{ "objects" : [ { "embark_ID" : 3788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3788", "Disp_Access_No" : "1997.415", "_AccNumSort1" : "", "Disp_Create_DT" : "1812", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1812", "Disp_Title" : "Frontispiece to the Liber Studiorum", "Alt_Title" : "", "Obj_Title" : "Frontispiece to the Liber Studiorum", "Series_Title" : "", "Disp_Maker_1" : "Joseph Mallord William Turner", "Sort_Artist" : "Turner, Joseph Mallord William", "Disp_Dimen" : "27.6 cm x 41.3 cm (10 7/8 in. x 16 1/4 in.)", "Disp_Height" : "27.6 cm", "Disp_Width" : "41.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, mezzotint, and aquatint (by I.C. Easling), printed in sepia", "Support" : "", "Disp_Medium" : "Etching, mezzotint, and aquatint (by I.C. Easling), printed in sepia", "Info_Page_Comm" : "Inspired by Richard Earlom’s mezzotint reproductions of Claude Lorrain’s Liber Veritatis, Turner produced his own series of 71 landscape prints divided into six categories: historical, mountainous, pastoral, epic pastoral, marine and architectural. The prints, published between 1807 and 1819, functioned both as an advertisement to potential patrons of his skill and range and as a pedagogical tool for younger artists.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.415.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.415.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.415.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.415.tif", "IsPrimary" : "1", "_SurrogateID" : "5420", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }