rich textures and a range of dark tonalities. 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Animal subjects were especially popular in Genoa, largely due to the city’s contacts with the Netherlands, and Castiglione had an aptitude for them. (A comparable painting by his son and follower Francesco is exhibited nearby.) Outstanding in quality, Steinberg’s eleven Castigliones are the perfect complement to the nine major drawings in the Suida-Manning Collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.172.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.172.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.172.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.172.tif", "IsPrimary" : "1", "_SurrogateID" : "1834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11221", "Disp_Access_No" : "1997.47.4/16", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1645-1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1650", "Disp_Title" : "Head of a Young Man Facing to the Right, from the Studies of Heads with Oriental Headdresses", "Alt_Title" : "", "Obj_Title" : "Head of a Young Man Facing to the Right, from the Studies of Heads with Oriental Headdresses", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "11 cm x 8.1 cm (4 5/16 in. x 3 3/16 in.)", "Disp_Height" : "11 cm", "Disp_Width" : "8.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Castiglione assimilated Rembrandt's dense, scribbly lines to produce rich textures and a range of dark tonalities. 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His style thoroughly reconciles the school’s residual Mannerism with its naturalism of Netherlandish cast. At the same time, spending much of the 1630s and 1640s in Rome, he assimilated Nicolas Poussin and Pietro Testa’s highly intellectual and idealized Baroque. Castiglione’s curiosity and openness are confirmed by his ceaseless exploration of the graphic arts and by his late activity across northern Italy. More than any other figure, he transcended conventional Baroque categories and predicted the dominant tendencies of eighteenth-century style. Combining noble theme with a pretext for genre, the journeys of the patriarchs in the Book of Genesis were a constant subject in Castiglione’s art. With the added appeal of a menagerie, Noah and the loading of the Ark was a particular favorite. The many versions include an early oil on paper in the Suida-Manning Collection. Here, the procession is organized with the simple structure and slow cadence of an ancient relief, but brought to life by the busy hand, textured light, and even bawdy accent of Rembrandt’s early etchings. Castiglione’s etchings are the finest of the period in Italy. This is perhaps his most pictorial and coherent. Characterized by great clarity, a silvery tone, and dense polishing scratches, this is an especially early impression. The museum possesses forty etchings by the artist. 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"_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1646", "Disp_Title" : "Entrenchment with Drummer and Sentinel, from Varii capricci militari [Various military caprices]", "Alt_Title" : "", "Obj_Title" : "Entrenchment with Drummer and Sentinel, from Varii capricci militari [Various military caprices]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "8.8 cm x 14.1 cm (3 7/16 in. x 5 9/16 in.)", "Disp_Height" : "8.8 cm", "Disp_Width" : "14.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.188.tif", "IsPrimary" : "1", "_SurrogateID" : "7688", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17282", "Disp_Access_No" : "2004.184", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1637", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1642", "Disp_Title" : "Scena quinta d’Inferno [Fifth Scene of Hell], from Le Nozze degli Dei [The Marriage of the Gods], after Alfonso Parigi", "Alt_Title" : "", "Obj_Title" : "Scena quinta d’Inferno [Fifth Scene of Hell], from Le Nozze degli Dei [The Marriage of the Gods], after Alfonso Parigi", "Series_Title" : "", 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"sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.187.tif", "IsPrimary" : "1", "_SurrogateID" : "7687", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12874, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12874", "Disp_Access_No" : "2002.1390", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1644", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1644", "Disp_Title" : "River landscape with peasant woman taking off her shoes to cross, from Divers Paysages II [Various landscapes]", "Alt_Title" : "", "Obj_Title" : "River landscape with peasant woman taking off her shoes to cross, from Divers Paysages II [Various landscapes]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "12.1 cm x 26.2 cm (4 3/4 in. x 10 5/16 in.)", "Disp_Height" : "12.1 cm", "Disp_Width" : "26.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1390.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1390.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1390.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1390.tif", "IsPrimary" : "1", "_SurrogateID" : "7294", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12870, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12870", "Disp_Access_No" : "2002.1384", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1641", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1646", "Disp_Title" : "Three Camels, from Têtes de different animaux [Heads of various animals]", "Alt_Title" : "", "Obj_Title" : "Three Camels, from Têtes de different animaux [Heads of various animals]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "11.9 cm x 15.1 cm (4 11/16 in. x 5 15/16 in.)", "Disp_Height" : "11.9 cm", "Disp_Width" : "15.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Della Bella's compositions are developed with the insistent rhythm and rich atmosphere of full Baroque painting, and they are articulated with a busy, lightly bitten line that gives them the appearance of delicate pen-and-ink drawings. Executed in the first years of a sojourn in Paris, his Camels is an especially swift and delightful sketch. Etchings by Della Bella are relatively common, but rarely seen in early states or such fine impressions. 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"Disp_Title" : "Two Goats, plate 12 from Caprice faict [sic] par de la Bella [Caprice by Della Bella]", "Alt_Title" : "", "Obj_Title" : "Two Goats, plate 12 from Caprice faict [sic] par de la Bella [Caprice by Della Bella]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "7.1 cm x 9.9 cm (2 13/16 in. x 3 7/8 in.)", "Disp_Height" : "7.1 cm", "Disp_Width" : "9.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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: "16.7 cm x 6.2 cm (6 9/16 in. x 2 7/16 in.)", "Disp_Height" : "16.7 cm", "Disp_Width" : "6.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.206.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.206.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.206.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.206.tif", "IsPrimary" : "1", "_SurrogateID" : "7704", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18626, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18626", "Disp_Access_No" : "2006.207", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1653", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1658", "Disp_Title" : "Ornamental scroll with two goats, from Ornamenti o grottesche [Ornaments or grotesques]", "Alt_Title" : "", "Obj_Title" : "Ornamental scroll with two goats, from Ornamenti o grottesche [Ornaments or grotesques]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "17.2 cm x 6.3 cm (6 3/4 in. x 2 1/2 in.)", "Disp_Height" : "17.2 cm", "Disp_Width" : "6.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.207.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.207.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.207.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.207.tif", "IsPrimary" : "1", "_SurrogateID" : "7705", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18621, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18621", "Disp_Access_No" : "2006.202", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1644", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1644", "Disp_Title" : "Horsemen crossing a river, from Divers Paysages II [Various landscapes II] ", "Alt_Title" : "", "Obj_Title" : "Horsemen crossing a river, from Divers Paysages II [Various landscapes II] ", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "12.2 cm x 26.1 cm (4 13/16 in. x 10 1/4 in.)", "Disp_Height" : "12.2 cm", "Disp_Width" : "26.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.202.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.202.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.202.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.202.tif", "IsPrimary" : "1", "_SurrogateID" : "7276", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18617", "Disp_Access_No" : "2006.198", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "The Path of the Canons, from Divers dessins tout pour la paix pour la guerre [Various designs for both peace and war]", "Alt_Title" : "", "Obj_Title" : "The Path of the Canons, from Divers dessins tout pour la paix pour la guerre [Various designs for both peace and war]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "11 cm x 25.2 cm (4 5/16 in. x 9 15/16 in.)", "Disp_Height" : "11 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.198.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.198.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.198.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.198.tif", "IsPrimary" : "1", "_SurrogateID" : "7696", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12877, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12877", "Disp_Access_No" : "2002.1392.2/8", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1646-1647", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1647", "Disp_Title" : "Soldiers waiting to embark, plate 1 from Divers Embarquements [Various Embarkments]", "Alt_Title" : "", "Obj_Title" : "Soldiers waiting to embark, plate 1 from Divers Embarquements [Various Embarkments]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "7.3 cm x 16.1 cm (2 7/8 in. x 6 5/16 in.)", "Disp_Height" : "7.3 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1392.2-2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1392.2-2.tif", 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"Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1373.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1373.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1373.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1373.tif", "IsPrimary" : "1", "_SurrogateID" : "7281", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12862", "Disp_Access_No" : "2002.1376", "_AccNumSort1" : "", "Disp_Create_DT" : "1649", "_Disp_Start_Dat" : "1649", "_Disp_End_Date" : "1649", "Disp_Title" : "Two Women with Children Conversing, from Diverse figure et paesi [Various figures and Landscapes]", "Alt_Title" : "", "Obj_Title" : "Two Women with Children Conversing, from Diverse figure et paesi [Various figures and Landscapes]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "9.9 cm x 16.1 cm (3 7/8 in. x 6 5/16 in.)", "Disp_Height" : "9.9 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : 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"Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "9.9 cm x 15.8 cm (3 7/8 in. x 6 1/4 in.)", "Disp_Height" : "9.9 cm", "Disp_Width" : "15.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1377.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1377.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1377.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1377.tif", "IsPrimary" : "1", "_SurrogateID" : "7285", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12875, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12875", "Disp_Access_No" : "2002.1391", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1646", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1651", "Disp_Title" : "Seascape with eight ships, plate 2 from Paisages Maritimes [Seascapes]", "Alt_Title" : "", "Obj_Title" : "Seascape with eight ships, plate 2 from Paisages Maritimes [Seascapes]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "8.7 cm x 12.9 cm (3 7/16 in. x 5 1/16 in.)", "Disp_Height" : "8.7 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1391.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1391.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1391.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1391.tif", "IsPrimary" : "1", "_SurrogateID" : "7295", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2686, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2686", "Disp_Access_No" : "2002.1394", "_AccNumSort1" : "", "Disp_Create_DT" : "1637", "_Disp_Start_Dat" : "1637", "_Disp_End_Date" : "1637", "Disp_Title" : "Scena grotta di Vulcano [The Cave of Vulcan], from Le Nozze degli Dei [The Marriage of the Gods], after Alfonso Parigi", "Alt_Title" : "", "Obj_Title" : "Scena grotta di Vulcano [The Cave of Vulcan], from Le Nozze degli Dei [The Marriage of the Gods], after Alfonso Parigi", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "20.2 cm x 28.5 cm (7 15/16 in. x 11 1/4 in.)", "Disp_Height" : "20.2 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This plate comes from a series of eight that illustrate scenes from Alfonso’s Parigi’s production of the melodrama, The Wedding of the Gods. 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Jacques Callot inspired his interests and early service to the Medici. While working in Rome in the 1630s, he studied art broadly. In Paris in the 1640s, under the patronage of the Cardinal Mazarin and the Duc de Richelieu, he was further influenced by Dutch etching. His late series transcends their genre to achieve real painterliness and anticipate aspects of eighteenth-century etching. This is the masterpiece of della Bella’s period in Paris. The Pont Neuf was the city’s first modern bridge and a popular meeting place. The near ground is a microcosm of French society, from royal carriages and strolling lovers to ruffians and stray animals. At the center of the bridge presides a statue of Henri IV, who had seen the structure completed in 1604. Beyond spreads a westward panorama of the heart of Paris, its monuments identified in the key below. Apparent only in such early impressions, the whole is pervaded by a heavy atmosphere and animated by a sparkling light. 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Concealing the writer behind a draped chair while he entertains a group (perhaps of his own characters), this unconventional frontispiece cleverly refers to the nature of both his works and appearance.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Before the end of the decade, there would be three mounumental reproductive engravings of the composition. Della Casa's was the first, printed on ten plates. This is an impression of the top center section, with the resurrected Christ and the interceding Virgin. Even before his virtually certain trip to Rome, circa 1546-47, Cambiaso could have known the composition from such engravings, and after his return he may well have referred to them. In Cambiaso's own Last Judgment in Santa Maria delle Grazie at Chiavari (dated 1550), the upper part of the fresco depends upon precisely this section of Michelangleo's composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1720.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1720.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1720.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1720.tif", "IsPrimary" : "1", "_SurrogateID" : "3644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11865", "Disp_Access_No" : "2002.30", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520 - 1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "God Appearing to Noah, after Raphael", "Alt_Title" : "", "Obj_Title" : "God Appearing to Noah, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "30.2 cm x 24.7 cm (11 7/8 in. x 9 3/4 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.30.tif", "IsPrimary" : "1", "_SurrogateID" : "2037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13065", "Disp_Access_No" : "2002.1654", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1521", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1521", "Disp_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Alt_Title" : "", "Obj_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "40.8 cm x 57.9 cm (16 1/16 in. x 22 13/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "57.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This very large engraving of Herod’s slaughter of the newborn received special mention by Vasari, the early biographer of Italian artists and Bandinelli’s acquaintance. 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Equally distinctive as a printmaker, he resuscitated the forms and technique of Parmigianino’s etchings. In this, his major plate, the image of the Virgin is practically a quotation of the earlier artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.159.tif", "IsPrimary" : "1", "_SurrogateID" : "4084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8124", "Disp_Access_No" : "1994.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.2 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print interprets is an interpretation of a drawing by Parmigianino that is today in the Metropolitan Museum.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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This impression was printed before the extensive additional work to the plate, like the dense hatching to convey shadow that is seen in the second impression, on the right.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.41.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.41.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.41.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.41.tif", "IsPrimary" : "1", "_SurrogateID" : "5312", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8125", "Disp_Access_No" : "1994.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb Surmounted by the Virgin and Child in an Oval, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Angelo Falconetto", "Sort_Artist" : "Falconetto, Angelo", "Disp_Dimen" : "30.1 cm x 30.8 cm (11 7/8 in. x 12 1/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1994", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.43.tif", "IsPrimary" : "1", "_SurrogateID" : "5314", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3158", "Disp_Access_No" : "2002.1794", "_AccNumSort1" : "", "Disp_Create_DT" : "1723", "_Disp_Start_Dat" : "1723", "_Disp_End_Date" : "1723", "Disp_Title" : "Giovanni Emo, Procurator of San Marco, after Angelo Trevisani", "Alt_Title" : "", "Obj_Title" : "Giovanni Emo, Procurator of San Marco, after Angelo Trevisani", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Faldoni", "Sort_Artist" : "Faldoni, Giovanni Antonio", "Disp_Dimen" : "42.9 cm x 30.8 cm (16 7/8 in. x 12 1/8 in.)", "Disp_Height" : "42.9 cm", "Disp_Width" : "30.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Reproductive printmaking nearly kept pace with the extraordinary developments of painting and drawing in 18th-century Venice. One of its leading masters, Faldoni cultivated a virtuoso style of pure burin work without supplemental techniques or even cross-hatching to indicate tone and texture. Achieving an iridescent color, a dappled light, and a nervous animation, this portrait of a Venetian official is the most audacious example.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1794.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1794.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1794.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1794.tif", "IsPrimary" : "1", "_SurrogateID" : "1851", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3385", "Disp_Access_No" : "2002.1659", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "Lorenzo de'Medici Locking the Temple of Janus, after Cecco Bravo", "Alt_Title" : "", "Obj_Title" : "Lorenzo de'Medici Locking the Temple of Janus, after Cecco Bravo", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio Faldoni", "Sort_Artist" : "Faldoni, Giovanni Antonio", "Disp_Dimen" : "63.9 cm x 38.7 cm (25 3/16 in. x 15 1/4 in.)", "Disp_Height" : "63.9 cm", "Disp_Width" : "38.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1659.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1659.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1659.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1659.tif", "IsPrimary" : "1", "_SurrogateID" : "1821", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11089, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11089", "Disp_Access_No" : "2002.1838", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1544", "_Disp_Start_Dat" : "1539", "_Disp_End_Date" : "1549", "Disp_Title" : "Jupiter and Antiope, after Francesco Primaticcio", "Alt_Title" : "", "Obj_Title" : "Jupiter and Antiope, after Francesco Primaticcio", "Series_Title" : "", "Disp_Maker_1" : "Antonio Fantuzzi", "Sort_Artist" : "Fantuzzi, Antonio", "Disp_Dimen" : "17.6 cm x 26.9 cm (6 15/16 in. x 10 9/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "As part of his creation of the first modern nation-state, Francis I brought leading Italian artists to France and, principal among his projects, had them decorate the royal country palace at Fontainebleau. A group of printmakers reproduced both drawings by the most stylish Italian masters, like Parmigianino, and studies for the villa’s highly intellectual decoration. If this kind of printmaking was itself Italian, the cultivation of etching to accentuate fluent design and rarified substance was novel. The etchings of the School of Fontainebleau represent one of the most original and influential manifestations of Mannerism. Along with Léon Davent and Jean Mignon, Antonio Fantuzzi was the leading etcher at Fontainebleau. This print epitomizes the school’s interests. The subject, from Ovid’s Metamorphoses, is the seduction of Antiope by Jupiter in the form of a satyr. In Francesco Primaticcio’s composition, the overt interaction is minimal and in ways subtle. His hand disappears into shadow between her legs. Her form, recalling the Sleeping Ariadne of ancient statuary, stirs to life. Her toe brushes his hoof. The erotic meaning is developed equally in the play of form: the rhyming angles of their bodies, the spilling fruit beneath her, the labial parting of the background’s drapery. Bold and languorous, warm and remote, Fantuzzi’s technique does not just serve the subject but adds another metaphoric layer. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1838.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1838.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1838.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1838.tif", "IsPrimary" : "1", "_SurrogateID" : "1859", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11871", "Disp_Access_No" : "2002.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "25.6 cm x 23.2 cm (10 1/16 in. x 9 1/8 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati is most distinctive and best known of the group of early painter-etchers in Verona. Inspired by the activity of Giulio Romano in nearby Mantua, his ponderous forms and emphatic contour were readily translated into etchings by the artist himself and those in a virtually identical style by his son, Orazio. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.36.tif", "IsPrimary" : "1", "_SurrogateID" : "5446", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2293", "Disp_Access_No" : "1991.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "35.9 cm x 55.5 cm (14 1/8 in. x 21 7/8 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The counterpart of Paolo’s grand Conversion of Saint Paul, this was the largest, most complicated and most thoroughly Roman of etchings by Farinati and son. To judge from the large number of editions and extant impressions, the print was also their most successful. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, by exchange, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16775, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16775", "Disp_Access_No" : "2003.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1567", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1567", "Disp_Title" : "Saint John the Evangelist", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "27.8 cm x 18 cm (10 15/16 in. x 7 1/16 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati, a prolific painter, was also the leading etcher in late sixteenth-century Verona. His style combined the heavy, plastic form of the nearby school of Mantua with the elegant proportions and fine rhythms that he gathered from Parmigianino. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence A. Lawver, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.22.tif", "IsPrimary" : "1", "_SurrogateID" : "2127", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11885, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11885", "Disp_Access_No" : "2002.50", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Three Male Heads, after Pordenone, from the Livre de dessins", "Alt_Title" : "", "Obj_Title" : "Three Male Heads, after Pordenone, from the Livre de dessins", "Series_Title" : "", "Disp_Maker_1" : "Odoardo Fialetti", "Sort_Artist" : "Fialetti, Odoardo", "Disp_Dimen" : "11.4 cm x 15.6 cm (4 1/2 in. x 6 1/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "15.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.50.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.50.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.50.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.50.tif", "IsPrimary" : "1", "_SurrogateID" : "5447", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11884, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11884", "Disp_Access_No" : "2002.49", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pan, after Pordenone, from the Livre de dessins", "Alt_Title" : "", "Obj_Title" : "Pan, after Pordenone, from the Livre de dessins", "Series_Title" : "", "Disp_Maker_1" : "Odoardo Fialetti", "Sort_Artist" : "Fialetti, Odoardo", "Disp_Dimen" : "14.6 cm x 20.8 cm (5 3/4 in. x 8 3/16 in.)", "Disp_Height" : "14.6 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.49.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.49.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.49.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.49.tif", "IsPrimary" : "1", "_SurrogateID" : "5451", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2263", "Disp_Access_No" : "2002.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "Parable of the Blind", "Alt_Title" : "", "Obj_Title" : "Parable of the Blind", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "19.3 cm x 29.7 cm (7 5/8 in. x 11 11/16 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.51.tif", "IsPrimary" : "1", "_SurrogateID" : "5436", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.43.tif", "IsPrimary" : "1", "_SurrogateID" : "7019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11098, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11098", "Disp_Access_No" : "1995.53", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1554", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1559", "Disp_Title" : "Venus and Adonis, after Titian", "Alt_Title" : "", "Obj_Title" : "Venus and Adonis, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Battista Franco", "Sort_Artist" : "Franco, Attributed to Battista", "Disp_Dimen" : "42.2 cm x 33.4 cm (16 5/8 in. x 13 1/8 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "33.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "The Venus and Adonis was painted for Philip II in 1553 and sent to him in London on the occasion of his wedding to Mary Tudor in 1554. In addition to numerous workshop versions of the painting, there were several engraved reproductions. This was the first and most sophisticated. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Print Study Group,1995", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.53.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.53.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.53.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.53.tif", "IsPrimary" : "1", "_SurrogateID" : "5264", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18808", "Disp_Access_No" : "2007.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Saint Jerome in Penitence", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "45.4 cm x 30.7 cm (17 7/8 in. x 12 1/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Formed among Michelangelo’s followers in Rome, Franco possessed the most disciplined and idealized drawing of any Venetian artist of the period. He was also the most prolific etcher in sixteenth-century Italy. Most of his prints include engraving and suggest the very regular appearance of works in that technique. This Saint Jerome is one of a number of late efforts that responded to painted examples––here, Titian––and employed etching alone to more varied and personal effect. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19448, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19448", "Disp_Access_No" : "2009.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1560-1561", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1561", "Disp_Title" : "Personification of Fortitude and Justice", "Alt_Title" : "", "Obj_Title" : "Personification of Fortitude and Justice", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "26 cm x 22.7 cm (10 1/4 in. x 8 15/16 in.)", "Disp_Height" : "26 cm", "Disp_Width" : "22.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "In 1560 Franco received the prestigious commission to decorate the Grimani family chapel in the church of San Francesco della Vigna. Before his death the following year, he had managed to complete only the frescoes in the chapel’s vault. This, Franco’s very last print, reproduces the composition of one of the roundels in the vault. The decoration was completed by Federico Zuccaro, whose study for the chapel’s altarpiece is on the right.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Robert Loper, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.44.tif", "IsPrimary" : "1", "_SurrogateID" : "7020", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19306, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19306", "Disp_Access_No" : "2008.154", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Diana and Her Nymphs", "Alt_Title" : "", "Obj_Title" : "Diana and Her Nymphs", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "29 cm x 39.5 cm (11 7/16 in. x 15 9/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "39.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Andrée and Jonathan Bober, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.154.tif", "IsPrimary" : "1", "_SurrogateID" : "5270", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13073", "Disp_Access_No" : "2002.1679", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "The Ark of the Lord Placed in the Temple of Dagon", "Alt_Title" : "", "Obj_Title" : "The Ark of the Lord Placed in the Temple of Dagon", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "26.2 cm x 41.5 cm (10 5/16 in. x 16 5/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1679.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1679.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1679.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1679.tif", "IsPrimary" : "1", "_SurrogateID" : "5266", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17237, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17237", "Disp_Access_No" : "2004.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1806", "_Disp_Start_Dat" : "1806", "_Disp_End_Date" : "1806", "Disp_Title" : "Monument to Gaetano Gandolfi", "Alt_Title" : "", "Obj_Title" : "Monument to Gaetano Gandolfi", "Series_Title" : "", "Disp_Maker_1" : "Mauro Gandolfi", "Sort_Artist" : "Gandolfi, Mauro", "Disp_Dimen" : "55.3 cm x 42.5 cm (21 3/4 in. x 16 3/4 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.153.tif", "IsPrimary" : "1", "_SurrogateID" : "2784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13115", "Disp_Access_No" : "2002.1744", "_AccNumSort1" : "", "Disp_Create_DT" : "1578", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1578", "Disp_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "46.6 cm x 31.9 cm (18 3/8 in. x 12 9/16 in.)", "Disp_Height" : "46.6 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1744.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1744.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1744.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1744.tif", "IsPrimary" : "1", "_SurrogateID" : "7780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18537", "Disp_Access_No" : "2006.135.3/6", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Persian Sibyl, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Persian Sibyl, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "57.7 cm x 44 cm (22 11/16 in. x 17 5/16 in.)", "Disp_Height" : "57.7 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.135.3-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.135.3-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.135.3-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.135.3-6.tif", "IsPrimary" : "1", "_SurrogateID" : "7545", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19512, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19512", "Disp_Access_No" : "2010.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1556", "_Disp_Start_Dat" : "1556", "_Disp_End_Date" : "1556", "Disp_Title" : "Allegory of the Hunt, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Allegory of the Hunt, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "31.9 cm x 23.5 cm (12 9/16 in. x 9 1/4 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "23.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.19.tif", "IsPrimary" : "1", "_SurrogateID" : "7783", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2181, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2181", "Disp_Access_No" : "2002.1745", "_AccNumSort1" : "", "Disp_Create_DT" : "1558", "_Disp_Start_Dat" : "1558", "_Disp_End_Date" : "1558", "Disp_Title" : "Allegory of Birth, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Allegory of Birth, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "29 cm x 43.7 cm (11 7/16 in. x 17 3/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "43.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ghisi’s engravings invest the grand design of mid-century Italian printmaking with the meticulous craft of Northern production. Like Scultori’s David and Goliath, the Allegory of Birth first appeared in the decoration of the Palazzo del Te. In the middle of the composition, winged Genii hand a newborn to a personification of fecundity or nurture, while to the right a mother expires after childbirth, to the left a flame passes from one torch to another, and in the background Apollo’s chariot brings a new day. Consonant with this humanistic allegory are the evocation of antique low relief sculpture and the insistence upon classical figural types. Like most early engravers, Ghisi did not reproduce the painting directly or exactly, rather developed his plate from an intermediate drawing. By coincidence, that drawing, identical in size and reversed in orientation, came to the Blanton as part of the Suida-Manning Collection. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "16094", "Rel_Obj_Title" : "Allegory of Birth, after Giulio Romano" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1745.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1745.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1745.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1745.tif", "IsPrimary" : "1", "_SurrogateID" : "1840", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13116", "Disp_Access_No" : "2002.1746", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Tarquin and Lucretia, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Taquin and Lucretia, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "22.4 cm x 32.5 cm (8 13/16 in. x 12 13/16 in.)", "Disp_Height" : "22.4 cm", "Disp_Width" : "32.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1746.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1746.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1746.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1746.tif", "IsPrimary" : "1", "_SurrogateID" : "7781", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18539, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18539", "Disp_Access_No" : "2006.135.5/6", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Eritrean Sibyl, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Eritrean Sibyl, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "58.1 cm x 42.9 cm (22 7/8 in. x 16 7/8 in.)", "Disp_Height" : "58.1 cm", "Disp_Width" : "42.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.135.5-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.135.5-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.135.5-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.135.5-6.tif", "IsPrimary" : "1", "_SurrogateID" : "7546", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8127", "Disp_Access_No" : "1995.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1560's", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "Venus, Two Other Goddesses, and Two Putti, after Francesco Primaticcio", "Alt_Title" : "", "Obj_Title" : "Venus, Two Other Goddesses, and Two Putti, after Francesco Primaticcio", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "19.7 cm x 25.2 cm (7 3/4 in. x 9 15/16 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.102.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.102.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.102.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.102.tif", "IsPrimary" : "1", "_SurrogateID" : "7767", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2184, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2184", "Disp_Access_No" : "1987.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1560", "_Disp_Start_Dat" : "1560", "_Disp_End_Date" : "1560", "Disp_Title" : "The "Calumny" of Apelles, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "The "Calumny" of Apelles, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "36.8 cm x 31.8 cm (14 1/2 in. x 12 1/2 in.)", "Disp_Height" : "36.8 cm", "Disp_Width" : "31.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Apelles was the most famous painter in ancient Greece. Maligned by an envious colleague, he devised an allegory of Calumny. In an essay on the theme, the Roman satirist Lucian gave the only description of the painting to survive. Its re-creation became a favorite challenge for Renaissance artists. Giorgio Ghisi’s engraving is one of the best-known versions. Reproducing Luca Penni’s design, it closely follows Lucian’s description: Calumny, accompanied by Deceit and Envy, drags Innocence before a donkey-eared man, flanked by Ignorance and Suspicion. Penni’s embellishments include the background motif of Time rescuing Truth. Formed in Giulio Romano’s orbit in Mantua and active in Rome at an early stage of his career, Ghisi mastered the conventional system of reproductive engraving. In Antwerp and then Paris for much of the 1550s and 1560s, he incorporated the material values and the high craft of the northern traditions. The combination of ideal design, rich stuffs, and extraordinary modulation of tone in this print makes it a capital example of his mature style. Such works anticipated the virtuosity and the pictorial qualities that would characterize late-century engraving and bring it into close relation with painting. The collection includes eighteen engravings by Ghisi, a recently identified preparatory study for one, and another twenty-six engravings of the Mantuan school ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.135.4-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.135.4-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.135.4-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.135.4-6.tif", "IsPrimary" : "1", "_SurrogateID" : "4086", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11800, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11800", "Disp_Access_No" : "2002.1740", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Jeremiah, after 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Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.2-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.2-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.2-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.2-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4574", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8604, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8604", "Disp_Access_No" : "2001.76.1/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1763-1764", "_Disp_Start_Dat" : "1763", "_Disp_End_Date" : "1764", "Disp_Title" : "Two Girls Conversing, Plate 1 from The Twelve Etchings 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"33 cm", "Disp_Width" : "49.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Christie's Australia, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.76.10-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.76.10-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.76.10-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.76.10-12.tif", "IsPrimary" : "1", "_SurrogateID" : "4572", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8561, "URL" : 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Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.134.tif", "IsPrimary" : "1", "_SurrogateID" : "4926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11913", "Disp_Access_No" : "2002.84", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Christ Child as Salvator Mundi", "Alt_Title" : "", "Obj_Title" : "The Christ Child as Salvator Mundi", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Andrea Maglioli", "Sort_Artist" : "Maglioli, Giovanni Andrea", "Disp_Dimen" : "29.8 cm x 21 cm (11 3/4 in. x 8 1/4 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.84.tif", "IsPrimary" : "1", "_SurrogateID" : "4139", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3346", "Disp_Access_No" : "1995.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1741", "_Disp_Start_Dat" : "1741", "_Disp_End_Date" : "1741", "Disp_Title" : "Piazza San Marco, Looking toward the Basilica, circa 1738, from Magnificentiores Selectioresque Urbis Venetiarum Prospectus [Splendid and Choice Views of the City of Venice]", "Alt_Title" : "", "Obj_Title" : "Piazza San Marco, Looking toward the Basilica, circa 1738, from Magnificentiores Selectioresque Urbis Venetiarum Prospectus [Splendid and Choice Views of the City of Venice]", "Series_Title" : "", "Disp_Maker_1" : "Michele Marieschi", "Sort_Artist" : "Marieschi, Michele", "Disp_Dimen" : "43.2 cm x 58.2 cm (17 in. x 22 15/16 in.)", "Disp_Height" : "43.2 cm", "Disp_Width" : "58.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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"Disp_Access_No" : "1997.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1795-1796", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1796", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "83 cm x 62 cm (32 11/16 in. x 24 7/16 in.)", "Disp_Height" : "83 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print reproduces Raphael’s painting of 1520 for San Pietro in Montorio, at that time in the Louvre, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.34.tif", "IsPrimary" : "1", "_SurrogateID" : "3841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3733, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3733", "Disp_Access_No" : "2002.2757", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "The Last Supper, after Leonardo da Vinci", "Alt_Title" : "", "Obj_Title" : "The Last Supper, after Leonardo da Vinci", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "65.6 cm x 103.3 cm (25 13/16 in. x 40 11/16 in.)", "Disp_Height" : "65.6 cm", "Disp_Width" : "103.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Professor at Florence’s Accademia di Belle Arti and a member of the Institut de France, Raphael Morghen was the most celebrated reproductive engraver of his era. He made some 254 prints, exclusively after the Old Masters. With the exactness of his drawing and the variety of his hatching, he achieved tonal gradations so subtle as to verge on the photographic. His skill earned him the praise of connoisseurs and colleagues throughout Europe. This reproduction of The Last Supper was his most celebrated and influential achievement. As distinguished art historian Leo Steinberg describes in his recent, searching study of the fresco, no good home in the nineteenth century lacked an impression. Morghen’s engraving, which was the basis for many more reproductions made well into the nineteenth century, helped shape the understanding and determine the popularity of Leonardo da Vinci’s masterpiece through successive generations. Since the rise of photography and the triumph of modernism, the aesthetic interest of this and all such engravings has usually been dismissed. 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The engraver has captured the shining radiance that reflects onto the figures from the bright cloud that surrounds Christ in Raphael’s interpretation of the Transfiguration. The composition conflates two consecutive incidents from Matthew 17. At the top of the print is the Transfiguration, the occasion when Christ revealed his divine nature to the disciples Peter, James, and John. Christ took the disciples up Mt. Tabor in Galilee and became transfigured: his face shone like the sun and his clothes became dazzling white. After Moses and Elijah appeared on either side of Christ, a voice from heaven said, “This is my son.” The apostles then fell prostrate before the vision. On the bottom of the print appears the event in which the divine healing power of Christ is manifest. Immediately following the descent down the mountain, a father brings his epileptic son to Christ to be cured. Here, one of these apostles gestures toward the earlier vision of Christ above, tying him to the latter narrative below. By looking at Peter at the center of the group of the apostles, a viewer might also be reminded of the healing powers that Peter inherits from Christ. This is an excellent example of how twentieth-century medical practitioners assist the art historian by interpreting and diagnosing from even the greatest artistic works. By looking at the print, modern doctors have identified the late stage of the seizure the boy is experiencing, locating the exact moment in these narrative events. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.26.tif", "IsPrimary" : "1", "_SurrogateID" : "2865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12039", "Disp_Access_No" : "2002.240", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "36.1 cm x 25.3 cm (14 3/16 in. x 9 15/16 in.)", "Disp_Height" : "36.1 cm", "Disp_Width" : "25.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.240.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.240.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.240.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.240.tif", "IsPrimary" : "1", "_SurrogateID" : "5257", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11079", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "35.5 cm x 25.2 cm (14 in. x 9 15/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino’s proposition of etching as an extension of drawing took root in contemporary Verona. Angolo del Moro was the first and finest of the city’s distinctive school of etchers. This early work was inspired not just by Parmigianino’s approach to technique, but by one of his compositions, a drawing that is today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.48.tif", "IsPrimary" : "1", "_SurrogateID" : "5262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12038", "Disp_Access_No" : "2002.239", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tuccia, after Bernardino Campi", "Alt_Title" : "", "Obj_Title" : "Tuccia, after Bernardinio Campi", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "28.1 cm x 17.1 cm (11 1/16 in. x 6 3/4 in.)", "Disp_Height" : "28.1 cm", "Disp_Width" : "17.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.239.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.239.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.239.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.239.tif", "IsPrimary" : "1", "_SurrogateID" : "5267", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2244, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2244", "Disp_Access_No" : "2002.1747", "_AccNumSort1" : "", "Disp_Create_DT" : "1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "Augustus and the Tiburtine Sibyl", "Alt_Title" : "", "Obj_Title" : "Augustus and the Tiburtine Sibyl", "Series_Title" : "", "Disp_Maker_1" : "Marco Angolo del Moro", "Sort_Artist" : "Moro, Marco Angolo del", "Disp_Dimen" : "27.5 cm x 40.8 cm (10 13/16 in. x 16 1/16 in.)", "Disp_Height" : "27.5 cm", "Disp_Width" : "40.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "god, the ancient Roman emperor Augustus was shown a vision of the Virgin and Child in heaven. Marco Angolo del Moro developed their figures with grand rhetoric and grace despite their small scale, and immersed them in a panoramic landscape that refers to those of Titian and Campagnola. His etchings are the most sophisticated in design and technique of the school of Verona. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1747.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1747.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1747.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1747.tif", "IsPrimary" : "1", "_SurrogateID" : "1841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2955", "Disp_Access_No" : "2002.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1664", "_Disp_Start_Dat" : "1664", "_Disp_End_Date" : "1664", "Disp_Title" : "Adoration of the Shepherds, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Mauro Oddi", "Sort_Artist" : "Oddi, Mauro", "Disp_Dimen" : "21.5 cm x 27.3 cm (8 7/16 in. x 10 3/4 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Oddi’s etching is based upon a drawing at Frankfurt, which had already been interpreted in a chiaroscuro woodcut by Niccolò Vicentino. The print is not only extremely rare but unusual in kind: most Italian artists of the seventeenth century were concerned with applying and extending the principles, rather than reproducing the appearance, of Parmigianino’s graphic works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.187.tif", "IsPrimary" : "1", "_SurrogateID" : "1866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13124", "Disp_Access_No" : "2002.1763", "_AccNumSort1" : "", "Disp_Create_DT" : "1696", "_Disp_Start_Dat" : "1696", "_Disp_End_Date" : "1696", "Disp_Title" : "Mercury and a Man Pointing Out Jupiter's Eagle, from Varij propectus sylvestres [Various Wooded Landscapes]", "Alt_Title" : "", "Obj_Title" : "Mercury and a Man Pointing Out Jupiter's Eagle, from Varij propectus sylvestres [Various Wooded Landscapes]", "Series_Title" : "Varij prospectus sylvestres [Various Wooded Landscapes]", "Disp_Maker_1" : "Crescenzio Onofri", "Sort_Artist" : "Onofri, Crescenzio", "Disp_Dimen" : "40.4 cm x 53 cm (15 7/8 in. x 20 7/8 in.)", "Disp_Height" : "40.4 cm", "Disp_Width" : "53 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1763.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1763.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1763.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1763.tif", "IsPrimary" : "1", "_SurrogateID" : "1845", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18691, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18691", "Disp_Access_No" : "2006.267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with Saints Francis and Jerome", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Francis and Jerome", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "12.9 cm x 18.8 cm (5 1/16 in. x 7 3/8 in.)", "Disp_Height" : "12.9 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Palma was also a frequent etcher in the same swift, animated style of his pen studies. His most sustained and influential project was an instruction manual of drawing based upon his etched plates. Carrying the technique beyond the careful description of Battista Franco––though well short of the eccentricity and expressiveness of Schiavone––such efforts helped establish the principles and determine the language of conventional Italian etching through the next century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.267.tif", "IsPrimary" : "1", "_SurrogateID" : "5449", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11065", "Disp_Access_No" : "1999.42", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "32.9 cm x 23.8 cm (12 15/16 in. x 9 3/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Frank C. Guthrie, Carolyn Frost Keenan, and Isaac C. Kerridge, Jr., in honor of Ruth Stewart Kerridge, 1999", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "16076", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.42.tif", "IsPrimary" : "1", "_SurrogateID" : "3364", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11912", "Disp_Access_No" : "2002.83", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-26", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "11.8 cm x 7.8 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "This etching is one of Parmigianino’s many interpretations of the theme. Its small size, seeming informality, and sketchy articulation dramatize his appreciation of etching’s conceptual and procedural relation to drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.83.tif", "IsPrimary" : "1", "_SurrogateID" : "5268", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12025", "Disp_Access_No" : "2002.218", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Erminia Finding the Wounded Tancred, after Guercino", "Alt_Title" : "", "Obj_Title" : "Erminia Finding the Wounded Tancred, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Pasqualini", "Sort_Artist" : "Pasqualini, Giovanni Battista", "Disp_Dimen" : "26.1 cm x 31.4 cm (10 1/4 in. x 12 3/8 in.)", "Disp_Height" : "26.1 cm", "Disp_Width" : "31.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Especially due to the interest in his drawings, Guercino maintained a team of printmakers to reproduce his designs. Oliviero Gatti was the first to approximate the artist’s graphic virtuosity or to convey the sensuousness of his early paintings. The most prolific and important, Gatti’s pupil Pasqualini, dedicated his entire career to such interpretations. This vivid impression reproduces a painting of the same year with a scene from Tasso’s Jerusalem Freed. A painting of similar style, the Penitent Magdalene, is on view in the Blanton's European galleries The Steinberg Collection includes numerous prints from Guercino’s immediate circle as well as later translations of his drawings. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.218.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.218.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.218.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.218.tif", "IsPrimary" : "1", "_SurrogateID" : "1912", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17385", "Disp_Access_No" : "2004.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1754", "_Disp_Start_Dat" : "1754", "_Disp_End_Date" : "1754", "Disp_Title" : "Veduta del Ponte e Castello Sant' Angelo [View of the Bridge and the Castel S. Angelo], from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Veduta del Ponte e Castello Sant' Angelo [View of the Bridge and the Castel S. Angelo], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "47.3 cm x 67.4 cm (18 5/8 in. x 26 9/16 in.)", "Disp_Height" : "47.3 cm", "Disp_Width" : "67.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.190.tif", "IsPrimary" : "1", "_SurrogateID" : "4211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3635", "Disp_Access_No" : "1996.106", "_AccNumSort1" : "", "Disp_Create_DT" : "1778", "_Disp_Start_Dat" : "1778", "_Disp_End_Date" : "1778", "Disp_Title" : "Temple de Neptune à Pesto [Temple of Neptune at Pesto (Paestum)], plate XI from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucan", "Alt_Title" : "", "Obj_Title" : "Temple de Neptune à Pesto [Temple of Neptune at Pesto (Paestum)], plate XI from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie [Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "50.6 cm x 71.8 cm (19 15/16 in. x 28 1/4 in.)", "Disp_Height" : "50.6 cm", "Disp_Width" : "71.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.106.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.106.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.106.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.106.tif", "IsPrimary" : "1", "_SurrogateID" : "4205", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11317", "Disp_Access_No" : "2002.1670", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1769", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1774", "Disp_Title" : "Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli [Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli], from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli [Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "50 cm x 61.9 cm (19 11/16 in. x 24 3/8 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "61.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1670.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1670.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1670.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1670.TIF", "IsPrimary" : "1", "_SurrogateID" : "9884", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8544, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8544", "Disp_Access_No" : "1992.282", "_AccNumSort1" : "", "Disp_Create_DT" : "1749-1750", "_Disp_Start_Dat" : "1749", "_Disp_End_Date" : "1750", "Disp_Title" : "The Gothic Arch, plate XIV from the Carceri d'Invenzione [Imaginary Prisons]", "Alt_Title" : "", "Obj_Title" : "The Gothic Arch, plate XIV from the Carceri d'Invenzione [Imaginary Prisons]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "51.2 cm x 71.4 cm (20 3/16 in. x 28 1/8 in.)", "Disp_Height" : "51.2 cm", "Disp_Width" : "71.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, engraving, and sulfur tint with burnishing", "Support" : "", "Disp_Medium" : "Etching, engraving, and sulfur tint with burnishing", "Info_Page_Comm" : "The Carceri are Giovanni Battista Piranesi’s most inventive and famous series of architectural fantasies. The fourteen plates present sweeping views within vast interiors of massive masonry construction. Certain architectural motifs, various accoutrements of prisons and torture, and above all the suggestion of overpowering weight signal the theme. The Carceri conflate the visionary reconstruction of ancient Roman architecture in one earlier series, the Prima Parte, and the fanciful variations upon archaeological remains in another, the Grotteschi. Meanwhile their superimposition of rigorous perspective over frequently illogical structure recalls Piranesi’s training in scenographic decoration. As they were fully articulated in later states with extensive re-biting and burin work, the Carceri are dark, menacing prefigurations of the awesome beauty of Edmund Burke’s “sublime.” But each plate began with a preparation in practically pure etching, which was issued in a small edition for connoisseurs. On the one hand, their fluent gesture and animated surface hark back to the earliest Italian etching. On the other, their ambiguous subject and summary rendering prefigure the preoccupation with surface and the self-referential technique of modernism. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.282.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.282.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.282.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.282.tif", "IsPrimary" : "1", "_SurrogateID" : "3355", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3407, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3407", "Disp_Access_No" : "1991.66.5/40", "_AccNumSort1" : "", "Disp_Create_DT" : "1756", "_Disp_Start_Dat" : "1756", "_Disp_End_Date" : "1756", "Disp_Title" : "Veduta dell' avanzo di una delle Pile del Ponte Trionfale...[View of the remains of one of the supports of the Ponte Trionfale (Triumphal Bridge)], plate XIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Alt_Title" : "", "Obj_Title" : "Veduta dell' avanzo di una delle Pile del Ponte Trionfale...[View of the remains of one of the supports of the Ponte Trionfale (Triumphal Bridge)], plate XIII from Volume IV of Le Antichità Romane [Roman Antiquities]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "52.7 cm x 37.3 cm (20 3/4 in. x 14 11/16 in.)", "Disp_Height" : "52.7 cm", "Disp_Width" : "37.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Triumphal Bridge is the sixteenth-century name for an ancient bridge built by Nero that connected the Field of Mars with the valley between the Vatican and the Janiculum Hill. Until the 1870s, remains of its piers still existed and could be seen when the water was low. Piranesi has recorded the masonry technique and texture of the travertine blocks of one of the piers.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin Romansky, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.66.5-40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.66.5-40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.66.5-40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.66.5-40.tif", "IsPrimary" : "1", "_SurrogateID" : "5403", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11318, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11318", "Disp_Access_No" : "2002.1672", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1769-1771", "_Disp_Start_Dat" : "1769", "_Disp_End_Date" : "1771", "Disp_Title" : "Veduta interna della Basilica di S. Giovanni Laterano [Interior view of the Basilica of St. John Lateran], from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Veduta interna della Basilica di S. Giovanni Laterano [Interior view of the Basilica of St. John Lateran], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "46.3 cm x 70.8 cm (18 1/4 in. x 27 7/8 in.)", "Disp_Height" : "46.3 cm", "Disp_Width" : "70.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1672.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1672.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1672.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1672.tif", "IsPrimary" : "1", "_SurrogateID" : "1824", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1672.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1672.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1672.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1672.tif", "IsPrimary" : "0", "_SurrogateID" : "4224", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17384, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17384", "Disp_Access_No" : "2004.189", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1748", "_Disp_Start_Dat" : "1743", "_Disp_End_Date" : "1753", "Disp_Title" : "Title page from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Title page from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "51.8 cm x 64.2 cm (20 3/8 in. x 25 1/4 in.)", "Disp_Height" : "51.8 cm", "Disp_Width" : "64.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.189.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.189.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.189.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.189.tif", "IsPrimary" : "1", "_SurrogateID" : "4210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17234", "Disp_Access_No" : "2004.149", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1749-1750", "_Disp_Start_Dat" : "1749", "_Disp_End_Date" : "1750", "Disp_Title" : "The Sawhorse, plate XII from Carceri d'invenzione [Imaginary Prisons]", "Alt_Title" : "", "Obj_Title" : "The Sawhorse, plate XII from Carceri d'invenzione [Imaginary Prisons]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "47 cm x 73.6 cm (18 1/2 in. x 29 in.)", "Disp_Height" : "47 cm", "Disp_Width" : "73.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching, engraving and sulfurtint", "Support" : "", "Disp_Medium" : "Etching, engraving and sulfurtint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.149.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.149.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.149.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2004.149.TIF", "IsPrimary" : "1", "_SurrogateID" : "9284", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3536, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3536", "Disp_Access_No" : "G1970.4.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "Veduta interna della Basilica di S. Giovanni Laterano [Interior view of the Basilica of St. John Lateran], from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Veduta interna della Basilica di S. Giovanni Laterano [Interior view of the Basilica of St. John Lateran], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "48.2 cm x 71.3 cm (19 in. x 28 1/16 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "71.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.4.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.4.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.4.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.4.1.tif", "IsPrimary" : "1", "_SurrogateID" : "4212", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8598, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8598", "Disp_Access_No" : "2002.1671", "_AccNumSort1" : "", "Disp_Create_DT" : "1761", "_Disp_Start_Dat" : "1761", "_Disp_End_Date" : "1761", "Disp_Title" : "Altra Veduta del Tempio della Sibilla in Tivoli [Another View of the Temple of the Sibyl in Tivoli], from Vedute di Roma [Views of Rome]", "Alt_Title" : "", "Obj_Title" : "Altra Veduta del Tempio della Sibilla in Tivoli [Another View of the Temple of the Sibyl in Tivoli], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "66.7 cm x 49 cm (26 1/4 in. x 19 5/16 in.)", "Disp_Height" : "66.7 cm", "Disp_Width" : "49 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1671.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1671.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1671.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1671.tif", "IsPrimary" : "1", "_SurrogateID" : "4201", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3371", "Disp_Access_No" : "2002.1668", "_AccNumSort1" : "", "Disp_Create_DT" : "1748", "_Disp_Start_Dat" : "1748", "_Disp_End_Date" : "1748", "Disp_Title" : "Veduta dell'esterno della gran Basilica di S. 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Pietro in Vaticano [View of the exterior of St. Peter's Basilica in the Vatican], from Vedute di Roma [Views of Rome]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "60.8 cm x 75.4 cm (23 15/16 in. x 29 11/16 in.)", "Disp_Height" : "60.8 cm", "Disp_Width" : "75.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1668.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1668.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1668.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1668.tif", "IsPrimary" : "1", "_SurrogateID" : "4208", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3453, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3453", "Disp_Access_No" : "1992.258", "_AccNumSort1" : "", "Disp_Create_DT" : "1759", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1759", "Disp_Title" : "Obelisco Egizio. 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"sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1924.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1924.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1924.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1924.tif", "IsPrimary" : "1", "_SurrogateID" : "13498", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13217", "Disp_Access_No" : 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Resting only long enough for Mary to nurse her child, Joseph waits nearby. He communicates with the viewer, directing the viewer’s gaze toward the Virgin nurturing Christ. Her tender gestures remind the viewer of her maternal qualities; she is thus the mother of all humanity", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.221.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.221.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.221.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.221.tif", "IsPrimary" : "1", "_SurrogateID" : "1915", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11122", "Disp_Access_No" : "1999.79", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589-1590", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1590", "Disp_Title" : "The Transfiguration", "Alt_Title" : "", "Obj_Title" : "The Transfiguration", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "57.2 cm x 34.2 cm (22 1/2 in. x 13 7/16 in.)", "Disp_Height" : "57.2 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (reworked with pen)", "Support" : "", "Disp_Medium" : "Etching (reworked with pen)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1999", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.79.tif", "IsPrimary" : "1", "_SurrogateID" : "4039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11044", "Disp_Access_No" : "1990.191", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1508 - 1510", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1510", "Disp_Title" : "The Triumph, after Jacopo Ripanda", "Alt_Title" : "", "Obj_Title" : "The Triumph, after Jacopo Ripanda", "Series_Title" : "", "Disp_Maker_1" : "Circle of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Circle of Marcantonio", "Disp_Dimen" : "33.9 cm x 49 cm (13 3/8 in. x 19 5/16 in.)", "Disp_Height" : "33.9 cm", "Disp_Width" : "49 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.191.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.191.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.191.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.191.tif", "IsPrimary" : "1", "_SurrogateID" : "5263", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11114", "Disp_Access_No" : "1989.107", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1575", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1580", "Disp_Title" : "Holy House of Loreto", "Alt_Title" : "", "Obj_Title" : "Holy House of Loreto", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "16.8 cm x 11.5 cm (6 5/8 in. x 4 1/2 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Holy House of Loreto was another popular pilgrimage site in the Middle Ages. It was commonly believed that the Holy House was where the Virgin Mary lived and raised Jesus. Originally situated in Nazareth, it is purported that angels moved the house multiple times to safer ground when it was threatened by war or theft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.107.tif", "IsPrimary" : "1", "_SurrogateID" : "5945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12826, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12826", 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The two figures struggle in a stylized setting, with a crumbling classical building in the background.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.16.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.16.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.16.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.16.tif", "IsPrimary" : "1", "_SurrogateID" : "6025", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11853", "Disp_Access_No" : "2002.15", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "Silenus Supported by a Young Bacchant", "Alt_Title" : "", "Obj_Title" : "Silenus Supported by a Young Bacchant", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "17.3 cm x 12.8 cm (6 13/16 in. x 5 1/16 in.)", "Disp_Height" : "17.3 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.15.tif", "IsPrimary" : "1", "_SurrogateID" : "6024", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8086, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8086", "Disp_Access_No" : "1995.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1510's", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Two Satyrs Placing Silenus on an Ass, from The Ancient Bas-Reliefs", "Alt_Title" : "", "Obj_Title" : "Two Satyrs Placing Silenus on an Ass, from The Ancient Bas-Reliefs", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "10.6 cm x 17.3 cm (4 3/16 in. x 6 13/16 in.)", "Disp_Height" : "10.6 cm", "Disp_Width" : "17.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.188.tif", "IsPrimary" : "1", "_SurrogateID" : "6019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11036", "Disp_Access_No" : "1989.144", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.2 cm x 21.6 cm (11 1/2 in. x 8 1/2 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Annunciation illustrates the moment when the Angel Gabriel tells the Virgin that she will bear Christ. Images of the Annunciation allude not just to the promise of salvation through Christ’s incarnation, but also to the Virgin’s humility and power to intercede. Just as it was through her that God was made flesh on earth, so too could a devout person get closer to God. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.144.tif", "IsPrimary" : "1", "_SurrogateID" : "6004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11039", "Disp_Access_No" : "1989.147", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.1 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.147.tif", "IsPrimary" : "1", "_SurrogateID" : "5948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11041", "Disp_Access_No" : "1989.150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30 cm x 21.6 cm (11 13/16 in. x 8 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.150.tif", "IsPrimary" : "1", "_SurrogateID" : "6006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.146.tif", "IsPrimary" : "1", "_SurrogateID" : "5947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8078", "Disp_Access_No" : "1989.148", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Minerva, after Raphael", "Alt_Title" : "", "Obj_Title" : "Minerva, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "12.6 cm x 7.7 cm (4 15/16 in. x 3 1/16 in.)", "Disp_Height" : "12.6 cm", "Disp_Width" : "7.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.148.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.148.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.148.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.148.tif", "IsPrimary" : "1", "_SurrogateID" : "6017", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11058", "Disp_Access_No" : "1986.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "40.2 cm x 26.8 cm (15 13/16 in. x 10 9/16 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of William and Sally Parsons, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.337.tif", "IsPrimary" : "1", "_SurrogateID" : "5944", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13093", "Disp_Access_No" : "2002.1704", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1515-1516", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1516", "Disp_Title" : "La Cène aux pieds [The Last Supper], after Raphael", "Alt_Title" : "", "Obj_Title" : "La Cène aux pieds [The Last Supper], after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.7 cm x 43 cm (11 11/16 in. x 16 15/16 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving is traditionally called the Cène aux pieds – the “supper with the feet” – because those of the Apostles seem so conspicuous under the table. Bartsch believed the print to be “one of Raimondi’s most perfect and rare.” In its formal calculation and lofty ethos, it is certainly one of the great demonstrations of the classical style in early 16th-century printmaking. In collaboration with Raphael, Raimondi established the conventions and proved the profitability of translating works from other media into engraving. Steinberg’s collection includes 30 prints by Raimondi, which together with the Blanton’s previous dozen, form one of the most important groups in this country", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1704.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1704.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1704.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1704.tif", "IsPrimary" : "1", "_SurrogateID" : "1828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 15, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/15", "Disp_Access_No" : "1985.70", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1515-1516", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1516", "Disp_Title" : "Quos Ego [Neptune Calming the Tempest], after Raphael", "Alt_Title" : "", "Obj_Title" : "Quos Ego [Neptune Calming the Tempest], after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "42.2 cm x 32.6 cm (16 5/8 in. x 12 13/16 in.)", "Disp_Height" : "42.2 cm", "Disp_Width" : "32.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is an interpretation of a lost drawing that recreated an ancient Roman tablet with narrative scenes carved in low relief.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.70.tif", "IsPrimary" : "1", "_SurrogateID" : "5347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11037", "Disp_Access_No" : "1989.145", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.4 cm x 22.9 cm (11 15/16 in. x 9 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.145.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.145.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.145.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.145.tif", "IsPrimary" : "1", "_SurrogateID" : "5946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11057", "Disp_Access_No" : "2002.1708", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "David and Goliath, after Raphael", "Alt_Title" : "", "Obj_Title" : "David and Goliath, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "26.6 cm x 39 cm (10 1/2 in. x 15 3/8 in.)", "Disp_Height" : "26.6 cm", "Disp_Width" : "39 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The composition derives from one of Raphael’s frescoes in the vaults of the Vatican Logge, although it may depend immediately upon a drawn version by one of his pupils. Bartsch and Passavant praise the engraving as one of Raimondi’s “most considerable”, its pictorial effects especially coherent, at the same time its line unusually fluent, thus predicting the next stage in the development of reproductive engraving. Impressions like this one, before the addition of Raimondi’s signature tablet were according to Bartsch, already “extremely rare”. 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S. 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Initially disseminated through Raimondi’s engraving, “one of his most beautiful and rare” (Bartsch), the composition also became one of the most influential in Western art. Despite later strengthening with ink, this impression is probably the finest in this country. The Collection includes some 30 engravings by, or contemporary copies after, Raimondi. 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The title Queen of Heaven appeared in devotional prayers and translated into art in the form of regal images of the Virgin. The coronation of the Virgin, in which a crown is placed on Mary’s head, is usually set in a royal court or among the clouds with throngs of saints and angels looking on in admiration. 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The tremendous variety and responsiveness of stroke indicate that the engraving, sometimes attributed to Agostino Veneziano, is a late masterpiece of Raimondi. The museum possesses seventy engravings by Raimondi and his principal assistants, Veneziano and Marco Dente. 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"_AccNumSort1" : "", "Disp_Create_DT" : "circa 1610-1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1615", "Disp_Title" : "Holy Family", "Alt_Title" : "", "Obj_Title" : "Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Guido Reni", "Sort_Artist" : "Reni, Guido", "Disp_Dimen" : "22.8 cm x 14.7 cm (9 in. x 5 13/16 in.)", "Disp_Height" : "22.8 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.222.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.222.tif", 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cm", "Dimen_Extent" : "plate", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.231.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.231.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.231.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.231.tif", "IsPrimary" : "1", "_SurrogateID" : "5985", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19451, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19451", "Disp_Access_No" : "2009.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1663", "_Disp_Start_Dat" : "1663", "_Disp_End_Date" : "1663", "Disp_Title" : "Fall of the Giants", "Alt_Title" : "", "Obj_Title" : "Fall of the Giants", "Series_Title" : "", "Disp_Maker_1" : "Salvator Rosa", "Sort_Artist" : "Rosa, Salvator", "Disp_Dimen" : "75.2 cm x 53.3 cm (29 5/8 in. x 21 in.)", "Disp_Height" : "75.2 cm", "Disp_Width" : "53.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In ancient mythology giants were a monstrous race possessing great strength that challenged the gods. 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"Disp_Create_DT" : "1720", "_Disp_Start_Dat" : "1720", "_Disp_End_Date" : "1720", "Disp_Title" : "The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "John Cole, after Martino Rota, after Michelangelo", "Sort_Artist" : "John Cole, after Martino Rota, after Michelangelo", "Disp_Dimen" : "31.6 cm x 23.2 cm (12 7/16 in. x 9 1/8 in.)", "Disp_Height" : "31.6 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Perhaps a Protestant version because Virgin Mary has been removed.", "Images": 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"2002.1345", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "Pietà, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Antonio Salamanca", "Sort_Artist" : "Salamanca, Antonio", "Disp_Dimen" : "37 cm x 26.4 cm (14 9/16 in. x 10 3/8 in.)", "Disp_Height" : "37 cm", "Disp_Width" : "26.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1345.tif", "ThumbnailPath" : 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"Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.234.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.234.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.234.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.234.tif", "IsPrimary" : "1", "_SurrogateID" : "7014", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2340, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2340", "Disp_Access_No" : "2002.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Marriage of the Virgin", "Alt_Title" : "", "Obj_Title" : "Marriage of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Ventura Salimbeni", "Sort_Artist" : "Salimbeni, Ventura", "Disp_Dimen" : "21.1 cm x 14.7 cm (8 5/16 in. x 5 13/16 in.)", "Disp_Height" : "21.1 cm", "Disp_Width" : "14.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Marriage of the Virgin is one of seven etchings Salimbeni created between 1589 and 1594. 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"Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1334.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1334.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1334.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1334.tif", "IsPrimary" : "1", "_SurrogateID" : "4976", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12832, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12832", "Disp_Access_No" : "2002.1330", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Uzziah-Jotham-Ahaz, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Uzziah-Jotham-Ahaz, from the Ancestors of Christ on the Sistine Chapel Ceiling, 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Extraordinarily prolific and convincing in all genres, he was brilliant above all in decorative ensembles for palaces and villas in the Veneto, across northern Italy, and notably at Würzburg, Germany, and Madrid. Endlessly inventive in composition, utterly personal in vocabulary, and seemingly spontaneous in touch, Tiepolo’s drawings and etchings count among the finest achievements in their respective media. In many senses, Tiepolo is the last great Old Master. Tiepolo created the twenty-three plates of Scherzi di fantasia probably in the 1750s. The most complicated and accomplished of his etchings, they involve very free and iconographically imprecise variations upon a range of Baroque themes. They draw upon a repertory of exotic figures, architectural fragments, and objects with at least a double sense. More or less allegorical, all refer to the passage of time, the stages of life, and the nature of knowledge. This subject is typical. Its composition, however, is one of the best resolved of the series, and this impression is unusually fine. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1997", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.97.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.97.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.97.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.97.tif", "IsPrimary" : "1", "_SurrogateID" : "1689", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11289", "Disp_Access_No" : "2002.248", "_AccNumSort1" : "", "Disp_Create_DT" : "1750s", "_Disp_Start_Dat" : "1750", "_Disp_End_Date" : "1750", "Disp_Title" : "Oriental Peasant and His Family, from the Scherzi di Fantasia", "Alt_Title" : "", "Obj_Title" : "Le Paysan Oriental et sa famille [Oriental Peasant and His Family], from the Scherzi di fantasia", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "22.1 cm x 17 cm (8 11/16 in. x 6 11/16 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "17 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.248.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.248.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.248.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.248.tif", "IsPrimary" : "1", "_SurrogateID" : "1950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11311, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11311", "Disp_Access_No" : "1980.54", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Two Turbaned Magicians and a Boy, from Scherzi di Fantasia", "Alt_Title" : "", "Obj_Title" : "Two Turbaned Magicians and a Boy, from Scherzi di Fantasia", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Battista", "Disp_Dimen" : "37.5 cm x 27 cm (14 3/4 in. x 10 5/8 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.54.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.54.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.54.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1980.54.TIF", "IsPrimary" : "1", "_SurrogateID" : "9274", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11312", "Disp_Access_No" : "1990.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1760", "_Disp_Start_Dat" : "1755", "_Disp_End_Date" : "1765", "Disp_Title" : "Martyrdom of Saint Agatha, after Giovanni Battista Tiepolo", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Agatha, after Giovanni Battista Tiepolo", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "48.3 cm x 34.7 cm (19 in. x 13 11/16 in.)", "Disp_Height" : "48.3 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching reproduces Giambattista’s altarpiece, today at Berlin, before it was damaged and significantly reduced in size. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.154.tif", "IsPrimary" : "1", "_SurrogateID" : "8950", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11313, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11313", "Disp_Access_No" : "1997.96", "_AccNumSort1" : "", "Disp_Create_DT" : "1757-58", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Old Man with a Glove in His Hand, from the Raccolta di teste", "Alt_Title" : "", "Obj_Title" : "Old Man with a Glove in His Hand, from the Raccolta di teste", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "15.3 cm x 12.5 cm (6 in. x 4 15/16 in.)", "Disp_Height" : "15.3 cm", "Disp_Width" : "12.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.96.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.96.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.96.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.96.tif", "IsPrimary" : "1", "_SurrogateID" : "3997", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11310, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11310", "Disp_Access_No" : "2002.245", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1757-1758", "_Disp_Start_Dat" : "1757", "_Disp_End_Date" : "1758", "Disp_Title" : "Old Man with a Helmet, from the Raccolta di Teste", "Alt_Title" : "", "Obj_Title" : "Old Man with a Helmet, from the Raccolta di Teste", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Domenico Tiepolo", "Sort_Artist" : "Tiepolo, Giovanni Domenico", "Disp_Dimen" : "14.5 cm x 11.5 cm (5 11/16 in. x 4 1/2 in.)", "Disp_Height" : "14.5 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Raccolta di Teste consists of sixty such plates of exotic and fantastic heads. The printmaker and collector Zanetti observed at the time, "if Rembrandt and Castiglione returned from the grave, they would kiss the person who made them." Indeed, Giandomenico's Teste represent one of the last great achievements of Italian Baroque etching. Most impressions come from the first published edition of 1773-74. Rich, uneven, and very individual in its inking, this is a rare proof, probably pulled by the artist himself.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.245.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.245.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.245.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.245.tif", "IsPrimary" : "1", "_SurrogateID" : "1947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18963", "Disp_Access_No" : "2008.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1811", "_Disp_Start_Dat" : "1811", "_Disp_End_Date" : "1811", "Disp_Title" : "Rosaspina's Zeichnungsschule [Rosaspina's Drawing School], after Felice Giani", "Alt_Title" : "", "Obj_Title" : "Rosaspina's Zeichnungsschule [Rosaspina's Drawing School], after Felice Giani", "Series_Title" : "", "Disp_Maker_1" : "Giulio Tomba", "Sort_Artist" : "Tomba, Giulio", "Disp_Dimen" : "37.4 cm x 4.7 cm (14 3/4 in. x 1 7/8 in.)", "Disp_Height" : "37.4 cm", "Disp_Width" : "4.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Francesco Rosaspina was the leading printmaker in late eighteenth-century Bologna and a professor at its academy. Here he appears as the older, heavy-set figure in topcoat seated at the right end of the table as he supervises a class of young draftsmen. Tomba studied with Rosapina and carried on his activity as a reproductive engraver. He conceived this print as a tribute to his teacher, with its fine order and meticulous execution conferring a special dignity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4726", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13069", "Disp_Access_No" : "2002.1673", "_AccNumSort1" : "", "Disp_Create_DT" : "1843", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1843", "Disp_Title" : "Descent from the Cross, after Daniele da Volterra", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross, after Daniele da Volterra", "Series_Title" : "", "Disp_Maker_1" : "Paolo Toschi", "Sort_Artist" : "Toschi, Paolo", "Disp_Dimen" : "82 cm x 58 cm (32 5/16 in. x 22 13/16 in.)", "Disp_Height" : "82 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1673.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1673.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1673.tif", "IIIF_URL": 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Volterra", "Series_Title" : "", "Disp_Maker_1" : "Paolo Toschi", "Sort_Artist" : "Toschi, Paolo", "Disp_Dimen" : "81.7 cm x 57.9 cm (32 3/16 in. x 22 13/16 in.)", "Disp_Height" : "81.7 cm", "Disp_Width" : "57.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1674.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1674.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1674.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1674.tif", "IsPrimary" : "1", 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in. x 7 1/16 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "17.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "There is a sweet familiarity to Vanni’s St. Francis in Ecstasy. The setting is minimal, analogous to the poverty Francis proclaimed as the path to God. Vanni has rendered Francis’ face as emaciated and pock marked. 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"92.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving on two sheets", "Support" : "", "Disp_Medium" : "Engraving on two sheets", "Info_Page_Comm" : "Encouraged by success in Rome, Salviati returned to his native Florence in the early 1540s. For a brief period he challenged the artistic supremacy of Angelo Bronzino at the court of Cosimo de’ Medici. This extraordinary engraving, dedicated on the stone in the left foreground to “the generosity of Cosimo de’ Medici”, was part of his efforts to bolster his position. Pietro Aretino, a prominent literary figure, praised the print’s “stupendous composition” and “sublime invention” in a long letter to Salviati. In this impression, the printing of the right-hand plate is weaker and the effect somewhat unbalanced.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.54.tif", "IsPrimary" : "1", "_SurrogateID" : "4105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13145", "Disp_Access_No" : "2002.1807", "_AccNumSort1" : "", "Disp_Create_DT" : "1550", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Emperor Charles V", "Alt_Title" : "", "Obj_Title" : "Emperor Charles V", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "51.6 cm x 36.8 cm (20 5/16 in. x 14 1/2 in.)", "Disp_Height" : "51.6 cm", "Disp_Width" : "36.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1807.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1807.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1807.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1807.tif", "IsPrimary" : "1", "_SurrogateID" : "6326", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16562", "Disp_Access_No" : "2002.2813", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546-1561", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1561", "Disp_Title" : "The Academy of Baccio Bandinelli, after Baccio Bandinelli", "Alt_Title" : "", "Obj_Title" : "The Academy of Baccio Bandinelli, after Baccio Bandinelli", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "30.8 cm x 47.7 cm (12 1/8 in. x 18 3/4 in.)", "Disp_Height" : "30.8 cm", "Disp_Width" : "47.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is the later of two engravings of Bandinelli’s studio. Students drawing by the light of an oil lamp and candle dominate the composition. Accessories of the sculptor’s art fill the foreground and the shelf behind: models, skeletal fragments, and various volumes. Bandinelli himself stands at the far right. On his coat and above the mantle appear a cross denoting the knighthood conferred by his principal early patron, Pope Clement VII. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2813.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2813.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2813.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2813.tif", "IsPrimary" : "1", "_SurrogateID" : "4145", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18954", "Disp_Access_No" : "2008.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "Ewer with Handle in the Form of a Dog, plate II from the Vases after the Antique", "Alt_Title" : "", "Obj_Title" : "Ewer with Handle in the Form of a Dog, plate II from the Vases after the Antique", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "25.6 cm x 18.3 cm (10 1/16 in. x 7 3/16 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Andrée and Jonathan Bober, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.1.tif", "IsPrimary" : "1", "_SurrogateID" : "4675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13120", "Disp_Access_No" : "2002.1756", "_AccNumSort1" : "", "Disp_Create_DT" : "1597", "_Disp_Start_Dat" : "1597", "_Disp_End_Date" : "1597", "Disp_Title" : "Presentation in the Temple, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Francesco Villamena", "Sort_Artist" : "Villamena, Francesco", "Disp_Dimen" : "35.9 cm x 44.3 cm (14 1/8 in. x 17 7/16 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "44.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1756.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1756.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1756.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1756.tif", "IsPrimary" : "1", "_SurrogateID" : "6566", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2274", "Disp_Access_No" : "2002.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1580", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Alt_Title" : "", "Obj_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Series_Title" : "The Angel Appearing to Zacharias", "Disp_Maker_1" : "Domenico Vito", "Sort_Artist" : "Vito, Domenico", "Disp_Dimen" : "34.6 cm x 22.8 cm (13 5/8 in. x 9 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The little known Vito worked as a reproductive engraver before retiring young to a monastery. The same personality, hermetic and involuted, seems evident in this very rare print. It is unusual first in addressing a motif from an early 16th-century Florentine prototype, one of Andrea del Sarto’s frescoes in the cloister of the church of Santissima Annunziata. More unusual still, it translates the motif into a style of less inflected line work and even tonality that revives the language of Marcantonio Raimondi and his immediate followers. Indeed, were the engraving not dated, it might be confused with one of a half-century earlier. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.54.tif", "IsPrimary" : "1", "_SurrogateID" : "2061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3157", "Disp_Access_No" : "2000.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1723", "_Disp_Start_Dat" : "1723", "_Disp_End_Date" : "1723", "Disp_Title" : "Standing Youth (Saint John the Baptist?), after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Standing Youth (Saint John the Baptist?), after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Antonio Maria Zanetti", "Sort_Artist" : "Zanetti, Antonio Maria", "Disp_Dimen" : "15.7 cm x 7.7 cm (6 3/16 in. x 3 1/16 in.)", "Disp_Height" : "15.7 cm", "Disp_Width" : "7.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Chiaroscuro woodcut from three blocks printed in rose and two shades of gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from three blocks printed in rose and two shades of gray", "Info_Page_Comm" : "Zanetti was an important collector of drawings and an amateur printmaker. This exquisite chiaroscuro not only reproduces one of his own Parmigianinos, but revives the technique with which the earliest reproductions of the master’s drawings were associated. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.50.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.50.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.50.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.50.tif", "IsPrimary" : "1", "_SurrogateID" : "4069", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11320", "Disp_Access_No" : "1999.77", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1770's", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1775", "Disp_Title" : "The Holy Family, after Ubaldo Gandolfi", "Alt_Title" : "", "Obj_Title" : "The Holy Family, after Ubaldo Gandolfi", "Series_Title" : "", "Disp_Maker_1" : "Gaetano Zaoli", "Sort_Artist" : "Zaoli, Gaetano", "Disp_Dimen" : "22.2 cm x 14.8 cm (8 3/4 in. x 5 13/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "14.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Printed recto and verso ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.77.tif", "IsPrimary" : "1", "_SurrogateID" : "5975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }