{ "objects" : [ { "embark_ID" : 19528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19528", "Disp_Access_No" : "2010.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Entombment, after Guido Reni, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Entombment, after Guido Reni, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "28.8 cm x 20.8 cm (11 5/16 in. x 8 3/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2010.35.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2010.35.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2010.35.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2010.35.tif", "IsPrimary" : "1", "_SurrogateID" : "7889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11924, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11924", "Disp_Access_No" : "2002.95", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Last Judgment Group, after Giorgio Vasari, after Michelangelo, plate 17 from Paradigmata Graphices Variorum Artificium", "Alt_Title" : "", "Obj_Title" : "Last Judgment Group, after Giogio Vasari, after Michelangelo, plate 17 from Paradigmata Graphices Variorum Artificium", "Series_Title" : "", "Disp_Maker_1" : "Jan de Bisschop", "Sort_Artist" : "Bisschop, Jan de", "Disp_Dimen" : "24 cm x 13.2 cm (9 7/16 in. x 5 3/16 in.)", "Disp_Height" : "24 cm", "Disp_Width" : "13.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.95.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.95.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.95.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.95.tif", "IsPrimary" : "1", "_SurrogateID" : "4961", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11242", "Disp_Access_No" : "1992.256", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "The Sacrifice of Abraham", "Alt_Title" : "", "Obj_Title" : "The Sacrifice of Abraham", "Series_Title" : "", "Disp_Maker_1" : "Ferdinand Bol", "Sort_Artist" : "Bol, Ferdinand", "Disp_Dimen" : "40.8 cm x 32.5 cm (16 1/16 in. x 12 13/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "32.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The 1992 Friends of the Archer M. Huntington Art Gallery Purchase", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.256.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.256.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.256.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.256.tif", "IsPrimary" : "1", "_SurrogateID" : "3948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2678", "Disp_Access_No" : "2002.2225", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "Virgin and Child, after Cornelis van Poelenburgh", "Alt_Title" : "", "Obj_Title" : "Virgin and Child, after Cornelis van Poelenburgh", "Series_Title" : "", "Disp_Maker_1" : "Jan Gerritsz. van Bronchorst", "Sort_Artist" : "Bronchorst, Jan Gerritsz. van", "Disp_Dimen" : "17 cm x 12.9 cm (6 11/16 in. x 5 1/16 in.)", "Disp_Height" : "17 cm", "Disp_Width" : "12.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Poelenburgh, along with Bartholomaeus Breenburgh, was the first of a number of Dutch painters who went to Italy and developed an idiom reconciling more realistic topography with the arcadian vision of Claude Lorrain. Their paintings were reproduced by various etchers in a delicately drawn, lightly bitten, therefore appropriately luminous manner. Bronchorst was the principal interpreter of Poelenburgh. Most of his forty etchings reproduce the artist’s Italianate landscapes. This very rare print brings the same exquisite touch, delicate tonality, and ideal mood to a religious subject. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2225.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2225.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2225.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2225.tif", "IsPrimary" : "1", "_SurrogateID" : "1921", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12684", "Disp_Access_No" : "2002.1125", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1620", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "The Penitent Magdalen, after Peter Paul Rubens", "Alt_Title" : "", "Obj_Title" : "The Penitent Magdalen, after Peter Paul Rubens", "Series_Title" : "", "Disp_Maker_1" : "Willem Pietersz. Buytewech", "Sort_Artist" : "Buytewech, Willem Pietersz.", "Disp_Dimen" : "15.6 cm x 12.1 cm (6 1/8 in. x 4 3/4 in.)", "Disp_Height" : "15.6 cm", "Disp_Width" : "12.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1125.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1125.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1125.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1125.tif", "IsPrimary" : "1", "_SurrogateID" : "5927", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2153", "Disp_Access_No" : "2002.1171", "_AccNumSort1" : "", "Disp_Create_DT" : "1549", "_Disp_Start_Dat" : "1549", "_Disp_End_Date" : "1549", "Disp_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Alt_Title" : "", "Obj_Title" : "Jacob Wrestling with the Angel, plate 7 from the Story of Jacob, after Maarten van Heemskerck", "Series_Title" : "", "Disp_Maker_1" : "Dirck Volckertsz Coornhert", "Sort_Artist" : "Coornhert, Dirck Volckertsz", "Disp_Dimen" : "36.9 cm x 28.2 cm (14 1/2 in. x 11 1/8 in.)", "Disp_Height" : "36.9 cm", "Disp_Width" : "28.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Most of Coornhert's works translate drawings by Heemskerck into an exaggerated but perfectly regular Romanist style that became an idiom of mid-century engraving. Many, in series of six to ten plates, illustrate Old Testament narratives. Jacob Wrestling with the Angel is noteworthy as a vivid impression of an alternative plate for one such series that is therefore very rare. The Steinberg Collection includes seven complete series by Coornhert and his circle, as well as several large independent plates. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1171.tif", "IsPrimary" : "1", "_SurrogateID" : "1761", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2261", "Disp_Access_No" : "2002.2098", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Copy after Cornelis Cort", "Sort_Artist" : "Cort, Copy after Cornelis", "Disp_Dimen" : "48.9 cm x 34.7 cm (19 1/4 in. x 13 11/16 in.)", "Disp_Height" : "48.9 cm", "Disp_Width" : "34.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2098.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2098.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2098.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2098.tif", "IsPrimary" : "1", "_SurrogateID" : "1900", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2259, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2259", "Disp_Access_No" : "2002.2096", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence (First Version), after Titian", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.7 cm x 35 cm (19 9/16 in. x 13 3/4 in.)", "Disp_Height" : "49.7 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The first version of the Martyrdom of Saint Lawrence was painted for the church of Santa Maria dei Crociferi, Venice, between 1548 and 1557. It survives in the church of the Gesuiti. The second was ordered by Philip II in 1564 for the church of his Escorial Palace, delivered in 1571, and passed to the Prado. Coincident with the completion of the second version, Titian engaged Cort to engrave a composition that incorporates elements of both versions and likely depended upon a separate drawing by Titian. Cort also created a second, practically identical version (exhibited adjacent), perhaps to allow more than one publisher to issue the reproduction simultaneously. The reputation of the paintings and the popularity of the print are underscored by the existence of numerous contemporary copies. The third version exhibited is one of the most accomplished. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2096.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2096.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2096.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2096.tif", "IsPrimary" : "1", "_SurrogateID" : "1898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2260", "Disp_Access_No" : "2002.2097", "_AccNumSort1" : "", "Disp_Create_DT" : "1571", "_Disp_Start_Dat" : "1571", "_Disp_End_Date" : "1571", "Disp_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Lawrence, after Titian ", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "49.4 cm x 35 cm (19 7/16 in. x 13 3/4 in.)", "Disp_Height" : "49.4 cm", "Disp_Width" : "35 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The most innovative and influential engraver of mid-century, Cort reconciled the emphasis on design and ideal appearance with descriptive variety and the approximation of pictorial effects. In Italy from 1565, he became Titian’s preferred interpreter. The Martyrdom of Saint Lawrence combines elements from two painted versions, the earlier in the church of the Gesuiti at Venice, the later for Philip II of Spain. A measure of success, it was immediately repeated by Cort himself, then copied by another printmaker. The Collection includes very fine impressions of both, and another seven major plates by Cort. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2097.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2097.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2097.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2097.tif", "IsPrimary" : "1", "_SurrogateID" : "1899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "2002.2103", "_AccNumSort1" : "", "Disp_Create_DT" : "1565", "_Disp_Start_Dat" : "1565", "_Disp_End_Date" : "1565", "Disp_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Alt_Title" : "", "Obj_Title" : "The Descent from the Cross, after Rogier van der Weyden", "Series_Title" : "", "Disp_Maker_1" : "Cornelis Cort", "Sort_Artist" : "Cort, Cornelis", "Disp_Dimen" : "32.1 cm x 41.1 cm (12 5/8 in. x 16 3/16 in.)", "Disp_Height" : "32.1 cm", "Disp_Width" : "41.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Around 1435 Rogier van der Weyden painted a triptych for the Archer’s Guild at Louvain. By 1549 the central panel, depicting the Descent from the Cross, had been acquired by Mary of Hungary, who later gave it to her nephew Philip II of Spain. Today in the Prado, Madrid, the picture is one of the masterpieces of early Netherlandish art. In 1565, undoubtedly due to recent interest in the painting, the Antwerp publisher and impresario Hieronymus Cock had Cornelis Cort engrave the composition. The resulting print was unusual for Cort, who was primarily concerned with Italianate and then Italian subjects. More important, it was the first explicit reproduction of a fifteenth-century Netherlandish painting. The print is extremely rare, however, this being one of only two impressions in the United States. The most innovative and influential engraver of the third quarter of the century, Cort reconciled the earlier emphasis on design and ideal appearance with more varied description and closer approximation of pictorial effects. Formed and first active in Cock’s workshop, he went to Italy in 1565. Becoming Titian’s preferred interpreter, he developed an unprecedentedly rich and differentiated system of engraving. Point of departure for Hendrick Goltzius in the Netherlands and Agostino Carracci in Italy, this system would help determine the development of the technique. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2103.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2103.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2103.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2103.tif", "IsPrimary" : "1", "_SurrogateID" : "1902", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16727", "Disp_Access_No" : "2002.2920", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589", "_Disp_Start_Dat" : "1584", "_Disp_End_Date" : "1594", "Disp_Title" : "The Holy Family with Saint John", "Alt_Title" : "", "Obj_Title" : "The Holy Family with Saint John", "Series_Title" : "", "Disp_Maker_1" : "After Hendrick Goltzius", "Sort_Artist" : "Goltzius, After Hendrick", "Disp_Dimen" : "28.5 cm x 19.5 cm (11 1/4 in. x 7 11/16 in.)", "Disp_Height" : "28.5 cm", "Disp_Width" : "19.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, gift of Leo Steinberg, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2920.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2920.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2920.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2920.tif", "IsPrimary" : "1", "_SurrogateID" : "7241", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2381", "Disp_Access_No" : "2002.2183", "_AccNumSort1" : "", "Disp_Create_DT" : "1596", "_Disp_Start_Dat" : "1596", "_Disp_End_Date" : "1596", "Disp_Title" : "Saint Jerome, after Palma Giovane", "Alt_Title" : "", "Obj_Title" : "Saint Jerome, after Palma Giovane", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "41.7 cm x 27.7 cm (16 7/16 in. x 10 7/8 in.)", "Disp_Height" : "41.7 cm", "Disp_Width" : "27.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "In 1590 Goltzius traveled to Italy, stopping first in Venice. 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University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1035.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1035.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1035.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1035.tif", "IsPrimary" : "1", "_SurrogateID" : "6550", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13385", "Disp_Access_No" : "2002.2185", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Andrew, plate 2 from Christ, the 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"Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.160.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.160.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.160.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.160.tif", "IsPrimary" : "1", "_SurrogateID" : "7197", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13380, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13380", "Disp_Access_No" : "2002.2178", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "The Circumcision, from Meisterstiche", "Alt_Title" : "", "Obj_Title" : "The Circumcision, from Meisterstiche", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "47.7 cm x 35.5 cm (18 3/4 in. x 14 in.)", "Disp_Height" : "47.7 cm", "Disp_Width" : "35.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The great Dutch Mannerist engraver Hendrick Goltzius was one of the most historically aware engravers of the sixteenth century. At the apex of his printmaking career, he conceived a series of six, large-format engravings in the manner of different early masters of the technique. The Circumcision is his audacious homage to Dürer. While the crowded figure group and open architectural setting refers most closely to Dürer’s Circumcision from the Life of the Virgin, the variety of texture and brilliant light effects attempt to match mature engravings such as the Saint Jerome in His Study. According to Goltzius’s contemporary, Karel van Mander, the artist removed his monogram from several impressions. Thus disguised, the impressions were sent off to Venice, Rome, and Amsterdam, where they were prized by connoisseurs as a previously unknown masterpiece by Dürer. When Goltzius admitted that he was the artist, it was conceded the younger artist had surpassed his predecessor. Despite its apocryphal nature, the anecdote reveals Dürer’s enduring position as figure against whom subsequent generations of printmakers would inevitably be compared. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2178.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2178.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2178.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2178.tif", "IsPrimary" : "1", "_SurrogateID" : "7272", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13387", "Disp_Access_No" : "2002.2187", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St John, plate 4 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10.3 cm (5 13/16 in. x 4 1/16 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2187.tif", "IsPrimary" : "1", "_SurrogateID" : "7210", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13388", "Disp_Access_No" : "2002.2188", "_AccNumSort1" : "", "Disp_Create_DT" : "1589", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1589", "Disp_Title" : "St. Philip, plate 5 from Christ, the Twelve Apostles and Saint Paul", "Alt_Title" : "", "Obj_Title" : "St. Philip, plate 5 from Christ, the Twelve Apostles and Saint Paul", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "14.7 cm x 10.2 cm (5 13/16 in. x 4 in.)", "Disp_Height" : "14.7 cm", "Disp_Width" : "10.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2188.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2188.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2188.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2188.tif", "IsPrimary" : "1", "_SurrogateID" : "7211", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11043", "Disp_Access_No" : "1992.2", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1508", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1513", "Disp_Title" : "The Holy Family", "Alt_Title" : "", "Obj_Title" : "The Holy Family", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "19.6 cm x 14.5 cm (7 11/16 in. x 5 11/16 in.)", "Disp_Height" : "19.6 cm", "Disp_Width" : "14.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a perfect example of the qualities that place Lucas van Leyden among the greatest engravers of the sixteenth century. Its lovely invention, the Holy Family sharing a bite on the outskirts of a town, blurs the boundaries between a traditional Rest on the Flight into Egypt and a generic devotional image. The observation of the world is searching and minute, like that of early Netherlandish painting. Tender, quietly absorbed, unassuming despite their bulk and rather heavy proportions, the figures and their interaction communicate a harmonious and intimate domesticity. In van Leyden’s later development, the influence of Italian style would inhibit this whimsy and sincerity, which, undiluted in early works like this, lies at the root of Dutch realism. Van Leyden’s technique was just as singular in conception and nuanced in effect. His engraving tool, or burin, seems to have barely grazed the plate, leaving exceptionally shallow strokes that yield mere filament lines. Built in gossamer layers, his textures appear silken, light soft, tone silvery and almost continuous in gradation. Again, these properties are most pronounced in the early engravings and are evident in only the earliest impressions. These properties also indicate a distinctive source of van Leyden’s style in the appearance of metalpoint drawing, as they point to tendencies of engraving in the north Netherlands through the century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase with funds provided by M. K. Hage, Jr., Helen Lea, Marvin Vexler, ’48, the Friends of the Archer M. 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Following his master Goltzius to Rome, Jacob Matham supplemented his large oeuvre of engravings after the antique, with a print celebrating Michelangelo’s sculpture, Savior with the Cross, Standing. Before the seventeenth century, there were very few prints of contemporary sculpture in Rome. Michelangelo was the exception, having been recognized as a genius in his own lifetime. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1737.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1737.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1737.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1737.tif", "IsPrimary" : "1", "_SurrogateID" : "4958", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2397", "Disp_Access_No" : "2002.2004", "_AccNumSort1" : "", "Disp_Create_DT" : "1603", "_Disp_Start_Dat" : "1603", "_Disp_End_Date" : "1603", "Disp_Title" : "Abraham Casting out Hagar, after Abraham Bloemaert", "Alt_Title" : "", "Obj_Title" : "Abraham Casting out Hagar, after Abraham Bloemaert", "Series_Title" : "", "Disp_Maker_1" : "Jacob Matham", "Sort_Artist" : "Matham, Jacob", "Disp_Dimen" : "45.2 cm x 34.9 cm (17 13/16 in. x 13 3/4 in.)", "Disp_Height" : "45.2 cm", "Disp_Width" : "34.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2004.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2004.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2004.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2004.tif", "IsPrimary" : "1", "_SurrogateID" : "5481", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13278", "Disp_Access_No" : "2002.2043", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1614", "_Disp_Start_Dat" : "1609", "_Disp_End_Date" : "1619", "Disp_Title" : "Saint Luke Painting the Virgin, after Hendrick Goltzius", "Alt_Title" : "", "Obj_Title" : "Saint Luke Painting the Virgin, after Hendrick Goltzius", "Series_Title" : "", "Disp_Maker_1" : "Jacob Matham", "Sort_Artist" : "Matham, Jacob", "Disp_Dimen" : "50.4 cm x 37.4 cm (19 13/16 in. x 14 3/4 in.)", "Disp_Height" : "50.4 cm", "Disp_Width" : "37.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2043.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2043.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2043.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2043.tif", "IsPrimary" : "1", "_SurrogateID" : "1888", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13279, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13279", "Disp_Access_No" : "2002.2044", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "The Martyrdom of Saint Sebastian, after Hans von Aachen", "Alt_Title" : "", "Obj_Title" : "The Martyrdom of Saint Sebastian, after Hans von Aachen", "Series_Title" : "", "Disp_Maker_1" : "Jan Muller", "Sort_Artist" : "Muller, Jan", "Disp_Dimen" : "52 cm x 33.7 cm (20 1/2 in. x 13 1/4 in.)", "Disp_Height" : "52 cm", "Disp_Width" : "33.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Possibly paired with loan of Bloemaert''s Baptism of Christ which borrows the figure of St. Sebastian. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2044.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2044.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2044.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2044.tif", "IsPrimary" : "1", "_SurrogateID" : "1889", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2847, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2847", "Disp_Access_No" : "1996.137", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "The Circumcision in the Stable", "Alt_Title" : "", "Obj_Title" : "The Circumcision in the Stable", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "10 cm x 15 cm (3 15/16 in. x 5 7/8 in.)", "Disp_Height" : "10 cm", "Disp_Width" : "15 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1996.137.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1996.137.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1996.137.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1996.137.tif", "IsPrimary" : "1", "_SurrogateID" : "6205", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11252, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11252", "Disp_Access_No" : "1995.46", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1652", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1657", "Disp_Title" : "Christ Preaching (La Petite Tombe)", "Alt_Title" : "", "Obj_Title" : "Christ Preaching (La Petite Tombe)", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.5 cm x 20.6 cm (6 1/8 in. x 8 1/8 in.)", "Disp_Height" : "15.5 cm", "Disp_Width" : "20.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching, drypoint and burin on Japanese paper", "Support" : "", "Disp_Medium" : "Etching, drypoint and burin on Japanese paper", "Info_Page_Comm" : "Christ Preaching is one of Rembrandt’s most famous and beautiful etchings. Its traditional title, La Petite Tombe, refers to the pedestal beneath Christ—a “little tomb”—but derives from a misunderstanding of an early reference to Pieter de la Tombe, for whom Rembrandt probably created the print. The scene conflates the events in Matthew 19, the culmination of Christ’s ministry, in which he explains the sanctity of marriage, orders his disciples to “let the children come to me,” and describes the virtue of poverty. The composition, conceived in light of works by Raphael, is unusually explicit in structure. Christ’s alignment with its axes and his gesture, arms upraised, hands oversized, effectively prefigure the Crucifixion. At the same time, this rigor and this content are relieved by wonderfully observed human incidents, from the unmoved Pharisees to the children, one dumb and led by the hand, another oblivious as he draws with a finger. All are subjected to a mysterious shadow that fuses the theological and human meanings of the scene. These meanings emerge in any impression, but no more than a handful so thoroughly express the artist’s aesthetic intention. With the work in drypoint vivid, a veil of ink tone unifying the surface, and a slightly translucent Japanese paper imparting a faint glow, this would have been among the very first printed by Rembrandt himself.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, The Dean of the College of Fine Arts, and the Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.46.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.46.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.46.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.46.tif", "IsPrimary" : "1", "_SurrogateID" : "1658", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13669, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13669", "Disp_Access_No" : "2002.2588", "_AccNumSort1" : "", "Disp_Create_DT" : "1636", "_Disp_Start_Dat" : "1636", "_Disp_End_Date" : "1636", "Disp_Title" : "Return of the Prodigal Son", "Alt_Title" : "", "Obj_Title" : "Return of the Prodigal Son", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.9 cm x 14 cm (6 1/4 in. x 5 1/2 in.)", "Disp_Height" : "15.9 cm", "Disp_Width" : "14 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2588.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2588.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2588.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2588.tif", "IsPrimary" : "1", "_SurrogateID" : "3792", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2846, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2846", "Disp_Access_No" : "P1961.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Flight into Egypt: Crossing a Brook", "Alt_Title" : "", "Obj_Title" : "Flight into Egypt: Crossing a Brook", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "9.8 cm x 14.4 cm (3 7/8 in. x 5 11/16 in.)", "Disp_Height" : "9.8 cm", "Disp_Width" : "14.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and drypoint", "Support" : "", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.18.tif", "IsPrimary" : "1", "_SurrogateID" : "3799", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2719", "Disp_Access_No" : "2002.2353", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "The Raising of Lazarus", "Alt_Title" : "", "Obj_Title" : "The Raising of Lazarus", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "15.1 cm x 11.4 cm (5 15/16 in. x 4 1/2 in.)", "Disp_Height" : "15.1 cm", "Disp_Width" : "11.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The Raising of Lazarus is an evenly composed, regularly drawn, and level-tempered work from the middle period and most classical moment of Rembrandt's development. This is an especially fine impression of a more common print from the middle years of Rembrandt's activity.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2353.tif", "IsPrimary" : "1", "_SurrogateID" : "1930", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1778", "Disp_Access_No" : "P1961.101", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "The Raising of Lazarus: the Larger Plate", "Alt_Title" : "", "Obj_Title" : "The Raising of Lazarus: the Larger Plate", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "41.9 cm x 28.5 cm (16 1/2 in. x 11 1/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "28.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This impression shows extensive wear in its delicate individual lines and shadow.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, 1961", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P1961.101.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P1961.101.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P1961.101.tif", "IIIF_URL": "http://iiif.gallerysystems.com/P1961.101.tif", "IsPrimary" : "1", "_SurrogateID" : "3797", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2650, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2650", "Disp_Access_No" : "G1966.2.83", "_AccNumSort1" : "", "Disp_Create_DT" : "1634", "_Disp_Start_Dat" : "1634", "_Disp_End_Date" : "1634", "Disp_Title" : "Joseph and Potiphar's Wife", "Alt_Title" : "", "Obj_Title" : "Joseph and Potiphar's Wife", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "9.15 cm x 11.7 cm (3 5/8 in. x 4 5/8 in.)", "Disp_Height" : "9.15 cm", "Disp_Width" : "11.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Although its condition is problematic–the image is cut slightly along the top edge–this is a very fine impression of a rare, early print. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of the children of L.M. Tonkin, 1966", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Dutch", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/G1966.2.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/G1966.2.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/G1966.2.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/G1966.2.83.tif", "IsPrimary" : "1", "_SurrogateID" : "3795", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2845", "Disp_Access_No" : "P1961.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Descent from the Cross by Torchlight", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross by Torchlight", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rembrandt Harmensz. van Rijn", "Disp_Dimen" : "21.3 cm x 16.5 cm (8 3/8 in. x 6 1/2 in.)", "Disp_Height" : "21.3 cm", "Disp_Width" : "16.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "In this impression, the shadows are wearing thin and the contrasts are becoming stark. It retains little of the character of printing or the profundity of expression seen in the collection's extremely early impression of the same subject. 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Unparalleled in its evocation of the tragedy of these events, it eliminates any rhetoric, indeed suppresses any obvious reactions and even obscures the ostensible focus, Christ's slack body. Instead, an original and universally affecting mood is set by the overwhelming shadow, the glow of a single torch, and the tenderness of a humble cast. The print is one of Rembrandt's greatest achievements as a printmaker. This impression is printed on the warm toned and absorbent Japanese paper that the artist favored for the first pulls of his late prints. It is exceptionally rich with ink from both the fugitive work in drypoint and the film of ink left across most of the plate by a deliberately incomplete wiping. This impression is also in extraordinary condition, with no disturbance of the surface or scuffing in the shadows. 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