{ "objects" : [ { "embark_ID" : 5396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5396", "Disp_Access_No" : "1982.769", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Picador [Bullfight]", "Alt_Title" : "Bullfight", "Obj_Title" : "Picador [Bullfight]", "Series_Title" : "", "Disp_Maker_1" : "Raúl Anguiano", "Sort_Artist" : "Anguiano, Raúl", "Disp_Dimen" : "32.7 cm x 37.5 cm (12 7/8 in. x 14 3/4 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "37.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M.K. Hage, Jr., 1970; Transfer from the Harry Ransom Center, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.769.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.769.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.769.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.769.tif", "IsPrimary" : "1", "_SurrogateID" : "6864", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19529, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19529", "Disp_Access_No" : "2010.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Horses at the Manger", "Alt_Title" : "", "Obj_Title" : "Horses at the Manger", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "26.2 cm x 35.7 cm (10 5/16 in. x 14 1/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "35.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. 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Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.36.tif", "IsPrimary" : "1", "_SurrogateID" : "8160", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1518, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1518", "Disp_Access_No" : "1982.717", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "Hoary Marmot - The Whistler, plate 103 from The Vivaparous Quadrupeds of North America", "Alt_Title" : "", "Obj_Title" : "Hoary Marmot - The Whistler, plate 103 from The Vivaparous Quadrupeds of North America", "Series_Title" : "", "Disp_Maker_1" : "After John Woodhouse Audubon", "Sort_Artist" : "Audubon, After John Woodhouse", "Disp_Dimen" : "55.3 cm x 65.1 cm (21 3/4 in. x 25 5/8 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "65.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph with pencil", "Support" : "", "Disp_Medium" : "Lithograph with pencil", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1982", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.717.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.717.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.717.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.717.tif", "IsPrimary" : "1", "_SurrogateID" : "3184", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6160", "Disp_Access_No" : "G1960.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1959", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1959", "Disp_Title" : "Zèbre au clair de lune [Moonlit Zebra]", "Alt_Title" : "Moonlit Zebra", "Obj_Title" : "Zèbre au clair de lune [Moonlit Zebra]", "Series_Title" : "", "Disp_Maker_1" : "Mario Avati", "Sort_Artist" : "Avati, Mario", "Disp_Dimen" : "40 cm x 50.7 cm (15 3/4 in. x 19 15/16 in.)", "Disp_Height" : "40 cm", "Disp_Width" : "50.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint and etching", "Support" : "", "Disp_Medium" : "Aquatint and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Fred Grunwald, 1960", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1960.1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1960.1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1960.1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1960.1.tif", "IsPrimary" : "1", "_SurrogateID" : "2279", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3003", "Disp_Access_No" : "2002.2445", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "The Cow Drinking", "Alt_Title" : "", "Obj_Title" : "The Cow Drinking", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Pietersz Berchem", "Sort_Artist" : "Berchem, Nicolas Pietersz", "Disp_Dimen" : "28.3 cm x 37.7 cm (11 1/8 in. x 14 13/16 in.)", "Disp_Height" : "28.3 cm", "Disp_Width" : "37.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2445.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2445.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2445.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2445.tif", "IsPrimary" : "1", "_SurrogateID" : "1944", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13227", "Disp_Access_No" : "2002.1939", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Le Ménage ambulant [The Traveling Household], after Jean-Baptiste Greuze", "Alt_Title" : "", "Obj_Title" : "Le Ménage ambulant [The Traveling Household], after Jean-Baptiste Greuze", "Series_Title" : "", "Disp_Maker_1" : "Louis Binet", "Sort_Artist" : "Binet, Louis", "Disp_Dimen" : "32.3 cm x 42 cm (12 11/16 in. x 16 9/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "42 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Greuze maintained a stable of printmakers to interpret and market his designs. A pupil of Beauvarlet, one of his favorite engravers, Binet was a late participant. Le ménage captures the bold design and moralizing concern of a highly finished drawing that has been lost. An unrecorded proof, this impression is exceptionally strong but precedes an inscription underscoring the meaning: "These good folks carry everything with them.”", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1939.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1939.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1939.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1939.tif", "IsPrimary" : "1", "_SurrogateID" : "1873", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2726", "Disp_Access_No" : "2002.2446", "_AccNumSort1" : "", "Disp_Create_DT" : "1643", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1643", "Disp_Title" : "The Cabriolet", "Alt_Title" : "", "Obj_Title" : "The Cabriolet", "Series_Title" : "", "Disp_Maker_1" : "Gerrit Claesz Bleker", "Sort_Artist" : "Bleker, Gerrit Claesz", "Disp_Dimen" : "19.7 cm x 29.5 cm (7 3/4 in. x 11 5/8 in.)", "Disp_Height" : "19.7 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Cabriolet is especially engaging as a measured, dignified presentation of a humble means of transportation and of peasants in proud relation to their terrains. The print is also an early example of figures and animals in particular –– both the horse and the cattle in the background –– given prominence over the forms and personality of the landscape. Perhaps inspired by Bleker, Paul Potter would specialize in etchings that focused on such stolid creatures, establishing a genre of Dutch and later European printmaking", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2446.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2446.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2446.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2446.tif", "IsPrimary" : "1", "_SurrogateID" : "1945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2002.1652", "_AccNumSort1" : "", "Disp_Create_DT" : "1530s", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Saint Jerome in the Wilderness, after Titian", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "38.8 cm x 53.5 cm (15 1/4 in. x 21 1/16 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Woodcut reached a very high level in 16th-century Venice, where, notably in Titian’s circle, it was preferred to engraving for the reproduction of paintings and drawings. Boldrini developed its basic language of long, curvilinear cuts and sustained pictorial effects on a large scale. Saint Jerome in the wilderness was a favorite subject in Venetian art. Here the penitent and his faithful lion are set amid an ideal panorama of the kind pioneered by Titian and establishing the classical landscape tradition. The composition depends generally on a painting that Titian executed for Isabella d’Este between 1523 and 1531 (today in the Louvre), while the cliff and trees on the right were specifically prepared in a drawing now at Edinburgh. Although damaged along a center crease, this impression is especially even in its inking and clear in its printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1652.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1652.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1652.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1652.tif", "IsPrimary" : "1", "_SurrogateID" : "4194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11165", "Disp_Access_No" : "1988.96", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1622", "_Disp_Start_Dat" : "1617", "_Disp_End_Date" : "1627", "Disp_Title" : "The Lion Hunt, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "The Lion Hunt, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Schelte Bolswert", "Sort_Artist" : "Bolswert, Schelte", "Disp_Dimen" : "44 cm x 60.8 cm (17 5/16 in. x 23 15/16 in.)", "Disp_Height" : "44 cm", "Disp_Width" : "60.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is after a painting by Rubens in the Alte Pinakothek, Munich.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.96.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.96.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.96.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.96.tif", "IsPrimary" : "1", "_SurrogateID" : "6311", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1694, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1694", "Disp_Access_No" : "1986.342.2/4", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Rodeo, from Celebrate Texas", "Alt_Title" : "", "Obj_Title" : "Rodeo, from Celebrate Texas", "Series_Title" : "", "Disp_Maker_1" : "Derek Boshier", "Sort_Artist" : "Boshier, Derek", "Disp_Dimen" : "76.5 cm x 57.2 cm (30 1/8 in. x 22 1/2 in.)", "Disp_Height" : "76.5 cm", "Disp_Width" : "57.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Color lithograph", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Pepsi-Cola Bottling Group, 1986", "Copyright_Type" : "All", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.342.2-4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.342.2-4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.342.2-4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.342.2-4.tif", "IsPrimary" : "1", "_SurrogateID" : "6192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4282, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4282", "Disp_Access_No" : "1995.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1893", "_Disp_Start_Dat" : "1893", "_Disp_End_Date" : "1893", "Disp_Title" : "Vive le Tsar!", "Alt_Title" : "", "Obj_Title" : "Vive le Tsar!", "Series_Title" : "", "Disp_Maker_1" : "Félix Bracquemond", "Sort_Artist" : "Bracquemond, Félix", "Disp_Dimen" : "39.6 cm x 26.6 cm (15 9/16 in. x 10 1/2 in.)", "Disp_Height" : "39.6 cm", "Disp_Width" : "26.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In this late etching, Bracquemond, who excelled at original images of birds, commemorated the visit of Tsar Alexander III to Paris with whom the government of France had recently concluded a treaty.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.54.tif", "IsPrimary" : "1", "_SurrogateID" : "4444", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11024, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11024", "Disp_Access_No" : "1987.47", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Triumph of Caesar: The Elephants, after Andrea Mantegna", "Alt_Title" : "", "Obj_Title" : "Triumph of Caesar: The Elephants, after Andrea Mantegna", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Antonio da Brescia", "Sort_Artist" : "Brescia, Giovanni Antonio da", "Disp_Dimen" : "28.5 cm x 26.6 cm (11 1/4 in. x 10 1/2 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "26.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One of the geniuses of the Renaissance, Andrea Mantegna brought Florentine inventions to north Italy and laid the foundation for developments across the Po Valley and in Venice. From the outset his work was demanding in concept and incomparable in technique. During long service to the Gonzaga family at Mantua, he realized projects of unprecedented intellectual, archaeological, and pictorial ambition. That Mantegna’s achievements had such influence is due also to his pioneering efforts in another sphere, the use of engraving to disseminate artistic ideas and fame. This engraving pertains to a famous project for the Gonzagas, The Triumph of Caesar. Executed between 1486 and 1494, the series of eleven canvases was based upon ancient descriptions of victorious Roman processions and inspired by the monumental reliefs the artist saw on an intervening visit to Rome. Furthering the dynastic propaganda and satisfying curiosity about the project, Mantegna directed the engraving of three alternative drawings for the series. There are seven versions by three different printmakers, with those of Giovanni Antonio da Brescia the most refined and regular. All adhere to Mantegna’s own system of engraving, close in style to his drawing. Their delicate and dense hatching wore rapidly in printing. This is an unusually fine, early impression, capturing the master’s subtlety and the intended effect of relief sculpture. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.47.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.47.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.47.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.47.tif", "IsPrimary" : "1", "_SurrogateID" : "3347", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19535, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19535", "Disp_Access_No" : "2010.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "L'entrata degli animali nell'arca [The Animals Entering Noah's Ark]", "Alt_Title" : "", "Obj_Title" : "L'entrata degli animali nell'arca [The Animals Entering Noah's Ark]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "20.4 cm x 30 cm (8 1/16 in. x 11 13/16 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11247", "Disp_Access_No" : "2002.1768", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Noah and the Animals Entering the Ark", "Alt_Title" : "", "Obj_Title" : "Noah and the Animals Entering the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "20.3 cm x 39.9 cm (8 in. x 15 11/16 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "39.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "By origin and periodic association, Giovanni Benedetto Castiglione was Genoese. His style thoroughly reconciles the school’s residual Mannerism with its naturalism of Netherlandish cast. At the same time, spending much of the 1630s and 1640s in Rome, he assimilated Nicolas Poussin and Pietro Testa’s highly intellectual and idealized Baroque. Castiglione’s curiosity and openness are confirmed by his ceaseless exploration of the graphic arts and by his late activity across northern Italy. More than any other figure, he transcended conventional Baroque categories and predicted the dominant tendencies of eighteenth-century style. Combining noble theme with a pretext for genre, the journeys of the patriarchs in the Book of Genesis were a constant subject in Castiglione’s art. With the added appeal of a menagerie, Noah and the loading of the Ark was a particular favorite. The many versions include an early oil on paper in the Suida-Manning Collection. Here, the procession is organized with the simple structure and slow cadence of an ancient relief, but brought to life by the busy hand, textured light, and even bawdy accent of Rembrandt’s early etchings. Castiglione’s etchings are the finest of the period in Italy. This is perhaps his most pictorial and coherent. Characterized by great clarity, a silvery tone, and dense polishing scratches, this is an especially early impression. The museum possesses forty etchings by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1768.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1768.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1768.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1768.tif", "IsPrimary" : "1", "_SurrogateID" : "1847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11245", "Disp_Access_No" : "2002.172", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650-1651", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1651", "Disp_Title" : "Circe with Companions of Ulysses Changed into Animals", "Alt_Title" : "", "Obj_Title" : "Circe with Companions of Ulysses Changed into Animals", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "23.5 cm x 32.5 cm (9 1/4 in. x 12 13/16 in.)", "Disp_Height" : "23.5 cm", "Disp_Width" : "32.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Circe renders the sorceress of the Odyssey as a contemplative shepherdess amid an aptly individualized flock. Animal subjects were especially popular in Genoa, largely due to the city’s contacts with the Netherlands, and Castiglione had an aptitude for them. (A comparable painting by his son and follower Francesco is exhibited nearby.) Outstanding in quality, Steinberg’s eleven Castigliones are the perfect complement to the nine major drawings in the Suida-Manning Collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.172.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.172.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.172.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.172.tif", "IsPrimary" : "1", "_SurrogateID" : "1834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6328", "Disp_Access_No" : "G1970.7.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Goats", "Alt_Title" : "", "Obj_Title" : "Goats", "Series_Title" : "", "Disp_Maker_1" : "Alberto Cavazos", "Sort_Artist" : "Cavazos, Alberto", "Disp_Dimen" : "14.3 cm x 24.85 cm (5 5/8 in. x 9 13/16 in.)", "Disp_Height" : "14.3 cm", "Disp_Width" : "24.85 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Amy Freeman Lee, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.7.27.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.7.27.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.7.27.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.7.27.tif", "IsPrimary" : "1", "_SurrogateID" : "6932", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6304", "Disp_Access_No" : "G1970.7.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Owls", "Alt_Title" : "", "Obj_Title" : "Owls", "Series_Title" : "", "Disp_Maker_1" : "Alberto Cavazos", "Sort_Artist" : "Cavazos, Alberto", "Disp_Dimen" : "18.4 cm x 28.4 cm (7 1/4 in. x 11 3/16 in.)", "Disp_Height" : "18.4 cm", "Disp_Width" : "28.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Amy Freeman Lee, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.7.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.7.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.7.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.7.26.tif", "IsPrimary" : "1", "_SurrogateID" : "6931", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2158", "Disp_Access_No" : "2002.2095", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "The Adoration of an Idol of Isis, or Admonition Against Arrogance and Undeserved Honour, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "The Adoration of an Idol of Isis, or Admonition Against Arrogance and Undeserved Honour, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "29.7 cm x 39.8 cm (11 11/16 in. x 15 11/16 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "39.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2095.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2095.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2095.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2095.tif", "IsPrimary" : "1", "_SurrogateID" : "1897", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7178, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7178", "Disp_Access_No" : "1982.1235.3/20", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "La potranca [The Filly], from untitled portfolio", "Alt_Title" : "The Filly, from untitled portfolio", "Obj_Title" : "La potranca [The Filly], from untitled portfolio", "Series_Title" : "", "Disp_Maker_1" : "Francisco Corzas", "Sort_Artist" : "Corzas, Francisco", "Disp_Dimen" : "56 cm x 76 cm (22 1/16 in. x 29 15/16 in.)", "Disp_Height" : "56 cm", "Disp_Width" : "76 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, aquatint, and roulette", "Support" : "", "Disp_Medium" : "Etching, aquatint, and roulette", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Container Corporation of America, 1973; HRC transfer, 1982", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1982.1235.3-20.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1982.1235.3-20.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1982.1235.3-20.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1982.1235.3-20.tif", "IsPrimary" : "1", "_SurrogateID" : "7148", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2030", "Disp_Access_No" : "P1961.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1506", "_Disp_Start_Dat" : "1506", "_Disp_End_Date" : "1506", "Disp_Title" : "Noble Couple on Horseback", "Alt_Title" : "", "Obj_Title" : "Noble Couple on Horseback", "Series_Title" : "", "Disp_Maker_1" : "Lucas Cranach", "Sort_Artist" : "Cranach, Lucas", "Disp_Dimen" : "17.8 cm x 12.7 cm (7 in. x 5 in.)", "Disp_Height" : "17.8 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.85.tif", "IsPrimary" : "1", "_SurrogateID" : "3139", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6842, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6842", "Disp_Access_No" : "1981.87.4/11", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "El Viaje [The Journey], from Homage to Quevedo", "Alt_Title" : "The Journey, from Homage to Quevedo", "Obj_Title" : "El Viaje [The Journey], from Homage to Quevedo", "Series_Title" : "", "Disp_Maker_1" : "José Luis Cuevas", "Sort_Artist" : "Cuevas, José Luis", "Disp_Dimen" : "76.2 cm x 56.5 cm (30 in. x 22 1/4 in.)", "Disp_Height" : "76.2 cm", "Disp_Width" : "56.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of M. Maurice Abitbol, M.D., 1981", "Copyright_Type" : "Approval on case by case basis.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.87.4-11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.87.4-11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.87.4-11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.87.4-11.tif", "IsPrimary" : "1", "_SurrogateID" : "1199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4044", "Disp_Access_No" : "P1961.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1867", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1867", "Disp_Title" : "L'Arbre aux corbeaux [Tree with Ravens]", "Alt_Title" : "", "Obj_Title" : "L'Arbre aux corbeaux [Tree with Ravens]", "Series_Title" : "", "Disp_Maker_1" : "Charles-François Daubigny", "Sort_Artist" : "Daubigny, Charles-François", "Disp_Dimen" : "31.4 cm x 44.75 cm (12 3/8 in. x 17 5/8 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "44.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.65.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.65.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.65.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.65.tif", "IsPrimary" : "1", "_SurrogateID" : "4462", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3851, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3851", "Disp_Access_No" : "1999.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1828", "_Disp_Start_Dat" : "1828", "_Disp_End_Date" : "1828", "Disp_Title" : "Cheval sauvage terrassé par un tigre [Wild Horse Felled by a Tiger]", "Alt_Title" : "", "Obj_Title" : "Cheval sauvage terrassé par un tigre [Wild Horse Felled by a Tiger]", "Series_Title" : "", "Disp_Maker_1" : "Eugène Delacroix", "Sort_Artist" : "Delacroix, Eugène", "Disp_Dimen" : "23 cm x 28.3 cm (9 1/16 in. x 11 1/8 in.)", "Disp_Height" : "23 cm", "Disp_Width" : "28.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "Eugène Delacroix’s Wild Horse Felled by a Tiger is the quintessential Romantic print. This lithograph conveys a violence so raw and instinctive as to be repulsive. Wild animals in combat were a favorite theme of Romantic artists, who sought to venture well beyond the realm of reason and exercise emotions that could tap into the innermost reaches of the human soul, achieving a state of transcendence. One of the qualities of lithography that appealed to the French Romantics was its ability to communicate both the artist’s unique vision and the dramatic movement within the composition. Here Delacroix barely sketched in the setting, using bold strokes to suggest a harsh, rocky environment, and instead focused our attention on the action in the center, a swirling mass of horseflesh writhing in the throes of death. This is one of only seven known impressions of the first state of the print. Generally strong, the museum’s holdings of early French lithography include five other prints by Delacroix, 23 by Théodore Géricault, 13 by the brothers Vernet, ten by Louis-Léopold Boilly, and 41 by Achille Devéria. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.85.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.85.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.85.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.85.tif", "IsPrimary" : "1", "_SurrogateID" : "1722", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16647, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16647", "Disp_Access_No" : "2002.2859", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1643-1644", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1644", "Disp_Title" : "Head of a Camel looking left, from Recueil de diverses pièces servant à l'art de portraiture [Collection of various pieces serving the art of portraiture]", "Alt_Title" : "", "Obj_Title" : "Head of a Camel looking left, from Recueil de diverses pièces servant à l'art de portraiture [Collection of various pieces serving the art of portraiture]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "15.1 cm x 12.7 cm (5 15/16 in. x 5 in.)", "Disp_Height" : "15.1 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", 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"Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.55.11-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.55.11-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.55.11-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.55.11-12.tif", "IsPrimary" : "1", "_SurrogateID" : "7832", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1459", "Disp_Access_No" : "1995.55.4/12", "_AccNumSort1" : "", "Disp_Create_DT" : "1822", "_Disp_Start_Dat" : "1822", "_Disp_End_Date" : "1822", "Disp_Title" : "Cheval cauchois [Horse of Pays de Caux], from Etudes de chevaux d'après nature [Studies of Horses from Nature]", "Alt_Title" : "", "Obj_Title" : "Cheval cauchois [Horse of Pays de Caux], from Etudes de chevaux d'après nature [Studies of Horses from Nature]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-André-Théodore Géricault", "Sort_Artist" : "Géricault, Jean-Louis-André-Théodore", "Disp_Dimen" : "26.5 cm x 33.5 cm (10 7/16 in. x 13 3/16 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "33.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Teaching Collection of Marvin Vexler, '48, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.55.4-12.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.55.4-12.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.55.4-12.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.55.4-12.tif", "IsPrimary" : "1", "_SurrogateID" : "7826", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3816, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3816", "Disp_Access_No" : "1999.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1823", "_Disp_Start_Dat" : "1823", "_Disp_End_Date" : "1823", "Disp_Title" : "Cheval dévoré par un lion [A Horse Devoured by a Lion], from ..", "Alt_Title" : "", "Obj_Title" : "Cheval dévoré par un lion [A Horse Devoured by a Lion], from Suite de sept petites pièces [Suite of Seven Small Sheets]", "Series_Title" : "", "Disp_Maker_1" : "Jean-Louis-André-Théodore Géricault", "Sort_Artist" : "Géricault, Jean-Louis-André-Théodore", "Disp_Dimen" : "27.1 cm x 36.7 cm (10 11/16 in. x 14 7/16 in.)", "Disp_Height" : "27.1 cm", "Disp_Width" : "36.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of David Armstrong, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.3.tif", 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3/4 in. x 16 5/8 in.)", "Disp_Height" : "57.8 cm", "Disp_Width" : "42.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph on chine collé", "Support" : "", "Disp_Medium" : "Lithograph on chine collé", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.100.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.100.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.100.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.100.tif", "IsPrimary" : "1", "_SurrogateID" : "7834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2309, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2309", "Disp_Access_No" : "2002.2170.5/10", "_AccNumSort1" : "", "Disp_Create_DT" : "1586", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1586", "Disp_Title" : "Marcus Curtius, plate 4, from The Roman Heroes", "Alt_Title" : "", "Obj_Title" : "Marcus Curtius, plate 4, from The Roman Heroes", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "36.9 cm x 23.7 cm (14 1/2 in. x 9 5/16 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "23.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Roman Heroes constitute Goltzius’s first series of humanistic theme and a capital example of his early, muscular style. The Collection includes uniformly superb impressions of all ten plates. Goltzius and his followers, the so-called Haarlem Mannerists, brought engraving to a new level of technical accomplishment, syntactic organization, and descriptive range. Their work was little considered by art historians and out of fashion with most collectors until the 1970s. By that time, Steinberg had gathered scores of choice works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2170.5-10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2170.5-10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2170.5-10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2170.5-10.tif", "IsPrimary" : "1", "_SurrogateID" : "1907", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2323, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2323", "Disp_Access_No" : "1988.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Dragon Devouring the Fellows of Cadmus, after Cornelius van Haarlem", "Alt_Title" : "", "Obj_Title" : "The Dragon Devouring the Fellows of Cadmus, after Cornelius van Haarlem", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "25.1 cm x 31.5 cm (9 7/8 in. x 12 3/8 in.)", "Disp_Height" : "25.1 cm", "Disp_Width" : "31.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.19.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.19.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.19.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.19.tif", "IsPrimary" : "1", "_SurrogateID" : "1489", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11358, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11358", "Disp_Access_No" : "2002.1429", "_AccNumSort1" : "", "Disp_Create_DT" : "1815-1816 (p. 1816)", "_Disp_Start_Dat" : "1815", "_Disp_End_Date" : "1816", "Disp_Title" : "Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia", "Alt_Title" : "", "Obj_Title" : "Dos grupos de picadores arrollados de seguida por un solo toro [Two Teams of Picadors Thrown One After the Other by a Single Bull], plate 32 from La Tauromaquia", "Series_Title" : "La Tauromaquia", "Disp_Maker_1" : "Francisco de Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco de", "Disp_Dimen" : "24.9 cm x 36 cm (9 13/16 in. x 14 3/16 in.)", "Disp_Height" : "24.9 cm", "Disp_Width" : "36 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, burnished aquatint, drypoint and burin", "Support" : "", "Disp_Medium" : "Etching, burnished aquatint, drypoint and burin", "Info_Page_Comm" : "In 1816, Goya announced the publication of “thirty-three prints that represent different maneuvers and positions in the art of contesting with bulls.” La Tauromaquia––The Bullfight––presents some of the great figures and moments of Spain’s national pastime. Goya’s choice of subject was guided by the poet Don Nicoás Fernandez de Moratín’s brief history of bullfighting, published in Madrid in 1777, and by a manual attributed to the most famous matador of the time, Pepe Illo, published in Cádiz in 1796. While the intention and the imagery of the series are the most conventional of Goya’s print series, the Tauromaquia nevertheless involves a radical and fairly subversive critique. In these works Goya celebrates the power and nobility of the bull rather than the people portrayed, anticipating the sensibility of French Romantics like Géricault and Delacroix. Similarly, the amorphous space and flat patterning of his compositions are personal and unexpected, predicting elements in the style of critical early modernists, notably Manet. A bull has killed one horse and upends another as picadors struggle to subdue him. This scene is the most panoramic and dynamic of the Tauromaquia. It is also the closest in spirit to the work of French Romantic artists like Géricault and Delacroix, and their celebration of the power of nature. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1429.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1429.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1429.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1429.tif", "IsPrimary" : "1", "_SurrogateID" : "1786", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19461, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19461", "Disp_Access_No" : "2010.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Le Grand corbeau pendu [The Hanging Raven]", "Alt_Title" : "", "Obj_Title" : "Le Grand corbeau pendu [The Hanging Raven]", "Series_Title" : "", "Disp_Maker_1" : "Henri-Charles Guérard", "Sort_Artist" : "Guérard, Henri-Charles", "Disp_Dimen" : "35.6 cm x 55 cm (14 in. x 21 5/8 in.)", "Disp_Height" : "35.6 cm", "Disp_Width" : "55 cm", "Dimen_Extent" : "sheet", "Medium" : "Drypoint", "Support" : "", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "The writer of a New York Times review remarked that Guérard’s Dead Crow, exhibited at the New York Etching Club in 1892, was a large and bold example of a technique used to create velvety black impressions. 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Any outside use must go through artist.", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.22.tif", "IsPrimary" : "1", "_SurrogateID" : "6199", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5539, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5539", "Disp_Access_No" : "G1970.8.12.2/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Las Acordadas", "Alt_Title" : "", "Obj_Title" : "Las Acordadas", "Series_Title" : "", "Disp_Maker_1" : "After José Clemente Orozco", "Sort_Artist" : "Orozco, After José Clemente", "Disp_Dimen" : "24.4 cm x 33.1 cm (9 5/8 in. x 13 1/16 in.)", "Disp_Height" : "24.4 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.8.12.2-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.8.12.2-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.8.12.2-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.8.12.2-8.tif", "IsPrimary" : "1", "_SurrogateID" : "2396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5543", "Disp_Access_No" : "G1970.8.12.6/8", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Jornada trágica [Tragic Day]", "Alt_Title" : "[Tragic Journey]", "Obj_Title" : "Jornada trágica [Tragic Day]", "Series_Title" : "", "Disp_Maker_1" : "After José Clemente Orozco", "Sort_Artist" : "Orozco, After José Clemente", "Disp_Dimen" : "24.3 cm x 33.1 cm (9 9/16 in. x 13 1/16 in.)", "Disp_Height" : "24.3 cm", "Disp_Width" : "33.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph", "Support" : "", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Alvin and Ethel Romansky, 1970", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "Mexican", "Department" : "Prints and Drawings; Latin American Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1970.8.12.6-8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1970.8.12.6-8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1970.8.12.6-8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1970.8.12.6-8.tif", "IsPrimary" : "1", "_SurrogateID" : "6936", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12806", "Disp_Access_No" : "2002.1296", "_AccNumSort1" : "", "Disp_Create_DT" : "1858-1865", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1865", "Disp_Title" : "The Weary Ploughman, or The Herdsman", "Alt_Title" : "", "Obj_Title" : "The Weary Ploughman, or The Herdsman", "Series_Title" : "", "Disp_Maker_1" : "Samuel Palmer", "Sort_Artist" : "Palmer, Samuel", "Disp_Dimen" : "29.7 cm x 43.5 cm (11 11/16 in. x 17 1/8 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "43.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Other than learning to draw from one William Wate, Samuel Palmer had no formal training as an artist. Despite this, he was already exhibiting at the Royal Academy by the age of fourteen. He met William Blake in 1824 and was much influenced by the older artist’s visionary approach to art. Not long afterward he moved to Shoreham in Kent. Calling themselves the “Ancients,” Palmer and his friends rejected the materialism that was taking hold in an increasingly industrialized England. Palmer’s romantic landscapes of this period verge on the fantastical, but two years in Italy in the late 1830s led to a more restrained and classical treatment of his subjects. Palmer did not attempt etching until 1850, when he became a member of the Etching Club. In The Weary Ploughman, Palmer laid bare his Romantic tendencies with a moonlit scene. His command of the tonal range possible with etching shows his debt especially to the seventeenth-century Dutch but also to French contemporaries. Critics were ambivalent at best, and proponents of the etching revival in England, namely Francis Seymour Haden and James McNeill Whistler, dismissed the efforts of the Etching Club as amateurish despite the shared concerns of the two groups of artists. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "English", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1296.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1296.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1296.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1296.tif", "IsPrimary" : "1", "_SurrogateID" : "1772", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7699, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7699", "Disp_Access_No" : "1983.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Bevo with Birds", "Alt_Title" : "", "Obj_Title" : "Bevo with Birds", "Series_Title" : "", "Disp_Maker_1" : "Tom Palmore", "Sort_Artist" : "Palmore, Tom", "Disp_Dimen" : "68.25 cm x 88.6 cm (26 7/8 in. x 34 7/8 in.)", "Disp_Height" : "68.25 cm", "Disp_Width" : "88.6 cm", "Dimen_Extent" : "Image", "Medium" : "Color lithograph and screenprint with colored pencil and airbrush", "Support" : "", "Disp_Medium" : "Color lithograph and screenprint with colored pencil and airbrush", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1983", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1983.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1983.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1983.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1983.8.tif", "IsPrimary" : "1", "_SurrogateID" : "3310", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10243, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10243", "Disp_Access_No" : "2002.1987", "_AccNumSort1" : "", "Disp_Create_DT" : "1933-1934", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1934", "Disp_Title" : "Minotaure aveugle guidé par une fillette dans la nuit [Blind Minotaur Guided by a Young Girl in the Night], plate 97 from the Suite Vollard", "Alt_Title" : "", "Obj_Title" : "Minotaure aveugle guidé par une fillette dans la nuit [Blind Minotaur Guided by a Young Girl in the Night], plate 97 from the Suite Vollard", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "34 cm x 44 cm (13 3/8 in. x 17 5/16 in.)", "Disp_Height" : "34 cm", "Disp_Width" : "44 cm", "Dimen_Extent" : "Sheet", "Medium" : "Aquatint and drypoint", "Support" : "", "Disp_Medium" : "Aquatint and drypoint", "Info_Page_Comm" : "Blind Minotaur is one of the most celebrated images in a suite of one hundred that Pablo Picasso produced between 1930 and 1937 for the dealer Ambroise Vollard. Having exhausted Analytical and Synthetic Cubism, and after repeated visits to Italy where he explored ancient art, Picasso entered a classical phase. Focusing on the expressive potential of line, he reinterpreted ancient myths, such as that of the Minotaur, which for him represented the ideal union between man and beast, a combination at once passionate and conflicted. In this, the last image in a series of fifteen sheets treating the theme, the once powerful beast has been deprived of his sight and is dependent on a little girl for direction. Here Picasso has depicted the protagonist, who in earlier images seduced beautiful women, as enfeebled, while transforming the lovely female into a compassionate guide. The energetic line has been replaced by rich, velvety black surroundings, bright day turning into inky night. Vollard died in a car accident before he could have the suite printed. It remained unpublished in its entirety until 1950, when another dealer, who had acquired the plates during the war, had them printed and signed by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Blanton web use only.", "Disp_Obj_Type" : "print", "Creation_Place2" : "Spanish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1987.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1987.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1987.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1987.tif", "IsPrimary" : "1", "_SurrogateID" : "1882", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2732", "Disp_Access_No" : "2002.2480", "_AccNumSort1" : "", "Disp_Create_DT" : "1644", "_Disp_Start_Dat" : "1644", "_Disp_End_Date" : "1644", "Disp_Title" : "The Shepherd", "Alt_Title" : "", "Obj_Title" : "The Shepherd", "Series_Title" : "", "Disp_Maker_1" : "Paulus Potter", "Sort_Artist" : "Potter, Paulus", "Disp_Dimen" : "17.9 cm x 26.8 cm (7 1/16 in. x 10 9/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Etchings of animals were an important genre in 17th-century Holland. At their best, they convey an assurance of place and a tenderness of interaction that transcend the genre, illuminate Dutch character, and move the patient observer. By any standard, Potter’s etchings are exceptionally dignified and forthright. However prominent and appealing, the genre has attracted little subsequent interest. Steinberg delighted in it, acquiring this first state of Potter’s earliest print and the stunning impression of Van der Meer’s rare Sheep, above, among scores of examples.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2480.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2480.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2480.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2480.tif", "IsPrimary" : "1", "_SurrogateID" : "1951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/264", "Disp_Access_No" : "1986.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "The Snake and the Rose I", "Alt_Title" : "", "Obj_Title" : "The Snake and the Rose I", "Series_Title" : "", "Disp_Maker_1" : "Margaret Prentice", "Sort_Artist" : "Prentice, Margaret", "Disp_Dimen" : "56.2 cm x 76.4 cm (22 1/8 in. x 30 1/16 in.)", "Disp_Height" : "56.2 cm", "Disp_Width" : "76.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Intaglio on handmade paper with colored pulp imagery", "Support" : "", "Disp_Medium" : "Intaglio on handmade paper with colored pulp imagery", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Transfer from the Guest Artists in Printmaking Program, Art Department, The University of Texas at Austin, 1986", "Copyright_Type" : "", "Disp_Obj_Type" : "print", "Creation_Place2" : "American", "Department" : "Prints and Drawings; American and Contemporary Art", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.11.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.11.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.11.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.11.tif", "IsPrimary" : "1", "_SurrogateID" : "3403", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4263", "Disp_Access_No" : "1997.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Serpent-Auréole [Serpent-Halo]", "Alt_Title" : "", "Obj_Title" : "Serpent-Auréole [Serpent-Halo]", "Series_Title" : "", "Disp_Maker_1" : "Odilon Redon", "Sort_Artist" : "Redon, Odilon", "Disp_Dimen" : "52.8 cm x 49.8 cm (20 13/16 in. x 19 5/8 in.)", "Disp_Height" : "52.8 cm", "Disp_Width" : "49.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Lithograph and transfer lithograph on chine appliqué", "Support" : "", "Disp_Medium" : "Lithograph and transfer lithograph on chine appliqué", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase from the Severin Wunderman Collection Fund, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.32.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.32.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.32.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.32.tif", "IsPrimary" : "1", "_SurrogateID" : "4248", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12562", "Disp_Access_No" : "2002.977", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Shepherd with Dog and Departing Flock", "Alt_Title" : "", "Obj_Title" : "Shepherd with Dog and Departing Flock", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Reinhold", "Sort_Artist" : "Reinhold, Heinrich", "Disp_Dimen" : "17.6 cm x 25.2 cm (6 15/16 in. x 9 15/16 in.)", "Disp_Height" : "17.6 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.977.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.977.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.977.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.977.tif", "IsPrimary" : "1", "_SurrogateID" : "2093", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13732, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13732", "Disp_Access_No" : "2002.2643", "_AccNumSort1" : "", "Disp_Create_DT" : "1660s", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1660", "Disp_Title" : "Four Resting Sheep and One Standing Sheep Near a Wall", "Alt_Title" : "", "Obj_Title" : "Four Resting Sheep and One Standing Sheep Near a Wall", "Series_Title" : "", "Disp_Maker_1" : "Johann Heinrich Roos", "Sort_Artist" : "Roos, Johann Heinrich", "Disp_Dimen" : "21.3 cm x 17.5 cm (8 3/8 in. x 6 7/8 in.)", "Disp_Height" : "21.3 cm", "Disp_Width" : "17.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Etchings of animals were an important genre in 17th-century Holland. At their best, they convey an assurance of place that expresses the Dutch character and a tenderness of interaction that touches the patient observer. One of a set of thirteen animals, the print is appealing enough in its sound composition and dignified characterization. The impression, however, is breathtaking, with the dense polishing scratches and velvety blacks of the first pulls from the plate. 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