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Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154.tif", "IsPrimary" : "1", "_SurrogateID" : "4515", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "19968", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.154-Sheet.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.154-Sheet.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.154-Sheet.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.154-Sheet.tif", "IsPrimary" : "0", "_SurrogateID" : "19969", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3695, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3695", "Disp_Access_No" : "2002.1222", "_AccNumSort1" : "", "Disp_Create_DT" : "1787", "_Disp_Start_Dat" : "1787", "_Disp_End_Date" : "1787", "Disp_Title" : "Johann Kaspar Lavater", "Alt_Title" : "", "Obj_Title" : "Johann Kaspar Lavater", "Series_Title" : "", "Disp_Maker_1" : "William Blake", "Sort_Artist" : "Blake, William", "Disp_Dimen" : "38.2 cm x 31.3 cm (15 1/16 in. x 12 5/16 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "31.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Blake trained and was first active as a conventional reproductive engraver. This print is of special interest because of the sitter’s identity and the impression’s quality. Lavater was a Swiss theologian better known for his writings on physiognomy – the interpretation of personality from facial characteristics. Blake records his traits in a fashionable Neoclassical profile, made distinctive by its large scale and severe modeling. Vivid, the impression is an apparently unique proof before letters. 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Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.7.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.7.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.7.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.7.tif", "IsPrimary" : "1", "_SurrogateID" : "3388", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3629, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3629", "Disp_Access_No" : "1985.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Landscape with Mercury and Apollo, no. 170 from Liber Veritatis, after Claude Lorrain", "Alt_Title" : "", "Obj_Title" : "Landscape with Mercury and Apollo, no. 170 from Liber Veritatis, after Claude Lorrain", "Series_Title" : "", "Disp_Maker_1" : "Richard Earlom", "Sort_Artist" : "Earlom, Richard", "Disp_Dimen" : "27.7 cm x 43.2 cm (10 7/8 in. x 17 in.)", "Disp_Height" : "27.7 cm", "Disp_Width" : "43.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint", "Support" : "", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1985", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.30.tif", "IsPrimary" : "1", "_SurrogateID" : "4533", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1985.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1985.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1985.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1985.30.tif", "IsPrimary" : "0", "_SurrogateID" : "4553", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12757, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12757", "Disp_Access_No" : "2002.1208", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Girl with Basket", "Alt_Title" : "", "Obj_Title" : "Young Girl with Basket", "Series_Title" : "", "Disp_Maker_1" : "James Gillray", "Sort_Artist" : "Gillray, James", "Disp_Dimen" : "31.1 cm x 21.5 cm (12 1/4 in. x 8 7/16 in.)", "Disp_Height" : "31.1 cm", "Disp_Width" : "21.5 cm", "Dimen_Extent" : "sheet", "Medium" : "wood engraving", "Support" : "", "Disp_Medium" : "wood engraving", "Info_Page_Comm" : "In all English satire, Gillray’s imagery is the most original and outrageous. His hand and technique are consonantly uninhibited, unsanitized, and powerful. The Steinberg Collection adds one typical subject to the Blanton’s previous holdings of eight fine, early printings of Gillray’s satires. This print is an anomaly. The subject and above all the technique –– positive drawing upon the copper plate with acid resist, so that biting subtracts the negative areas of the composition –– indicate an experiment by the artist. Only a handful of impressions are known. Inherent interest aside, the experiment paralleled the development of wood engraving and predicted Blake’s pursuit of relief etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1208.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1208.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1208.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1208.tif", "IsPrimary" : "1", "_SurrogateID" : "1764", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12787", "Disp_Access_No" : "2002.1262", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Society for the Encouragement of Arts, from Microcosm of London", "Alt_Title" : "", "Obj_Title" : "Society for the Encouragement of Arts, from Microcosm of London", "Series_Title" : "", "Disp_Maker_1" : "Thomas Rowlandson", "Sort_Artist" : "Rowlandson, Thomas", "Disp_Dimen" : "26.8 cm x 33.1 cm (10 9/16 in. x 13 1/16 in.)", "Disp_Height" : "26.8 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching (Rowlandson & Pugin), Aquatint (Bluck)", "Support" : "", "Disp_Medium" : "Etching (Rowlandson & Pugin), Aquatint (Bluck)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1262.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1262.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1262.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1262.tif", "IsPrimary" : "1", "_SurrogateID" : "5556", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11367, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11367", "Disp_Access_No" : "1996.253", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1826", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1831", "Disp_Title" : "Shields Lighthouse", "Alt_Title" : "", "Obj_Title" : "Shields Lighthouse", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mallord William Turner", "Sort_Artist" : "Turner, Joseph Mallord William", "Disp_Dimen" : "25.1 cm x 37.4 cm (9 7/8 in. x 14 3/4 in.)", "Disp_Height" : "25.1 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Mezzotint on applied India paper", "Support" : "", "Disp_Medium" : "Mezzotint on applied India paper", "Info_Page_Comm" : "There are few British landscape artists of greater renown than J. M. W. Turner. His constant experimentation with the genre in painting, watercolor, and engraving had a significant impact on the early development of modern art in the nineteenth century. The Liber Studiorum was a collection of prints after Turner’s compositions, forming an encyclopedia of landscape types. This print is one of a series of twelve that Turner produced as Sequels to the Liber Studiorum, usually referred to as the “Little Liber.” In these plates Turner used mezzotint to translate the tonality and painterly qualities of a watercolor drawing. Never published, the prints remained the artist’s best-kept secret, their existence revealed upon the discovery of the plates in his studio after his death. This is one of only four known impressions of this state. Turner may have been inspired to take up mezzotint after John Martin’s very successful illustrations on John Milton’s Paradise Lost (1825), a proof set of which the Blanton Museum also owns. Turner chose a dramatic moonlit scene for Shields Lighthouse to explore the effects of light reflecting off water. 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