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"Fulcaro, Sebastiano", "Disp_Dimen" : "35.3 cm x 24.9 cm (13 7/8 in. x 9 13/16 in.)", "Disp_Height" : "35.3 cm", "Disp_Width" : "24.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1351.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1351.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1351.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1351.tif", "IsPrimary" : "1", "_SurrogateID" : "4938", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13157", "Disp_Access_No" : "2002.1836", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Gloria, after Rosso Fiorentino", "Alt_Title" : "", "Obj_Title" : "Gloria, after Rosso Fiorentino", "Series_Title" : "", "Disp_Maker_1" : "Domenico del Barbiere", "Sort_Artist" : "Barbiere, Domenico del", "Disp_Dimen" : "28.5 cm x 22.3 cm (11 1/4 in. x 8 3/4 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "22.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This personification of Glory, or Fame, astride the globe records one of the figures that flanked a bust of François I in Rosso’s design for the centerpiece of Francois' palace, the grand galerie. Exceptionally nimble in stroke, plastic in form, and equilibrated in design –– poised between the figural and the ornamental –– it suggests why Zerner has called Domenico “one of the masters of printmaking.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1836.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1836.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1836.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1836.tif", "IsPrimary" : "1", "_SurrogateID" : "1858", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2280, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2280", "Disp_Access_No" : "2002.1775", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Alt_Title" : "", "Obj_Title" : "Vision of Saint Francis (Il perdono d'Assisi)", "Series_Title" : "", "Disp_Maker_1" : "Federico Barocci", "Sort_Artist" : "Barocci, Federico", "Disp_Dimen" : "55.3 cm x 34.5 cm (21 3/4 in. x 13 9/16 in.)", "Disp_Height" : "55.3 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Federico Barocci, a painter of extreme sensitivity and incipient naturalism, had a fundamental role as a precursor of the Baroque. Although they are still essentially idealized, his works built upon the innovations of Titian and especially Correggio to achieve unprecedented optical sensation and affecting sentiment. Later in his career, he experimented with printmaking, making four etchings. This, one of two large and complex plates, reproduces his own altarpiece of 1576 for the church of San Francesco at Urbino. Its subject is Saint Francis’s vision of Christ granting indulgences to the pilgrims who would visit the saint’s chapel at Portiuncola. The etching translates not just the composition but the vibrance and ecstatic feeling of the prototype. Extremely important despite being few in number, Barocci’s prints set the course of Italian Baroque etching. Combining the plastic values of late-century engraving with the graphic freedom of etching, they were the first to accommodate the naturalism and inherent expressiveness of the emergent style of painting. Immediately, they helped reinforce and further Barocci’s influence. More generally, they established the proposition of painters conveying their full style, not merely their composition or drawing, through printmaking. Most of the etchers of the next century would be painters first, and many of their finest plates would interpret their own works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1775.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1775.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1775.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1775.tif", "IsPrimary" : "1", "_SurrogateID" : "1849", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13104, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13104", "Disp_Access_No" : "2002.1728", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Man with a Phrygian Cap ('Saint Paul'), from The Crucifixion of Saint Peter, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Man with a Phrygian Cap ('Saint Paul'), from The Crucifixion of Saint Peter, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "35.4 cm x 14.5 cm (13 15/16 in. x 5 11/16 in.)", "Disp_Height" : "35.4 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1728.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1728.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1728.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1728.tif", "IsPrimary" : "1", "_SurrogateID" : "4952", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19532, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19532", "Disp_Access_No" : "2010.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1562", "_Disp_Start_Dat" : "1562", "_Disp_End_Date" : "1562", "Disp_Title" : "Angels Trumpeting, plate 7 from The Last Judgment, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Angels Trumpeting, plate 7 from The Last Judgment, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "32.9 cm x 25.7 cm (12 15/16 in. x 10 1/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "25.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.40.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.40.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.40.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.40.tif", "IsPrimary" : "1", "_SurrogateID" : "8218", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8117", "Disp_Access_No" : "2002.1723", "_AccNumSort1" : "", "Disp_Create_DT" : "1550's", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Annunciation, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Annunciation, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Beatrizet", "Sort_Artist" : "Beatrizet, Nicolas", "Disp_Dimen" : "30.4 cm x 42.6 cm (11 15/16 in. x 16 3/4 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving reproduces a presentation drawing by Michelangelo, probably of the late 1530s. 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"Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1637.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1637.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1637.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1637.tif", "IsPrimary" : "1", "_SurrogateID" : "8297", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11103, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11103", "Disp_Access_No" : "2002.1627", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "Abraham and Isaac on the Way to the Sacrifice, plate 4 from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "Abraham and Isaac on the Way to the Sacrifice, plate 4 from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.7 cm x 18.2 cm (4 5/8 in. x 7 3/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1627.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1627.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1627.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1627.tif", "IsPrimary" : "1", "_SurrogateID" : "8287", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11102", "Disp_Access_No" : "2002.1629", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1573", "_Disp_Start_Dat" : "1568", "_Disp_End_Date" : "1578", "Disp_Title" : "Tobias and the Angel, plate 8 from Landscapes with Scenes from the Bible and Ovid", "Alt_Title" : "", "Obj_Title" : "Tobias and the Angel, plate 8 from Landscapes with Scenes from the Bible and Ovid", "Series_Title" : "", "Disp_Maker_1" : "After Hans Bol", "Sort_Artist" : "Bol, After Hans", "Disp_Dimen" : "11.7 cm x 18.5 cm (4 5/8 in. x 7 5/16 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1629.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1629.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1629.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1629.tif", "IsPrimary" : "1", "_SurrogateID" : "8289", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" 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"Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.156.tif", "IsPrimary" : "1", "_SurrogateID" : "7011", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13102", "Disp_Access_No" : "2002.1721", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1568", "_Disp_Start_Dat" : "1558", "_Disp_End_Date" : "1567", "Disp_Title" : "Crucifixion of Saint Peter, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion of Saint Peter, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista de Cavalieri", "Sort_Artist" : "Cavalieri, Giovanni Battista de", "Disp_Dimen" : "42.5 cm x 54.9 cm (16 3/4 in. x 21 5/8 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "54.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1721.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1721.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1721.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1721.tif", "IsPrimary" : "1", "_SurrogateID" : "5180", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2153", "Disp_Access_No" : "2002.1171", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "36.9 cm x 28.2 cm (14 1/2 in. x 11 1/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Most of Coornhert's works translate drawings by Heemskerck into an exaggerated but perfectly regular Romanist style that became an idiom of mid-century engraving. Many, in series of six to ten plates, illustrate Old Testament narratives. Jacob Wrestling with the Angel is noteworthy as a vivid impression of an alternative plate for one such series that is therefore very rare. The Steinberg Collection includes seven complete series by Coornhert and his circle, as well as several large independent plates. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1171.tif", "IsPrimary" : "1", "_SurrogateID" : "1761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2261", "Disp_Access_No" : "2002.2098", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Copy after Cornelis Cort", "Sort_Artist" : "Cort, Copy after Cornelis", "Disp_Dimen" : "48.9 cm x 34.7 cm (19 1/4 in. x 13 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2098.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2098.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2098.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2098.tif", "IsPrimary" : "1", "_SurrogateID" : "1900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2259", "Disp_Access_No" : "2002.2096", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence (First Version), after Titian", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.7 cm x 35 cm (19 9/16 in. x 13 3/4 in.)", "Disp_Height" : "49.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The first version of the Martyrdom of Saint Lawrence was painted for the church of Santa Maria dei Crociferi, Venice, between 1548 and 1557. It survives in the church of the Gesuiti. The second was ordered by Philip II in 1564 for the church of his Escorial Palace, delivered in 1571, and passed to the Prado. Coincident with the completion of the second version, Titian engaged Cort to engrave a composition that incorporates elements of both versions and likely depended upon a separate drawing by Titian. Cort also created a second, practically identical version (exhibited adjacent), perhaps to allow more than one publisher to issue the reproduction simultaneously. The reputation of the paintings and the popularity of the print are underscored by the existence of numerous contemporary copies. The third version exhibited is one of the most accomplished. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2096.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2096.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2096.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2096.tif", "IsPrimary" : "1", "_SurrogateID" : "1898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2260", "Disp_Access_No" : "2002.2097", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.4 cm x 35 cm (19 7/16 in. x 13 3/4 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The most innovative and influential engraver of mid-century, Cort reconciled the emphasis on design and ideal appearance with descriptive variety and the approximation of pictorial effects. In Italy from 1565, he became Titian’s preferred interpreter. The Martyrdom of Saint Lawrence combines elements from two painted versions, the earlier in the church of the Gesuiti at Venice, the later for Philip II of Spain. A measure of success, it was immediately repeated by Cort himself, then copied by another printmaker. The Collection includes very fine impressions of both, and another seven major plates by Cort. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2097.tif", "IsPrimary" : "1", "_SurrogateID" : "1899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "2002.2103", "_AccNumSort1" : "", "Disp_Create_DT" : "1565", "_Disp_Start_Dat" : "1565", "_Disp_End_Date" : "1565", "Disp_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "32.1 cm x 41.1 cm (12 5/8 in. x 16 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Around 1435 Rogier van der Weyden painted a triptych for the Archer’s Guild at Louvain. By 1549 the central panel, depicting the Descent from the Cross, had been acquired by Mary of Hungary, who later gave it to her nephew Philip II of Spain. Today in the Prado, Madrid, the picture is one of the masterpieces of early Netherlandish art. In 1565, undoubtedly due to recent interest in the painting, the Antwerp publisher and impresario Hieronymus Cock had Cornelis Cort engrave the composition. The resulting print was unusual for Cort, who was primarily concerned with Italianate and then Italian subjects. More important, it was the first explicit reproduction of a fifteenth-century Netherlandish painting. The print is extremely rare, however, this being one of only two impressions in the United States. The most innovative and influential engraver of the third quarter of the century, Cort reconciled the earlier emphasis on design and ideal appearance with more varied description and closer approximation of pictorial effects. Formed and first active in Cock’s workshop, he went to Italy in 1565. Becoming Titian’s preferred interpreter, he developed an unprecedentedly rich and differentiated system of engraving. Point of departure for Hendrick Goltzius in the Netherlands and Agostino Carracci in Italy, this system would help determine the development of the technique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2103.tif", "IsPrimary" : "1", "_SurrogateID" : "1902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11047", "Disp_Access_No" : "1995.143", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1512", "_Disp_Start_Dat" : "1507", "_Disp_End_Date" : "1517", "Disp_Title" : "Martyrdom of Saint Bartholomew, from the Martyrdom of the Apostles", "Alt_Title" : "", "Obj_Title" : "Martyrdom of Saint Bartholomew, from the Martyrdom of the Apostles", "Series_Title" : "", "Disp_Maker_1" : "Lucas Cranach", "Sort_Artist" : "Cranach, Lucas", "Disp_Dimen" : "16 cm x 12.7 cm (6 5/16 in. x 5 in.)", "Disp_Height" : "16 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.143.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.143.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.143.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.143.tif", "IsPrimary" : "1", "_SurrogateID" : "3133", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13160", "Disp_Access_No" : "2002.1840", "_AccNumSort1" : "", "Disp_Create_DT" : "1547", "_Disp_Start_Dat" : "1547", "_Disp_End_Date" : "1547", "Disp_Title" : "The Holy Family with Saints, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saints, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "24 cm x 18.3 cm (9 7/16 in. x 7 3/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching on blue prepared paper", "Support" : "", "Disp_Medium" : "Etching on blue prepared paper", "Info_Page_Comm" : "This especially beautiful print reproduces a lost drawing. Davent was the most refined of the pioneering etchers working at Fontainebleau in the 1540s. Printed on a sheet covered with blue wash, this impression would have been intended for a knowledgeable collector. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1840.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1840.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1840.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1840.tif", "IsPrimary" : "1", "_SurrogateID" : "1861", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11094, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11094", "Disp_Access_No" : "1997.94", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1547", "_Disp_Start_Dat" : "1542", "_Disp_End_Date" : "1552", "Disp_Title" : "The Holy Family with Saints, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saints, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Léon Davent", "Sort_Artist" : "Davent, Léon", "Disp_Dimen" : "23.9 cm x 18.3 cm (9 7/16 in. x 7 3/16 in.)", "Disp_Height" : "23.9 cm", "Disp_Width" : "18.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.94.tif", "IsPrimary" : "1", "_SurrogateID" : "4791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2110", "Disp_Access_No" : "2002.1720", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolo della Casa", "Sort_Artist" : "della Casa, Nicolo", "Disp_Dimen" : "44.6 cm x 56.1 cm (17 9/16 in. x 22 1/16 in.)", "Disp_Height" : "44.6 cm", "Disp_Width" : "56.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving from ten plates", "Support" : "", "Disp_Medium" : "Engraving from ten plates", "Info_Page_Comm" : "Unveiled in November 1541, the Last Judgment on the west wall of the Sistine Chapel stired tremendous excitement. Before the end of the decade, there would be three mounumental reproductive engravings of the composition. Della Casa's was the first, printed on ten plates. This is an impression of the top center section, with the resurrected Christ and the interceding Virgin. Even before his virtually certain trip to Rome, circa 1546-47, Cambiaso could have known the composition from such engravings, and after his return he may well have referred to them. In Cambiaso's own Last Judgment in Santa Maria delle Grazie at Chiavari (dated 1550), the upper part of the fresco depends upon precisely this section of Michelangleo's composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1720.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1720.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1720.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1720.tif", "IsPrimary" : "1", "_SurrogateID" : "3644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13065", "Disp_Access_No" : "2002.1654", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1521", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1521", "Disp_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Alt_Title" : "", "Obj_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "40.8 cm x 57.9 cm (16 1/16 in. x 22 13/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "57.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This very large engraving of Herod’s slaughter of the newborn received special mention by Vasari, the early biographer of Italian artists and Bandinelli’s acquaintance. He observed that it “called attention to his command of drawing in the figures and his understanding of musculature and anatomy, bringing him great fame throughout Europe.” Recent scholarship has shown that at the time, an impression cost ten times as much as an ordinary engraving, one hundred times as much as a woodcut. 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Huntington Museum Fund, 1965", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1965.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1965.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1965.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1965.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4812", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18854", "Disp_Access_No" : "2007.39", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1503", "_Disp_Start_Dat" : "1498", "_Disp_End_Date" : "1508", "Disp_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Christ Among the Doctors, from the Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30.5 cm x 21.9 cm (12 in. x 8 5/8 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The adolescent Christ is shown at a lectern in the right background, disputing the Pharisees within the great hall of a stylized temple. The seventeen prints in Dürer’s Life of the Virgin brought the perspective construction, refined forms, and complex expression of Renaissance painting to woodcut, a technique previously associated with simple, generally popular imagery. Disseminated across Europe, this series’ compositions and figural motifs were probably the most frequently quoted images of the sixteenth century. This impression, printed before the usual addition of text to the verso, is notable for its exceptional clarity and perfect condition. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Julia and Stephen Wilkinson in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.39.tif", "IsPrimary" : "1", "_SurrogateID" : "4807", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2029, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2029", "Disp_Access_No" : "P1961.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1504", "_Disp_Start_Dat" : "1504", "_Disp_End_Date" : "1504", "Disp_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Alt_Title" : "", "Obj_Title" : "Joachim and Anna at the Golden Gate, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "29.5 cm x 20.6 cm (11 5/8 in. x 8 1/8 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.8.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.8.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.8.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.8.tif", "IsPrimary" : "1", "_SurrogateID" : "4811", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18894", "Disp_Access_No" : "2007.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1516", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1516", "Disp_Title" : "The Sudarium Held by One Angel", "Alt_Title" : "", "Obj_Title" : "The Sudarium Held by One Angel", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "18.2 cm x 13.3 cm (7 3/16 in. x 5 1/4 in.)", "Disp_Height" : "18.2 cm", "Disp_Width" : "13.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "An angel holds aloft the veil Veronica used to wipe Christ’s face on his way to Calvary and upon which his features were miraculously preserved. His unusual posture, the fluttering draperies, and the flashing light convey excited movement, therefore spiritual agitation. This print is one of Dürer’s six etchings. These are among the earliest examples of the technique, and the first in which its potential for individual, even eccentric expression was explored. This impression is distinguished by its printing before any corrosion of the plate and its especially rich inking.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas in honor of Jonathan Bober's twentieth anniversary as Curator of Prints and Drawings, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.78.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.78.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.78.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.78.tif", "IsPrimary" : "1", "_SurrogateID" : "4808", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2046", "Disp_Access_No" : "P1961.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1513", "_Disp_Start_Dat" : "1513", "_Disp_End_Date" : "1513", "Disp_Title" : "Madonna by the Tree", "Alt_Title" : "", "Obj_Title" : "Madonna by the Tree", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.4 cm x 7.3 cm (4 1/2 in. x 2 7/8 in.)", "Disp_Height" : "11.4 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.3.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.3.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.3.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.3.TIF", "IsPrimary" : "1", "_SurrogateID" : "5647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11045, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11045", "Disp_Access_No" : "1988.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-11", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Christ Crowned with Thorns, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.7 cm x 11.5 cm (5 13/16 in. x 4 1/2 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.64.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.64.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.64.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1988.64.TIF", "IsPrimary" : "1", "_SurrogateID" : "5651", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2035", "Disp_Access_No" : "1980.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1511", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1511", "Disp_Title" : "Madonna with the Pear", "Alt_Title" : "", "Obj_Title" : "Madonna with the Pear", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "15.9 cm x 10.6 cm (6 1/4 in. x 4 3/16 in.)", "Disp_Height" : "15.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Dürer returned to the theme of the Virgin and Child throughout his career. Executed in 1511, this engraving is one of Dürer’s most curious and disconcerting treatments of the subject. Most striking is the contradiction of the tender, maternal scene between mother and child by the artist’s formal choices. The oppressive city gate towering above the viewer’s eye level; the Virgin’s off-center, twisting pose; and the contorted pattern of lines that compose the large tree: all induce a feeling of isolation that seems to portend Christ’s future suffering. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1980", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1980.53.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1980.53.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1980.53.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1980.53.TIF", "IsPrimary" : "1", "_SurrogateID" : "5637", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12476", "Disp_Access_No" : "2002.837", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1511", "_Disp_Start_Dat" : "1506", "_Disp_End_Date" : "1516", "Disp_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Alt_Title" : "", "Obj_Title" : "Salome Presenting the Head of Saint John the Baptist to Herod", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "19 cm x 12.8 cm (7 1/2 in. x 5 1/16 in.)", "Disp_Height" : "19 cm", "Disp_Width" : "12.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "This depiction of the story of Salome is one of Dürer’s lesser known prints. When John the Baptist condemned the marriage of Salome’s mother to King Herod, the young Salome seduced the King with a dance and convinced him to decapitate the saint. Dürer sets the episode in an intimate setting, similar to those of the Small Passion. The stirring exchange of glances between Salome, King Herod, and the decapitated head of Saint John provides the scene with a palpable feeling of discomfort.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.837.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.837.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.837.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.837.TIF", "IsPrimary" : "1", "_SurrogateID" : "5659", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12475, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12475", "Disp_Access_No" : "2002.835", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1507", "_Disp_Start_Dat" : "1508", "_Disp_End_Date" : "1517", "Disp_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Alt_Title" : "Abschied", "Obj_Title" : "Christ Taking Leave of the Virgin, from The Life of the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "30 cm x 21.1 cm (11 13/16 in. x 8 5/16 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.835.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.835.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.835.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.835.TIF", "IsPrimary" : "1", "_SurrogateID" : "5658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2048", "Disp_Access_No" : "G1966.2.150", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Saint Thomas", "Alt_Title" : "", "Obj_Title" : "Saint Thomas", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "11.55 cm x 7.3 cm (4 9/16 in. x 2 11/16 in.)", "Disp_Height" : "11.55 cm", "Disp_Width" : "7.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This individual, full-length depiction of Saint Thomas was part of an intended series of all twelve Apostles. 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As Dürer would later write, “For in the same way as the ancients attributed the most beautiful form to their God Apollo, so we must use the same measure to reproduce the body of Christ our Lord…” Indeed, Christ’s classical proportions and contrapposto anticipates Dürer’s famous Adam of 1504, and the schematic placement of the cross and instruments of the passion resemble the measuring lines used in his Book of Human Proportions.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.827.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.827.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.827.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.827.TIF", "IsPrimary" : "1", "_SurrogateID" : "5650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2051", "Disp_Access_No" : "1995.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1514", "_Disp_Start_Dat" : "1514", "_Disp_End_Date" : "1514", "Disp_Title" : "Madonna by the Wall", "Alt_Title" : "", "Obj_Title" : "Madonna by the Wall", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "14.8 cm x 10.1 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.8 cm", "Disp_Width" : "10.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In this engraving, the instability that characterizes the Virgin and Child with the Pear gives way to a sense of monumentality and repose created by the group’s regular, triangular composition and centeral positioning. 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Hage, Jr., Susan Thomas, and Jo Alice Tomforde, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.113.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.113.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.113.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/1995.113.TIF", "IsPrimary" : "1", "_SurrogateID" : "5639", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2041", "Disp_Access_No" : "2002.2803", "_AccNumSort1" : "", "Disp_Create_DT" : "1509-1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ Before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ Before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2803.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2803.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2803.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2803.TIF", "IsPrimary" : "1", "_SurrogateID" : "5654", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2039", "Disp_Access_No" : "2002.833", "_AccNumSort1" : "", "Disp_Create_DT" : "1509 - 1511", "_Disp_Start_Dat" : "1509", "_Disp_End_Date" : "1511", "Disp_Title" : "Christ before Annas, from The Small Passion", "Alt_Title" : "", "Obj_Title" : "Christ before Annas, from The Small Passion", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "12.7 cm x 9.8 cm (5 in. x 3 7/8 in.)", "Disp_Height" : "12.7 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.833.TIF", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.833.TIF", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.833.TIF", "IIIF_URL": "http://iiif.gallerysystems.com/2002.833.TIF", "IsPrimary" : "1", "_SurrogateID" : "5657", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8194", "Disp_Access_No" : "1990.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1590's", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Series_Title" : "", "Disp_Maker_1" : "Pietro Faccini", "Sort_Artist" : "Faccini, Pietro", "Disp_Dimen" : "33.8 cm x 24.7 cm (13 5/16 in. x 9 3/4 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Active in Bologna around the time of the Carracci’s reaction against Mannerist style, Faccini persisted in its arbitrary design and subjective feeling. Equally distinctive as a printmaker, he resuscitated the forms and technique of Parmigianino’s etchings. In this, his major plate, the image of the Virgin is practically a quotation of the earlier artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.159.tif", "IsPrimary" : "1", "_SurrogateID" : "4084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2342", "Disp_Access_No" : "2002.1759", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Francis Receiving the Christ Child", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Christ Child", "Series_Title" : "", "Disp_Maker_1" : "Pietro Faccini", "Sort_Artist" : "Faccini, Pietro", "Disp_Dimen" : "35.2 cm x 25 cm (13 7/8 in. x 9 13/16 in.)", "Disp_Height" : "35.2 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1759.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1759.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1759.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1759.tif", "IsPrimary" : "1", "_SurrogateID" : "7036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2293", "Disp_Access_No" : "1991.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "35.9 cm x 55.5 cm (14 1/8 in. x 21 7/8 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The counterpart of Paolo’s grand Conversion of Saint Paul, this was the largest, most complicated and most thoroughly Roman of etchings by Farinati and son. To judge from the large number of editions and extant impressions, the print was also their most successful. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, by exchange, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16775, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16775", "Disp_Access_No" : "2003.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1567", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1567", "Disp_Title" : "Saint John the Evangelist", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "27.8 cm x 18 cm (10 15/16 in. x 7 1/16 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati, a prolific painter, was also the leading etcher in late sixteenth-century Verona. His style combined the heavy, plastic form of the nearby school of Mantua with the elegant proportions and fine rhythms that he gathered from Parmigianino. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence A. Lawver, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.22.tif", "IsPrimary" : "1", "_SurrogateID" : "2127", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. 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University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1035.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1035.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1035.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1035.tif", "IsPrimary" : "1", "_SurrogateID" : "6550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13385", "Disp_Access_No" : "2002.2185", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Andrew, plate 2 from Christ, the 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"Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.160.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.160.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.160.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.160.tif", "IsPrimary" : "1", "_SurrogateID" : "7197", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13380", "Disp_Access_No" : "2002.2178", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Circumcision, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Circumcision, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "47.7 cm x 35.5 cm (18 3/4 in. x 14 in.)", "Disp_Height" : "47.7 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The great Dutch Mannerist engraver Hendrick Goltzius was one of the most historically aware engravers of the sixteenth century. At the apex of his printmaking career, he conceived a series of six, large-format engravings in the manner of different early masters of the technique. The Circumcision is his audacious homage to Dürer. While the crowded figure group and open architectural setting refers most closely to Dürer’s Circumcision from the Life of the Virgin, the variety of texture and brilliant light effects attempt to match mature engravings such as the Saint Jerome in His Study. According to Goltzius’s contemporary, Karel van Mander, the artist removed his monogram from several impressions. Thus disguised, the impressions were sent off to Venice, Rome, and Amsterdam, where they were prized by connoisseurs as a previously unknown masterpiece by Dürer. When Goltzius admitted that he was the artist, it was conceded the younger artist had surpassed his predecessor. Despite its apocryphal nature, the anecdote reveals Dürer’s enduring position as figure against whom subsequent generations of printmakers would inevitably be compared. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2178.tif", "IsPrimary" : "1", "_SurrogateID" : "7272", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13387", "Disp_Access_No" : "2002.2187", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10.3 cm (5 13/16 in. x 4 1/16 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2187.tif", "IsPrimary" : "1", "_SurrogateID" : "7210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13388", "Disp_Access_No" : "2002.2188", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Philip, plate 5 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Philip, plate 5 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10.2 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2188.tif", "IsPrimary" : "1", "_SurrogateID" : "7211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11043", "Disp_Access_No" : "1992.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1508", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1513", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "19.6 cm x 14.5 cm (7 11/16 in. x 5 11/16 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a perfect example of the qualities that place Lucas van Leyden among the greatest engravers of the sixteenth century. Its lovely invention, the Holy Family sharing a bite on the outskirts of a town, blurs the boundaries between a traditional Rest on the Flight into Egypt and a generic devotional image. The observation of the world is searching and minute, like that of early Netherlandish painting. Tender, quietly absorbed, unassuming despite their bulk and rather heavy proportions, the figures and their interaction communicate a harmonious and intimate domesticity. In van Leyden’s later development, the influence of Italian style would inhibit this whimsy and sincerity, which, undiluted in early works like this, lies at the root of Dutch realism. Van Leyden’s technique was just as singular in conception and nuanced in effect. His engraving tool, or burin, seems to have barely grazed the plate, leaving exceptionally shallow strokes that yield mere filament lines. Built in gossamer layers, his textures appear silken, light soft, tone silvery and almost continuous in gradation. Again, these properties are most pronounced in the early engravings and are evident in only the earliest impressions. These properties also indicate a distinctive source of van Leyden’s style in the appearance of metalpoint drawing, as they point to tendencies of engraving in the north Netherlands through the century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by M. K. Hage, Jr., Helen Lea, Marvin Vexler, ’48, the Friends of the Archer M. 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Davis, 1990", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.13.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.13.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.13.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.13.tif", "IsPrimary" : "1", "_SurrogateID" : "7003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13162", "Disp_Access_No" : "2002.1842", "_AccNumSort1" : "", "Disp_Create_DT" : "1530-1540", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1540", "Disp_Title" : "Pietà, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Pietà, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Jean Mignon", "Sort_Artist" : "Mignon, Jean", "Disp_Dimen" : "23.1 cm x 20.4 cm (9 1/8 in. x 8 1/16 in.)", "Disp_Height" : "23.1 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1842.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1842.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1842.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1842.tif", "IsPrimary" : "1", "_SurrogateID" : "7040", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13161", "Disp_Access_No" : "2002.1841", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint John Preaching, after Luca Penni", "Alt_Title" : "", "Obj_Title" : "Saint John Preaching, after Luca Penni", "Series_Title" : "", "Disp_Maker_1" : "Jean Mignon", "Sort_Artist" : "Mignon, Jean", "Disp_Dimen" : "32.7 cm x 45.7 cm (12 7/8 in. x 18 in.)", "Disp_Height" : "32.7 cm", "Disp_Width" : "45.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "French", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1841.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1841.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1841.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1841.tif", "IsPrimary" : "1", "_SurrogateID" : "7039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11079", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "35.5 cm x 25.2 cm (14 in. x 9 15/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino’s proposition of etching as an extension of drawing took root in contemporary Verona. Angolo del Moro was the first and finest of the city’s distinctive school of etchers. This early work was inspired not just by Parmigianino’s approach to technique, but by one of his compositions, a drawing that is today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.48.tif", "IsPrimary" : "1", "_SurrogateID" : "5262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11065", "Disp_Access_No" : "1999.42", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "32.9 cm x 23.8 cm (12 15/16 in. x 9 3/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Frank C. Guthrie, Carolyn Frost Keenan, and Isaac C. Kerridge, Jr., in honor of Ruth Stewart Kerridge, 1999", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "16076", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.42.tif", "IsPrimary" : "1", "_SurrogateID" : "3364", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11912", "Disp_Access_No" : "2002.83", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-26", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "11.8 cm x 7.8 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "This etching is one of Parmigianino’s many interpretations of the theme. Its small size, seeming informality, and sketchy articulation dramatize his appreciation of etching’s conceptual and procedural relation to drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.83.tif", "IsPrimary" : "1", "_SurrogateID" : "5268", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12567, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12567", "Disp_Access_No" : "2002.985", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Saint Michael Defeating Satan", "Alt_Title" : "", "Obj_Title" : "Saint Michael Defeating Satan", "Series_Title" : "", "Disp_Maker_1" : "Georg Pecham", "Sort_Artist" : "Pecham, Georg", "Disp_Dimen" : "21 cm x 15 cm (8 1/4 in. x 5 7/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.985.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.985.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.985.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.985.tif", "IsPrimary" : "1", "_SurrogateID" : "2096", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11082, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11082", "Disp_Access_No" : "1998.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "The Marriage of Tobias and Sarah", "Alt_Title" : "", "Obj_Title" : "The Marriage of Tobias and Sarah", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.9 cm x 10.6 cm (2 11/16 in. x 4 3/16 in.)", "Disp_Height" : "6.9 cm", "Disp_Width" : "10.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the Old Testament, a demon possessed Sarah, widowing her seven times, each on the night of her wedding. The Angel Raphael instructed Tobias to rid her of the demon by burning the organs of a fish in the conjugal bedchamber. Here, the rabbi joins the couple's hands reminiscent of an ancient hand-fasting tradition. The witness behind Sarah covers her nose, foreshadowing the stench of the fish. As late as 1875, bridal bed blessings invoked the holy couple: Lord, bless the bed and those you find there; bless these dear children as you have blessed Toby and Sara. Deign to bless them also, Lord, to the end that in your name they will live and grow old and multiply by Christ, our Lord. Amen. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.337.tif", "IsPrimary" : "1", "_SurrogateID" : "2916", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11083, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11083", "Disp_Access_No" : "1998.338", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1543", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1548", "Disp_Title" : "Tobias and the Archangel Raphael", "Alt_Title" : "", "Obj_Title" : "Tobias and the Archangel Raphael", "Series_Title" : "", "Disp_Maker_1" : "Georg Pencz", "Sort_Artist" : "Pencz, Georg", "Disp_Dimen" : "6.6 cm x 10.5 cm (2 5/8 in. x 4 1/8 in.)", "Disp_Height" : "6.6 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1998", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1998.338.tif", "IsPrimary" : "1", "_SurrogateID" : "2917", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11122", "Disp_Access_No" : "1999.79", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589-1590", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1590", "Disp_Title" : "The Transfiguration", "Alt_Title" : "", "Obj_Title" : "The Transfiguration", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "57.2 cm x 34.2 cm (22 1/2 in. x 13 7/16 in.)", "Disp_Height" : "57.2 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (reworked with pen)", "Support" : "", "Disp_Medium" : "Etching (reworked with pen)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1999", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.79.tif", "IsPrimary" : "1", "_SurrogateID" : "4039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11818", "Disp_Access_No" : "1994.67", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "22 cm x 16.9 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of M. Roy Fisher, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.67.tif", "IsPrimary" : "1", "_SurrogateID" : "6018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11114", "Disp_Access_No" : "1989.107", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1575", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1580", "Disp_Title" : "Holy House of Loreto", "Alt_Title" : "", "Obj_Title" : "Holy House of Loreto", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "16.8 cm x 11.5 cm (6 5/8 in. x 4 1/2 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Holy House of Loreto was another popular pilgrimage site in the Middle Ages. It was commonly believed that the Holy House was where the Virgin Mary lived and raised Jesus. Originally situated in Nazareth, it is purported that angels moved the house multiple times to safer ground when it was threatened by war or theft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.107.tif", "IsPrimary" : "1", "_SurrogateID" : "5945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17388", "Disp_Access_No" : "2005.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1534", "_Disp_Start_Dat" : "1529", "_Disp_End_Date" : "1539", "Disp_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "28.8 cm x 20.4 cm (11 5/16 in. x 8 1/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.36.tif", "IsPrimary" : "1", "_SurrogateID" : "5962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2093", "Disp_Access_No" : "1995.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "34.1 cm x 24.4 cm (13 7/16 in. x 9 5/8 in.)", "Disp_Height" : "34.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is the earliest interpretation of Raphael’s painting of 1520 for San Pietro in Montorio, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.39.tif", "IsPrimary" : "1", "_SurrogateID" : "5951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11036", "Disp_Access_No" : "1989.144", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.2 cm x 21.6 cm (11 1/2 in. x 8 1/2 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Annunciation illustrates the moment when the Angel Gabriel tells the Virgin that she will bear Christ. Images of the Annunciation allude not just to the promise of salvation through Christ’s incarnation, but also to the Virgin’s humility and power to intercede. Just as it was through her that God was made flesh on earth, so too could a devout person get closer to God. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.144.tif", "IsPrimary" : "1", "_SurrogateID" : "6004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11041", "Disp_Access_No" : "1989.150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30 cm x 21.6 cm (11 13/16 in. x 8 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.150.tif", "IsPrimary" : "1", "_SurrogateID" : "6006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. 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"Obj_Title" : "Saint Peter, from Hortulus Animae", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "11.7 cm x 7.9 cm (4 5/8 in. x 3 1/8 in.)", "Disp_Height" : "11.7 cm", "Disp_Width" : "7.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.69.tif", "IIIF_URL": 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domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.70.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.70.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.70.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.70.tif", "IsPrimary" : "1", "_SurrogateID" : "4179", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16825", "Disp_Access_No" : "2003.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1516-1518", "_Disp_Start_Dat" : "1516", "_Disp_End_Date" : "1518", "Disp_Title" : "Saint John, from Hortulus Animae", "Alt_Title" : "", "Obj_Title" : "Saint John, from Hortulus Animae", "Series_Title" : "", "Disp_Maker_1" : "Hans Springinklee", "Sort_Artist" : "Springinklee, Hans", "Disp_Dimen" : "11.8 cm x 7.8 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2003", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.67.tif", "IsPrimary" : "1", "_SurrogateID" : "4176", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2144, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2144", "Disp_Access_No" : "2002.2273", "_AccNumSort1" : "", "Disp_Create_DT" : "1548", "_Disp_Start_Dat" : "1548", "_Disp_End_Date" : "1548", "Disp_Title" : "Entombment", "Alt_Title" : "", "Obj_Title" : "Entombment", "Series_Title" : "", "Disp_Maker_1" : "Lambert Suavius", "Sort_Artist" : "Suavius, Lambert", "Disp_Dimen" : "17.5 cm x 20.4 cm (6 7/8 in. x 8 1/16 in.)", "Disp_Height" : "17.5 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2273.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2273.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2273.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2273.tif", "IsPrimary" : "1", "_SurrogateID" : "1924", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2339", "Disp_Access_No" : "2000.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Alt_Title" : "", "Obj_Title" : "Saint Jerome Hearing the Trumpet of the Last Judgment", "Series_Title" : "", "Disp_Maker_1" : "Antonio Tempesta", "Sort_Artist" : "Tempesta, Antonio", "Disp_Dimen" : "48.5 cm x 37.8 cm (19 1/8 in. x 14 7/8 in.)", "Disp_Height" : "48.5 cm", "Disp_Width" : "37.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.69.tif", "IsPrimary" : "1", "_SurrogateID" : "7016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11129", "Disp_Access_No" : "2002.241", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1600", "Disp_Title" : "Ecstasy of Saint Francis", "Alt_Title" : "", "Obj_Title" : "Ecstasy of Saint Francis", "Series_Title" : "", "Disp_Maker_1" : "Francesco Vanni", "Sort_Artist" : "Vanni, Francesco", "Disp_Dimen" : "23.6 cm x 17.9 cm (9 5/16 in. x 7 1/16 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "17.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "There is a sweet familiarity to Vanni’s St. Francis in Ecstasy. The setting is minimal, analogous to the poverty Francis proclaimed as the path to God. Vanni has rendered Francis’ face as emaciated and pock marked. Any anxiety the viewer might feel is assuaged by the ebullience of the angel.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "1", "_SurrogateID" : "1149", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "0", "_SurrogateID" : "1940", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2078", "Disp_Access_No" : "2002.2045", "_AccNumSort1" : "", "Disp_Create_DT" : "1526", "_Disp_Start_Dat" : "1526", "_Disp_End_Date" : "1526", "Disp_Title" : "Saint Luke Painting the Virgin", "Alt_Title" : "", "Obj_Title" : "Saint Luke Painting the Virgin", "Series_Title" : "", "Disp_Maker_1" : "Dirk Vellert", "Sort_Artist" : "Vellert, Dirk", "Disp_Dimen" : "26.9 cm x 20.2 cm (10 9/16 in. x 7 15/16 in.)", "Disp_Height" : "26.9 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2045.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2045.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2045.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2045.tif", "IsPrimary" : "1", "_SurrogateID" : "1890", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11051", "Disp_Access_No" : "2002.1705", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1516", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1521", "Disp_Title" : "Death of Ananias, after Raphael", "Alt_Title" : "", "Obj_Title" : "Death of Ananias, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "26.5 cm x 39.8 cm (10 7/16 in. x 15 11/16 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "39.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1705.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1705.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1705.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1705.tif", "IsPrimary" : "1", "_SurrogateID" : "1829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11069", "Disp_Access_No" : "1987.45", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1530", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Alt_Title" : "", "Obj_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "24.8 cm x 18.2 cm (9 3/4 in. x 7 3/16 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.45.tif", "IsPrimary" : "1", "_SurrogateID" : "4966", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12845", "Disp_Access_No" : "2002.1343", "_AccNumSort1" : "", "Disp_Create_DT" : "1546", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1546", "Disp_Title" : "Judith Giving the Head of Holofernes to Her Servent, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Judith Giving the Head of Holofernes to Her Servent, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "27.9 cm x 42.5 cm (11 in. x 16 3/4 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1343.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1343.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1343.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1343.tif", "IsPrimary" : "1", "_SurrogateID" : "4984", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2118", "Disp_Access_No" : "2001.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1545", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1545", "Disp_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "53.3 cm x 92.3 cm (21 in. x 36 5/16 in.)", "Disp_Height" : "53.3 cm", "Disp_Width" : "92.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving on two sheets", "Support" : "", "Disp_Medium" : "Engraving on two sheets", "Info_Page_Comm" : "Encouraged by success in Rome, Salviati returned to his native Florence in the early 1540s. For a brief period he challenged the artistic supremacy of Angelo Bronzino at the court of Cosimo de’ Medici. This extraordinary engraving, dedicated on the stone in the left foreground to “the generosity of Cosimo de’ Medici”, was part of his efforts to bolster his position. Pietro Aretino, a prominent literary figure, praised the print’s “stupendous composition” and “sublime invention” in a long letter to Salviati. In this impression, the printing of the right-hand plate is weaker and the effect somewhat unbalanced.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.54.tif", "IsPrimary" : "1", "_SurrogateID" : "4105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2274", "Disp_Access_No" : "2002.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1580", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Alt_Title" : "", "Obj_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Series_Title" : "The Angel Appearing to Zacharias", "Disp_Maker_1" : "Domenico Vito", "Sort_Artist" : "Vito, Domenico", "Disp_Dimen" : "34.6 cm x 22.8 cm (13 5/8 in. x 9 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The little known Vito worked as a reproductive engraver before retiring young to a monastery. The same personality, hermetic and involuted, seems evident in this very rare print. It is unusual first in addressing a motif from an early 16th-century Florentine prototype, one of Andrea del Sarto’s frescoes in the cloister of the church of Santissima Annunziata. More unusual still, it translates the motif into a style of less inflected line work and even tonality that revives the language of Marcantonio Raimondi and his immediate followers. Indeed, were the engraving not dated, it might be confused with one of a half-century earlier. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.54.tif", "IsPrimary" : "1", "_SurrogateID" : "2061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18890, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18890", "Disp_Access_No" : "2007.74", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Christ as the Good Shepherd", "Alt_Title" : "", "Obj_Title" : "Christ as the Good Shepherd", "Series_Title" : "", "Disp_Maker_1" : "Hieronymus Wierix", "Sort_Artist" : "Wierix, Hieronymus", "Disp_Dimen" : "28.5 cm x 19.8 cm (11 1/4 in. x 7 13/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "19.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Flemish", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5351", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2258", "Disp_Access_No" : "2002.2089", "_AccNumSort1" : "", "Disp_Create_DT" : "1581", "_Disp_Start_Dat" : "1581", "_Disp_End_Date" : "1581", "Disp_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Alt_Title" : "", "Obj_Title" : "The Annunciation and the Heavenly Glory, after Cornelis Cort, after Federico Zuccaro ", "Series_Title" : "", "Disp_Maker_1" : "Egidius Horbeck", "Sort_Artist" : "Horbeck, Egidius", "Disp_Dimen" : "11.63 cm x 44.13 cm (4 9/16 in. x 17 3/8 in.)", "Disp_Height" : "11.63 cm", "Disp_Width" : "44.13 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The scene of the Annunciation is at the center of the print, which demonstrates the centrality of the scene to the Christian faithful. Old Testament Prophets surround the scene and Adam and Eve occupy the upper corners of the printed frame. The print conveys the moment when the Old Law (Judaism) gave way to the New Law (Christianity) and allowed for the sins of Adam and Eve to be forgiven.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2089.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2089.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2089.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2089.tif", "IsPrimary" : "1", "_SurrogateID" : "9035", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2079", "Disp_Access_No" : "P1961.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1527", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1527", "Disp_Title" : "The Virgin and Child at the Foot of a Tree", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child at the Foot of a Tree", "Series_Title" : "", "Disp_Maker_1" : "Heinrich Aldegrever", "Sort_Artist" : "Aldegrever, Heinrich", "Disp_Dimen" : "7.5 cm x 5.3 cm (2 15/16 in. x 2 1/16 in.)", "Disp_Height" : "7.5 cm", "Disp_Width" : "5.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Throughout the 1500s, small devotional images remained relatively constant in their portrayal of the Virgin. Many major artists engraved small images of the Virgin and Child for personal, private devotion. These prints were avidly collected and they were used in a variety of ways that evolved as the Virgin’s reception transformed. Devout Christians carried around these small, pocket-sized prints with them. Some early Netherlandish paintings contain a detail of a print of the Virgin tacked to the wall of a room with sealing wax. A pious nun even sewed a print of the Virgin and Child into the bodice of her dress so that she could always have it near her. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.79.tif", "IsPrimary" : "1", "_SurrogateID" : "9038", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2065", "Disp_Access_No" : "2002.2333", "_AccNumSort1" : "", "Disp_Create_DT" : "1519 - 1520", "_Disp_Start_Dat" : "1519", "_Disp_End_Date" : "1520", "Disp_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Alt_Title" : "", "Obj_Title" : "The Pilgrimage to the Beautiful Virgin at Regensburg", "Series_Title" : "", "Disp_Maker_1" : "Michael Ostendorfer", "Sort_Artist" : "Ostendorfer, Michael", "Disp_Dimen" : "54.4 cm x 38.1 cm (21 7/16 in. x 15 in.)", "Disp_Height" : "54.4 cm", "Disp_Width" : "38.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Beautiful Virgin was a statue (after an Altdorfer painting of the same subject inside the church) at a popular pilgrimage church in Regensburg in southern Germany. Ostendorfer represents the statue of the Virgin and Child being adored by a crowd of pilgrims. He accentuates the extreme practices of the pilgrims who visited this site, showing figures throwing themselves against the base of the Virgin’s statue or prostrating themselves before her. Unlike A Devotional Virgin, this print can be seen as an expression of Reformation ideology in its condemnation of the worship of saints by Catholics.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2333.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2333.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2333.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2333.tif", "IsPrimary" : "1", "_SurrogateID" : "9036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12816, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12816", "Disp_Access_No" : "2002.1313", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Martha Introducing Mary Magdalene to Christ, after Marcantonio Raimondi, after Raphael (or Giulio Romano)", "Alt_Title" : "", "Obj_Title" : "Martha Introducing Mary Magdalene to Christ, after Marcantonio Raimondi, after Raphael (or Giulio Romano)", "Series_Title" : "", "Disp_Maker_1" : "Georg Mattheus", "Sort_Artist" : "Mattheus, Georg", "Disp_Dimen" : "23.4 cm x 34.5 cm (9 3/16 in. x 13 9/16 in.)", "Disp_Height" : "23.4 cm", "Disp_Width" : "34.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in ochre", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from two blocks, tone block printed in ochre", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "German", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1313.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1313.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1313.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1313.tif", "IsPrimary" : "0", "_SurrogateID" : "9146", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1313-Crop.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1313-Crop.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1313-Crop.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1313-Crop.tif", "IsPrimary" : "0", "_SurrogateID" : "18768", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11951", "Disp_Access_No" : "2002.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Alt_Title" : "", "Obj_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "25 cm x 18.5 cm (9 13/16 in. x 7 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving, with red chalk on verso", "Support" : "", "Disp_Medium" : "Engraving, with red chalk on verso", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Red chalk sketch on verso shows artist copying composition on recto. Will be displayed double-sided.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.129.tif", "IsPrimary" : "1", "_SurrogateID" : "9333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11978", "Disp_Access_No" : "2002.163", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Susannah and the Elders", "Alt_Title" : "", "Obj_Title" : "Susannah and the Elders", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "15 cm x 10.9 cm (5 7/8 in. x 4 5/16 in.)", "Disp_Height" : "15 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.163.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.163.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.163.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.163.tif", "IsPrimary" : "1", "_SurrogateID" : "9339", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11979", "Disp_Access_No" : "2002.164", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Lot and His Daughters", "Alt_Title" : "", "Obj_Title" : "Lot and His Daughters", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "15.5 cm x 10.9 cm (6 1/8 in. x 4 5/16 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "10.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.164.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.164.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.164.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.164.tif", "IsPrimary" : "1", "_SurrogateID" : "9340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2371, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2371", "Disp_Access_No" : "2002.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1595", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1595", "Disp_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Alt_Title" : "", "Obj_Title" : "The Ecstasy of Saint Francis, after Francesco Vanni", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "37.5 cm x 25.9 cm (14 3/4 in. x 10 3/16 in.)", "Disp_Height" : "37.5 cm", "Disp_Width" : "25.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.242.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.242.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.242.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.242.tif", "IsPrimary" : "1", "_SurrogateID" : "9342", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2273", "Disp_Access_No" : "2002.1749", "_AccNumSort1" : "", "Disp_Create_DT" : "1579", "_Disp_Start_Dat" : "1579", "_Disp_End_Date" : "1579", "Disp_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Alt_Title" : "", "Obj_Title" : "God the Father Supported by Angels, from the Adoration of the Magi, after Baldassare Peruzzi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "32.6 cm x 56.6 cm (12 13/16 in. x 22 5/16 in.)", "Disp_Height" : "32.6 cm", "Disp_Width" : "56.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving made of 7 sheets", "Support" : "", "Disp_Medium" : "Engraving made of 7 sheets", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { 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