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Huntington Museum Fund, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.3.tif", "IsPrimary" : "1", "_SurrogateID" : "4784", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3525, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3525", "Disp_Access_No" : "1992.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1765", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1765", "Disp_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Alt_Title" : "", "Obj_Title" : "The Adoration of the Magi, after Giovanni Benedetto Castiglione", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "32 cm x 29.8 cm (12 5/8 in. x 11 3/4 in.)", "Disp_Height" : "32 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Plate", "Medium" : "Etching in red ink with abrasive scumbling", "Support" : "", "Disp_Medium" : "Etching in red ink with abrasive scumbling", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1992", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1992.4.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1992.4.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1992.4.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1992.4.tif", "IsPrimary" : "1", "_SurrogateID" : "4785", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3482, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3482", "Disp_Access_No" : "2002.1797", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "Saint Anne with the Virgin and Child, after Guercino", "Alt_Title" : "", "Obj_Title" : "Vision of Saint Anna Metterza, after Guercino", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "48 cm x 34.6 cm (18 7/8 in. x 13 5/8 in.)", "Disp_Height" : "48 cm", "Disp_Width" : "34.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "etching in sanguine", "Support" : "", "Disp_Medium" : "etching in sanguine", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1797.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1797.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1797.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1797.tif", "IsPrimary" : "1", "_SurrogateID" : "1852", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11799", "Disp_Access_No" : "2002.1652", "_AccNumSort1" : "", "Disp_Create_DT" : "1530s", "_Disp_Start_Dat" : "1530", "_Disp_End_Date" : "1530", "Disp_Title" : "Saint Jerome in the Wilderness, after Titian", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in the Wilderness, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Attributed to Nicolò Boldrini", "Sort_Artist" : "Boldrini, Attributed to Nicolò", "Disp_Dimen" : "38.8 cm x 53.5 cm (15 1/4 in. x 21 1/16 in.)", "Disp_Height" : "38.8 cm", "Disp_Width" : "53.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Woodcut reached a very high level in 16th-century Venice, where, notably in Titian’s circle, it was preferred to engraving for the reproduction of paintings and drawings. Boldrini developed its basic language of long, curvilinear cuts and sustained pictorial effects on a large scale. Saint Jerome in the wilderness was a favorite subject in Venetian art. Here the penitent and his faithful lion are set amid an ideal panorama of the kind pioneered by Titian and establishing the classical landscape tradition. The composition depends generally on a painting that Titian executed for Isabella d’Este between 1523 and 1531 (today in the Louvre), while the cliff and trees on the right were specifically prepared in a drawing now at Edinburgh. Although damaged along a center crease, this impression is especially even in its inking and clear in its printing. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1652.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1652.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1652.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1652.tif", "IsPrimary" : "1", "_SurrogateID" : "4194", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11090, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11090", "Disp_Access_No" : "1981.44", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1544-1547", "_Disp_Start_Dat" : "1544", "_Disp_End_Date" : "1547", "Disp_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Alt_Title" : "", "Obj_Title" : "The Birth of Saint John the Baptist, after Jacopino del Conte", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "28.7 cm x 44.4 cm (11 5/16 in. x 17 1/2 in.)", "Disp_Height" : "28.7 cm", "Disp_Width" : "44.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1981", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1981.44.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1981.44.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1981.44.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1981.44.tif", "IsPrimary" : "1", "_SurrogateID" : "8207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12825, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12825", "Disp_Access_No" : "2002.1323", "_AccNumSort1" : "", "Disp_Create_DT" : "1546", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1546", "Disp_Title" : "Pietà for Vittoria Colonna, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Pietà for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "35.5 cm x 20.4 cm (14 in. x 8 1/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "By positioning the figures of the Virgin and Christ to echo the shape of the cross, this image accentuates the sacrificial connections of the crucifixion rather than the maternal connections of the traditional pietà scene.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1323.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1323.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1323.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1323.tif", "IsPrimary" : "1", "_SurrogateID" : "8213", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12824", "Disp_Access_No" : "2002.1322", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion for Vittoria Colonna, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "29 cm x 18 cm (11 7/16 in. x 7 1/16 in.)", "Disp_Height" : "29 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1322.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1322.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1322.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1322.tif", "IsPrimary" : "1", "_SurrogateID" : "4935", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11091, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11091", "Disp_Access_No" : "2002.1353", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1546", "_Disp_Start_Dat" : "1541", "_Disp_End_Date" : "1551", "Disp_Title" : "Jesse-David-Solomon, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Ancestors: Jesse, David, Solomon, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "20.6 cm x 30.7 cm (8 1/8 in. x 12 1/16 in.)", "Disp_Height" : "20.6 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1353.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1353.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1353.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1353.tif", "IsPrimary" : "1", "_SurrogateID" : "4939", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11903", "Disp_Access_No" : "2002.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantoino Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "33 cm x 24.3 cm (13 in. x 9 9/16 in.)", "Disp_Height" : "33 cm", "Disp_Width" : "24.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.74.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.74.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.74.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.74.tif", "IsPrimary" : "1", "_SurrogateID" : "5321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10922", "Disp_Access_No" : "1990.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1540s", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "Mater Dolorosa [The Virgin of Sorrows], after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Giulio Bonasone", "Sort_Artist" : "Bonasone, Giulio", "Disp_Dimen" : "48.2 cm x 34 cm (19 in. x 13 3/8 in.)", "Disp_Height" : "48.2 cm", "Disp_Width" : "34 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving and etching", "Support" : "", "Disp_Medium" : "Engraving and etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.190.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.190.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.190.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.190.tif", "IsPrimary" : "1", "_SurrogateID" : "5290", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13127, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13127", "Disp_Access_No" : "2002.1770", "_AccNumSort1" : "", "Disp_Create_DT" : "1615", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1615", "Disp_Title" : "The Lamentation", "Alt_Title" : "", "Obj_Title" : "The Lamentation", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "23.6 cm x 22.2 cm (9 5/16 in. x 8 3/4 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "22.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1770.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1770.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1770.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1770.tif", "IsPrimary" : "1", "_SurrogateID" : "7037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11163", "Disp_Access_No" : "2002.1769", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1615", "_Disp_Start_Dat" : "1610", "_Disp_End_Date" : "1620", "Disp_Title" : "Saint Christopher", "Alt_Title" : "", "Obj_Title" : "Saint Christopher", "Series_Title" : "", "Disp_Maker_1" : "Orazio Borgianni", "Sort_Artist" : "Borgianni, Orazio", "Disp_Dimen" : "39.1 cm x 29.3 cm (15 3/8 in. x 11 9/16 in.)", "Disp_Height" : "39.1 cm", "Disp_Width" : "29.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Borgianni, principally a Caravaggesque painter, made two original etchings just before his death. Bold in massing, dramatic in light, and vigorous in mark, they are among the very few prints to evoke the physical presence and intense feeling of the new realism. Related to several painted versions of the subject, the Saint Christopher is the larger, more audacious in the hulking form and foreshortened stride of the giant, and painterly in its printing. The Collection includes an equally fine impression of the other etching, a Lamentation of Christ.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1769.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1769.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1769.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1769.tif", "IsPrimary" : "1", "_SurrogateID" : "1848", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8338, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8338", "Disp_Access_No" : "2002.142", "_AccNumSort1" : "", "Disp_Create_DT" : "1630's", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1630", "Disp_Title" : "Saint Roch", "Alt_Title" : "", "Obj_Title" : "Saint Roch", "Series_Title" : "", "Disp_Maker_1" : "Giuseppe Caletti", "Sort_Artist" : "Caletti, Giuseppe", "Disp_Dimen" : "21.9 cm x 16.1 cm (8 5/8 in. x 6 5/16 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "16.1 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Caletti was a minor Ferrarese painter inspired principally by Guercino. His etchings are delightful in their witty characterization, bristly description, and delicate biting. They are, however, quite rare and little known to this day. Steinberg took special pleasure in discovering and pursuing such distinctive but unfamiliar personalities. There are four other etchings by Caletti in the Collection.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.142.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.142.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.142.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.142.tif", "IsPrimary" : "1", "_SurrogateID" : "1785", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12819, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12819", "Disp_Access_No" : "2002.1316", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Marriage of Saint Catherine, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Marriage of Saint Catherine, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Antonio Campi", "Sort_Artist" : "Campi, Antonio", "Disp_Dimen" : "17.9 cm x 16 cm (7 1/16 in. x 6 5/16 in.)", "Disp_Height" : "17.9 cm", "Disp_Width" : "16 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1316.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1316.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1316.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1316.tif", "IsPrimary" : "1", "_SurrogateID" : "2899", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11943", "Disp_Access_No" : "2002.120", "_AccNumSort1" : "", "Disp_Create_DT" : "1620s", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Saint Bernardino of Siena in Milan, after Ventura Salimbeni", "Alt_Title" : "", "Obj_Title" : "Saint Bernardino of Siena in Milan, after Ventura Salimbeni", "Series_Title" : "", "Disp_Maker_1" : "Bernardino Capitelli", "Sort_Artist" : "Capitelli, Bernardino", "Disp_Dimen" : "21.4 cm x 37.8 cm (8 7/16 in. x 14 7/8 in.)", "Disp_Height" : "21.4 cm", "Disp_Width" : "37.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.120.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.120.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.120.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.120.tif", "IsPrimary" : "1", "_SurrogateID" : "1763", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13100, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13100", "Disp_Access_No" : "2002.1717", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Marriage of the Virgin, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Marriage of the Virgin, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "46.4 cm x 23.2 cm (18 1/4 in. x 9 1/8 in.)", "Disp_Height" : "46.4 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving reproduces a drawing in the Devonshire Collection at Chatsworth House. The drawing, which has long been admired, was the preparatory study for an altarpiece for the Cesi family chapel in the church of Santa Maria della Pace. For unknown reasons, the decoration of the chapel was never realized.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1717.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1717.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1717.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1717.tif", "IsPrimary" : "1", "_SurrogateID" : "2918", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17182, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17182", "Disp_Access_No" : "2004.131", "_AccNumSort1" : "", "Disp_Create_DT" : "1536-1537", "_Disp_Start_Dat" : "1536", "_Disp_End_Date" : "1537", "Disp_Title" : "The Annunciation, after Titian", "Alt_Title" : "", "Obj_Title" : "The Annunciation, after Titian", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Jacopo Caraglio", "Sort_Artist" : "Caraglio, Giovanni Jacopo", "Disp_Dimen" : "45.4 cm x 34.8 cm (17 7/8 in. x 13 11/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "34.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving is the only record of the altarpiece that Titian executed for the Santa Maria degli Angeli, Murano, in 1537. When the convent could not meet the artist’s price, it refused the picture, and he gave it as a present to either Charles V or his wife, Queen Isabella. Last mentioned in Spain in 1794, the painting was apparently lost during the French occupation. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase, 2004", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.131.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.131.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.131.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.131.tif", "IsPrimary" : "1", "_SurrogateID" : "2184", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11969", "Disp_Access_No" : "2002.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1640s", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1640", "Disp_Title" : "Agony in the Garden", "Alt_Title" : "Christ on the Mount of Olives", "Obj_Title" : "Agony in the Garden", "Series_Title" : "", "Disp_Maker_1" : "Giulio Carpioni", "Sort_Artist" : "Carpioni, Giulio", "Disp_Dimen" : "29.5 cm x 21.8 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.5 cm", "Disp_Width" : "21.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching; pen and ink and red chalk and black chalk on verso", "Support" : "", "Disp_Medium" : "Etching; pen and ink and red chalk and black chalk on verso", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Original drawings on verso; two putti and a seated figure. [HB 5/30/2020]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.153.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.153.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.153.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.153.tif", "IsPrimary" : "1", "_SurrogateID" : "1795", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11952, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11952", "Disp_Access_No" : "2002.130", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "The Crucifixion, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "The Crucifixion, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "30.5 cm x 22 cm (12 in. x 8 11/16 in.)", "Disp_Height" : "30.5 cm", "Disp_Width" : "22 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.130.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.130.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.130.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.130.tif", "IsPrimary" : "1", "_SurrogateID" : "6564", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2289, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2289", "Disp_Access_No" : "2002.1700", "_AccNumSort1" : "", "Disp_Create_DT" : "1582", "_Disp_Start_Dat" : "1582", "_Disp_End_Date" : "1582", "Disp_Title" : "Pietà with an Angel, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Pietà with an Angel, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "39.9 cm x 28.6 cm (15 11/16 in. x 11 1/4 in.)", "Disp_Height" : "39.9 cm", "Disp_Width" : "28.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "During the 1580s both Agostino and Annibale Carracci traveled regularly to Venice. As part of their reckoning with of the school’s painting, Agostino engraved numerous works after Veronese and Tintoretto––no less advanced or significant than Cort’s works after Titian a generation earlier. This engraving, of a painting extant in the Hermitage, is one of six after Veronese that he created in the same year.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1700.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1700.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1700.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1700.tif", "IsPrimary" : "1", "_SurrogateID" : "4995", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2324", "Disp_Access_No" : "1988.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1588", "_Disp_Start_Dat" : "1588", "_Disp_End_Date" : "1588", "Disp_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Alt_Title" : "", "Obj_Title" : "The Virgin Appearing to St. Jerome, after Jacopo Tintoretto", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "41.9 cm x 29.8 cm (16 1/2 in. x 11 3/4 in.)", "Disp_Height" : "41.9 cm", "Disp_Width" : "29.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "With efforts like this Saint Jerome, its encyclopedia of mark and intensity of pictorial effect––consider its contrasts and seeming color––Agostino consolidated his place as the leading engraver in Italy. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1988", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1988.61.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1988.61.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1988.61.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1988.61.tif", "IsPrimary" : "1", "_SurrogateID" : "6561", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11971", "Disp_Access_No" : "2002.155", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Christ Crowned with Thorns", "Alt_Title" : "", "Obj_Title" : "Christ Crowned with Thorns", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "18.3 cm x 13.5 cm (7 3/16 in. x 5 5/16 in.)", "Disp_Height" : "18.3 cm", "Disp_Width" : "13.5 cm", "Dimen_Extent" : "image", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This etching epitomizes Carracci’s late style. Its simplified forms and rather gloomy expressive tenor approach the concentration of Caravaggio’s religious works and owe some to his influence. But they also conform to the spirit of the Counter-Reformation and specifically an edict issued by Clement’s vicar, Cardinal Girolamo Rusticucci, in 1593. That edict stipulated that religious works should involve legible compositions, conform to orthodoxy, and avoid lascivious imagery. By 1600, Clement began to regulate printed works as well.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2343", "Disp_Access_No" : "2002.158", "_AccNumSort1" : "", "Disp_Create_DT" : "1591", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1591", "Disp_Title" : "The Penitent Magdalen", "Alt_Title" : "", "Obj_Title" : "The Penitent Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "21.9 cm x 16.2 cm (8 5/8 in. x 6 3/8 in.)", "Disp_Height" : "21.9 cm", "Disp_Width" : "16.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.158.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.158.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.158.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.158.tif", "IsPrimary" : "1", "_SurrogateID" : "1806", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17141", "Disp_Access_No" : "2004.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1591", "_Disp_Start_Dat" : "1591", "_Disp_End_Date" : "1591", "Disp_Title" : "The Penitent Magdalen", "Alt_Title" : "", "Obj_Title" : "The Penitent Magdalen", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "22.1 cm x 16.2 cm (8 11/16 in. x 6 3/8 in.)", "Disp_Height" : "22.1 cm", "Disp_Width" : "16.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Claudine and Stephen Ostrow, 2004", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2004.94.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2004.94.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2004.94.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2004.94.tif", "IsPrimary" : "1", "_SurrogateID" : "7017", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13118", "Disp_Access_No" : "2002.1753", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1590-1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1595", "Disp_Title" : "Susannah and the Elders", "Alt_Title" : "", "Obj_Title" : "Susannah and the Elders", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "31.9 cm x 31 cm (12 9/16 in. x 12 3/16 in.)", "Disp_Height" : "31.9 cm", "Disp_Width" : "31 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Annibale Carracci arrived in Rome in 1595. His major project was the decoration of a gallery in the Farnese Palace in celebration of Duke Rannuccio’s engagement to the niece of Clement VIII. Its style combined radical naturalism with the orderliness and intellectual appeal of the city’s ingrained classicism. Created shortly before, this etching anticipates the heroic forms and sensuous presentation on the gallery ceiling. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1753.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1753.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1753.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1753.tif", "IsPrimary" : "1", "_SurrogateID" : "4085", "Image_Type" : "Scan", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11972", "Disp_Access_No" : "2002.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "The Madonna of the Swallow (La Madonna della Rondinella)", "Alt_Title" : "", "Obj_Title" : "The Madonna of the Swallow (La Madonna della Rondinella)", "Series_Title" : "", "Disp_Maker_1" : "Annibale Carracci", "Sort_Artist" : "Carracci, Annibale", "Disp_Dimen" : "15.6 cm x 12.1 cm (6 1/8 in. x 4 3/4 in.)", "Disp_Height" : "15.6 cm", "Disp_Width" : "12.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.156.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.156.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.156.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.156.tif", "IsPrimary" : "1", "_SurrogateID" : "7011", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11973", "Disp_Access_No" : "2002.157", "_AccNumSort1" : "", "Disp_Create_DT" : "1606", "_Disp_Start_Dat" : "1606", "_Disp_End_Date" : "1606", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist and Saint Elizabeth ( Madonna della Scodella)", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist and Saint Elizabeth ( Madonna della Scodella)", "Series_Title" : "", "Disp_Maker_1" : "Circle of Annibale Carracci", "Sort_Artist" : "Carracci, Circle of Annibale", "Disp_Dimen" : "12.3 cm x 15.9 cm (4 13/16 in. x 6 1/4 in.)", "Disp_Height" : "12.3 cm", "Disp_Width" : "15.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.157.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.157.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.157.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.157.tif", "IsPrimary" : "1", "_SurrogateID" : "7012", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11117, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11117", "Disp_Access_No" : "2002.1752", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1585-1590", "_Disp_Start_Dat" : "1585", "_Disp_End_Date" : "1590", "Disp_Title" : "The Virgin and Child with Saint Joseph", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Joseph", "Series_Title" : "", "Disp_Maker_1" : "Ludovico Carracci", "Sort_Artist" : "Carracci, Ludovico", "Disp_Dimen" : "26.5 cm x 32.7 cm (10 7/16 in. x 12 7/8 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "32.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This is a superb impression of Lodovico Carracci’s first and most elaborate print. His paintings, relative to those of his cousins Agostino and Annibale, essay less rational and classically conditioned approaches to visually convincing and sentimentally affecting representation. This engraving strains the conventions of its technique with lyrical forms and an eccentric syntax –- the arbitrary shape and luminous facets of the Virgin’s drapery –- that achieve a similarly personal expressiveness.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1752.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1752.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1752.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1752.tif", "IsPrimary" : "1", "_SurrogateID" : "1843", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11950, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11950", "Disp_Access_No" : "2002.128", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Adoration of the Magi, after Ludovico Carracci", "Alt_Title" : "", "Obj_Title" : "Adoration of the Magi, after Ludovico Carracci", "Series_Title" : "", "Disp_Maker_1" : "School of Annibale Carracci", "Sort_Artist" : "Carracci, School of Annibale", "Disp_Dimen" : "38.4 cm x 27 cm (15 1/8 in. x 10 5/8 in.)", "Disp_Height" : "38.4 cm", "Disp_Width" : "27 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.128.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.128.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.128.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.128.tif", "IsPrimary" : "1", "_SurrogateID" : "7009", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11985, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11985", "Disp_Access_No" : "2002.171", "_AccNumSort1" : "", "Disp_Create_DT" : "1645", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1645", "Disp_Title" : "Finding of the Bodies of Peter and Paul", "Alt_Title" : "", "Obj_Title" : "Finding of the Bodies of Peter and Paul", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "29.2 cm x 20.3 cm (11 1/2 in. x 8 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "20.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.171.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.171.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.171.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.171.tif", "IsPrimary" : "1", "_SurrogateID" : "4765", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11247, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11247", "Disp_Access_No" : "2002.1768", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "Noah and the Animals Entering the Ark", "Alt_Title" : "", "Obj_Title" : "Noah and the Animals Entering the Ark", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "20.3 cm x 39.9 cm (8 in. x 15 11/16 in.)", "Disp_Height" : "20.3 cm", "Disp_Width" : "39.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "By origin and periodic association, Giovanni Benedetto Castiglione was Genoese. His style thoroughly reconciles the school’s residual Mannerism with its naturalism of Netherlandish cast. At the same time, spending much of the 1630s and 1640s in Rome, he assimilated Nicolas Poussin and Pietro Testa’s highly intellectual and idealized Baroque. Castiglione’s curiosity and openness are confirmed by his ceaseless exploration of the graphic arts and by his late activity across northern Italy. More than any other figure, he transcended conventional Baroque categories and predicted the dominant tendencies of eighteenth-century style. Combining noble theme with a pretext for genre, the journeys of the patriarchs in the Book of Genesis were a constant subject in Castiglione’s art. With the added appeal of a menagerie, Noah and the loading of the Ark was a particular favorite. The many versions include an early oil on paper in the Suida-Manning Collection. Here, the procession is organized with the simple structure and slow cadence of an ancient relief, but brought to life by the busy hand, textured light, and even bawdy accent of Rembrandt’s early etchings. Castiglione’s etchings are the finest of the period in Italy. This is perhaps his most pictorial and coherent. Characterized by great clarity, a silvery tone, and dense polishing scratches, this is an especially early impression. The museum possesses forty etchings by the artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1768.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1768.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1768.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1768.tif", "IsPrimary" : "1", "_SurrogateID" : "1847", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11984", "Disp_Access_No" : "2002.170", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Tobit Burying the Dead", "Alt_Title" : "", "Obj_Title" : "Tobit Burying the Dead", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "21 cm x 29.5 cm (8 1/4 in. x 11 5/8 in.)", "Disp_Height" : "21 cm", "Disp_Width" : "29.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 19535, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19535", "Disp_Access_No" : "2010.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1650", "_Disp_Start_Dat" : "1645", "_Disp_End_Date" : "1655", "Disp_Title" : "L'entrata degli animali nell'arca [The Animals Entering Noah's Ark]", "Alt_Title" : "", "Obj_Title" : "L'entrata degli animali nell'arca [The Animals Entering Noah's Ark]", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Benedetto Castiglione", "Sort_Artist" : "Castiglione, Giovanni Benedetto", "Disp_Dimen" : "20.4 cm x 30 cm (8 1/16 in. x 11 13/16 in.)", "Disp_Height" : "20.4 cm", "Disp_Width" : "30 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The R. E. Lewis Memorial Study Collection, 2010", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 13102, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13102", "Disp_Access_No" : "2002.1721", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1568", "_Disp_Start_Dat" : "1558", "_Disp_End_Date" : "1567", "Disp_Title" : "Crucifixion of Saint Peter, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Crucifixion of Saint Peter, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista de Cavalieri", "Sort_Artist" : "Cavalieri, Giovanni Battista de", "Disp_Dimen" : "42.5 cm x 54.9 cm (16 3/4 in. x 21 5/8 in.)", "Disp_Height" : "42.5 cm", "Disp_Width" : "54.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1721.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1721.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1721.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1721.tif", "IsPrimary" : "1", "_SurrogateID" : "5180", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2421, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2421", "Disp_Access_No" : "2002.1773", "_AccNumSort1" : "", "Disp_Create_DT" : "1609", "_Disp_Start_Dat" : "1609", "_Disp_End_Date" : "1609", "Disp_Title" : "Noli me tangere, after Barocci", "Alt_Title" : "", "Obj_Title" : "Noli me tangere, after Barocci", "Series_Title" : "", "Disp_Maker_1" : "Luca Ciamberlano", "Sort_Artist" : "Ciamberlano, Luca", "Disp_Dimen" : "38 cm x 26.8 cm (14 15/16 in. x 10 9/16 in.)", "Disp_Height" : "38 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1773.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1773.tif", "PreviewPath" : 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Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1736.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1736.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1736.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1736.tif", "IsPrimary" : "1", "_SurrogateID" : "4957", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8621, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8621", "Disp_Access_No" : "2001.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1770's", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1770", "Disp_Title" : "Saint Irene and Companions Tending Saint Sebastian", "Alt_Title" : "", "Obj_Title" : "Saint Irene and Companions Tending Saint Sebastian", "Series_Title" : "", "Disp_Maker_1" : "Giovanni David", "Sort_Artist" : "David, Giovanni", "Disp_Dimen" : "39.8 cm x 26.7 cm (15 11/16 in. x 10 1/2 in.)", "Disp_Height" : "39.8 cm", "Disp_Width" : "26.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "David’s etchings are numerous, but because their editions were small – intended for a small circle of Genoese nobles and collectors -- few were recorded in the 19th-century repertories, and most are very rare. Conspicuous in its debt to 17th-century Genoese artists, this idiosyncratic nocturne is known in only one other impression, in Berlin. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Karen G. and Dr. Elgin W. Ware, Jr. Collection, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.14.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.14.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.14.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.14.tif", "IsPrimary" : "1", "_SurrogateID" : "5316", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18622, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18622", "Disp_Access_No" : "2006.203", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1644", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1644", "Disp_Title" : "River landscape with peasant woman taking off her shoes to cross, from Divers Paysages II [Various landscapes]", "Alt_Title" : "", "Obj_Title" : "River landscape with peasant woman taking off her shoes to cross, from Divers Paysages II [Various landscapes]", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "12.4 cm x 26.3 cm (4 7/8 in. x 10 3/8 in.)", "Disp_Height" : "12.4 cm", "Disp_Width" : "26.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.203.tif", "ThumbnailPath" : 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"Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1369.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1369.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1369.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1369.tif", "IsPrimary" : "1", "_SurrogateID" : "7296", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16654, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16654", "Disp_Access_No" : "2002.2864", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Christ Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "The Christ Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "8.6 cm x 7.4 cm (3 3/8 in. x 2 15/16 in.)", "Disp_Height" : "8.6 cm", "Disp_Width" : "7.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2864.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2864.tif", "PreviewPath" : 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"Disp_Height" : "15.1 cm", "Disp_Width" : "12.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence Lawver, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2862.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2862.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2862.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2862.tif", "IsPrimary" : "1", "_SurrogateID" : "2027", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11238, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11238", "Disp_Access_No" : "1997.139", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1649", "_Disp_Start_Dat" : "1644", "_Disp_End_Date" : "1654", "Disp_Title" : "The Virgin and Child with Saint Elizabeth and Saint John", "Alt_Title" : "", "Obj_Title" : "The Virgin and Child with Saint Elizabeth and Saint John", "Series_Title" : "", "Disp_Maker_1" : "Stefano Della Bella", "Sort_Artist" : "Della Bella, Stefano", "Disp_Dimen" : "16.6 cm x 15.3 cm (6 9/16 in. x 6 in.)", "Disp_Height" : "16.6 cm", "Disp_Width" : "15.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Mr. and Mrs. Isidore Simkowitz in memory of Amy Cecelia Simkowitz-Rogers, 1997", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.139.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.139.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.139.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.139.tif", "IsPrimary" : "1", "_SurrogateID" : "7267", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2110", "Disp_Access_No" : "2002.1720", "_AccNumSort1" : "", "Disp_Create_DT" : "1543", "_Disp_Start_Dat" : "1543", "_Disp_End_Date" : "1543", "Disp_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Last Judgment, from the Sistine Chapel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Nicolo della Casa", "Sort_Artist" : "della Casa, Nicolo", "Disp_Dimen" : "44.6 cm x 56.1 cm (17 9/16 in. x 22 1/16 in.)", "Disp_Height" : "44.6 cm", "Disp_Width" : "56.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving from ten plates", "Support" : "", "Disp_Medium" : "Engraving from ten plates", "Info_Page_Comm" : "Unveiled in November 1541, the Last Judgment on the west wall of the Sistine Chapel stired tremendous excitement. Before the end of the decade, there would be three mounumental reproductive engravings of the composition. Della Casa's was the first, printed on ten plates. This is an impression of the top center section, with the resurrected Christ and the interceding Virgin. Even before his virtually certain trip to Rome, circa 1546-47, Cambiaso could have known the composition from such engravings, and after his return he may well have referred to them. In Cambiaso's own Last Judgment in Santa Maria delle Grazie at Chiavari (dated 1550), the upper part of the fresco depends upon precisely this section of Michelangleo's composition.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1720.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1720.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1720.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1720.tif", "IsPrimary" : "1", "_SurrogateID" : "3644", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13065", "Disp_Access_No" : "2002.1654", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1521", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1521", "Disp_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Alt_Title" : "", "Obj_Title" : "Massacre of the Innocents, after Baccio Bandinelli", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "40.8 cm x 57.9 cm (16 1/16 in. x 22 13/16 in.)", "Disp_Height" : "40.8 cm", "Disp_Width" : "57.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This very large engraving of Herod’s slaughter of the newborn received special mention by Vasari, the early biographer of Italian artists and Bandinelli’s acquaintance. He observed that it “called attention to his command of drawing in the figures and his understanding of musculature and anatomy, bringing him great fame throughout Europe.” Recent scholarship has shown that at the time, an impression cost ten times as much as an ordinary engraving, one hundred times as much as a woodcut. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1654.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1654.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1654.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1654.tif", "IsPrimary" : "1", "_SurrogateID" : "1818", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11865", "Disp_Access_No" : "2002.30", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520 - 1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "God Appearing to Noah, after Raphael", "Alt_Title" : "", "Obj_Title" : "God Appearing to Noah, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marco da Ravenna, called Marco Dente", "Sort_Artist" : "Dente, Marco da Ravenna, called Marco", "Disp_Dimen" : "30.2 cm x 24.7 cm (11 7/8 in. x 9 3/4 in.)", "Disp_Height" : "30.2 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.30.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.30.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.30.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.30.tif", "IsPrimary" : "1", "_SurrogateID" : "2037", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8194", "Disp_Access_No" : "1990.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1590's", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Christ Child in the Virgin's Presence", "Series_Title" : "", "Disp_Maker_1" : "Pietro Faccini", "Sort_Artist" : "Faccini, Pietro", "Disp_Dimen" : "33.8 cm x 24.7 cm (13 5/16 in. x 9 3/4 in.)", "Disp_Height" : "33.8 cm", "Disp_Width" : "24.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Active in Bologna around the time of the Carracci’s reaction against Mannerist style, Faccini persisted in its arbitrary design and subjective feeling. Equally distinctive as a printmaker, he resuscitated the forms and technique of Parmigianino’s etchings. In this, his major plate, the image of the Virgin is practically a quotation of the earlier artist. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of the Still Water Foundation, 1990", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1990.159.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1990.159.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1990.159.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1990.159.tif", "IsPrimary" : "1", "_SurrogateID" : "4084", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2342", "Disp_Access_No" : "2002.1759", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Francis Receiving the Christ Child", "Alt_Title" : "", "Obj_Title" : "Saint Francis Receiving the Christ Child", "Series_Title" : "", "Disp_Maker_1" : "Pietro Faccini", "Sort_Artist" : "Faccini, Pietro", "Disp_Dimen" : "35.2 cm x 25 cm (13 7/8 in. x 9 13/16 in.)", "Disp_Height" : "35.2 cm", "Disp_Width" : "25 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1759.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1759.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1759.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1759.tif", "IsPrimary" : "1", "_SurrogateID" : "7036", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2293", "Disp_Access_No" : "1991.126", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Submersion of Pharoah's Army in the Red Sea, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "35.9 cm x 55.5 cm (14 1/8 in. x 21 7/8 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "55.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The counterpart of Paolo’s grand Conversion of Saint Paul, this was the largest, most complicated and most thoroughly Roman of etchings by Farinati and son. To judge from the large number of editions and extant impressions, the print was also their most successful. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University Purchase, by exchange, 1991", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1991.126.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1991.126.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1991.126.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1991.126.tif", "IsPrimary" : "1", "_SurrogateID" : "5443", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11871, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11871", "Disp_Access_No" : "2002.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist, after Paolo Farinati", "Series_Title" : "", "Disp_Maker_1" : "Orazio Farinati", "Sort_Artist" : "Farinati, Orazio", "Disp_Dimen" : "25.6 cm x 23.2 cm (10 1/16 in. x 9 1/8 in.)", "Disp_Height" : "25.6 cm", "Disp_Width" : "23.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati is most distinctive and best known of the group of early painter-etchers in Verona. Inspired by the activity of Giulio Romano in nearby Mantua, his ponderous forms and emphatic contour were readily translated into etchings by the artist himself and those in a virtually identical style by his son, Orazio. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.36.tif", "IsPrimary" : "1", "_SurrogateID" : "5446", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 16775, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16775", "Disp_Access_No" : "2003.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1567", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1567", "Disp_Title" : "Saint John the Evangelist", "Alt_Title" : "", "Obj_Title" : "Saint John the Evangelist", "Series_Title" : "", "Disp_Maker_1" : "Paolo Farinati", "Sort_Artist" : "Farinati, Paolo", "Disp_Dimen" : "27.8 cm x 18 cm (10 15/16 in. x 7 1/16 in.)", "Disp_Height" : "27.8 cm", "Disp_Width" : "18 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Farinati, a prolific painter, was also the leading etcher in late sixteenth-century Verona. His style combined the heavy, plastic form of the nearby school of Mantua with the elegant proportions and fine rhythms that he gathered from Parmigianino. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Lawrence A. Lawver, 2003", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.22.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.22.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.22.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2003.22.tif", "IsPrimary" : "1", "_SurrogateID" : "2127", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19447", "Disp_Access_No" : "2009.43", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1579", "_Disp_Start_Dat" : "1574", "_Disp_End_Date" : "1584", "Disp_Title" : "Calvary", "Alt_Title" : "", "Obj_Title" : "Calvary", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "31.4 cm x 20.2 cm (12 3/8 in. x 7 15/16 in.)", "Disp_Height" : "31.4 cm", "Disp_Width" : "20.2 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Of the etchings of the school of Verona, Fontana’s are the most controlled in articulation, dense in description and suited to complex narrative. His subjects often correlate with the reasserted dogma and intensified devotion in the wake of the Council of Trent. Although signed on the face of the stone in the foreground, this print was only recently identified as his work.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2009", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.43.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.43.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.43.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2009.43.tif", "IsPrimary" : "1", "_SurrogateID" : "7019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2263", "Disp_Access_No" : "2002.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1573", "_Disp_Start_Dat" : "1573", "_Disp_End_Date" : "1573", "Disp_Title" : "Parable of the Blind", "Alt_Title" : "", "Obj_Title" : "Parable of the Blind", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Fontana", "Sort_Artist" : "Fontana, Giovanni Battista", "Disp_Dimen" : "19.3 cm x 29.7 cm (7 5/8 in. x 11 11/16 in.)", "Disp_Height" : "19.3 cm", "Disp_Width" : "29.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.51.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.51.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.51.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.51.tif", "IsPrimary" : "1", "_SurrogateID" : "5436", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18808", "Disp_Access_No" : "2007.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1550s", "_Disp_Start_Dat" : "1550", "_Disp_End_Date" : "1550", "Disp_Title" : "Saint Jerome in Penitence", "Alt_Title" : "", "Obj_Title" : "Saint Jerome in Penitence", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "45.4 cm x 30.7 cm (17 7/8 in. x 12 1/16 in.)", "Disp_Height" : "45.4 cm", "Disp_Width" : "30.7 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Formed among Michelangelo’s followers in Rome, Franco possessed the most disciplined and idealized drawing of any Venetian artist of the period. He was also the most prolific etcher in sixteenth-century Italy. Most of his prints include engraving and suggest the very regular appearance of works in that technique. This Saint Jerome is one of a number of late efforts that responded to painted examples––here, Titian––and employed etching alone to more varied and personal effect. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Art Acquisition Endowment Fund, 2007", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2007.10.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2007.10.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2007.10.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2007.10.tif", "IsPrimary" : "1", "_SurrogateID" : "4466", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13073", "Disp_Access_No" : "2002.1679", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540", "_Disp_Start_Dat" : "1535", "_Disp_End_Date" : "1545", "Disp_Title" : "The Ark of the Lord Placed in the Temple of Dagon", "Alt_Title" : "", "Obj_Title" : "The Ark of the Lord Placed in the Temple of Dagon", "Series_Title" : "", "Disp_Maker_1" : "Battista Franco", "Sort_Artist" : "Franco, Battista", "Disp_Dimen" : "26.2 cm x 41.5 cm (10 5/16 in. x 16 5/16 in.)", "Disp_Height" : "26.2 cm", "Disp_Width" : "41.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1679.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1679.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1679.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1679.tif", "IsPrimary" : "1", "_SurrogateID" : "5266", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18536, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18536", "Disp_Access_No" : "2006.135.2/6", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570s", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Joel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Joel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "58.1 cm x 42.6 cm (22 7/8 in. x 16 3/4 in.)", "Disp_Height" : "58.1 cm", "Disp_Width" : "42.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.135.2-6.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.135.2-6.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.135.2-6.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.135.2-6.tif", "IsPrimary" : "1", "_SurrogateID" : "4809", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13115, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13115", "Disp_Access_No" : "2002.1744", "_AccNumSort1" : "", "Disp_Create_DT" : "1578", "_Disp_Start_Dat" : "1578", "_Disp_End_Date" : "1578", "Disp_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Alt_Title" : "", "Obj_Title" : "The Rest on the Flight to Egypt, after Giulio Campi", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "46.6 cm x 31.9 cm (18 3/8 in. x 12 9/16 in.)", "Disp_Height" : "46.6 cm", "Disp_Width" : "31.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1744.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1744.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1744.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1744.tif", "IsPrimary" : "1", "_SurrogateID" : "7780", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11801, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11801", "Disp_Access_No" : "2002.1743", "_AccNumSort1" : "", "Disp_Create_DT" : "early 1570's", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "The Prophet Joel, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "The Prophet Joel, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Giorgio Ghisi", "Sort_Artist" : "Ghisi, Giorgio", "Disp_Dimen" : "25 cm x 40 cm (9 13/16 in. x 15 3/4 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "40 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ghisi’s engravings invest the grand design of mid-century Italian printmaking with the meticulous craft of Northern production. His rendering of six pendentives in the Sistine Ceiling, although likely an incomplete project, was the first substantial and worthy reproduction of Michelangelo's great invention. Each consists of two plates, which in the earliest impressions were printed on separate sheets, then trimmed and joined. This impression, from the top plate of one, is an extremely rare proof before the engraving was finished, therefore a fascinating demonstration of working method.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1743.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1743.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1743.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1743.tif", "IsPrimary" : "1", "_SurrogateID" : "1839", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11800, "URL" : 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"Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1741.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1741.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1741.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1741.tif", "IsPrimary" : "1", "_SurrogateID" : "4989", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12015", "Disp_Access_No" : "2002.207", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Francesco Grimaldi", "Sort_Artist" : "Grimaldi, Giovanni Francesco", "Disp_Dimen" : "32.3 cm x 23 cm (12 11/16 in. x 9 1/16 in.)", "Disp_Height" : "32.3 cm", "Disp_Width" : "23 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.207.tif", "ThumbnailPath" : 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"Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2008", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2008.134.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2008.134.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2008.134.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2008.134.tif", "IsPrimary" : "1", "_SurrogateID" : "4926", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11913", "Disp_Access_No" : "2002.84", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Christ Child as Salvator Mundi", "Alt_Title" : "", "Obj_Title" : "The Christ Child as Salvator Mundi", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Andrea Maglioli", "Sort_Artist" : "Maglioli, Giovanni Andrea", "Disp_Dimen" : "29.8 cm x 21 cm (11 3/4 in. x 8 1/4 in.)", "Disp_Height" : "29.8 cm", "Disp_Width" : "21 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.84.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.84.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.84.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.84.tif", "IsPrimary" : "1", "_SurrogateID" : "4139", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8700, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8700", "Disp_Access_No" : "1989.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1810-1811", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1811", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "99.2 cm x 63 cm (39 1/16 in. x 24 13/16 in.)", "Disp_Height" : "99.2 cm", "Disp_Width" : "63 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Morghen’s reputation as one of the last great reproductive engravers is evident in this engraving after Raphael’s last work, the familiar Renaissance masterpiece now in the Vatican. The engraver has captured the shining radiance that reflects onto the figures from the bright cloud that surrounds Christ in Raphael’s interpretation of the Transfiguration. The composition conflates two consecutive incidents from Matthew 17. At the top of the print is the Transfiguration, the occasion when Christ revealed his divine nature to the disciples Peter, James, and John. Christ took the disciples up Mt. Tabor in Galilee and became transfigured: his face shone like the sun and his clothes became dazzling white. After Moses and Elijah appeared on either side of Christ, a voice from heaven said, “This is my son.” The apostles then fell prostrate before the vision. On the bottom of the print appears the event in which the divine healing power of Christ is manifest. Immediately following the descent down the mountain, a father brings his epileptic son to Christ to be cured. Here, one of these apostles gestures toward the earlier vision of Christ above, tying him to the latter narrative below. By looking at Peter at the center of the group of the apostles, a viewer might also be reminded of the healing powers that Peter inherits from Christ. This is an excellent example of how twentieth-century medical practitioners assist the art historian by interpreting and diagnosing from even the greatest artistic works. By looking at the print, modern doctors have identified the late stage of the seizure the boy is experiencing, locating the exact moment in these narrative events. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.26.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.26.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.26.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.26.tif", "IsPrimary" : "1", "_SurrogateID" : "2865", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8658, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8658", "Disp_Access_No" : "1997.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1795-1796", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1796", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "83 cm x 62 cm (32 11/16 in. x 24 7/16 in.)", "Disp_Height" : "83 cm", "Disp_Width" : "62 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "This print reproduces Raphael’s painting of 1520 for San Pietro in Montorio, at that time in the Louvre, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, purchase from the Archer M. Huntington Museum Fund, 1997", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1997.34.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1997.34.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1997.34.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1997.34.tif", "IsPrimary" : "1", "_SurrogateID" : "3841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3733, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3733", "Disp_Access_No" : "2002.2757", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "The Last Supper, after Leonardo da Vinci", "Alt_Title" : "", "Obj_Title" : "The Last Supper, after Leonardo da Vinci", "Series_Title" : "", "Disp_Maker_1" : "Raphael Morghen", "Sort_Artist" : "Morghen, Raphael", "Disp_Dimen" : "65.6 cm x 103.3 cm (25 13/16 in. x 40 11/16 in.)", "Disp_Height" : "65.6 cm", "Disp_Width" : "103.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "Professor at Florence’s Accademia di Belle Arti and a member of the Institut de France, Raphael Morghen was the most celebrated reproductive engraver of his era. He made some 254 prints, exclusively after the Old Masters. With the exactness of his drawing and the variety of his hatching, he achieved tonal gradations so subtle as to verge on the photographic. His skill earned him the praise of connoisseurs and colleagues throughout Europe. This reproduction of The Last Supper was his most celebrated and influential achievement. As distinguished art historian Leo Steinberg describes in his recent, searching study of the fresco, no good home in the nineteenth century lacked an impression. Morghen’s engraving, which was the basis for many more reproductions made well into the nineteenth century, helped shape the understanding and determine the popularity of Leonardo da Vinci’s masterpiece through successive generations. Since the rise of photography and the triumph of modernism, the aesthetic interest of this and all such engravings has usually been dismissed. But Steinberg insists, “Morghen’s print in its proper context is a masterpiece.” ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.2757.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.2757.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.2757.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.2757.tif", "IsPrimary" : "1", "_SurrogateID" : "1975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11079", "Disp_Access_No" : "1987.48", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1545", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1545", "Disp_Title" : "Tomb of a Bishop, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Tomb of a Bishop, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Battista Angolo del Moro", "Sort_Artist" : "Moro, Battista Angolo del", "Disp_Dimen" : "35.5 cm x 25.2 cm (14 in. x 9 15/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "25.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino’s proposition of etching as an extension of drawing took root in contemporary Verona. Angolo del Moro was the first and finest of the city’s distinctive school of etchers. This early work was inspired not just by Parmigianino’s approach to technique, but by one of his compositions, a drawing that is today in the Louvre.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.48.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.48.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.48.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.48.tif", "IsPrimary" : "1", "_SurrogateID" : "5262", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2955", "Disp_Access_No" : "2002.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1664", "_Disp_Start_Dat" : "1664", "_Disp_End_Date" : "1664", "Disp_Title" : "Adoration of the Shepherds, after Parmigianino", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Parmigianino", "Series_Title" : "", "Disp_Maker_1" : "Mauro Oddi", "Sort_Artist" : "Oddi, Mauro", "Disp_Dimen" : "21.5 cm x 27.3 cm (8 7/16 in. x 10 3/4 in.)", "Disp_Height" : "21.5 cm", "Disp_Width" : "27.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Oddi’s etching is based upon a drawing at Frankfurt, which had already been interpreted in a chiaroscuro woodcut by Niccolò Vicentino. The print is not only extremely rare but unusual in kind: most Italian artists of the seventeenth century were concerned with applying and extending the principles, rather than reproducing the appearance, of Parmigianino’s graphic works. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.187.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.187.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.187.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.187.tif", "IsPrimary" : "1", "_SurrogateID" : "1866", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18691, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18691", "Disp_Access_No" : "2006.267", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Madonna and Child with Saints Francis and Jerome", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with Saints Francis and Jerome", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Negretti, called Palma Giovane", "Sort_Artist" : "Palma Giovane, Jacopo Negretti, called", "Disp_Dimen" : "12.9 cm x 18.8 cm (5 1/16 in. x 7 3/8 in.)", "Disp_Height" : "12.9 cm", "Disp_Width" : "18.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Palma was also a frequent etcher in the same swift, animated style of his pen studies. His most sustained and influential project was an instruction manual of drawing based upon his etched plates. Carrying the technique beyond the careful description of Battista Franco––though well short of the eccentricity and expressiveness of Schiavone––such efforts helped establish the principles and determine the language of conventional Italian etching through the next century.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Julie and Lawrence Salander, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.267.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.267.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.267.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.267.tif", "IsPrimary" : "1", "_SurrogateID" : "5449", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11065, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11065", "Disp_Access_No" : "1999.42", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1527-1530", "_Disp_Start_Dat" : "1527", "_Disp_End_Date" : "1530", "Disp_Title" : "The Entombment of Christ", "Alt_Title" : "", "Obj_Title" : "The Entombment of Christ", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "32.9 cm x 23.8 cm (12 15/16 in. x 9 3/8 in.)", "Disp_Height" : "32.9 cm", "Disp_Width" : "23.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Parmigianino was the most elegant and refined of all sixteenth-century Italian artists. Provincial but inspired by his visionary compatriot Correggio, he tended from the outset toward eccentric form and idiosyncratic expression. Affected by Raphael during a sojourn in Rome, his style became more self-conscious and rigorous. Increasingly abstracted and impossibly beautiful, Parmigianino’s late works determined the course of Mannerism and remained the measure of high artifice through the eighteenth century. His etchings were the first to essay the technique’s conceptual relation with drawing and potential for original expression. This small panel is the most important surviving link between Parmigianino’s painting and printmaking. It was once regarded as a copy after his most developed and famous etching. The two compositions, however, differ in numerous details, and the elaboration of the panel departs from a loose underdrawing in dark pigment—indicative of an evolving rather than a derivative conception. The quality of the painting is confirmed by the soundness of its figures, the modulation of light, and the incisiveness of touch. Still close to Raphael’s designs, the painting was probably executed in Rome. Later, in Bologna, it would have served as the model for the etching. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Frank C. Guthrie, Carolyn Frost Keenan, and Isaac C. Kerridge, Jr., in honor of Ruth Stewart Kerridge, 1999", "Copyright_Type" : " public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "16076", "Rel_Obj_Title" : "The Entombment of Christ" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.42.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.42.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.42.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.42.tif", "IsPrimary" : "1", "_SurrogateID" : "3364", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11912", "Disp_Access_No" : "2002.83", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1525-26", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Adoration of the Shepherds", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds", "Series_Title" : "", "Disp_Maker_1" : "Parmigianino (Francesco Mazzola)", "Sort_Artist" : "Parmigianino (Francesco Mazzola)", "Disp_Dimen" : "11.8 cm x 7.8 cm (4 5/8 in. x 3 1/16 in.)", "Disp_Height" : "11.8 cm", "Disp_Width" : "7.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "This etching is one of Parmigianino’s many interpretations of the theme. Its small size, seeming informality, and sketchy articulation dramatize his appreciation of etching’s conceptual and procedural relation to drawing.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.83.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.83.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.83.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.83.tif", "IsPrimary" : "1", "_SurrogateID" : "5268", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11122, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11122", "Disp_Access_No" : "1999.79", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1589-1590", "_Disp_Start_Dat" : "1589", "_Disp_End_Date" : "1590", "Disp_Title" : "The Transfiguration", "Alt_Title" : "", "Obj_Title" : "The Transfiguration", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "57.2 cm x 34.2 cm (22 1/2 in. x 13 7/16 in.)", "Disp_Height" : "57.2 cm", "Disp_Width" : "34.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching (reworked with pen)", "Support" : "", "Disp_Medium" : "Etching (reworked with pen)", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1999", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.79.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.79.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.79.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.79.tif", "IsPrimary" : "1", "_SurrogateID" : "4039", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8183, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8183", "Disp_Access_No" : "2002.221", "_AccNumSort1" : "", "Disp_Create_DT" : "1587-1590", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1590", "Disp_Title" : "Rest on the Flight into Egypt", "Alt_Title" : "", "Obj_Title" : "Rest on the Flight into Egypt", "Series_Title" : "", "Disp_Maker_1" : "Camillo Procaccini", "Sort_Artist" : "Procaccini, Camillo", "Disp_Dimen" : "22 cm x 26.9 cm (8 11/16 in. x 10 9/16 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "26.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print represents the Holy Family on their journey into Egypt. Resting only long enough for Mary to nurse her child, Joseph waits nearby. He communicates with the viewer, directing the viewer’s gaze toward the Virgin nurturing Christ. Her tender gestures remind the viewer of her maternal qualities; she is thus the mother of all humanity", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.221.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.221.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.221.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.221.tif", "IsPrimary" : "1", "_SurrogateID" : "1915", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11818, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11818", "Disp_Access_No" : "1994.67", "_AccNumSort1" : "", "Disp_Create_DT" : "mid 1500s", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1500", "Disp_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Three Marys Lamenting the Dead Christ, after Marcantonio Raimondi, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "22 cm x 16.9 cm (8 11/16 in. x 6 5/8 in.)", "Disp_Height" : "22 cm", "Disp_Width" : "16.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober in memory of M. Roy Fisher, 1994", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1994.67.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1994.67.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1994.67.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1994.67.tif", "IsPrimary" : "1", "_SurrogateID" : "6018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11114, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11114", "Disp_Access_No" : "1989.107", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1575", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1580", "Disp_Title" : "Holy House of Loreto", "Alt_Title" : "", "Obj_Title" : "Holy House of Loreto", "Series_Title" : "", "Disp_Maker_1" : "Copy after Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Copy after Marcantonio", "Disp_Dimen" : "16.8 cm x 11.5 cm (6 5/8 in. x 4 1/2 in.)", "Disp_Height" : "16.8 cm", "Disp_Width" : "11.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "The Holy House of Loreto was another popular pilgrimage site in the Middle Ages. It was commonly believed that the Holy House was where the Virgin Mary lived and raised Jesus. Originally situated in Nazareth, it is purported that angels moved the house multiple times to safer ground when it was threatened by war or theft.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.107.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.107.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.107.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.107.tif", "IsPrimary" : "1", "_SurrogateID" : "5945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 17388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/17388", "Disp_Access_No" : "2005.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1534", "_Disp_Start_Dat" : "1529", "_Disp_End_Date" : "1539", "Disp_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Alt_Title" : "", "Obj_Title" : "Adoration of the Shepherds, after Raphael or Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "28.8 cm x 20.4 cm (11 5/16 in. x 8 1/16 in.)", "Disp_Height" : "28.8 cm", "Disp_Width" : "20.4 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching and engraving", "Support" : "", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Jack S. Blanton Curatorial Endowment Fund, 2005", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.36.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.36.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.36.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2005.36.tif", "IsPrimary" : "1", "_SurrogateID" : "5962", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2093", "Disp_Access_No" : "1995.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1538", "_Disp_Start_Dat" : "1538", "_Disp_End_Date" : "1538", "Disp_Title" : "The Transfiguration, after Raphael", "Alt_Title" : "", "Obj_Title" : "The Transfiguration, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Follower of Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Follower of Marcantonio", "Disp_Dimen" : "34.1 cm x 24.4 cm (13 7/16 in. x 9 5/8 in.)", "Disp_Height" : "34.1 cm", "Disp_Width" : "24.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This print is the earliest interpretation of Raphael’s painting of 1520 for San Pietro in Montorio, today in the Vatican’s Pinacoteca.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1995", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1995.39.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1995.39.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1995.39.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1995.39.tif", "IsPrimary" : "1", "_SurrogateID" : "5951", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11036", "Disp_Access_No" : "1989.144", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Annunciation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.2 cm x 21.6 cm (11 1/2 in. x 8 1/2 in.)", "Disp_Height" : "29.2 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Annunciation illustrates the moment when the Angel Gabriel tells the Virgin that she will bear Christ. Images of the Annunciation allude not just to the promise of salvation through Christ’s incarnation, but also to the Virgin’s humility and power to intercede. Just as it was through her that God was made flesh on earth, so too could a devout person get closer to God. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.144.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.144.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.144.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.144.tif", "IsPrimary" : "1", "_SurrogateID" : "6004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11919, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11919", "Disp_Access_No" : "2002.90", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1512", "_Disp_Start_Dat" : "1507", "_Disp_End_Date" : "1517", "Disp_Title" : "The Flagellation, from the Small Passion, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flagellation, from the Small Passion, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "12.4 cm x 9.8 cm (4 7/8 in. x 3 7/8 in.)", "Disp_Height" : "12.4 cm", "Disp_Width" : "9.8 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.90.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.90.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.90.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.90.tif", "IsPrimary" : "1", "_SurrogateID" : "6014", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11041, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11041", "Disp_Access_No" : "1989.150", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Visitation, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30 cm x 21.6 cm (11 13/16 in. x 8 1/2 in.)", "Disp_Height" : "30 cm", "Disp_Width" : "21.6 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.150.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.150.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.150.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.150.tif", "IsPrimary" : "1", "_SurrogateID" : "6006", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13093, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13093", "Disp_Access_No" : "2002.1704", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1515-1516", "_Disp_Start_Dat" : "1515", "_Disp_End_Date" : "1516", "Disp_Title" : "La Cène aux pieds [The Last Supper], after Raphael", "Alt_Title" : "", "Obj_Title" : "La Cène aux pieds [The Last Supper], after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.7 cm x 43 cm (11 11/16 in. x 16 15/16 in.)", "Disp_Height" : "29.7 cm", "Disp_Width" : "43 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "This engraving is traditionally called the Cène aux pieds – the “supper with the feet” – because those of the Apostles seem so conspicuous under the table. Bartsch believed the print to be “one of Raimondi’s most perfect and rare.” In its formal calculation and lofty ethos, it is certainly one of the great demonstrations of the classical style in early 16th-century printmaking. In collaboration with Raphael, Raimondi established the conventions and proved the profitability of translating works from other media into engraving. Steinberg’s collection includes 30 prints by Raimondi, which together with the Blanton’s previous dozen, form one of the most important groups in this country", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1704.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1704.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1704.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1704.tif", "IsPrimary" : "1", "_SurrogateID" : "1828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11038", "Disp_Access_No" : "1989.146", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Flight into Egypt, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "29.6 cm x 21.7 cm (11 5/8 in. x 8 9/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "21.7 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "According to the sixteenth-century biographer Giorgio Vasari, Raimondi’s copies were so successful that they were sold as authentic Dürers. Vasari relates that Dürer became so enraged that he traveled Venice to make an appeal to the city council. The ruling, however, stated that Raimondi could continue to publish his copies provided that he remove Dürer’s monogram. Although Vasari’s account is probably heavily embellished, Dürer was in fact an early pioneer for the notion of intellectual property, and similar legal contests between Dürer and his copyists are documented in other cities. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.146.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.146.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.146.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.146.tif", "IsPrimary" : "1", "_SurrogateID" : "5947", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11052", "Disp_Access_No" : "2002.1706", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1517-1520", "_Disp_Start_Dat" : "1517", "_Disp_End_Date" : "1520", "Disp_Title" : "Saint Paul Preaching in Athens, after Raphael", "Alt_Title" : "", "Obj_Title" : "Saint Paul Preaching in Athens, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "26.7 cm x 35.4 cm (10 1/2 in. x 13 15/16 in.)", "Disp_Height" : "26.7 cm", "Disp_Width" : "35.4 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1706.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1706.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1706.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1706.tif", "IsPrimary" : "1", "_SurrogateID" : "1830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11039", "Disp_Access_No" : "1989.147", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "Glorification of the Virgin, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.1 cm x 21.9 cm (11 7/8 in. x 8 5/8 in.)", "Disp_Height" : "30.1 cm", "Disp_Width" : "21.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.147.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1989.147.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1989.147.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1989.147.tif", "IsPrimary" : "1", "_SurrogateID" : "5948", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11037", "Disp_Access_No" : "1989.145", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1506", "_Disp_Start_Dat" : "1501", "_Disp_End_Date" : "1511", "Disp_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Alt_Title" : "", "Obj_Title" : "The Circumcision of Christ, from The Life of the Virgin, after Albrecht Dürer", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "30.4 cm x 22.9 cm (11 15/16 in. x 9 in.)", "Disp_Height" : "30.4 cm", "Disp_Width" : "22.9 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of Jonathan Bober, 1989", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1989.145.tif", "ThumbnailPath" : 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"Engraving", "Info_Page_Comm" : "Catholics believe that when the Virgin Mary’s body was assumed into Heaven, she was venerated there as queen because of her participation in the redemption of mankind – by allowing her body to be a vessel for God. The title Queen of Heaven appeared in devotional prayers and translated into art in the form of regal images of the Virgin. The coronation of the Virgin, in which a crown is placed on Mary’s head, is usually set in a royal court or among the clouds with throngs of saints and angels looking on in admiration. The audience for these particular images was probably a wealthier one, more likely to venerate a regal Virgin than a peasant mother of God.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.18.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.18.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.18.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.18.tif", "IsPrimary" : "1", "_SurrogateID" : "6030", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11058", "Disp_Access_No" : "1986.337", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Alt_Title" : "", "Obj_Title" : "Holy Family with the Young Saint John the Baptist, called Virgin with the Long Thigh, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "40.2 cm x 26.8 cm (15 13/16 in. x 10 9/16 in.)", "Disp_Height" : "40.2 cm", "Disp_Width" : "26.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Gift of William and Sally Parsons, 1986", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1986.337.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1986.337.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1986.337.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1986.337.tif", "IsPrimary" : "1", "_SurrogateID" : "5944", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13243, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13243", "Disp_Access_No" : "2002.1994", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1520-1525", "_Disp_Start_Dat" : "1520", "_Disp_End_Date" : "1525", "Disp_Title" : "Martha Leading Mary Magdalen to Christ after Raphael (or Giulio Romano)", "Alt_Title" : "", "Obj_Title" : "Martha Leading Mary Magdalen to Christ after Raphael (or Giulio Romano)", "Series_Title" : "", "Disp_Maker_1" : "Marcantonio Raimondi", "Sort_Artist" : "Raimondi, Marcantonio", "Disp_Dimen" : "22.6 cm x 34.3 cm (8 7/8 in. x 13 1/2 in.)", "Disp_Height" : "22.6 cm", "Disp_Width" : "34.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1994.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1994.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1994.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1994.tif", "IsPrimary" : "1", "_SurrogateID" : "6033", "Image_Type" : "", 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University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1338.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1338.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1338.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1338.tif", "IsPrimary" : "1", "_SurrogateID" : "4980", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12829, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12829", "Disp_Access_No" : "2002.1327", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1540-1550", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1550", "Disp_Title" : "Detail from Abraham-Isaac-Jacob-Judah, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Detail from Abraham-Isaac-Jacob-Judas, from the Ancestors of Christ on the Sistine Chapel Ceiling, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Adamo Scultori", "Sort_Artist" : "Scultori, Adamo", "Disp_Dimen" : "14.2 cm x 10.5 cm (5 9/16 in. x 4 1/8 in.)", "Disp_Height" : "14.2 cm", "Disp_Width" : "10.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1327.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1327.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1327.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1327.tif", "IsPrimary" : "1", "_SurrogateID" : "4969", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2101, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2101", "Disp_Access_No" : "2002.1677", "_AccNumSort1" : "", "Disp_Create_DT" : "1540", "_Disp_Start_Dat" : "1540", "_Disp_End_Date" : "1540", "Disp_Title" : "David and Goliath, after Giulio Romano", "Alt_Title" : "", "Obj_Title" : "David and Goliath, after Giulio Romano", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Scultori", "Sort_Artist" : "Scultori, Giovanni Battista", "Disp_Dimen" : "40.3 cm x 50.3 cm (15 7/8 in. x 19 13/16 in.)", "Disp_Height" : "40.3 cm", "Disp_Width" : "50.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "When Giulio Romano brought recent Roman style to the service and pleasure of the Gonzaga family at Mantua, he included the newly coined system of reproductive engraving. 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Not only are its incidents unusual –– the Madonna in profile, Elizabeth winding swaddling cloth, Joseph hacking a plank –– but the angularity and interlocking of the composition are pronounced, as if the products of such activities. The vertical striation of polishing scratches, prominent in this very early impression, both mitigates any severity and, like a wood grain, suggests another reflexive component", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.237.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.237.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.237.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.237.tif", "IsPrimary" : "1", "_SurrogateID" : "1934", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11171", "Disp_Access_No" : "1996.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1630", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1635", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "35.5 cm x 26.5 cm (14 in. x 10 7/16 in.)", "Disp_Height" : "35.5 cm", "Disp_Width" : "26.5 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, University purchase by exchange, 1996", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", 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"sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1356.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1356.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1356.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1356.tif", "IsPrimary" : "1", "_SurrogateID" : "7024", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12852, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12852", "Disp_Access_No" : "2002.1355", 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Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1357.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1357.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1357.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1357.tif", "IsPrimary" : "1", "_SurrogateID" : "7025", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2339", "Disp_Access_No" : "2000.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1590", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1590", "Disp_Title" : "Saint Jerome Hearing the 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Huntington Museum Fund, 2000", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.69.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.69.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.69.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2000.69.tif", "IsPrimary" : "1", "_SurrogateID" : "7016", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13069", "Disp_Access_No" : "2002.1673", "_AccNumSort1" : "", "Disp_Create_DT" : "1843", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1843", "Disp_Title" : "Descent from the Cross, after Daniele da Volterra", "Alt_Title" : "", "Obj_Title" : "Descent from the Cross, after Daniele da Volterra", "Series_Title" : "", "Disp_Maker_1" : "Paolo Toschi", "Sort_Artist" : "Toschi, Paolo", "Disp_Dimen" : "82 cm x 58 cm (32 5/16 in. x 22 13/16 in.)", "Disp_Height" : "82 cm", "Disp_Width" : "58 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1673.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1673.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1673.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1673.tif", "IsPrimary" : "1", "_SurrogateID" : "4135", "Image_Type" : "Transparency", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1673.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1673.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1673.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1673.tif", "IsPrimary" : "0", "_SurrogateID" : "5588", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11129, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11129", "Disp_Access_No" : "2002.241", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1595", "_Disp_Start_Dat" : "1590", "_Disp_End_Date" : "1600", "Disp_Title" : "Ecstasy of Saint Francis", "Alt_Title" : "", "Obj_Title" : "Ecstasy of Saint Francis", "Series_Title" : "", "Disp_Maker_1" : "Francesco Vanni", "Sort_Artist" : "Vanni, Francesco", "Disp_Dimen" : "23.6 cm x 17.9 cm (9 5/16 in. x 7 1/16 in.)", "Disp_Height" : "23.6 cm", "Disp_Width" : "17.9 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "There is a sweet familiarity to Vanni’s St. Francis in Ecstasy. The setting is minimal, analogous to the poverty Francis proclaimed as the path to God. Vanni has rendered Francis’ face as emaciated and pock marked. Any anxiety the viewer might feel is assuaged by the ebullience of the angel.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "1", "_SurrogateID" : "1149", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.241.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.241.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.241.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.241.tif", "IsPrimary" : "0", "_SurrogateID" : "1940", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 18543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/18543", "Disp_Access_No" : "2006.137.2/15", "_AccNumSort1" : "", "Disp_Create_DT" : "1642", "_Disp_Start_Dat" : "1642", "_Disp_End_Date" : "1642", "Disp_Title" : "Assumption of the Virgin, from the Assumption of the Virgin in the Dome of the Cathedral at Parma, after Antonio Allegri, called Correggio", "Alt_Title" : "", "Obj_Title" : "Assumption of the Virgin, from the Assumption of the Virgin in the Dome of the Cathedral at Parma, after Antonio Allegri, called Correggio", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Vanni", "Sort_Artist" : "Vanni, Giovanni Battista", "Disp_Dimen" : "50 cm x 72.3 cm (19 11/16 in. x 28 7/16 in.)", "Disp_Height" : "50 cm", "Disp_Width" : "72.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Lawrence Lawver, 2006", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2006.137.2-15.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2006.137.2-15.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2006.137.2-15.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2006.137.2-15.tif", "IsPrimary" : "1", "_SurrogateID" : "4465", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11051, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11051", "Disp_Access_No" : "2002.1705", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1516", "_Disp_Start_Dat" : "1511", "_Disp_End_Date" : "1521", "Disp_Title" : "Death of Ananias, after Raphael", "Alt_Title" : "", "Obj_Title" : "Death of Ananias, after Raphael", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "26.5 cm x 39.8 cm (10 7/16 in. x 15 11/16 in.)", "Disp_Height" : "26.5 cm", "Disp_Width" : "39.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1705.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1705.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1705.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1705.tif", "IsPrimary" : "1", "_SurrogateID" : "1829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11069", "Disp_Access_No" : "1987.45", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1530", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Alt_Title" : "", "Obj_Title" : "The Three Holy Women Going to the Sepulchre [after Michelangelo (or Rosso)]", "Series_Title" : "", "Disp_Maker_1" : "Agostino dei Musi, called Veneziano", "Sort_Artist" : "Veneziano, Agostino dei Musi, called", "Disp_Dimen" : "24.8 cm x 18.2 cm (9 3/4 in. x 7 3/16 in.)", "Disp_Height" : "24.8 cm", "Disp_Width" : "18.2 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 1987", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1987.45.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1987.45.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1987.45.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1987.45.tif", "IsPrimary" : "1", "_SurrogateID" : "4966", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12845, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12845", "Disp_Access_No" : "2002.1343", "_AccNumSort1" : "", "Disp_Create_DT" : "1546", "_Disp_Start_Dat" : "1546", "_Disp_End_Date" : "1546", "Disp_Title" : "Judith Giving the Head of Holofernes to Her Servent, after Michelangelo", "Alt_Title" : "", "Obj_Title" : "Judith Giving the Head of Holofernes to Her Servent, after Michelangelo", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "27.9 cm x 42.5 cm (11 in. x 16 3/4 in.)", "Disp_Height" : "27.9 cm", "Disp_Width" : "42.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1343.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1343.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1343.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1343.tif", "IsPrimary" : "1", "_SurrogateID" : "4984", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2118, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2118", "Disp_Access_No" : "2001.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1545", "_Disp_Start_Dat" : "1545", "_Disp_End_Date" : "1545", "Disp_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Alt_Title" : "", "Obj_Title" : "The Conversion of Saint Paul, after Francesco Salviati", "Series_Title" : "", "Disp_Maker_1" : "Enea Vico", "Sort_Artist" : "Vico, Enea", "Disp_Dimen" : "53.3 cm x 92.3 cm (21 in. x 36 5/16 in.)", "Disp_Height" : "53.3 cm", "Disp_Width" : "92.3 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving on two sheets", "Support" : "", "Disp_Medium" : "Engraving on two sheets", "Info_Page_Comm" : "Encouraged by success in Rome, Salviati returned to his native Florence in the early 1540s. For a brief period he challenged the artistic supremacy of Angelo Bronzino at the court of Cosimo de’ Medici. This extraordinary engraving, dedicated on the stone in the left foreground to “the generosity of Cosimo de’ Medici”, was part of his efforts to bolster his position. Pietro Aretino, a prominent literary figure, praised the print’s “stupendous composition” and “sublime invention” in a long letter to Salviati. In this impression, the printing of the right-hand plate is weaker and the effect somewhat unbalanced.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Archer M. Huntington Museum Fund, 2001", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2001.54.tif", "IsPrimary" : "1", "_SurrogateID" : "4105", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 13120, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13120", "Disp_Access_No" : "2002.1756", "_AccNumSort1" : "", "Disp_Create_DT" : "1597", "_Disp_Start_Dat" : "1597", "_Disp_End_Date" : "1597", "Disp_Title" : "Presentation in the Temple, after Paolo Veronese", "Alt_Title" : "", "Obj_Title" : "Presentation in the Temple, after Paolo Veronese", "Series_Title" : "", "Disp_Maker_1" : "Francesco Villamena", "Sort_Artist" : "Villamena, Francesco", "Disp_Dimen" : "35.9 cm x 44.3 cm (14 1/8 in. x 17 7/16 in.)", "Disp_Height" : "35.9 cm", "Disp_Width" : "44.3 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1756.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1756.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1756.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1756.tif", "IsPrimary" : "1", "_SurrogateID" : "6566", "Image_Type" : "Digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2274", "Disp_Access_No" : "2002.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1580", "_Disp_Start_Dat" : "1580", "_Disp_End_Date" : "1580", "Disp_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Alt_Title" : "", "Obj_Title" : "Saint Joachim Holding a Censer, from The Angel Appearing to Zacharias, after Andrea del Sarto", "Series_Title" : "The Angel Appearing to Zacharias", "Disp_Maker_1" : "Domenico Vito", "Sort_Artist" : "Vito, Domenico", "Disp_Dimen" : "34.6 cm x 22.8 cm (13 5/8 in. x 9 in.)", "Disp_Height" : "34.6 cm", "Disp_Width" : "22.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The little known Vito worked as a reproductive engraver before retiring young to a monastery. The same personality, hermetic and involuted, seems evident in this very rare print. It is unusual first in addressing a motif from an early 16th-century Florentine prototype, one of Andrea del Sarto’s frescoes in the cloister of the church of Santissima Annunziata. More unusual still, it translates the motif into a style of less inflected line work and even tonality that revives the language of Marcantonio Raimondi and his immediate followers. Indeed, were the engraving not dated, it might be confused with one of a half-century earlier. ", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.54.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.54.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.54.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.54.tif", "IsPrimary" : "1", "_SurrogateID" : "2061", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11320", "Disp_Access_No" : "1999.77", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1770's", "_Disp_Start_Dat" : "1765", "_Disp_End_Date" : "1775", "Disp_Title" : "The Holy Family, after Ubaldo Gandolfi", "Alt_Title" : "", "Obj_Title" : "The Holy Family, after Ubaldo Gandolfi", "Series_Title" : "", "Disp_Maker_1" : "Gaetano Zaoli", "Sort_Artist" : "Zaoli, Gaetano", "Disp_Dimen" : "22.2 cm x 14.8 cm (8 3/4 in. x 5 13/16 in.)", "Disp_Height" : "22.2 cm", "Disp_Width" : "14.8 cm", "Dimen_Extent" : "Sheet", "Medium" : "Etching and aquatint", "Support" : "", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, Purchase through the generosity of Susan Thomas, 1999", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Printed recto and verso ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1999.77.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1999.77.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1999.77.tif", "IIIF_URL": "http://iiif.gallerysystems.com/1999.77.tif", "IsPrimary" : "1", "_SurrogateID" : "5975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12907, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12907", "Disp_Access_No" : "2002.1430", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Devotional Virgin", "Alt_Title" : "", "Obj_Title" : "A Devotional Virgin", "Series_Title" : "", "Disp_Maker_1" : "Anonymous", "Sort_Artist" : "Anonymous", "Disp_Dimen" : "25.4 cm x 17.6 cm (10 in. x 6 15/16 in.)", "Disp_Height" : "25.4 cm", "Disp_Width" : "17.6 cm", "Dimen_Extent" : "sheet", "Medium" : "Woodcut", "Support" : "", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "This early woodcut depicts a statue of the Virgin and Child. The figures standing below the statue’s base adore and venerate the statue, just as the viewer is meant to do. In the Middle Ages, it was common for the devout to travel to pilgrimage sites where they asked the Virgin to intercede on their behalf. This print was probably sold at a pilgrimage site and was meant to remind the owners of their spiritual journey and to continue their devotion upon their return home.", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.1430.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.1430.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.1430.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.1430.tif", "IsPrimary" : "1", "_SurrogateID" : "9033", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2684", "Disp_Access_No" : "2002.1317", "_AccNumSort1" : "", "Disp_Create_DT" : "1637", "_Disp_Start_Dat" : "1637", "_Disp_End_Date" : "1637", "Disp_Title" : "Saint Jerome, after Guido Reni", "Alt_Title" : "", "Obj_Title" : "Saint Jerome, after Guido Reni", "Series_Title" : "", "Disp_Maker_1" : "Bartolomeo Coriolano", "Sort_Artist" : "Coriolano, Bartolomeo", "Disp_Dimen" : "29.6 cm x 22.1 cm (11 5/8 in. x 8 11/16 in.)", "Disp_Height" : "29.6 cm", "Disp_Width" : "22.1 cm", "Dimen_Extent" : "sheet", "Medium" : "Chiaroscuro woodcut from three blocks,tone blocks printed in green and blue-gray", "Support" : "", "Disp_Medium" : "Chiaroscuro woodcut from three blocks,tone blocks printed in green and blue-gray", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 11951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11951", "Disp_Access_No" : "2002.129", "_AccNumSort1" : "", "Disp_Create_DT" : "1583", "_Disp_Start_Dat" : "1583", "_Disp_End_Date" : "1583", "Disp_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Alt_Title" : "", "Obj_Title" : "Saint Paul Raising Patroclus, after Antonio Campi", "Series_Title" : "", "Disp_Maker_1" : "Agostino Carracci", "Sort_Artist" : "Carracci, Agostino", "Disp_Dimen" : "25 cm x 18.5 cm (9 13/16 in. x 7 5/16 in.)", "Disp_Height" : "25 cm", "Disp_Width" : "18.5 cm", "Dimen_Extent" : "sheet", "Medium" : "Engraving, with red chalk on verso", "Support" : "", "Disp_Medium" : "Engraving, with red chalk on verso", "Info_Page_Comm" : "", "Dedication" : "Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002", "Copyright_Type" : "Public domain", "Disp_Obj_Type" : "print", "Creation_Place2" : "Italian", "Department" : "Prints and Drawings", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Red chalk sketch on verso shows artist copying composition on recto. Will be displayed double-sided.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.129.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.129.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.129.tif", "IIIF_URL": "http://iiif.gallerysystems.com/2002.129.tif", "IsPrimary" : "1", "_SurrogateID" : "9333", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11970, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11970", "Disp_Access_No" : "2002.154", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1602-1604", "_Disp_Start_Dat" : "1602", "_Disp_End_Date" : "1604", "Disp_Title" : "Madonna and Child with the Young Saint John the Baptist", "Alt_Title" : "", "Obj_Title" : "Madonna and Child with the Young Saint John the Baptist", "Series_Title" : "", "Disp_Maker_1" : "Ludovico Carracci", "Sort_Artist" : "Carracci, Ludovico", "Disp_Dimen" : "18.4 cm x 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