{ "objects" : [ { "embark_ID" : 11014, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11014", "Disp_Access_No" : "2002.260", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1470 (printed circa 1600)", "_Disp_Start_Dat" : "1465", "_Disp_End_Date" : "1475", "Disp_Title" : "Temptacio dyaboli de fide [The Test of Faith by the Devil], from Ars Moriendi [The Art of Dying]", "Alt_Title" : "", "Obj_Title" : "Temptacio dyaboli de fide [The Test of Faith by the Devil], from Ars Moriendi [The Art of Dying]", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "19.3 cm x 14.5 cm (7 5/8 in. x 5 11/16 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "A spiritual guide to preparing for death, Ars Moriendi was one of the most popular texts of the late Middle Ages. Beginning in the Netherlands around 1465 there appeared abbreviated printed editions with eleven woodcut illustrations. This subject, the first, represents a dying man beset by demons and proffered pagan faith in the form of the column, but protected by Christ, the Virgin and a saint who appear behind the headboard. It comes from a very early Latin edition and, although a later printing, is one of only three known examples.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German (?)", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.260.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.260.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.260.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.260.tif", "IsPrimary" : "1", "_SurrogateID" : "1969", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11001", "Disp_Access_No" : "1996.171", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1485", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1484", "Disp_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Alt_Title" : "", "Obj_Title" : "Christ on the Cross between the Virgin and Saint John (Canon Crucifixion)", "Series_Title" : "", "Disp_Maker_1" : "Anonymous German (Bamberg and Regensburg)", "Sort_Artist" : "Anonymous German (Bamberg and Regensburg)", "Disp_Dimen" : "37.2 cm x 23.4 cm (14 5/8 in. x 9 3/16 in.)", "Disp_Height" : "37.2 cm", "Disp_Width" : "23.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Support" : "", "Disp_Medium" : "Woodcut with hand coloring, gilding, and silvering on vellum", "Info_Page_Comm" : "This, the central image of the Christian faith, commonly appeared before the Canon of the Mass in medieval manuscript missals, the books containing all that is said or sung at mass during the entire year. As these were replaced by printed volumes in the second half of the fifteenth century, the Kanonbild, or Canon Crucifixion, was translated into woodcut, printed separately, then pasted into the volumes or sold as an independent devotional image. This particular version appears in missals published by Johann Sensenschmidt with various partners in Bamberg and Regensburg between 1485 and 1492. The museum’s impression was printed on vellum, colored by hand, and gilded and silvered in the halos in order to imitate the appearance of a manuscript leaf. There are three other such deluxe impressions in the United States. Deeply conservative in function and materials, they are excellent examples of the relationship between the manuscript tradition and early prints, especially in northern Europe. At the same time, amid the explosion of book illustration in the late fifteenth century, Kanonbilder were much larger in size, more articulate in cutting, and more expressive—note the body of Christ—than the typical product of the day. Within a decade, Albrecht Dürer would introduce virtuoso artistic woodcuts. The Kanonbilder point in their direction and help explain their origin.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation and the Archer M. Huntington Museum Fund, by exchange, 1996", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.171.tif", "IsPrimary" : "1", "_SurrogateID" : "2934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11018", "Disp_Access_No" : "1980.57", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1490", "_Disp_Start_Dat" : "1485", "_Disp_End_Date" : "1495", "Disp_Title" : "Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Jacopo de Barbari", "Sort_Artist" : "Barbari, Jacopo de", "Disp_Dimen" : "18.55 cm x 12.7 cm (7 5/16 in. x 5 in.)", "Disp_Height" : "18.55 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.57.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.57.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.57.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1980.57.tif", "IsPrimary" : "1", "_SurrogateID" : "5204", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2040", "Disp_Access_No" : "2002.2328", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1497-1500", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1500", "Disp_Title" : "The Flagellation, from The Great Passion", "Alt_Title" : "", "Obj_Title" : "The Flagellation, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "38.2 cm x 27.4 cm (15 1/16 in. x 10 13/16 in.)", "Disp_Height" : "38.2 cm", "Disp_Width" : "27.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Because they afforded little sense of discovery and required more substantial outlay, Steinberg rarely pursued prints by the most familiar masters, Dürer and Rembrandt. Still the Collection includes notable examples by each. The “Great” or “Large Passion”, the most dramatic of the three series Dürer devoted to the subject, began with seven compositions in 1497-98. The Flagellation is one of another four in a more equilibrated manner that were added in 1511. This is a fine, proof impression, with little wear to the block and before the edition with text on the reverse of each sheet.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2328.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2328.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2328.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2328.tif", "IsPrimary" : "1", "_SurrogateID" : "1926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11020", "Disp_Access_No" : "1995.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1497-1498", "_Disp_Start_Dat" : "1497", "_Disp_End_Date" : "1498", "Disp_Title" : "Martyrdom of Saint Catherine", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Catherine", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39 cm x 28.7 cm (15 3/8 in. x 11 5/16 in.)", "Disp_Height" : "39 cm", "Disp_Width" : "28.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Martyrdom of Saint Catherine combines the stages of the saint’s execution: a first attempt with a spiked wheel, its thwarting by divine intervention, and a second, successful attempt at the hand of a swordsman. Albrecht Dürer crowded the composition with an extraordinary amount of information. He missed no opportunity for conspicuous invention, from the exploding heavens to the splendid executioner, and boasted an unprecedented variety of mark and complexity of effect. Prior to Dürer’s activity, woodcut had been bound by simple conventions and popular functions. Flush with creative as well as commercial ambition, the young artist applied his singular imagination and audacious skill to the technique, single-handedly elevating it to the level of high art. The success of such woodcuts spread Dürer’s compositions and fame across Europe. He went on to explore possibilities of the medium––first pictorial, then schematic, and finally abstract. These experiments would dominate sixteenth-century production and, long after woodcut had returned to its basic tendencies, remain the measure of artistic achievement in the medium. Woodcut, however, was by no means Dürer’s primary graphic technique. His command of the burin, an engraving tool, is masterful and the focus and detail in his engravings approach hyperrealism. The museum houses over 38 etchings, engravings, and woodcuts by the Northern Renaissance master, offering an opportunity to observe the scope of Dürer’s expertise in the graphic arts.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.36.tif", "IsPrimary" : "1", "_SurrogateID" : "1655", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11021", "Disp_Access_No" : "P1961.7", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Presentation of Christ, from The Great Passion", "Alt_Title" : "Ecce Homo", "Obj_Title" : "The Presentation of Christ, from The Great Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.35 cm x 28.6 cm (15 1/2 in. x 11 1/4 in.)", "Disp_Height" : "39.35 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.7.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.7.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.7.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.7.TIF", "IsPrimary" : "1", "_SurrogateID" : "5662", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11002", "Disp_Access_No" : "1996.288", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1498", "_Disp_Start_Dat" : "1488", "_Disp_End_Date" : "1497", "Disp_Title" : "Saint John before God and the Elders, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "Saint John before God and the Elders, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 27.7 cm (15 3/8 in. x 10 7/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "General source for background of Marco Dente", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.288.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.288.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.288.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1996.288.TIF", "IsPrimary" : "1", "_SurrogateID" : "5653", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11022, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11022", "Disp_Access_No" : "P1961.9", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1498", "_Disp_Start_Dat" : "1493", "_Disp_End_Date" : "1503", "Disp_Title" : "The Seven Trumpets, from The Apocalypse", "Alt_Title" : "", "Obj_Title" : "The Seven Trumpets, from The Apocalypse", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "39.1 cm x 28.2 cm (15 3/8 in. x 11 1/8 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.9.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.9.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.9.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.9.TIF", "IsPrimary" : "1", "_SurrogateID" : "5663", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11016", "Disp_Access_No" : "2002.799", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1475-1490", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1490", "Disp_Title" : "Descent into Limbo, after Martin Schongauer", "Alt_Title" : "", "Obj_Title" : "Descent into Limbo, after Martin Schongauer", "Series_Title" : "", "Disp_Maker_1" : "Master A.G. (Albrecht Glockendon)", "Sort_Artist" : "Master A.G. (Albrecht Glockendon)", "Disp_Dimen" : "14.8 cm x 10.6 cm (5 13/16 in. x 4 3/16 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.799.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.799.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.799.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.799.tif", "IsPrimary" : "1", "_SurrogateID" : "5395", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12467", "Disp_Access_No" : "2002.807", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Immaculate Conception", "Alt_Title" : "", "Obj_Title" : "Immaculate Conception", "Series_Title" : "", "Disp_Maker_1" : "Israhel van Meckenem", "Sort_Artist" : "Meckenem, Israhel van", "Disp_Dimen" : "28 cm x 19.2 cm (11 in. x 7 9/16 in.)", "Disp_Height" : "28 cm", "Disp_Width" : "19.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.807.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.807.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.807.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.807.tif", "IsPrimary" : "1", "_SurrogateID" : "5842", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.807_detail.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.807_detail.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.807_detail.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.807_detail.tif", "IsPrimary" : "0", "_SurrogateID" : "5844", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8075, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8075", "Disp_Access_No" : "P1961.96", "_AccNumSort1" : "", "Disp_Create_DT" : "1470-1482", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1482", "Disp_Title" : "Saint James Major, from The Apostles", "Alt_Title" : "", "Obj_Title" : "Saint James Major, from The Apostles", "Series_Title" : "", "Disp_Maker_1" : "Martin Schongauer", "Sort_Artist" : "Schongauer, Martin", "Disp_Dimen" : "9.2 cm x 4.75 cm (3 5/8 in. x 1 7/8 in.)", "Disp_Height" : "9.2 cm", "Disp_Width" : "4.75 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.96.tif", "ThumbnailPath" : 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"Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2590.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2590.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2590.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2590.tif", "IsPrimary" : "1", "_SurrogateID" : "3135", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11017, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11017", "Disp_Access_No" : "P1964.12", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1480", "_Disp_Start_Dat" : "1475", "_Disp_End_Date" : "1485", "Disp_Title" : "Christ before Annas, from The Passion of Christ", "Alt_Title" : "", "Obj_Title" : "Christ before Annas, from The Passion of Christ", "Series_Title" : "", "Disp_Maker_1" : "Martin Schongauer", "Sort_Artist" : "Schongauer, Martin", "Disp_Dimen" : "16.3 cm x 11.4 cm (6 7/16 in. x 4 1/2 in.)", "Disp_Height" : "16.3 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. 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The title Queen of Heaven appeared in devotional prayers and translated into art in the form of regal images of the Virgin. The coronation of the Virgin, in which a crown is placed on Mary’s head, is usually set in a royal court or among the clouds with throngs of saints and angels looking on in admiration. 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